Présence de Ferdinand Gonseth dans la pensée de Gaston Bachelard

The purpose of this paper is to analyse the influence of Ferdinand Gonseth's epistemological and philosophical reflection on Gaston Bachelard. This will be done on at least two levels: on the one hand, on the level of direct quotations of Gonseth's texts and notions made by Bachelard; on the other, on the level of an agreement between the two conceptions concerning some central issues— agreement that lets one suppose an influence of Gonseth on Bachelard or an identity between their views. One concludes recalling the notion of «subjectivité quelconque», suggested to Bachelard by the gonsethean idea of «logique comme physique de l'objet quelconque», and seeking to grasp the differences between Bachelard's notion of «sujet quelconque», and Gonseth's one ofhomo phenomenologicus. One could define Bachelard's and Gonseth's epistemologies as two phenomenologies of the man of science: this is their main common feature.     

Paul Touvier et L'église: rapport de la commission historique institutée par le cardinal decourtray

Burke's view of history is an aspect of his thought that has been largely neglected by scholars, despite the wide recognition of its importance. In Burke's view, history, led by providence and by a human nature designed by God, is necessarily progressive. It is, nevertheless, human beings who are largely responsible for building their nations. A variety of civilisations could be generated if people governed a nation in harmony with its peculiar manners and circumstances. Nations can, however, be unstable, because their fortunes fluctuate. Although Burke was very familiar with—and influenced by—several different traditions of historiography, his ideas on history should also be seen as the product of his own reflections.     

Le principe de circulation et l'échec de la mythologie transeuropéenne

We have sought to identify an aspect of the repression of Enlightenment cosmopolitanism complementary to the creation of national identities in XIX^th-century Europe and the intervening war period. The idea of a common civilization would be maintained by the reciprocal capacity of translating national languages, because of their Indo-European common origins. The utopia of the language would replace the material route of the Enlightenment. It is the failure of the construction of European Indianist myth and not its success which explains the ideological diverting of the relations between language and nation. The missed promotion of the Gypsy language in the academic world illustrates this failure perfectly. After the First World War, the transformation of the principle of nationalities in ethnopolitics removed even the memory of this common ambition.     

La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》     

Le modèle des petites filles: structure familiale dans l'œuvre de la comtesse de Ségur

This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.     

Le rire et le théâtre dans la Lettre à M. d’Alembert

Often interpreted as a field of contradictions and fragmentation, the work of Jean-Jacques Rousseau presents an inner unity. This inner unity, though, is structured around regulated contradictions. I will examine here the distribution of those regulated contradictions by focusing on the preface to the Lettre à M. d’Alembert sur les spectacles and the relations between the Lettre and the Essai sur l’origine des langues. What Rousseau rejects as agents of corruption—theater and laughter—constitute at the same time the principles of his argument. The values of representation and technique implied by theater and laughter come to compose with those of presence and nature. Taking as a point of departure the work of Jacques Derrida on Rousseau, but also engaging it polemically, I will show in the analysis of the preface to the Lettre the distribution of regulated contradictions as well as the essential difference between language and theater in Rousseau throughout his reflection on the origin of theater and language.     

Le médiéviste,le lignage et l'effet de réel

This paper tries to understand how «lineage» became a key-notion by medievalists when dealing with the field of kinship about the medieval aristocracy, although it is quite an unsuitable notion. Beside the role given to medieval kinship by the social and scientific imagination which prevailed when the historical sciences were formed in the XIX^th century, an important part is played by the creation of a discourse on «lineage» in late medieval aristocracy, linked to a redefinition of the modes of reproduction of seigniorial power, a vector of which must be found by means of representation portraying a durable kin-group, especially through the formation and transmission of «family archives». Historians submitted to the reality-effect of documentary bodies, which were transmitted and were but a historical social construction, did not pay enough attention to the genuine meaning of the archivistic structure. They believed they had found the «reality» of a social organization while they had merely perceived its ideational aspect- and thus, they contributed to the social construction of «lineage».