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ABSTRACT

This article compares Eric Voegelin's contribution to political science to European émigré scholars of the same period: Theodor Adorno, Herbert Marcuse, Hannah Arendt, Hans Morgenthau, and Leo Strauss. It highlights Voegelin's main contributions to the field, reviews The Eric Voegelin Reader, and how The Reader will help scholars in both the classroom and scholarship.  相似文献   

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This article studies Paul Valéry's personal reflection on photography, as it appears in his essay “Le Discours du Centenaire de la Photographie,” based on a speech given at the Sorbonne in 1939 to members of the French Academy. It stresses the relationship between this essay and the French poet's writings on painting and aesthetics, in particular his work on Corot. Moreover, it analyzes the synthetic character of Valéry's critical approach, which attempts to bring together the language of poetry, philosophy and science when dealing with this utterly modern visual language. Photography is celebrated here as a unique art form that can at the same time imitate and reproduce nature perfectly, while allowing mankind to create a cosmological vision of life and the universe. In other words, the poet underlines in this text the utmost modernity of photography, at a time when many in France were still reluctant to acknowledge its artistic identity.  相似文献   

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