Topoiesis de las instancias enunciativas

ABSTRACT

The literary text is a communicative situation that involves a sender, a message, and a receiver. Literary theorists and critics have extensively studied the different instances of enunciation, making it clear that the author of a literary text is not the enunciator of it. This article intends to show that each one of them belongs to a distinctive level: those of the communicative situation and the enunciative situation. This article intends to show the space-time axis related to the situations mentioned above. This would allow the researcher to find the mechanisms of power that lie behind the authorization or discredit of a speech. By doing so, we intend to extend the analysis of the literary work, including the context of creation of the literary text. We would like to focus our attention on three aspects related to the enunciator: topoiesis of the communicative situation, topoiesis of the enunciative frame, and topoiesis of the writing individual.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Topoiesis del espacio textual

ABSTRACT

The concept of topoiesis of textual space addresses an analysis of the spatial elements that tend to provide a meaning to the literary text. Based on textual semiotics where there is an organized relational system of meanings, in this article we propose that it is possible to determine the function of space as a meaning issue from three different literary text instances (event or motive; character; and object). This distinction will permit a deeper interpretation of the sense of space in the literary text.     

A Reevaluation of the Kesil’s Image in the Book of Qohelet

Abstract

During the early stages of its evolution, the book of Kings was a history narrative uninfluenced by Deuteronomy. Later, as the scroll ceased to express an interpretation of the past—that is to say, ceased to be a history narrative—it began to reflect a literary dialogue with Deuteronomy. At no point in time was Kings both Deuteronomistic and a history, and it was not, therefore, a component of Martin Noth’s hypothetical Deuteronomistic History. Rather, the pre-canonical scroll is best defined as an anthology, or “reader,” of fanciful stories about fallible nebi’im (prophets and kings) who find themselves in relationship with a fallible patron god. Ironically, because Kings was preserved as sacred literature, its god has been reconceptualized, against the plain sense of the text, as a reliable, just, and compassionate patron god.     

Hosea: a Schizophrenic Prophet

ABSTRACT

In this literary analysis of Jer 13,1-11, various suggestions are discussed in regard to the intention of the author, the peculiarity of God’s commands in the story, the identification of Perath, the choice for a linen gir-dle, the relation between the narrative part and the prophecies at the end of the passage, the symbolic meaning of the river Euphrates, and the hidden meaning of the text as a whole. Discarding existing less probable interpreta-tions, the author offers a new reading of the text and clarifies its place within the book of Jeremiah as a literary composition.     

The Book of Job – The Cyclical Progression of the Aporia

ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.     

The playful mode of writing in Psycharis's To Tαξíδι μoυ (1888)

Abstract

The aim of this paper is to discuss the literary qualities of Psycharis's To Tαξíδι μoυ, in particular, to analyse specific examples that demonstrate its playful mode of writing. Firstly, it will attempt to place the text in the literary context of its period by discussing its conception and significance for Modern Greek literature. Secondly, it will focus on the element of humour in the text, which can best be described as a playful mode of writing. The playfulness can be explained as raising false expectations in readers in a way that does not become obtrusive or unpleasant, but aims to entertain through the effects of surprise. This mode of writing is created mainly through intertextual allusions, incongruous juxtapositions, and comical, satirical or parodic undertones.     

(de)Constructing Place-Myth: Pitcairn Island and the “Bounty” Story

Abstract

This paper is concerned with the relationship between literature and the construction of place-myth relating to the story Mutiny on the Bounty. In 1790, nine British mutineers together with their Tahitian companions settled on Pitcairn Island where they remained hidden for nearly 20 years. The story of the mutiny is not myth but has served to mythologize Pitcairn through the various tropes of literature written about the Bounty saga. As literary place Pitcairn represented the image of a ‘utopian paradise’. This discussion, through qualitative literary analysis and the process of textualization, evokes the idea of mapping, naming, and imagining islands. It identifies how the utopia/paradise place-myth of Pitcairn has persisted through time and become ultimately inseparable from its textual topography. But conversely, discussion exposes the paradoxical problem between myth and reality of islands and their representations. It highlights complex internal and external boundaries of identification that arise in the host visitor experience. Literary place-myth is rendered as powerful, persistent, mutable, and historically-rooted.     

Lying and deception in the Biblical and post‐Biblical Judaic tradition

Abstract

A great variety of cuneiform texts have been found within the precincts of the high priest's building complex in ancient Ugarit. Some of the texts are letters, others are lexical texts and others again are ritual texts. The great epics of aqht and krt are best described as literary texts. Some of the texts, however, do not unambiguously belong to one group only: Some scholars would construe the Baal‐cycle as a ritual text or at least a text somehow connected with the cult performed in the temples; others would describe the Baal‐cycle as pure literature. Similarly the enigmatic text about Shachar and Shalim (abbreviated SS) apparently contains cultic and literary elements. Is this text then a cult‐text or a piece of literature? The aim of the article is to investigate if from the archaeological evidence we can add an argument to the on‐going debate about the Sitz im Leben of the Ugaritic Baal‐cycle: Were the clay tablets in the high priest's building distributed according to their content? The answer seems to be yes. The Baal‐cycle was in fact stored with other literary texts in the high priest's building whereas SS has been kept in the room of the ritual texts. This fact might give us a hint as to how to interpret these two texts.     

Context and Contextualisation: Remarks on the Work of Ian Hunter

Summary

This essay focuses on a characteristic analytical and rhetorical strategy of the style of intellectual history practiced by Ian Hunter. It assesses the moral and political resources supplied by that strategy, as well as its implications for one particular humanities discipline, that of literary criticism.     

Eine verklungene Novelle Zur Deutung des PSI 725

This paper treats a rhetorical fragment which is preserved in Stobaeus from four points of view. (1) The speech was delivered in Alexandria by a travelling rhetor. (2) There is a philosophical background with a Cynic flavour to this oration, which advocates concord within the city. (3) An analysis of the literary form shows that this text can be regarded as an example of a λαλι?. (4) The date has been very much debated, but a study of the vocabulary makes a date in the second half of the second century A.D. seem plausible.     

Parallelism in Biblical Hebrew verse

Abstract

Parallelism is one of the best known features of Biblical Hebrew verse, yet, until recent years, work on this topic was usually content to repeat or elaborate Lowth's analysis. This paper explores the phenomenon of parallelism as a feature of rich potential implicit in all writing and fully activated in literary discourse, especially poetry. After a linguistic analysis using the seminal work of Jakobson on the syntagmatic (chain or sequence axis) and paradigmatic (choice or overshadowing axis) dimensions of text, the insights of a variety of artists are used to identify the dynamics of the device.     

Maurofilia y maurofobia en el Libro del conde de Castilla

The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an epic poem or a historical account commemorating the foundation of San Pedro de Arlanza Monastery. It is rather a hybrid text that employs all the literary and historical resources available around the middle of the thirteenth century to an educated poet who was intent on transmitting to future generations the memory of the Count who made possible the independence of Castile. All episodes in the poem point to Castile's unique place in history, describing through the protagonist's bellicose deeds its hegemonic ascendency as the most important kingdom of the Iberian peninsula. Its destiny is determined by the hero's combative character against all enemies, whether Christians or Moors, and more specifically by confronting the powerful kings of neighboring states León and Navarre.     

D/Escribiendo lo sagrado: texto y contexto de las dos primeras crónicas marianas de América

Abstract

Mercedarian friar Luis de Cisneros wrote a chronicle on Our Lady of Remedios, first patroness of Mexico City that was published in 1621. Significantly, that same year Augustinian friar Alonso Ramos Gavilán's history on Our Lady of Copacabana, patroness of Peru and Bolivia, was printed in Lima. This paper compares these two founding accounts, not only in their literary structures, but also their patronage, and reception. It also ponders how both cults aimed to integrate both Spaniards and Indigenous peoples under one symbolic figure—the mother of God—as a key element for the consolidation of colonial society, not by coincidence, one of the key goals of the local Church councils that took place in the 1580s.     

The meaning of El Roi and the mythological dimension in Genesis 16

Abstract

This article discusses the literary debt of the story of Hagar in Genesis 16 to the Ugaritic text KTU 1.23, suggesting that behind the present tale lie ancient royal ideological motifs. These have a bearing on the present form of the story, ans suggest a message of hope to an exilic readership. The divine epithet Roi is explained as “seen”, expressing Hagar's surprise at surviving a vision of God.     

Orality and the reception of late Byzantine vernacular literature

Abstract

The starting point for this paper is the belief that orality has to be understood in a wider sense than is given to the term by the oral-formulaic theory of Milman Parry and Albert Lord. This is the more important when the field of study is medieval or modern Greece, societies far removed from what Walter Ong (1982: 31–75) has termed the ‘primary orality’ of a culture from which writing is absent. The oral formulaic theory, although excellent as a tool for the analysis of materials actually transcribed from oral performance, has come to be seen in the last fifteen years or so as an unwieldy and often unreliable yardstick for assessing the interaction of oral and written types of discourse. The insistence of the theory that for a text to be considered oral, the three processes of composition, performance and transmission should be simultaneous, imposes a definition of orality which is unjustifiably restrictive, and despite the well-intentioned efforts of Albert Lord and others to address the problem of the ‘transitional’ text, the method of analysis developed through close study of one particular oral tradition in Yugoslavia has proved disappointingly inflexible in its attempt to account for texts which are neither, according to its own definitions, truly oral nor fully literary (cf. Beaton 1987).     

‘Who Will Write the History of Tears?’ History of Ideas and History of Emotions from Eighteenth-Century France to the Present

Summary

The aim of this article is to shed light on the methodological relationship between the history of ideas and the history of emotions, starting from the conception of weeping in the eighteenth-century French reflection. This period was critical for the defining of the modern concept of emotion because it encompassed the development of a new aesthetic and moral code centred on the exasperation of sensitivity and an exaggerated use of tears. This study brings out, in terms of methodology, the importance that the analysis of tears assumed from two points of view: on the one hand, it places the problem in a framework determined by history and culture (the object of study for the history of emotions); on the other, it recognises the unavoidable axiological and moral element that characterised crying (the object of study for the history of ideas). After a brief reconstruction of the discussion of tears in the history of emotion—from the histoire des mentalités to the ‘emotional turn’—and in the history of ideas, respectively, the article outlines some potential areas for research in an interdisciplinary perspective.     

The Shock Factor of Divine Revelation: A Philological Approach to Daniel 8 and 9

ABSTRACT

This article explores the story and plot of Daniel 8 and 9, and argues that the angel Gabriel assists Daniel in handling the shock factor associated with Divine revelation concerning a seemingly successful antichrist. A comparison of the Septuagint traditions with the Masoretic text this article shows that Daniel 8 and the later part of 9 present visions of an apparently successful blasphemous king and an initially unsuccessful Messiah, rulers against and for God respectively. The perplexities of the prophet about the apparent lack of fulfilment of earlier Divine revelation are part of the literary tension of the text. This article takes a philological approach to Daniel 8 and 9 as a literary unity passed on by a Judeo-Christian tradition and recognizing a unifying role of the Angel Gabriel in Biblical literature.