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1.
In this paper, data collected from the wall fresco paintings of room 114, called the ‘Sala delle maschere’, of the Domus Aurea in Rome is analysed. The chemical composition of the efflorescence is investigated by infrared spectroscopy. The colour palette is determined by means of EDXRF, Raman spectroscopy and visible reflectance spectroscopy. EDXRF has allowed an extensive mapping of the elements present in the pigments and plaster; whilst in‐situ Raman spectroscopy has been determinant for attributing the molecular composition of the pigments in a number of doubtful cases. Most pigments identified are typical of Imperial Roman fresco paintings (first to fourth centuries AD) ( Ward‐Perkins 1981 ); more interestingly, we found evidence of fragments painted with Egyptian blue, which was normally used mostly in official rooms.  相似文献   

2.
This article considers how nonhuman animals are enrolled in the construction of gendered identities. Specifically, I interrogate two gendered figures with which I was repeatedly confronted over the course of researching cougar–human relationships on Vancouver Island, home to what is estimated to be North America's densest population of cougars. The first figure, Cougar Annie, was a woman ‘settler’ on western Vancouver Island, reputed to have killed over 100 cougars in her lifetime and now celebrated as a strong, independent female. The second figure is a contemporary trope, an older woman who expresses interest in younger men, known in slang speech as a ‘cougar’. Both figures are intimately bound to a third figure, the animal cougar, Puma concolor, whose material–semiotic relationship to humans both performs and is performed by ‘cougars’ and Cougar Annie. Haraway's conception of figures as embodied and performative mappings of power is central to this article's discussion, which lies at the intersection of animal studies, more-than-human geographies, posthumanism, and feminist science studies. Methodologically, I draw on interviews and archival research to trace the historical and contemporary specificities of these two figures – Cougar Annie and ‘cougars’ – revealing how they are informed by, and simultaneously produce, uphold, and perform, gendered understandings of the relationship between humans and cougars, predator and prey, humans and animals, and culture and nature.  相似文献   

3.
St Faith’s chapel is situated beyond the south wall of the south transept of the Gothic abbey church, built by King Henry III (r. 1216–72) at Westminster. The chamber’s paintings, corbel heads and the use of Purbeck marble for wall shafts and corbels, together with 13th-century floor tiles, mark it out as a locus of high status. The paper promotes the claims of St Faith’s chapel to have been the sacristy and vestry of the Benedictine church through an examination of its fittings, sculpture and painted decoration.  相似文献   

4.
Distinctive mulberry paintings found in northern Australia, particularly those of the Kimberley region, have been argued to represent some of the oldest surviving rock art on the continent. Significant research efforts continue to focus on resolving the age of these motifs, but comparatively little attention has been given to understanding their physical composition and potential source(s). In a pilot investigation, we conclude that (at least) two mineralogically distinct mulberry pigments occur in Gwion motifs and demonstrate that their major components can be indicatively chemically differentiated, non‐invasively. Characterization of a ‘quarried’ mulberry ochre source demonstrates that these pigments occur locally as natural minerals.  相似文献   

5.
All of the communist party‐ruled states of Eastern Europe, from the elder brother of the ‘socialist family’, the Soviet Union, to non‐aligned, sui generis Yugoslavia, are in some degree of economic crisis. Gone are the once loudly trumpeted assurances that the socialist ‘economic formation’ by its very nature — its centrally planned and directed economy, its leadership by a communist party armed with the ‘scientific’ social and economic theory of Marxism‐Leninism and its foundation on the principles of proletarian social justice — excluded the possibility of economic ailments such as sluggish growth rates, inflation, social inequality and unemployment. It is now admitted that precisely these problems currently threaten virtually all communist systems. The principal issue for the political elites in these countries (with the perhaps temporary exception of relatively prosperous East Germany and Czechoslovakia and perennially contrary Romania) is not whether radical reform is necessary, but how to implement the requisite economic, social and quasi‐political reforms without undermining the foundations of ‘socialism’ and of the communist party's domination that they identify with it Yugoslavia is a valuable test case of the general project of reform in communist systems, since it consciously undertook to dismantle the of Stalinist system it had been establishing under Soviet tutelage at the end of World War II in response to Stalin's ostracism of Tito in June 1948. From its inception the Yugoslav reform process was informed by a commitment to return to the sources of Marxian social and economic theory in order to build an authentic socialist system untrammeled by the structures and immoral practices of Stalinist ‘etatism’. Worker self‐management, ‘market socialism’, the decentralisation of political and economic decision‐making, periodic rotation in office, and a number of other formally democratic, participatory socio‐political processes, most of which Gorbachev and his supporters have been discussing under the rubric of perestroika, glasnost’ and demokratizatsiia, have all been tried in one form or another in Yugoslavia during the past four decades.  相似文献   

6.
ABSTRACT In the 1970s the Motu‐Koita, traditional inhabitants of what is now the National Capital District of Papua New Guinea, inaugurated a yearly cultural festival thematically based on traditional coastal trading voyages known as hiri. Contestation over the location and commercialization of the festival in the capital city developed in the new century as one distant village claimed to ‘own’ the hiri. The Motu‐Koita view of their past and their identity has been affected by their encounter with Christianity, colonialism and its aftermath, and the rhetoric of the villagers’ claims drew on criteria of authenticity, cultural purity, and exclusiveness which are arguably contemporary rather than ‘traditional’. This article reviews Motu‐Koita history, the story of the origin of the hiri, and the local politics of the cultural festival. It attempts to understand the way the past, which was formerly mythopoeically invoked, is being historicized and thereby fixed in new local discourses of cultural and heritage rights and ownership, as Melanesians come to terms with the effects of global processes on their traditions and other resources.  相似文献   

7.
Among the ceramic vessels recovered from the burial mounds of Bahrain, a small percentage represents Mesopotamian imports or local emulations of such. In this paper two overall horizons are distinguished in these Mesopotamian ceramics. These are significant because both coincide with major stages in Mesopotamia’s interaction with the populations of the ‘Lower Sea’. The first import horizon is comprised of a vessel type found exclusively in the scattered mounds of Early Type which pre‐date the rise of the Dilmun ‘state’ proper. The distribution of these vessels outside their areas of production demonstrates how they circulated widely in a network elsewhere considered to reflect the orbit of Mesopotamia’s late third‐millennium ‘Magan trade’. Here it is consequently concluded that this particular type represents an important fossile directeur of the ‘Magan trade’ and pre‐Dilmun florescence. The vessels that make up the subsequent horizon of Mesopotamian imports are found exclusively in the compact mound cemeteries and thus coincide with the heyday of Dilmun. On these grounds it is argued that the two horizons are the product of, respectively, the Ur III network of ‘Magan trade’ and the contracted Isin‐Larsa network of ‘Dilmun trade’.  相似文献   

8.
Non‐invasive materials characterisation of reconstructed statues of Emperor Qin Shihuang's Terracotta Army has revealed distinct micro‐geochemical patterning within the clay paste used in their manufacture. The significance of this is explored in terms of the production sequence, logistics and supply‐chain management involved in the construction of this enormous funerary assemblage. Of particular interest is a compositional distinction between figures marked with the names ‘Gong’ (宫) and ‘Xianyang’ (咸阳). These seem to represent the products of two workshops involved in the supply of ceramic objects for this ambitious, large‐scale building project undertaken by the Qin Empire during the third century bce .  相似文献   

9.
The books included in this review article are essential for the understanding of what I call Putin's sistema—the governance model that originated in the Soviet system but has transformed and adapted to global change. Each book tackles, from a different angle, the issues of Russia's transition and suggests ways to describe its political consequences. The books all attempt to identify some underlying logic or organizing force in a Russian society that has emerged through weak institutions. Although I join the authors in their criticisms of the ‘transition paradigm’ and its ‘opening‐breakthrough‐consolidation of democracy’ formula, transformations of the Soviet sistema seem to resonate with the ‘opening‐breakthrough‐consolidation of capitalism’. Perestroika can be seen as an ‘opening’ in shaking the foundations of sistema; Yeltsin's era as a ‘breakthrough’; and Putin's regime as the ‘consolidation’ of capitalism but with its distinct characteristics.  相似文献   

10.
Abstract. This paper examines the construction of a sense of Israeli identity which is not deducible from the public political discourse. It analyses common verbal representations of ‘being an Israeli person’, namely, what people in contemporary Israeli culture repeatedly say about Israelis, and how they position themselves vis‐à‐vis the commonsensical agreements they exchange, assuming that the massive use of such clichés in certain contexts creates a discursive routine that has ‘a life of its own’, through which people constantly negotiate their self‐images and their sense of belonging. It investigates the ways these representations create solidarity or demarcation and how such current popular representations relate to canonical veteran images of Israeli identity, notably that of the pre‐state ‘Native Israeli’ (Sabra) archetype. The analysis is based on 295 anonymous open responses to the question ‘What makes one an Israeli?’ published weekly in the Weekend Supplement of Maariv, the second largest newspaper in Israel, between 1996 and 1998. The analysis has led to the following observations: (1) Instead of the most expected grand ideological (ethnic, national, religious, etc.) issues of conflict, the responses reveal a ‘pursuit of culturedness’, using an implied scale of mastering good manners and possessing a ‘genuine culture’ which form the dominant parameter of judging the ‘Israeli person’. (2) A tension between mainstream and marginalised groups is shaped by a ‘chase and flight’ dynamic of embracing and rejecting the mythological Sabra image (in asymmetry with these groups' assumed political stances), which image is believed to be a symbol of the once hegemonic veteran elite. (3) This tension paradoxically contributes to the persistence of the canonical image of the Sabra that is currently delegitimised by much intellectual discourse.  相似文献   

11.
This article focuses on the relations between the two geo-temporal categories – Central and Eastern Europe (CEE) and West/Europe – in discussions about sexual politics, homophobia, tolerance, and nationhood. It contributes to the existing literature about homonationalism and sexual nationalisms by introducing CEE to the debate's geographical loci, so far mostly invested in West/Europe and its relations to Islam. It argues that it is important to consider CEE in sexual nationalism debates because of its framing as the European (homophobic) Other in the emerging discourses of ‘homoinclusive Europe’. This article introduces the concept of leveragedpedagogy, which captures the specificity of the West/Europe – CEE discourses of sexual liberation, advancement, and backwardness. Leveraged pedagogy is a hegemonic didactical relation where the CEE figures as an object of the West/European ‘pedagogy’, and is framed as permanently ‘post-communist’, ‘in transition’ (i.e. not liberal, not yet, not enough), and homophobic. Such ‘taking care of’ CEE, it is argued, is a form of cultural hegemony of the Western EUropean liberal model of rights as the universal.  相似文献   

12.
Abstract

The restoration of deteriorated wall paintings in an underground environment requires at the outset a complex analytical approach designed to clarify the deterioration processes. These can be identified and prioritized using continuous microclimatic monitoring with multichannel analytical loggers, providing abundant data on climatology, airflow and hydrogeology in real or semireal time. The investigator can therefore have an almost instantaneous idea of the evolving microclimatic conditions of the monument, identifying among other variables the condensation or evaporation phases of the walls and the rising or sinking of the underground water table when the monument ‘has its feet in the water’, as in the case described here of St Emilion (France). In addition, electronic image capture in situ can be used to decode and restitute very damaged paintings that have become difficult to read, with a view to their being eventually presented to the public.  相似文献   

13.
Pigments sampled from wall paintings and from crayons taken on the floor, at the Grottes de la Garenne (Saint-Marcel – Indre, France) have been analyzed and characterized by infrared spectroscopy, Raman micro-spectroscopy, X-ray diffraction, ICP/MS and analytical TEM. The red pigment used for the wall paintings is mainly composed by hematite, clays, carbon matter and carbonates. Results on the red pigments show that the compositions of the paintings are similar to that of some crayons. Regarding these analyses, their origin is compatible with local siderolithic facieses. Analysis of black pigments shows that they are made of cryptomelane, pyrolusite, clays, carbonates and carbon matter. It shows also that paintings and some crayons compositions are compatible. On the contrary of red pigments, the origin of black pigments is probably allochtonous. Indeed, the traces of thallium detected in cryptomelane, the cerium anomaly and the absence of iron are not compatible with local facieses or other sites from the French Massif Central.  相似文献   

14.
The biogeography and historical distribution of various plants often depend as much on the environmental tolerance of their pollinators as they do on the tolerance of the plant. A four year, phenological study of 35 trees from six Ficus species was carried out in Brisbane's Central Business District. The presence of syconia (figs) and their sexual phases was recorded monthly for each tree. All six species bore ‘female’ phase syconia randomly in any month. The presence of ‘male’ phase syconia was seasonal for Ficus benjamina, Ficus microcarpa and Ficus virens. It was less seasonal for Ficus obliqua and Ficus rubiginosa. Ficus macrophylla exhibited aseasonal distribution of ‘male’ phase syconia. Symbiont pollinator wasp mortality was the cause of the skew in the seasonal distribution of ‘male’ phase syconia. Ficus benjamina, F. microcarpa and F. virens seldom had ‘male’ and ‘female’ phase syconia concurrently on an individual tree, while F. macrophylla and F. obliqua often did. Ficus rubiginosa was intermediate between the two groups. Intra‐tree overlap of syconia in both sexual phases permits short dispersal flights by pollinators and is advantageous to their survival during the cooler months. The pollinators of F. benjamina, F. microcarpa and F. virens, historically tropical and tropical/subtropical species, are unlikely to establish in temperate areas due to high winter mortality rates. The other three Ficus species historically occurred in temperate climates and the pollinators of two, F. macrophylla and F. rubiginosa, are extending their range into temperate Australia and New Zealand. The pollination biology of Ficus spp. will thus be a determining factor in whether a species is able to naturalise or become invasive in a location that experiences a particular climate, or if it is safe to use as a horticultural amenity species.  相似文献   

15.
This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.  相似文献   

16.
Abstract

This paper argues that the development of the Ecosystem Services framework, which has recently emerged as an internationally recognized framework for valuing ‘the ‘natural capital’ of ecosystems, presents a number of opportunities for heritage management and the archaeological record, arguing that the inclusion of archaeological and palaeoenvironmental ‘value’ within this framework presents an opportunity to incorporate heritage alongside a range of other critical ‘services’. It presents a short case study focusing on the problems facing the preservation of peatland archaeological sites and deposits in situ alongside developments within peatland conservation and restoration initiatives partly driven by the ability of healthy, functioning peatlands to sequester carbon and hence mitigate climate change. It is argued that this drive towards peatland re-wetting may bring both positive benefits and opportunities for heritage management but also presents a number of practical issues, which now require active engagement from the archaeological community.  相似文献   

17.
The Northumberland, a third‐rate man‐of‐war was lost with all hands during the Great Storm of 26–27 November 1703 on the Goodwin Sands—famously known as ‘the ship swallower’. It was rediscovered in 1980 by local divers following the location of a sister ship, the Stirling Castle. Since, the primary concern has been to record exposed structural remains, ordnance and artefacts, and interpret the wreck formation of the site. This paper describes the results of this work, and discusses in particular the size of the keel, the use of chocks, and standardization of ordnance in the Restoration Navy through reference to comparable ship‐finds and historical records.  相似文献   

18.
One of the biggest challenges for students of the European Bronze Age is to understand the reason behind the massive deposition of large amounts of recyclable metal in non‐metalliferous regions. Such depositions are particularly puzzling when material was buried in a manner which directly seems to denote trade itself, in so‐called ‘trade hoards’. Based on observations on a recent find of such a hoard, in Hoogeloon (NL), we move to an overview of Bronze Age metalwork economy in general and the deposition of trade stock in particular. We argue that Middle Bronze Age metalwork circulation in North‐west Europe may be understood as an aes formatum system, with the serially produced axes in hoards displaying a koiné having a particular social evaluation: a ‘brand’. We suggest that objects were selected by brands for their deposition in the landscape and that this ‘ritual’ act was integral to the ‘practical’ economy of circulation.  相似文献   

19.
The post‐Suharto ‘Reform Era’ has witnessed explosive revitalization movements among Indonesia's indigenous minorities or ‘customary’(adat) communities attempting to redress the disempowerment they suffered under the former regime. This study considers the current resurgence of customary claims to land and resources in Bali, where the state‐sponsored investment boom of the 1990s had severe social and environmental impacts. It focuses on recent experiments with participatory community mapping, aimed at reframing the relationship between state and local institutions in planning and decision‐making processes. Closely tied to the mapping and planning strategy have been efforts to strengthen local institutions and to confront the problems of land alienation and community control of resources. The diversity of responses to this new intervention reflects both the vitality and limitations of local adat communities, as well as the contributions and constraints of non‐governmental organizations that increasingly mediate their relationships to state and global arenas. This ethnographic study explores participants’ experiences of the community mapping programme and suggests its potential for developing ‘critical localism’ through long‐term, process‐oriented engagements between communities, governments, NGOs, and academic researchers.  相似文献   

20.
西藏壁画表面大多刷有保护涂层。据记载,其材质主要是桐油、牛胶或清漆等。但目前,对该涂层材质科学的研究却较少,不利于后期保护修复。为配合拉卜楞寺壁画保护修复项目,本研究以衰减全反射红外光谱法(ATR-FTIR)、核磁共振氢谱法(~1H-NMR)、热裂解-气相色谱-质谱联用(Py-GC-MS)技术等分析手段,对甘肃夏河拉卜楞寺弥勒佛殿、时轮学院主殿壁画的涂层进行了分析。结果表明,两处佛殿壁画涂层可确定是一种干性油,种类与桐油较接近。但由于西藏壁画在材料和工艺上的独特性,材料老化等因素,拉卜楞寺壁画涂层在组成和结构上,与现代桐油有一定差别,表现出一定的丰富性和复杂性。后期修复,可采用性质与西藏传统涂层材料接近的干性油,例如桐油,作为新的壁画表面涂层材料。  相似文献   

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