消逝中的冰川双子星

<正>从库克山到新西兰南岛西海岸,原本我以为这该是此行最精彩的一段,实际上这几天却是整天下雨,云浓厚得像是新西兰产的羊毛毯子。因此我们一路取消既定活动,想不到当我们越过崎岖而漫长的神谷峡地哈斯特关,长途跋涉来到福克斯冰川和弗朗兹约瑟夫冰川时天突然放了晴,我们觉得该转运了。     

Compromised Landscapes: The Proto-Panoptic Politics of Colonial Araucanian and Spanish Parlamentos

Indigenous resistance to the Spanish Crown in the Araucania region of south-central Chile is infrequently included in wider discussions of early American colonialism. Until recently, what has been inadequately addressed in these discussions is the parlamentos (peace treaties) associated with Spanish efforts to seize territorial control of the region. In this paper, we highlight the potential of landscape analysis to enhance our archival and archaeological understanding of the long historical confrontation between the Araucanians and the Spanish from the sixteenth to eighteenth centuries. The Spanish were unable to defeat the indigenous populations living south of the Bio Bio River, the formal frontier established between the Crown and the Araucanians. However, they enacted numerous parlamentos in hope of establishing military footholds. Because the Spaniards failed to conquer the region, parlamentos eventually developed into compromised acts of observing and monitoring military movements and of recruiting allied indigenous groups. On the basis of this interdisciplinary examination, we argue that Spanish parlamentos were a ‘panopticon’-like network of political surveillance, designed to provide a visible signal of the wider political activities taking place beyond the formal frontier. The panopticon model provides a metaphorical and conceptual framework for conceiving this aspect of Spanish and Araucanian relations and for defining one cause of successful indigenous resiliency to external influence.     

试谈当前高校中的中国古典舞身韵教学

本文从古典舞身韵教学的基本要点、课程特点、如何教学以及作为高校教师所应注意的要点四个方面来详细阐述和分析当前高校中的中国古典舞身韵教学。作为一个学科的建设,中国古典舞已经走向成熟,而身韵教学是这一学科建设在舞蹈本体观、舞蹈方法论方面成熟的标志。     

商周长体刀及相关问题

长体卷锋刀是商末周初的一种兵器,本文对各地出土长体刀的分布、年代、演变及相互关系作了较系统的探析。     

清代瓷质祭礼器略论

本文通过对故宫博物院藏瓷器实物的考察,并结合《皇朝礼器图式》、《备物昭诚》等内府彩绘本清代典制书籍,考述了礼书记载的各式瓷质仿古礼器在乾隆时期确有生产,且嘉庆、道光、咸丰、同治、光绪朝都有补做。同时,因清代礼制规定国家诸祀和内廷诸祀的行礼场所和受祭对象不同,导致瓷质祭礼器的生产制度、造型与种类也有所差别。     

VIEWPOINT The Body and Geography

This paper highlights some of the major issues involved in theorising the body. Dualisms such as mind/body, sex/gender and essentialism/constructionism are discussed in order to provide a starting point for understanding the historical privileging of the conceptual over the corporeal in the production of hegemonic, masculinised and disembodied geographical knowledges. The paper also reviews some of the current literature in feminist geography that problematises the mind/body split and makes the sexed body explicit. This literature, I believe, provides fertile ground for further interdisciplinary and geographical inquiry .     

The prehistory of northern Chile: A synthesis

Northern Chile, part of the south central Andes, consists of two main ecological subareas: extreme northern Chile, including the western valleys, and the Atacama Desert and oases. Different ecological conditions obtain in each subarea: puna, altiplano, and precordillera in the highlands; valleys, the desert, and oases in the intermediate zone; and coastal environments along the Pacific shores. In prehistoric times, all these environments were very interconnected. There are three different cultural traditions in the local prehistory: the early hunting and gathering tradition (10,000–4000 B.P.), the Chinchorro Tradition (7500–2500 B.P.), and the Altiplano or Andean Tradition (3000–0 B.P.). This proposed sequence is described, with emphasis on the early Chinchorro adaptations, including the important patterns of mummification, and its possible relation to tropical forest groups of the Amazon basin; and the Pre-Tiwanaku and later Tiwanaku and Inca developments, in relation to the circum-Titicaca region. The data presented in the paper are further developed to explore ideas and hypotheses for future research.     

玻璃胎画珐琅考析

玻璃胎画珐琅为我国首创的工艺品种。几十年来,对于它的创始时间、历史发展、官造与民造的界限、工艺名称等众说纷纭。本文依据多种文献和清宫造办处的“活计档”结合作者多年来对实物的观察研究,论述了它在宫廷内创始、发展和终止的概况,并对官造的数量、品种、艺术特色等作了较为全面的考析。同时,对“古月轩”款的作品也作了一定的探讨。     

"远去的身影与历史的回归"--《邓子恢与中国农村变革》一书评介

中国共产党在20世纪的革命和建设是与解决农民问题密切相关的。民主革命的成功固然有赖于农民的广泛参与和积极支持;同样,中华人民共和国建立以后的现代化建设也要依靠农民的支持。有人说, “三农”问题解决之日就是现代化实现之时。邓子恢     

中共第三代领导集体建设高素质干部队伍重要思想论析

中共第三代领导集体建设高素质干部队伍的重要思想 ,紧紧围绕全面提高干部素质这一主题 ,分三个层次、六个方面构筑了新时期建设高素质干部队伍的思想体系 ,无论是从宏观的战略思考 ,还是从具体的内容要求上 ,都在坚持马列主义、毛泽东思想和邓小平理论关于干部队伍建设思想的基础上 ,进行了一系列新的理论概括和创新 ,丰富和发展了党的干部建设理论     

“疗灵”与“疗身”:近代加拿大传教士在卫辉的借医传教

1889年至1947年间,加拿大基督教新教长老宗在卫辉一带借医传教。根据不同时期政局、民情状况及传教士自身特点,他们先后经历了用药品"裹挟"其福音的谨慎发展阶段,边行医边传教、"疗灵"与"疗身"互为手段、互为目的、交叉渗透的"黄金"发展阶段,以及行医与传教貌离神合的深入推进阶段。"疗灵"与"疗身"始终既存冲突又相互渗透。     

Identifying the sources of Inka period ceramics from northern Chile: results of a neutron activation study

To examine regional patterns of ceramic production and distribution during the era of Inka domination in northern Chile, we determined the elemental compositions of 157 samples of archaeological ceramics and geological clays from the sites of Catarpe and Turi using instrumental neutron activation analysis. We identified two major and three minor composition groups in the ceramics. The major groups, High Cr and Low Cr, are linked to clays from two broad geological contexts within the region, while the minor Low Na group is made up of ceramics imported from northwestern Argentina. The distribution of the composition groups indicates that, in the Catarpe–Turi region, patterns of ceramic production differed for different vessel types: jars were made from clay and temper acquired near the sites where the jars were used, while bowls were made of material coming from more distant sources. The geographical distribution of the analyzed ceramics indicates that bowls were exchanged between Catarpe and Turi in a pattern more similar to tribute/extraction than to market exchange, with Catarpe being the dominant site. The compositional analysis also demonstrates that Inka-style ceramics were being locally produced at sites in this region during the era of Inka domination.     

Ecophilanthropy,Neoliberal Conservation,and the Transformation of Chilean Patagonia's Chacabuco Valley

Successful North Americans, Douglas and Kristine Tompkins, have used their personal wealth and business know‐how to become among the most powerful expatriate land owners in Chile and Argentina. In Chilean Patagonia's Aysén region, Kristine Tompkins' conservation foundation purchased the historical Chacabuco Valley Station, seeking to reverse the impacts of pastoralism and create a national park. Whilst in the United States and Europe the Tompkins' efforts have been applauded, many residents of the Chacabuco Valley area are concerned by the idea of outsiders holding decision making power on land use. The situation in Aysén speaks to a complex of broader anthropological debate regarding the neoliberalisation of conservation and, in particular, the role of ecophilanthropy in promoting capitalism. By examining the ways in which the Chacabuco Valley is undergoing transformation, this paper explores the relationship between ecophilanthropy, capitalism, and conservation. Of particular interest is how images are produced and then transformed into commodities as the strategies of business are incorporated into conservation policy and practice.     

(Re)Writing With the Feet: The Flâneur as Urban Cartographer in Alicia Scherson’s Film Play (Chile, 2005)

This article approaches Chilean filmmaker Alicia Scherson’s first feature-length film, Play (2005), from the perspectives of mobility and social cartography in relation to the spatial practices of the main characters. Through the paradigmatic figure of the flâneur, the article explores the representative function of both the characters’ and the camera’s drifting itineraries across the city, as they subtly perform a peripatetic cartography of present-day Santiago. The diegetic threads that are spun by the characters progressively interlace to weave an urban text which lays bare – as they are transgressed – a series of frontiers that cut across the cityscape. The film maps out two very different human geographies of post-dictatorship Chile, a lived urban space that reveals the stark social divide propping up the nation’s neoliberal economic structure. Scherson’s roving camera engages in a politics of perception which invites the spectator to view the city differently, thus exploring the possibility of upsetting this divide.