On Dittmer's Popular Culture,Geopolitics, and Identity as a classroom resource

In this intervention, four geographers, all of whom have used Jason Dittmer's book, Popular Culture, Geopolitics, and Identity, in their classes, assess its status as a teaching resource. All have had considerable success using Dittmer's book, alongside other resources, to cultivate critical thinking and critical knowledge production in a wide range of classes.     

Kusanagi Tsuyoshi x Chonangang: Transcending Japanese/Korean Ethnic Boundaries in Japanese Popular Culture

In the last ten years or so, interest among the Japanese in their Korean neighbour has increased significantly. Yet, before the Korean Wave hit Japan in the early 2000s, Kusanagi Tsuyoshi, member of popular Japanese boy-band SMAP, had already débuted and gained popularity as Chonangang, his Korean alter-self. From releasing a Korean pop-music single to interviewing South Korean Presidents on Japanese national television, it is undeniable that Kusanagi (and Chonangang) has brought Korea closer to the hearts of the Japanese. In this paper, I argue that Kusanagi's performances of and as Chonangang create a polyglotic, hybrid identity that functions as a “third space” through which notions of an underlying, essential Japanese (and Korean) identity can be destabilised. Beyond mere entertainment, Kusanagi's adoption of an identity position that is neither Japanese nor Korean, yet also both Japanese and Korean, enables the articulation of difference and hybridity which, I contend, has direct relevance to Japan–Korea and Japanese–resident Korean relations.     

Popular culture,post-truth and emotional framings of world politics

ABSTRACT

With the election of US President Donald Trump, the separation between high and low politics and the line between fiction and reality has become fundamentally blurred. Yet popular culture offers an important vector through which we might make sense of this political turmoil. The purpose of this essay is two-fold: conceptually, I examine how television provides opportunities for the insight into the visual and emotional registers of the post-truth era. I illustrate this empirically by examining two popular television series – Homeland and The Good Fight. I argue that the power of popular culture is derived from its visuality as the intersection of image and sound, through which emotional registers related to anxiety and outrage can be elicited and visually narrated. Even more so, the visual nature of popular culture has a strong affective component that shapes how we experience representations of reality and reveals the power and political significance of popular culture.     

Trading Shovels for Controllers: A Brief Exploration of the Portrayal of Archaeology in Video Games

Archaeology has been a persistent theme for video games, from the long-running Indiana Jones and Lara Croft franchises to more recent uses of archaeology in games like Destiny and World of Warcraft. In these games, archaeology is often portrayed as a search for treasure among lost worlds that leads to looting and the destruction of cultural heritage. In this article, we review the current state of archaeological video games, including mainstream and educational games. While this is not an exhaustive discussion, it provides an introduction and overview to the current landscape. We propose that an understanding of current popular archaeological video games is important to archaeologists for three reasons: (1) it is a source of potentially dangerous misconceptions about the discipline that must be addressed; (2) it can be a source of inspiration for funding and a means to recruit new students to the discipline; and (3) games can be leveraged as teaching moments in classrooms and public discussions. It is important that archaeologists recognize the ways the discipline is being portrayed in such public contexts, in order to maximize the potential benefit for archaeology and to prevent further misconceptions about the subject.     

On Disciplinary Culture: Archaeology as Fieldwork and Its Gendered Associations

This paper discusses the disciplinary culture of archaeology, focusing in particular on the role of fieldwork in shaping the sense of identity for the profession. Based on the examination of the professionalisation of Australian archaeology, it is argued that there is a distinctive suite of attributes relating to the activity of fieldwork, which are central to the organizational culture of the discipline. These attributes can be seen to have a gendered dimension, revealing the extent to which archaeology is shaped by different gender regimes.     

Digging Holes in Popular Culture: Archaeology and Science Fiction Miles Russell (ed.) with a Prgace by Douglas Adams

Abstract

The heritage management policy in the UK is to delegate management and protection of scheduled ancient monuments to quasi-autonomous heritage agencies. These agencies are an improvement on what preceded them: the dry, conservative and underfunded Ministry of Works. However, by analysing the way in which Cadw: Welsh Historic Monuments manages the castles in North Wales one can see that the current system has many inherent failings. Underfunding, a lack of commitment to education and preservation and the artificial division of responsibility along modern pseudo-national boundaries are evidence that the current policy has run its course and now needs to be re-thought. Furthermore, there must be more effort made to present a more inclusive heritage by accepting that the heritage sites in Wales exist within a multicultural Britain and a world of shared human experience. Emerging as a model for future heritage management is Denbigh Castle in North Wales. The site was abandoned in 1998 after Cadw decreed that it did not generate enough income. Subsequently rescued by the local council, it is now thriving. Denbigh stands as an example of how a heritage site can be integrated with the local community that has lived in its shadow for hundreds of years.     

Sport in Transition: Emerging Trends on Culture Change in the Anthropology of Sport

Historically, within anthropology, sport has been perceived as an inconsequential form of entertainment spectacle, seemingly at variance with, and secondary to, broader political and social discourses. An analysis of these four works, however, provides an opportunity to explore shifting representations surrounding issues of culture change and identity production within the anthropology of sport, with an emphasis on three inter-related themes:

1. theories and methodologies for representing the intersections between culture change and sport;

2. historical shifts in modes of representation and writing within anthropological sports studies, and

3. representations of identities within sport.

     

粤东地区考古学文化与环境的互动

粤东地区全新世的考古学文化具有鲜明的地方特色,不同时间的古文化在文化面貌和生计方式上存在着明显差别。本文在分析粤东地区汉以前区域气候波动和海平面升降的基础上,探讨了该地区不同考古学文化聚落形态的特点以及人地之间相互作用的过程。     

Place, Culture and Identity: Summer Music in Upper Galilee

The Kfar Blum festival is an annual chamber music festival at a kibbutz in northern Israel involving three public bodies. Soon after its inauguration, it was dominated by audiences of élite groups who gave it a specific character and made it a highly desirable social event. The demand created for participation caused the festival to change in character, and what had been an artistic celebration became a cultural commodity. This challenged the overall purpose of the festival and brought changes in artistic direction, as new audiences were sought through programmes with wider appeal. The Kfar Blum festival is an example of a contested arena reflecting social trends in Israel. Place becomes a metaphor for social trends.     

Command Celebrities: The Rise and Fall of Hanzelka and Zikmund

In the 1950s and 1960s, the travellers, explorers, authors, and filmmakers Ji?í Hanzelka and Miroslav Zikmund became celebrities both in Czechoslovakia and abroad. The Communist cultural authorities actively supported the transformation of the two men into cultural icons, which could be exploited as a model for the suppression of ‘old’, ‘decadent’, and indeed ‘popular’ culture, and as a tool for recruiting members of the intellectual, cultural, and social elites into its service. Hanzelka and Zikmund’s multimedia travelogues, as well as their dashing public personae, blended in a unique way the ‘high’ and ‘low’, the accessible and unreachable, the familiar and the exotic, in the officially promoted culture of the time. But in the later 1960s, as Hanzelka and Zikmund’s political loyalties towards some form of reform socialism became more blatant, the two men fell into disfavour, and they found themselves banished from the public sphere following the events of 1968 until the regime fell in 1989. This article investigates how the curious ‘command celebrity’ of ‘H&Z’ straddled socialist ideology and capitalist consumerism, political affirmation and cultural critique.     

Archaeology,assistance, and aggression along the Euphrates: reflections from Raqqa

ABSTRACT

This paper traces the cultural missions and salvage archaeology programs along the Euphrates River around Raqqa from the 1950s onwards. We suggest that the varied investments from international expeditions, conservation programs, and technical assistance in Syria have an important, untold history that is relevant to recent developments and conflicts in northern Syria. We explore the intersecting practices of archaeology and assistance, illuminated by archives drawn from international agencies such as UNESCO, as well as companies, consultants, bureaucrats, and archaeologists. Our focus is upon foreign intervention around imperiled heritage, considering not only internal politics but also UNESCO’s 1960s shift from fully funded campaigns to global appeals reliant on foreign governments, corporations, and universities. The outsourcing of salvage allowed specific patrons – national and international – to privilege particular pasts; and it is these histories and legacies that further require us to reassess the place of Raqqa in the current civil war.     

In Praise of the Ordinary Man: Popular Media,Social Hierarchy and Identity in a North Indian Text

This article recounts a story found in a popular genre of religious literature known as vrat katha[ritual storytelling]. The narrative is of an “ordinary” low-caste man and his everyday struggles. It tells of the social and economic suffering experienced by the poor man upon encountering god (called Trilokinath/Vishnu) and receiving his blessing, mediated through a series of miraculous events. However, the transformative power of the events and fortunes that follow is undermined by a Brahmin who refuses to acknowledge the poor devotee, rebuffing his ritual gift [prasad] as polluted and considering him untouchable. The ambiguous nature of the gift and the ideology and practice of devotion [Bhakti] present an intriguing and complex picture of Hinduism, revealed in the multiple social roles and social contexts in which subalterns operate in the course of their day-to-day lives.

?I offer a critical reading of this fascinating story. What seems like a straightforward, standardised ritual text is analysed in terms of its competing and sometimes subversive views of “dominant” Hinduism. By examining the tensions and ambivalence in the text I argue for a more nuanced rendition of subaltern power and agency which cannot be reduced to that of resistance and opposition alone.     

Popular consent and foreign policy choices: war against the Philippines and covert action in Chile

It is usually assumed that US policy makers need to generate popular consent in order to undertake regime change against another state. This article explores the ways in which contextual factors such as the joint democracy effect, popular values and public moods influenced efforts by elites in the United States to generate popular consent for regime change in the Philippines and Chile. Against the backdrop of the Vietnam War, the United States undertook covert action in Chile due to public recognition of the target state's democratic credentials and a public mood opposed to further military ventures. In contrast, the absence of a strong joint democracy effect, a national mood infused with romantic nationalism qua militarism and social Darwinism facilitated efforts by US elites to generate consent for the invasion and occupation of the Philippines. Subsequently, this article contributes to understandings of the domestic-level factors that influence foreign policy decisions.     

Triad Dramas as Commentaries on Revolutionary Disharmony,Totalitarian Nostalgia,and a Yearning for Past Chivalry

In 2007, amateur on-line writer Kong Ergou’s triad novel series, Past Events of the Northeast: Twenty Years of the Triads, became a hit as a piece of network original literature. Five years later, the first volume of the book series was adapted into a network television drama of the same title. Focusing on the television drama, this paper examines three interrelated “dimensions” of the text. The first “dimension” relates to the correspondence between the inception and development of underworld gangs, and the vicissitudes experienced by the Chinese people during the harsh and unprecedented economic and cultural conditions that were introduced during the post-Mao era. A second “dimension” of this dramatic text finds that the nostalgia for and admiration of totalitarian times, together with a postmodern parody and deconstruction of Maoist society and its ideology, are juxtaposed in contemporary popular cultural products such as Past Events, thus demonstrating the complex and obscure emotions of ordinary Chinese people in relation to socialist revolutionary times. The final “dimension” compares the chivalrous spirit espoused by the gangsters with the ever-deteriorating morality and ethical values prevalent in present-day China.     

From the Little Tree,Half a Block Toward the Lake: Popular Geography and Symbolic Discontent in Post‐Sandinista Managua

Abstract: The inhabitants of Managua, Nicaragua have a sophisticated, often bitingly ironic, popular geography that they use to navigate the city. The Nicaraguan capital has been destroyed twice by earthquakes, ravaged by war, left to decay for lack of funds, transformed by the creative destruction of speculative capitalism and subjected to a series of ideological impositions. Few people know the official names of streets, and recent governments have not had the ability to put up signs. So a supple system of popular geography dominates, resisting and ridiculing attempts to impose an official order, and adapting to change while preserving a bottom‐up sense of memory, history and place. Drawing on Allan Pred's classic account of popular geography in late nineteenth century Stockholm, I use Managua's language of spatial orientation as a window into peripheral modernity and the politics of everyday life.     

Performing national identities in everyday life: Popular motivations and national indifference in 19th-century Amsterdam

This article demonstrates how and when the nation—whether in the shape of concrete national symbols or as an abstract frame of reference—became relevant to ordinary people. It focuses on the experiences and activities of Amsterdam citizens in the second half of the 19th century. Central to the analysis is the apparent contradiction between ‘banal’ or ‘everyday nationalism’, in which nationalist symbols and rhetoric appeared to successfully reach their audience because of their omnipresence in daily life, and ‘national indifference’, as referring to the absence of national identification among the masses. It argues that in order to overcome the dichotomies between elites and masses and national and non-national performances, we should focus on the popular incentives for national identification, rather than on the ideological content and the (physical or symbolic) borders of the national community.