Railway Architecture: The Great Northern Railway (Ireland) at Dundalk

ABSTRACT

This article is adapted from the dissertation ‘Railway Architecture: The Great Northern Railway (Ireland) at Dundalk’, completed by Siobhan Osgood for the MPhil in Art History: Art + Ireland, where it was awarded a distinction. The study provides an historical analysis in the context of architectural development and broader railway culture in Ireland to provide an interpretation and understanding of the use of polychromatic yellow, red and black brickwork to create a visual identity for railway architecture. The use of accented colours to pick out key features is repeated across a series of buildings, thus creating a distinctive style of ‘brick-branding’. These are most prominent in the town of Dundalk, where the GNRI had its central engineering works at the halfway point on the Dublin to Belfast mainline and at the point where the Irish North line extended west and north. The buildings were each intricately designed by the GNRI's first chief engineer, William Hemingway Mills, a second-generation railway engineer who merged the roles of architect and engineer using an amalgamation of architectural designs from his earlier career in Derby, Scotland, Mexico and Spain. Mills thus created his own ‘Millsian’ style of industrial architectural design.     

From ‘neo-vernacular’ to ‘semi-vernacular’: a case study of vernacular architecture representation and adaptation in rural Chinese village revitalization

ABSTRACT

Vernacular architecture can be regarded as heritage places. Recently, the need to protect vernacular heritage in China has been reflected through government policy changes, for example the ‘beautiful countryside’ program which aims to develop rural villages since 2005. However, a conflict between conserving the tangible fabric and the intangible heritage of the vernacular place can become pronounced, as villagers have desires for a modern lifestyle, and maintaining the physical building fabric. Vernacular villages require sustainable development alongside conservation of both tangible and intangible heritage significance. A key factor in keeping a village alive is continuing its utilization by a local community. This paper introduces the terms ‘neo-vernacular’ (buildings with a vernacular appearance with contemporary methods and materials) and ‘semi-vernacular’ (reusing or renovating vernacular buildings in combination with modern and traditional building techniques) to distinguish two approaches to vernacular villages conservation. We analyse the distinctions between the works of Amateur Architecture Studio (AAS) and Atelier Zhang Lei (AZL) to demonstrate the neo-vernacular and semi-vernacular approaches respectively through photo-comparison diagrams, and reviewing comments from local villagers, architectural students, and scholars. In the discussion, we propose that the semi-vernacular adaptation offers a new approach worth pursuing in China’s rapidly changing rural landscapes.     

The Choir of Auxerre Cathedral and the Question of a Burgundian Gothic Architecture

Despite criticisms, the classification of the choir of Auxerre Cathedral as Burgundian persists in recent literature. Yet the cathedral’s choir, begun c. 1215, demonstrates the problematic nature of the existing regional categories for French medieval architecture. Based on the 19th-century idea of progress, the conceptual model that conceives Gothic France as consisting of ‘centre and periphery’ and notions such as regional styles or period styles are deeply at odds with medieval concepts of innovation as inclusive of tradition, as evidenced in the biography of Bishop William of Auxerre (1207–20). Indeed, 20th-century studies in support of the classification are contradicted by recent archaeological findings, and neither the historical evidence nor the architectural evidence support a Burgundian label for the choir. The architecture’s distinctly trans-regional character with a mixture of both traditional and up-to-date architectural elements as well as the fact that patronal identities were strongly based on local affiliations and not attached to the duchy of Burgundy, invite a profound reconsideration not only of the position of the choir in the architectural landscape of the early 13th century but also of Gothic architecture of north-eastern France in more general terms.     

Recovering Republican Eloquence: John Cheke versus Stephen Gardiner on the Pronunciation of Greek

Abstract

The controversy over Greek pronunciation at Cambridge University in 1542, principally between university chancellor Stephen Gardiner and regius professor of Greek John Cheke, marked the emergence of not only the linguistic but also the political agenda of the mid-Tudor Cambridge humanists. This important group included future statesmen and political thinkers such as William Cecil, later Elizabeth's famous minister, Thomas Smith, author of De republica anglorum, and John Ponet, leading exponent of ‘resistance theory’. In the 1542 Greek controversy Cheke and his allies advocated the restoration of an ancient pronunciation they saw as having been the medium of eloquence in the Athenian republic. Their concepts of language provide a template for their political concepts: both language and political structures are generated by the community, reflective of the community's particular character, susceptible to change and capable of improvement. Throughout their subsequent careers and especially in the reign of Edward VI, when their influence was at its height, these humanists fostered a ‘monarchical republican’ politics; it involved rhetorical persuasion as the main mode of political action, programmes of religious and economic reform, and popular consent as an important factor in the good governance of the commonwealth.     

Sticks and Stones: Byzantine Material Culture

Abstract

Suddenly last summer, research on Byzantine Material Culture, La belle aux bois dormant, was awakened from a prolonged siesta. In the 20th International Congress of Byzantine Studies held in Paris two papers were given in an attempt to chart out the progress made in this particular field in the past decades. T. Kolias assembled the various projects undertaken by individuals or institutions dealing with the different aspects of Byzantine daily life and material culture. M. Mundell Mango focused more on the archaeological evidence at hand and illustrated through the examples of architecture and industrial products how these could be used to detect and explain the interaction between centre and periphery. Just two weeks later, in September 2001 a conference entitled ‘Material Culture and Well-Being in Byzantium (400–1453)’ was organised in Cambridge. A number of suggestions were made during the conference, as for example to initiate a website to host a continuously updateable bibliography and to act as a forum of scholarly exchange in the numerous fields covered by research on material culture. Finally in April 2002 the Spring Symposium at Dumbarton Oaks was devoted to ‘Realities in the Arts of the Medieval Mediterranean’ in an attempt to reposition topics as exchange, influence and impact of the material culture between the Byzantine, the Western and the Islamic world. All the above has made clear the potential that the analysis of material culture has for Byzantine studies.     

Dress-code: gender performance and misbehavior in the manor

This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored ‘on the one hand’ as a representation of social norms and ‘on the other hand’ as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called ‘the most famous manor in Sweden and of Swedish manors the most famous in the world’ (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858–1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy – a national monument. Lagerlöf continuously worked on the main building. In 1919–1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal ‘power suit’, which enabled a lifestyle that deviated from the norms of society.     

The 14th-Century Rebuilding of the Collegiate Church of St Mary’s,Warwick

The 14th-century rebuilding of the collegiate church of St Mary’s by the earls of Warwick has received surprisingly little scholarly consideration, despite the status of its patrons and the distinctiveness of its architecture. This article uses drawings of the building before the fire of 1694, which destroyed its west end, together with the college’s extensive cartulary and other records, to reconstruct the 14th-century church. From this a timeline for the construction of the church is proposed. Regional, national and international stylistic precedents and antecedents are explored and used to test the validity of the ‘centre/periphery’ model of architectural change. The article concludes with a brief discussion of methodological insights drawn from the analysis.     

Human Security as ontological security: a post-colonial approach

ABSTRACT

This article will critically interrogate the relationship between Human Security and Ontological Security from a broadly postcolonial perspective. The dislocation engendered by successive waves of neo-liberal globalisation has resulted in the deracination of many of the world's inhabitants, resulting in a state of collective ‘existential anxiety’ [Anthony Giddens, Modernity and Self-Identity: Self and Society in the Late Modern Age, Cambridge: Polity Press, 1991]. Under such conditions, the search for ontological security becomes paramount. However, conventional understandings of Human Security as ‘freedom from fear and want’ are unable – from a post-colonial perspective – to provide ontological security since they operate within a culturally specific, Eurocentric understanding of the ‘human’ as ‘bare life’ [Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, Daniel Heller-Roazen (trans), Stanford, CA: Stanford University Press, 1998]. It will then be argued that post-secular conceptions of Human Security [Giorgio Shani, Religion, Identity and Human Security, London and New York: Routledge, 2014] by acknowledging the role which culture and religion can play in providing answers to existential questions concerning the ‘basic parameters of human life’ are better able to ‘protect’ ontological security in times of rapid global transformation given the centrality of religion to post-colonial subjectivity. This will be illustrated by the case of the global Sikh community. It will be argued that ontological, and therefore, Human Security rests on reintegrating the ‘secular’ and ‘temporal’ dimensions of Sikhi, which had been severed as a result of the colonial encounter.     

Comment habiter le monde ? Michel Houellebecq architecte

ABSTRACT

In Michel Houellebecq’s criticism and novels, a scathing critique of functionalist architecture is at work. For him, this architecture seems to have become the tool by which the « market society » structures contemporary space according to it’s own demands. How, then, is it possible to inhabit the world? The architectural imagination of Houellebecq’s work is at odds with functionalism, rather deriving from impossible (such as nature) or anachronistic models (cathedrals). It is, however, possible to pinpoint a number of architectural techniques that resonate with the construction and style of Houellebecq’s novels, suggesting that—in an uninhabitable world—literature presents itself as the sole possible refuge for the author and his readers.     

Cultivating the Common Good at the Margins of the Commons: An Ethnographic Portrait of Transformative Pluralism in a High-Security Prison

ABSTRACT

Arising from an ongoing research project, this article presents an approach to religious and societal pluralism through ethnography. During a course convened inside a high-security prison, with a combined group of students currently resident in the prison and students currently studying in the University of Cambridge, participants and lecturers from diverse faiths and no faith explored concepts of citizenship and the common good. Bringing Rowan Williams’s proposals for “interactive pluralism” together with the transformative pedagogical framework of the course and its resonance with liberative theologies, I describe how the course participants co-created a space in which we were able to enact a transformative approach to the societal pluralism of which our gathering was a microcosm.     

Learning to belong? ‘Culture’ and ‘place making’ among children and young people in Hull,UK City of Culture 2017

ABSTRACT

Despite the rise of ‘child-friendly cities’ internationally, and a growing interest in youth engagement in urban planning, the role of children and young people in culture-led regeneration and ‘place making’ schemes, remains under-researched. Notwithstanding the wealth of research into childhood and youth cultures, little is known about the ways in which the abstract (and perhaps predominantly ‘adult’) notions of ‘culture’ and ‘place’ are negotiated by younger citizens. Drawing on participative research with schools across Hull, the UK City of Culture 2017, this contribution explores children’s and young people’s understandings of culture and place within this cultural regeneration event. Although our findings suggest that the City of Culture designation has brought benefits to children and young people in a marginalised city, there is still much to be learned from their often personal and informal interpretations of ‘place’ and ‘culture’, as well as the role played by schools in this context.     

Covert Control? Indigenous Agency in Edward Winslow Gifford’s Fijian Archaeological Expedition of 1947

ABSTRACT

The story of University of California archaeologist Edward Winslow Gifford’s 1947 Fijian fieldwork has been told up to now as a classic piece of colonial fieldwork with aims and direction dictated by the foreign specialist. But examination of the extensive Gifford archive held in the University of California Berkeley’s Bancroft Library and its Hearst Museum and a bit of ‘reading against the grain’ reveal a quite different story. Indigenous agency played a major, probably even decisive, role in how the expedition unfolded. The value of archival research into the history of archaeology, and particularly its contribution to the teaching of archaeological practice today, is significant in revealing ‘hidden histories’ that make a difference.     

Kinetic Art

ABSTRACT

From 1962 to 1966 the author was an undergraduate at the University of Cambridge. During this period awareness of Kinetic Art grew nationally and internationally. Two student-run magazines – Granta and Image – became important platforms for dissemination of information and critical discourse about Kinetic Art in the context of other avant-garde developments. Having met several pioneers in the field in Paris before University, the author soon made contact with Professor Richard Gregory in the Experimental Psychology Department of the Cambridge Psychology Laboratory with whom he then collaborated. He worked closely also with Mike Weaver, an academic in the English Literature faculty, who initiated the First International Exhibition of Concrete, Kinetic and Phonetic Poetry at St Catharine’s College in November 1964. They infused the Cambridge context with influences in Concrete Poetry and Kinetic Art from elsewhere. This article describes this period of early experimentation and reflects briefly on its legacy.     

Solomon’s Table Talk: Martin Luther on the Authorship of Ecclesiastes

ABSTRACT

Martin Luther’s comments in a section of Table Talk continue to be used as evidence that he denied the Solomonic authorship of Ecclesiastes. A comparison of the passage with Luther’s “Preface” to Jesus Sirach demonstrates that the majority of Luther’s comments in that section of Table Talk pertain to Sirach. However, the passage also has clear parallels in Luther’s “Preface to Solomon’s ‘The Preacher,’” suggesting that it is a mixture of Luther’s comments on Ecclesiastes and Sirach. The portions of Table Talk which do pertain to Ecclesiastes have commonly been misinterpreted. Luther does not deny that Solomon was the author of Ecclesiastes; he denies that Solomon was the scribe. He thought that Ecclesiastes was written down by students on the basis of the oral teachings of their master, much like his own Table Talk.     

Establishing a ‘Cultural Base’? The Creation of the Fulbright Program in Portugal

This paper deals with the cultural and educational relations between the United States and Portugal during the Cold War. It is built upon the premise that cultural policies and cultural relations between states are a fundamental part of international relations. History of International Relations, therefore, should overcome an analysis based only upon political and diplomatic dimensions to address what can also be referred to as ‘cultural diplomacy’. The Cold War period, because of its historical features, is particularly relevant to the study of processes of cultural diplomacy and some authors even consider it as the ‘golden age’ of cultural diplomacy.¹1. William Glade, ‘Issues in the Genesis and Organization of Cultural Diplomacy: A Brief Critical History’ in The Journal of Arts Management, Law, and Society (Winter 2010), vol. 39, issue 4, 242. For cultural diplomacy during the Cold War see Jessica Gienow-Hecht, ‘Culture and the Cold War in Europe’ in Leffler, Melvyn & Westad, Odd Arne, The Cambridge History of the Cold War Vol. i, (Cambridge University Press, 2010), 398–419; Akira Iriye, ‘Culture and International History’ in Michael J. Hogan and Thomas G. Paterson (ed), Explaining the History of American Foreign Relations, 2nd ed. (Cambridge: Cambridge University Press, 2004); Richard T. Arndt, The First Resort Of Kings: American Cultural Diplomacy In The Twentieth Century (Virgínia: Potomac Books, 2005).View all notes     

Reading back from Experimental Painting

ABSTRACT

My book, Experimental Painting (1970), was the product of a decade of coming to terms with the history of modern art and with contemporary manifestations of the avantgarde. While at Cambridge from 1960 to 1967, I published art criticism, initially in locally published magazines, and then went on to review art exhibitions both nationally and internationally. This led to being co-editor of Form, which produced further opportunities. The term ‘experimental’ that I adopted in 1970 was intended to suggest the paradigm of scientific discovery which suited some, if not all, of the artists I studied. This article considers concepts directly imported from contemporary scientific enquiry that seemed relevant to me at the time, notably those from experimental psychology, psychoanalysis and structural linguistics. I relate them to the character of intellectual life at Cambridge in a period which saw much debate about the relationship between Sciences and Humanities as ‘Two Cultures’.     

Tracks Across the Irwell: From the Liverpool & Manchester Railway to the Ordsall Chord

ABSTRACT

Archaeological excavations and built heritage recording has been undertaken by Salford Archaeology (based within the Centre for Applied Archaeology, University of Salford) during the construction of a new rail link across the River Irwell between Manchester and Salford, known as the ‘Ordsall Chord’. The new bridge links existing lines of historic importance, and also crosses the extant remains of the world’s first passenger steam railway, the Liverpool & Manchester Railway, being carried over the Grade I designated ‘Stephenson's Bridge’ at approximately deck level. Six further Grade II designated structures were also affected by the scheme, as were the below-ground remains of a dye works that predated the opening of the railway in the 1830s, and a large livestock market that grew adjacent to the improved transport infrastructure provided by the rail network. This paper discusses the archaeological work undertaken on this important early transport hub during the construction programme in 2015–18.     

Atomic structures: the architecture of nuclear nationalism in India and Pakistan

Abstract

A half-century after their completion, India’s Bhabha Atomic Research Centre (BARC) and the Pakistan Institute of Nuclear Science and Technology (PINSTECH) stand out as unchallenged architectural advertisements for ‘nuclear nationalism’. Elsewhere, Atoms for Peace reactors made no pretence to architectural refinement. In the right hands, however, ‘Cold War Modern’ could express the hard power of the nuclear age. For India and Pakistan, these nuclear laboratory complexes became the public faces of the peaceful atom that held out the promise, and masked the peril, of the atomic age at home and abroad, and deliberately deflected attention away from clandestine nuclear weapons programmes. BARC and PINSTECH, envisioned as cornerstones for self-confident and self-reliant programmes of nuclear physics, embodied the paradox of postcolonial science, necessarily borrowing from the West but determined to break the cycle of dependency, in defiance of Western expectations.     

Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.