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1.
ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.  相似文献   

2.
The cultural policy of the European Union (EU) has become more important than before as economic crisis threatens to undermine the EU’s nascent political identity. This paper offers graphic narrative (or comics) as a medium particularly suited to the task. This suitability results from several features: (1) the text/image hybridity of comics, which eases translation into multiple languages; (2) the topological aspect of graphic narrative, in which panels compose a spatial network of relations of various intensities that is isomorphic with the theorization of European space offered by a key EU think tank; and (3) the potential for comics of the ‘everyday’ to narrate a plural, non-didactic identity with which both Europeans and others can identify. It is hoped that a policy such as this could have a more positive influence on the more territorial, exclusive notions of the EU.  相似文献   

3.
Anouk de Koning 《对极》2015,47(5):1203-1223
In the Dutch and more broadly European context, urban policymaking has generally been studied through the conceptual lens of neoliberalism. While important, I argue that this neoliberal lens does not fully account for the design and impact of urban policies currently transforming cities like Amsterdam. Following Mustafa Dikeç's (2007, Badlands of the Republic: Space, Politics, and Urban Policy) understanding of urban policy as place‐making practices that normalize particular distributions of people, authorities and spaces, I propose to focus on underlying visions of the normal and the good city that shape urban policymaking. Drawing on 18 months of ethnographic research on Amsterdam's “notorious” Diamantbuurt, I argue that this vision is informed by neoliberalism and by racialized concerns with migrants and ethnic minorities. It entails particular classed and racialized preferences that normalize and underwrite the partial displacement that is underway in the neighbourhood.  相似文献   

4.
ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.  相似文献   

5.
《Romance Quarterly》2013,60(4):279-291
Juan Antonio Llorente's edition of Bartolomé de Las Casas's writings, Colección de las obras del venerable Obispo de Chiapa, Don Bartolome de las Casas, defensor de la libertad de los Americanos, illustrates how Las Casas was perceived and condemned in the early decades of the nineteenth century. In this article, I seek to explain why and in what ways Bartolomé de Las Casas's early propositions on African slavery played a fundamental role in Juan Antonio Llorente's edition of Colección, an ambitious editorial work that involved much more than selection, editing, and publication. By approaching the Colección's production and reception from the perspective of book history, I explore how Llorente's Colección reflects the role that colonial affairs and race had in the challenges faced by European rule and white hegemony.  相似文献   

6.
The aim of this article carries a comparison between Calderón and Dostoevsky, their semblances and differences. First, I study a relationship toward otherness which is, in both cases, problematic and modern. Departing from Segismundo's complaints when he is imprisoned (saying that he is living a life “worse than animals live”) I analyze two kinds of misunderstandings: a white blindness that respects the Other's difference, and the evil inside its unconcealment. Finally, I discuss Coetzee's Dostoevsky (in The Master of Petersburg) in relation to some of the thesis outlined previously: the necessity of respect when dealing with the space of the other, either in its human form or in a non-human presentation.  相似文献   

7.
Through a reading of Horacio Castellanos Moya's novel Senselessness and Guatemalan dictator Efrain Ríos Montt's counterinsurgency discourse, I argue in this article that madness, banished from the realm of reason with the rise of capitalism, resurfaces nowadays as a conceptual category able to disrupt the neoliberal manufacturing of bare life. I first examine how subversion was discursively constructed in Guatemala as a mental disease. I then discuss the narrator's behavior in the novel as a reasonable senselessness that by welcoming madness, understood as the moment of extreme doubt, both reveals and reacts against a shift in the locus of sovereignty ensuing from neoliberal reason's tightening grasp of the biopolitical sphere. This shift, I further argue, is increasingly placing most of the population in a relation of exception that resembles the zone of indistinction between life and death in which bare life is caught. I conclude by suggesting that Castellanos Moya's novel ultimately invites us to ponder the possibility of an other reason able to move beyond the extreme moment of certainty that the merging of state and neoliberal reason represents neoliberalism, sovereignty, Horacio Castellanos Moya, Efraín Ríos Montt, Guatemala.  相似文献   

8.
Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.  相似文献   

9.
In recent decades in Spanish literature, a series of stories have emerged that attempt, with varying degrees of zeal, revisionist reinterpretations of recent historical events, especially those related to the Civil War, the postwar crisis, and exile. This is demonstrated by novels like La voz dormida by Dulce Chacón (2002), La desbandá by Luis Melero (2005), Los años del miedo by Juan Eslava Galán (2008), and El corazón helado by Almudena Grandes (2007, awarded the Premio al Libro del año by the Guild of Booksellers in Madrid and the Premio Fundación José Manuel Lara). With her novel, Almudena Grandes initiates a dangerous and conflicted way of retrieving this historical memory. This essay aims to analyze the identity conflict of the children of the Spanish Republican exile in Grandes's novel.  相似文献   

10.
《Romance Quarterly》2013,60(4):304-312
Sister Francisca de la Concepción (Mother Castillo), a Neogranadine nun, articulated multiple, powerful discourses in her works Mi vida and Afectos espirituales. In what I call a "hegemonic confessional discourse," visible throughout her mystical works, the Spanish-American colonial nun affirmed the Iberian colonization and Catholic evangelization of the New Kingdom of Granada by accepting and supporting the Spanish's violent and discriminatory hegemony.

I will defend the aforementioned thesis by analyzing Mi vida and Afectos espirituales, using the construction of Otherness and an explanation of various mystical processes, and by scrutinizing Mother Castillo's social, economic, political, and religious views, as well as her Catholic orthodox, white, traditional perspective.  相似文献   

11.
ABSTRACT

In this paper, I take up the theme of Spinoza's ars vivendi in relation to its temporality; duration as the very rhythm of life. In the face of an intensifying climate crisis, our experience of the rhythm of life in the everyday and its implications for the deep time of climate futures seem increasingly out of joint. Building on Morfino's argument of the necessary relationship between ontology and history, I explore the connections between the rhythm of life and our (Western) comprehension of the climate crisis. This framing provides insights into a fatal confusion. This confusion is fueled by the chrono-topography of the modern capitalist city, its intensification of a perceived separation of daily life from bioenergetic processes; and it is amplified in object-oriented ontology, which, in its treatment of climate as a hyperobject, both accepts and reifies a split between ontology and history. I argue, in contrast, that to think of the world as multi-relational and multi-temporal provides us with tools to assess the politics of the multitude in relation to the climate crisis, to better comprehend the complexity of the conjuncture and the schematization of divergent climate futures, and to fashion a responsive and response-able ars vivendi.  相似文献   

12.
13.

Extending ideas of social exclusion and cultural modelling, I demonstrate that work identities of young inner-city men and women are shaped by cultural representations of the neighbourhood. I explore, in particular, the internal and external representations of culture and neighbourhoods, and the relationship between the two forms of representation. Empirical research focuses on two inner-city neighbourhoods of San Antonio, Texas. I present data from in-depth interviews with twenty-nine young Latinos and Latinas and seventeen representatives of community-based institutions. The results reveal that place is an important mechanism in the production of work identities. By considering the contingency of norms of success and marginality, the paper critiques underclass and culture-ofpoverty concepts. À partir de concepts d'exclusion sociale et de modélisation culturelle, je démontre que, pour les jeunes provenant de quartiers urbains défavorisés, les identités reliées au travail sont influencées par les représentations culturelles de leur environnement. J'examine en particulier les représentations internes et externes de culture et quartier, ainsi que la relation entre ces deux formes de représentation. Mes recherches empiriques sont axées sur deux quartiers dévaforisés de San Antonio, Texas. Je présente des données tirées d'entrevues détaillées avec vingt-neuf jeunes hommes et femmes Latinose et dix-sept représentants d'institutions communautaires. Les résultats indiquent que l'identification au lieu est un mécanisme important dans la formation d'identités reliées au travail. En examinant comment les normes de succès et de marginalité varient selon l'environne-ment, cet article questionne les concepts de sous-classe et de culture de la pauvreté. Ampliando ideas sobre exclusión social y moldeamiento cultural, demuestro que las identidades de trabajo de los jóvenes hombres y mujeres de barrios marginales son moldeadas por representaciones culturales de la vecindad. Examino, principalmente, las representaciones internas y externas de cultura y vecindades y la relación entre las dos formas de representación. La investigacion empírica tiene como enfoque dos barrios de San Antonio, Texas. Incluyo datos sacados de entrevistas largas con 29 Latinos y Latinas jóvenes y 17 representantes de instituciones basadas en la comunidad. Los resultados revelan que el lugar es un mecanismo muy importante en la producción de identidades de trabajo. Por una consideración de la contingencia de normas de éxito y marginación el papel critica ideas de clases marginadas y la cultura de pobreza.  相似文献   

14.
This essay examines the graphic memoir An Iranian Metamorphosis, by the acclaimed cartoonist Mana Neyestani, in the context of Iranian diaspora literature, particularly the genre of comics. Neyestani’s book is analyzed for its engagement with the politics of exile literature, and its attempt at challenging a two-dimensional view of the political discourse, in which the ethical boundaries of pro- and anti-government are overtly simple. The essay focuses on the book’s narrative techniques that exhibit a complex awareness of what is anticipated from a representative work of Iranian exile memoir, and the way it negotiates its own narrative politics. To clarify the arguments, several comparative examples are drawn from two well-known graphic narratives by Iranian diaspora authors, Marjane Satrapi’s Persepolis, and Amir and Khalil’s Zahra’s Paradise.  相似文献   

15.
Noel Castree 《对极》2010,41(Z1):185-213
Abstract: This essay's point of departure is the coincident economic and environmental “crises” of our time. I locate both in the dynamics of capital accumulation on a world‐scale, drawing on the ideas of Marx, Karl Polanyi and James O’Connor. I ask whether the recent profusion of “crisis talk” in the public domain presents an opportunity for progressive new ideas to take hold now that “neoliberalism” has seemingly been de‐legitimated. My answer is that a “post‐neoliberal” future is probably a long way off. I make my case in two stages and at two geographical scales. First, I examine the British social formation as currently constituted and explain why even a leading neoliberal state is failing to reform its ways. Second, I then scale‐up from the domestic level to international affairs. I examine cross‐border emissions trading—arguably the policy tool for mitigating the very real prospects of significant climate change this century. The overall conclusion is this: even though the “first” and “second” contradictions of capital have manifested themselves together and at a global level, there are currently few prospects for systemic reform (never mind revolution) led by a new, twenty‐first century “red‐green” Left.  相似文献   

16.
The Sección Femenina (or SF, 1934–77), the female branch of the Spanish fascistic party, the Falange, created and successfully lobbied for the Law for Political, Professional and Labour Rights for Women (Ley de Derechos Políticos, Profesionales, y de Trabajo de la Mujer) in 1961. The law responded to and recognised the shifting world of women's work during the final years of the Franco regime (1939–75) and established the SF as an advocate for their labour rights. The new legislation simultaneously promoted employment opportunities for Spanish women and reinforced their traditional restrictions. This article explores this significant legal achievement for women's rights during the 1960s, discussing its meaning for the Franco dictatorship and for the female organisation that ushered in the new legislation. Ultimately, I argue that the law was a significant step for the advancement of women's rights and continued the piecemeal process of reform led by the SF. But it reinforced the group's paradoxical image as an organisation with fascist roots pushing (albeit in the workplace only) for reform.  相似文献   

17.
ABSTRACT

Entendiendo por “pornoprecariedad” el entramado visual que explota y consume como forma de entretenimiento la exhibición de las nuevas formas de miseria en las que se sostiene y que reproduce el neoliberalismo, en este artículo se analiza cómo el largometraje de ficción Hermosa juventud (2014), de Jaime Rosales, cuestiona constructos sobre los que se asienta dicho acercamiento mediático dominante a la precariedad. Relacionar críticamente precariedad con pornografía hace emerger problemáticas relacionadas con la representación visual, la recepción de esta y la dimensión ética de ambas, planteando interrogantes acerca de la responsabilidad, el mirar o las relaciones de género y poder. El film de Rosales dialoga con tradiciones artísticas y reflexivas que trabajan con desarrollos socioeconómicos de largo alcance que la crisis biopolítica patente especialmente desde 2008 en la Europa meridional ha sacado a la luz.  相似文献   

18.
Ståle Holgersen 《对极》2020,52(3):800-824
The renewed interest in Marxism that occurred in social sciences and humanities after the 2008 economic crisis has not yet found its counterpart in spatial planning. This paper examines what Marxist planning theory and practices could mean in the current conjuncture. It does so through scrutinising (1) the vibrant Marxist discourse in planning that existed in the late 1970s and early 1980s, (2) the recent history (since the 1980s) of planning theory and its relation to the political economy, and (3) the current political economic context (not least defined by the diabolic crisis). Where previous Marxist approaches to planning were very strong on analysing the political economy, I argue there is currently a need—with old hegemonies losing ground, communicative approaches losing support, and neoliberalism in the political economy losing legitimacy—to also discuss establishing alternatives.  相似文献   

19.
ABSTRACT

Historians have variously condemned British Foreign Secretary Sir Edward Grey for contributing to the escalation of the July Crisis of 1914, and praised him as an heroic advocate of peace. Addressing this conundrum, this article first assesses historiographical debates around the significance of Grey's policy towards Germany in the events that led to the outbreak of the First World War. It then traces Grey's foreign policy vis-à-vis Germany on the one hand, and the Entente on the other. Finally, it provides an innovative analysis of Grey's policy from the vantage point of Berlin, arguing that in July 1914 decisions taken by the governments of other countries escalated the crisis and were taken regardless of Grey's position. The article concludes that current historiography overestimates British agency in July 1914 and that Grey was not as important to the outcome of the crisis as both his critics and his defenders have claimed. His actions could not change the minds of those on the continent who were bent on war.  相似文献   

20.
ABSTRACT

This article examines the two distinct historical policy paths taken by the South Korean government in the late twentieth century towards the democratization of museums. One was based on the creation of a museological public sphere as an extension of the political democratization movement of the 1980s. This demonstrated the potential to become a valuable component of the wider incipient national public sphere within which civic subjects could discuss their individual and collective historical memories. However, despite this potential, a museological public sphere failed to influence the general trajectory of national policy regarding the democratization of museums that had been in development since the early 1980s. This other policy path towards cultural democratization was triggered by the award of the Seoul Olympics in 1981. It was based on public participation and entitled the ‘cultural Olympics’. An important strategy of the cultural Olympics was the construction of a new institutional infrastructure to expand the public right to enjoy culture. This path facilitated an increasing entanglement with neoliberalism in 1990s. Finally, the 1997 IMF crisis furthered the association between a superficial idea of democratization through institutional expansion and the practices of neoliberalism, a trend which continues within South Korean museum policy today.  相似文献   

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