El Caballero de Dios y la muy noble reina: María de Molina's patronage of the Libro del Caballero Zifar

This article analyzes the political discourses on chivalry and gender in Libro del Caballero Zifar and provides textual evidence in support of the theory that María de Molina was an original patron of this anonymous work from the cathedral school of Toledo. Using the portrait of the queen in the prologue as a point of departure, this study explores the intertextuality of Libro del Caballero Zifar and contemporary royal chronicles, elucidating the manner in which the political discourse of the former supports the political propaganda of the latter, ultimately creating a legitimizing discourse for María de Molina's rule as queen of Castile-León at the turn of the fourteenth century.     

“Vivo sin vivir en mí”: YouTube y la poesía de santa Teresa de Jesús

ABSTRACT

The poetry of Saint Teresa of Jesus has not aroused the same interest from the critics as has her prose. There are several reasons for this. However, her poetry has remained in the memory of anyone who has come in contact with it, as well as in public manifestations, one of which is the phenomenon of new media—in particular, YouTube. Consequently, this article presents an analysis of Teresa de Jesus's poem “Vivo sin vivir en mí” (“Live without living in me”) in the context of new media, specifically YouTube, in order to further analyze the oral-auditory impact of her work as a strategy of representation in the reception of her writing and, therefore, expand the communicative possibilities of her writing style close to the spoken language, beyond her time and context.     

De la caída de Tenochtitlán al decaimiento del Make Sicko Seedy de Carlos Fuentes: Ciudades en crisis,mundos por nacer

Carlos Fuentes's 1987 carnivalesque novel, Cristóbal nonato, criticizes Mexico's prehispanic past through a satire of Tenochtitlán-Mexico City in the neoliberal, postnational era. This study consequently juxtaposes criticism, theory, and analysis from both imperial Aztec Mexico and nationalist modern Mexico. While the bulk of this 600-page novel confronts readers with a highly negative (although often risible) view of both Mexicos, it ultimately leads to a happy ending with a didactic twist: If Mexicans will stop abandoning Mexico for the North or other green pastures, and instead stay in Mexico despite its many problems, they can turn things around by their altruism and their activist determination.     

La tragedia del Tasso: obra inédita de Manuel Fernandez y Gonzalez

Although Manuel Fernández y González is mainly known for his work as a novelist, he also developed a significant number of plays that, in spite of the warmth of the audience at the time, today remain unexplored in most of nineteenth century studies. The purpose of this article is twofold: first, recovering an unpublished play of Fernández y González that it is also representative of Spanish postromantic drama from the mid-century; and second, exploring the reasons why the figure of Torcuato Tasso did not reach in Spain the category of romantic icon that it did in other European counterparts.     

Cartografía emocional entre la China y la Gloria: Agustín de Foxá, Víctor Ruiz Iriarte y la Modernidad

Both Agustín de Foxá and Víctor Ruiz Iriarte premiered their first plays very near the end of the Spanish Civil War in 1939. The two playwrights appear to belong to the same imaginative and poetical vein, but in fact Foxá yearns for an impossible return to an idealized past, in a pessimistic lamentation against Modernity—that is, precisely, his exotic drama Cui-Ping-Sing. The poetical theatre Ruiz Iriarte endorses in Un día en la Gloria, and thinks apt to Modern times, is based in a radical optimism—the idea that fantasy can always transform and improve a disappointing reality.