北堂书及其研究利用:历史与现状

本文所说的北堂书,是指国家图书馆接收、保存的原北京西什库教堂图书馆的外文藏书.     

From Coombs to Crean: popular music and cultural policy in Australia

The many bodies administering Australian arts activity were incorporated within the Australia Council, established in 1973 by the Whitlam Labor Government to oversee Commonwealth arts policy under the direction of H.C. ‘Nugget’ Coombs. This article takes the establishment of the Australia Council as a starting point in tracing changing attitudes towards the practices and funding of popular music in Australia and accompanying policy discourses. This includes consideration of how funding models reinforce understandings of ‘high’ and ‘low’ art forms, the ‘cultural’/‘creative’ industries debates, and their effects upon local popular music policy. This article discusses the history of local music content debates as a central instrument of popular music policy and examines the implications for cultural nationalism in light of a recent series of media and cultural reports into industries and funding bodies. In documenting a broad shift from cultural to industrial policy narratives, the article examines a central question: What does the ‘national’ now mean in contemporary music and the rapid evolution of digital media technologies?     

区域历史文化传承与区域文化资源产业化

面对经济全球化的影响和外来文化的冲击,区域文化资源产业化不失为一种有效保护传统区域文化的明智选择。然而,我国当前区域文化资源产业化整体上还处于初级阶段。只有从思想观念、运行机制、人才培养等方面进一步加大创新力度,才能尽快实现区域文化资源优势向区域文化产业优势的转换。     

The dhow as cultural icon: heritage and regional identity in the western Indian Ocean

Dhows, the traditional sailing ships of the western Indian Ocean, are currently used in museums, heritage sites and popular culture as a symbol of a regional culture in the western Indian Ocean. While scholars have embraced the notion of seas as cultural or historical units, this type of ‘basin thinking’ is a recent phenomenon in the Indian Ocean. Over the last 150 years the dhow has gone from being a despised symbol of the slave trade and economic underdevelopment to representing a romanticized past and a regional identity. This article traces the parallel development of the idea of the dhow as a symbol of regional identity and changing perceptions of both the vessels and the region it is taken to represent. It argues that recent representations of dhows as cultural heritage represent a new and developing notion of regional identity within the western Indian Ocean.     

Knowledge bases and regional development: collaborations between higher education and cultural creative industries

This paper builds on the assumption that cooperation between higher education institutions (HEIs) and creative and cultural industries (CCIs) stimulates innovation and economic growth at the regional level. It further assumes that HEIs and CCIs hold different perspectives on their intention to cooperate with external actors and, thus, there is a need for joint arenas to develop and integrate knowledge and practices among stakeholders across academia and industry. With this rationale in mind, the paper’s main objective is to discuss how universities’ roles in the establishment and development of locally embedded CCIs change or evolve over time. Taking a process economics perspective and building on a case study from the South of Norway, two questions are addressed: (1) What are the barriers – structural and cognitive-cultural – hindering cooperation between HEIs and CCIs in Southern Norway? and (2) How can long-term win-win cooperative arrangements between HEIs and CCIs be enhanced? Different knowledge bases, combined with lack of knowledge and understanding of the other sector’s expertise or knowledge content, and thus the lack of common language, were found to be the biggest barriers that must be overcome to stimulate strategic cooperation between HEIs and CCIs in Southern Norway. The findings support the need for a diverse and flexible policy where target initiatives are adjusted to CCIs’ needs and academic departments’ fields of knowledge to decrease barriers to cooperation, with the ultimate aim of moving from a situation of ‘lock-in’ towards the creation of new innovative and valuable relationships.     

The continuing saga around arts funding and the cultural wars in Australia

Cultural policy, and arts funding in particular, has been a site of much contention and discussion in Australia over the past decade. The events of the past two years took this to another level showing major ideological schisms in the present political approach. While the established arts sector was protected and consolidated, the emerging sector, individual artists, and small organisations were all negatively affected. The policy changes demonstrate the implicit challenges of direct political intervention in arts funding. What this period highlights also though is the vulnerability of artists and the philosophical contradictions around the nature of arts funding.     

Media portrayal of the cultural relationship between Australia and Japan

This article traces Japanese and Australian media portrayals of the cultural aspects to the bilateral relationship. The article examines popular discourse about Japan and Australia in the media of each country, demonstrating how this has reflected the evolution of the cultural relationship. In Australia, the press has swung from portraying Japan as a problematic source of income from the resources trade, through to the home of ‘cool’ technology and fashion. In Japan, discourse about Australia has ranged from images of a country populated with cute animals, to a regional partner sharing the same democratic ideals. The article draws from the personal experiences of the author who was a correspondent and journalist for Australian and Japanese news corporations during the 1980s and 1990s. The author covered the ‘koala wars’ and the frill-necked lizard boom prompted by the Mitsubishi Mirage television commercial, as well as monitoring the growth in Japanese tourism to Australia. The author also draws on data from tracking surveys conducted by the Embassy of Japanese in Australia.     

青海历史文化多元性及地域文化命名

目前学术界就青海地域文化的命名共提出“江河源文化”、“青藏文化”等9种文化命名,本文认为青海地域文化命名多样化产生原因首先是由青海历史文化的多元性造成的,而政区和文化区范围界定的不匹配、青海所处特殊地理环境和地理位置以及历史时期移民活动则是注定青海历史文化多元性产生的主要原因。在借鉴其他省份地域文化命名的规律的基础上,建议把青海地域文化命名为“青海文化”,因为“青海”既是历史地名,又是自然实体名,符合已有地域文化命名的规律。文章最后特别指出一个地方的地域文化命名和历史文化定位是两个不同的问题,地域文化名称如人的姓名,只是一种识别符号,所以不可能也没必要全面反映一个地区的文化特点,后者是历史文化定位的内容。针对青海历史文化多元性,建议以分层的方式来解决青海历史文化定位问题。     

General practice access in regional and remote Australia for ageing populations

Identifying and removing access barriers to the timely provision of comprehensive health care is increasingly important for the wellbeing of Australia's rapidly ageing and frail populations, particularly those in non‐metropolitan settings. This study has examined if current general practice (GP) locations in non‐metropolitan South Australia (SA) and Western Australia (WA) are geographically accessible to the rapidly growing frail and prefrail populations known to have a high level of health service use and reduced mobility. Geospatial analysis linking 60‐kilometre GP service catchments, 2016 population counts, and 2027 population projections has estimated that the size of the frail and prefrail population that live outside these GP service catchments will double, reaching 7,800 people by 2027. The maldistribution of GP locations was most evident in WA. As regional and remote populations continue to age, the challenge of health service provision, including geographic access to care, must be resolved to ensure that populations in these areas have the best opportunity to age well. Geospatial methods linking service and demographic information, such as the approach used in this analysis, can aid in planning the equitable provision of health care for older Australians.     

Tianshui’s three treasures: water and soil conservation in wartime northwest China

ABSTRACT

In addition to examining how wartime imperatives shaped the agricultural research, demonstration, and extension programs undertaken by the Nationalist government’s Tianshui Water and Soil Conservation Experiment Area (the Experiment Area) after its founding in 1942, this article assesses the rural populace’s responses to these conservation measures. While the Experiment Area’s plans to construct terraces and ditches were not well suited to the socioeconomic and environmental conditions that existed in rural Gansu during the 1940s, its introduction of non-native tree and grass species to check water and soil loss met with an enthusiastic response from Tianshui’s populace. Water and soil conservation specialists aspired to rationalize human interactions with the environment as part of wartime efforts to develop the northwest, but to realize these goals they had to take socioecological realities in the region and the needs of rural residents into account. Wartime conservation’s environmental legacies, the article also shows, extended into the period after 1949.     

Using foraminifera to distinguish between natural and cultural shell deposits in coastal eastern Australia

Foraminifera are single cell protozoa that are ubiquitous in marine environments. Although the hard casings, or tests, of foraminifera are routinely studied in the earth sciences, they have been little studied by archaeologists, despite their potential to contribute to understandings of coastal site formation processes and palaeoenvironments. In this study techniques and methods of foraminiferal analysis are developed and applied to the problem of distinguishing between natural and cultural marine shell deposits, using the Mort Creek Site Complex, central Queensland, Australia, as a case study. Results allow separation of natural and cultural deposits based on foraminiferal density. Natural deposits were found to have >1000 foraminifera per 100 g of sediment, while cultural deposits exhibited <50 foraminifera per 100 g of sediment. Results allow us to better understand site formation processes at the Mort Creek Site Complex and highlight the potential of foraminiferal analyses in the interpretation of terrestrial marine deposits.     

The regional consequences of a dualistic industrial structure: the case of Australia

This article is a preliminary attempt to consider the spatial consequences of business organisation segmentation in the Australian economy. The first section outlines a framework that can be employed in an analysis of business organisation segmentation. The second section applies this framework in the context of the Australian economy. This section is in three parts. First, it is shown that conventional sectoral data can be used to approximate business organisation segmentation. Second, the labour market consequences of this empirical exercise are documented. Finally, the spatial consequences of the exercise are shown by way of a series of maps.     

青海地域文化与非物质文化遗产保护

青海从历史上就是个少数民族聚居地,各民族人民在这里创造出了丰富多彩的民族文化,留存下了丰厚的非物质文化遗产。更好地定位与保护好这些有形文化与无形文化,对于发展青海的经济和民族文化具有极其重要的意义。     

Who governs culture? Actors,federalism and expertise in Swiss regional cultural policy

ABSTRACT

This article proposes a novel approach to cultural policies and cultural policy change, drawing on public policy and institutional analysis to study how decision-making power is distributed between actors in the public and private sectors and at different state levels, as well as the precise roles of public administrations, elected officials and cultural actors. Indeed, rather than directly defining cultural policy, laws on culture mostly designate actors in charge of policy implementation. Based on an empirical application of this analytical framework to the case of Swiss cantons and focusing specifically on the positions of cultural actors, findings show that cultural policies are transformed in different ways, affording more or less power to actors from the cultural sector in implementation arrangements generally dominated by administrative actors.