Proving One's Manliness: Masculine Self‐perceptions of Austrian Deserters in the Second World War

While important work has been produced on discourses of masculinity and the normative masculine ideals in nineteenth‐ and twentieth‐century Europe we know very little about the actual experiences and self‐images of individual men. This article, largely based on oral history interviews with former deserters, analyses the gendered identities of Austrian men who were recruited to serve in the Wehrmacht and who later deserted. Deserters were brutally persecuted in the Third Reich and denounced as ‘traitors’ and ‘cowards’. The glorification of martial masculinity in Nazi Germany played a crucial role in the defamation of deserters, whose manliness was called into question. Based on Connell's theory of hegemonic masculinity, the article aims to establish the actual influence of dominant ideals of masculinity. It investigates how these deserters perceived themselves as men and how they negotiated their gendered identities in interaction with their surroundings. The analysis reveals the considerable influence of the hegemonic ideal of ‘hard’ masculinity, which was far greater than the impact of the rather short‐lived ideal of martial masculinity. But it also demonstrates the contradictory nature of gendered identities and gives valuable insights into the selective appropriation of masculine values.     

The invisible war on nature: the Abyssinian war (1935–1936) in newsreels and documentaries in Fascist Italy

This contribution to the special issue focuses on newsreels and documentaries that were produced concerning the Second Italo–Ethiopian War (1935–1936), commonly known as the Abyssinian War. It aims to contextualise LUCE's filmic production on the war, so as to create a framework in which the institute can be understood not only as being part of a wider politics of propaganda in Fascist Italy, but as an example of a modern socio-technical organisation that enabled the discursive construction of East African nature as ‘Other’ and therefore helped to justify colonial war as a process of sanitised creative destruction aimed at replacing a previous, negative ‘first nature’ with a positive, Fascist and Italian ‘second nature’. The article draws on archival documents from Mussolini's government cabinet, and on LUCE documentaries and newsreels; these sources are used to create a background against which LUCE's concern with the Second Italo–Ethiopian War can be understood.     

The ‘indomitable’ Pignatellis

The fall of Fascism generates contrasting feeling in Italy, now liberated by the Allied troops. In this new scenario, the search for new forms of democratic gathering coexists with its opposite: the aim to recreate an experience now historically ended (the Fascist regime). Indeed, many southern Italians still believe in Fascism and, despite Mussolini's execution in Piazzale Loreto, they kindle the hope of a new Fascist era. Arguably, they see the death of Mussolini as an opportunity to refashion the Fascist ideology, by returning to the myths of its origins. They envision a new form of Fascism, free from political contamination and compromise, and a new regime able to realize the programmes that the old regime has failed to realize. Maria and Valerio Pignatelli represent the dream of a Fascist revival, characterized by innovative and original characters. They find many supporters in the southern regions, especially in Calabria, reversing the stereotype of an ‘apolitical’ and passive south. Therefore, the aim of this article is to reconstruct the Fascist revival in post-war southern Italy through the history of its main exponents.     

Two new books on Fascism. A review,the authors’ responses and the reviewer's comments

This section contains a review by the Italian historian Emilio Gentile of Paul Corner's new book on the Fascist Party and public opinion, and of Christopher Duggan's intimate history of Mussolini's Italy. The review is followed by responses from Corner and Duggan, and the section concludes with comments by Gentile.     

Italian identity: Catholic responses to secularist definitions,c.1910–48

In united Italy, assertions by Catholic militants about their nation's true identity have been bound up with polemic against secularist forces and with claims about the position due to the Church in Italian society. They have insisted that Italy's authentic traditions are Catholic and that her true greatness resides in her being the heart of Christian civilization. Hostile or threatening ideologies, e.g. idealist philosophy and Communism, have been stigmatized as alien to Italian tradition. In the face of Fascism, with which the ‘Catholic world's’ relations were ambivalent, there was a major ideological campaign to assert a Catholic definition of the keyword romanità. The way in which Catholic theoreticians have defined the ‘nation’ in organicist terms have been linked to strategies of ideological defence against state forms, whether liberal or Fascist, perceived to be overweening.     

Filippo Tommaso Marinetti: the Futurist as Fascist, 1929–37

Filippo Tommaso Marinetti, the leader of Futurism, is no stranger to scholarly inquiry, and the centenary of 2009 only magnified this attention. However, what is often avoided, downplayed, or misunderstood are Marinetti's politics, and specifically his connection to the Fascist regime of Benito Mussolini. In this article Ialongo investigates just what this connection was, and concludes that Marinetti was exactly what Mussolini called him, a ‘fervent Fascist’, and not simply an opportunistic fellow-traveller, as many have argued. By putting the Futurist initiatives of the 1930s, such as Aeropittura, Arte sacra futurista, Cucina futurista and Naturismo into a broad political perspective, Ialongo demonstrates that each of these initiatives were all geared towards furthering Marinetti and Mussolini's twin goals of strength at home as a springboard for imperial expansion abroad, culminating in the conquest of Ethiopia in 1936. Ialongo argues that the political goals of each of these initiatives were evidence of Marinetti's ‘working towards the Duce’ in the 1930s.     

The New Men's History and the Peculiar Absence of Gendered Power: Some Remedies from Early American Gender History

Historians with feminist commitments have expressed reservations about men's history and men's studies. This unease has existed more or less from the first appearance of men's history as a specialised area of inquiry, and shows no signs of abating. The first part of this article explores the sources of this unease. It discusses several guiding premises of men's history and shows that they tend to lead to the occlusion of men's gendered power over women. Nonetheless, the scrutiny of the gender of men is the logical outgrowth of several decades of theoretical and empirical work on gender–witness the many historians of women and gender who have recently turned their attention to the systematic study of manliness and masculinity. With the help of examples drawn from the scholarship on the history of the British colonies in America and the early United States, the second part of this article enumerates several strategies for successfully highlighting men's gendered power in histories of manliness and masculinity.     

Fascist censorship on literature and the case of Elio Vittorini

This article tackles the issue of literary censorship in Fascist Italy. The first part offers an outline of the organization and the practices with which the regime attempted to control publishers and authors. It tracks the development of Mussolini's Press Office into a fully fledged ministry, examines the introduction of a semi-preventive form of censorship, and looks at the effects of the anti-Semitic laws. The second part concentrates on the literary activities of the novelist, editor and translator, Elio Vittorini. His many encounters with Fascist censorship provide ideal subject matter for a close examination of how censorship affected literary production. It also provides an example of the need to re-address aspects of Italy's literary history during the Fascist period, particularly in relation to questions of coercive and consensual collaboration with the regime.     

Transatlantic Catholic responses to Fascist anti-Semitism: the Racial Laws of 1938 in the Jesuit press of America and Civiltà Cattolica

ABSTRACT

This article examines the Catholic responses to the Fascist Racial Laws in a transatlantic and comparative perspective. It looks specifically at two foremost publications of the Jesuit press in Rome and New York: Civiltà Cattolica and America, respectively. The comparative approach helps to comprehend the variety of factors behind editorial choices: readership, political context, Vatican directions, censorship, and silence. Jesuits on both sides of the Atlantic interpreted the anti-Semitic turn of the Fascist regime as an imitation of Nazi Germany and with the persistent hope that Italian policies would be milder and more ‘civilized’. The shaping of the myth of the ‘good Italian’ was an early process in which Church voices, including the Pope himself, took a significant part. This article argues that despite contextual differences, both Jesuit publications demonstrated a transnational pattern of Catholic relation to the Jews: endorsing Pius XI’s statements, they spoke out against racism but did not extend their condemnations to a full rejection of anti-Semitism in its religious and secular components. The disapproval of Italy’s Racial Laws was not a defense of the Jews of Italy.     

Becoming imperialist: Italian colonies in Fascist textbooks for primary schools

The essay explores the way in which primary school textbooks in Fascist Italy played an important part in disseminating the colonial discourse. Starting from a brief overview of the education system and textbooks in Liberal Italy, the essay reviews the changes made by the Fascists after 1922: Gentile's reform; the national commission for primary school textbooks; the introduction of the testo unico di Stato (single state-approved texts). These changes reveal the increasing emphasis on colonial topics and the development of the ‘new Italian man’. The impact of 1936 as a turning point in Fascist colonial policy following the conquest of Ethiopia and the proclamation of the empire of Italian East Africa is highlighted by the ways in which primary school textbooks reflected Fascist ambitions to imbue pupils with a new imperial consciousness.     

Introduction

Alberto Moravia was an ambiguous figure for the Fascists. His first novel, Gli Indifferenti, was an international success, and was praised by Bottai. His second novel, Le ambizioni sbagliate, ran into difficulties with Fascist censorship. His maternal uncle was a member of Mussolini's government. His paternal first cousins were Carlo and Nello Rosselli. This essay explores Moravia's relations with the regime in the light of archival evidence, contemporary ‘revisions’ of his reputation and recent controversy over his letters to Ciano and Mussolini.     

Gender in Polar Air: Roald Amundsen and his Aeronautics

Abstract

The aim of this article is to discuss the polar aeronautics of the 1920s as men, that is: to take seriously the obvious – but so far more or less ignored fact – that polar history is a gendered history: a man's history. It is time to ask what kind of men the polar aviators were: that is the purpose of scrutinizing polar history as a part of the history of masculinity. A more general purpose of gender studies is to study the variety of masculinity as an illustration of the historicity of human behaviour. The conclusion of the article is that the polar aviators were representatives of an archaic kind of masculinity that deviated from the hegemonic engineer-hailing masculinity of the 1920s. They were escapists, of course. They loved flying, of course – and certainly they worshipped technology. At the same time, however, they acted extremely emotionally and even irrationally towards themselves. They were dictated by their strong feelings in a degree that collided with both common sense and the ideals of correct manliness. Thus, the article is intended to be a contribution not only to the study of masculinity, but even to the discussion in social research on the meaning of emotions in human interrelationships.     

The battle of Turin, 1933–1936: Carlo Rosselli,Giustizia e Libertà, OVRA and the origins of Mussolini's anti‐Semitic campaign

This study draws attention to the intensity of the conflict between Carlo Rosselli and Giustizia e Libertà (the Italian liberal‐socialist anti‐Fascist organization) and the highest ranks of Italian Fascism, including Mussolini and OVRA ‐ the Fascist secret police ‐between 1933 and 1936. The activities of Rosselli and Giustizia e Libertà can be considered in the light of their secret attempts to organize the assassination of Mussolini and their efforts to disseminate broader anti‐Fascist sentiment in Italy. The militants of Giustizia e Libertà in Turin were key figures in the second of these operations. But the success of agents of OVRA in infiltrating Giustizia e Libertà resulted in three waves of arrests in Turin (in 1934, 1935 and 1936). However, Rosselli and GL showed a great capacity for recovery. By focusing on the struggle between Giustizia e Libertà and Fascism which had all the features of a civil war, and on the events in Turin in the period 1933–6, this research shows that the conflict between Fascism and anti‐Fascism was a central feature of the history of Italian Fascism even at the height of the regime's power. The article also offers a specific but incomplete study of the activities of OVRA. Since many of the members of Giustizia e Libertà in Turin were Jews, it also shows how OVRA's efforts to dismantle Giustizia e Libertà in Turin were closely linked to Mussolini's first anti‐Semitic campaign in 1934.     

A National Saint in a Fascist State: Catherine of Siena,ca 1922–1943

The annual festival of Saint Catherine of Siena is now the focus of a self‐conscious internationalism which celebrates Catherine as both Patron Saint of Italy and Co‐Patron Saint of Europe. When Catherine of Siena was proclaimed Patron Saint of Italy in 1939, however, the annual festival in her honour was quite different in ethos, being a highly patriotic, nationalistic, and even militaristic celebration of Catherine's significance in and for Fascist Italy. The article examines the campaign for Catherine to be proclaimed a “national saint” and “patron of Italy” during the 1920s and 1930s, locating it within the context of the relationship between Catholicism and Fascism in Mussolini's Italy. It also examines the celebration of her annual festival between 1940 and 1943 in the context of Italian participation in the Second World War, until the fall of Mussolini and his regime.     

The print depiction of King William III’s masculinity

This article examines both positive and negative print depictions of King William III, specifically how William’s masculine identity was produced and perceived in relation to readily accessible norms of manhood. That commentators invoked discourses of masculinity to both legitimate and denounce William’s regime suggests the importance of masculinity to kingly meaning. By discussing the ways in which William does or does not conform to gender ideals, commentators reveal that, although freighted differently, normative models of kingship and masculinity shared common expectations and overlapped in easily recognisable ways. As his critics reminded, William III neither achieved the supposed “hegemonic” patriarchal form of masculinity nor that of the ideal monarch because he remained childless. As such, William’s print portrayal sheds light on codes of masculinity in early modern Britain that were constructed in a variety of settings outside of the problematic paragon of patriarchal manhood.     

A nation's parks: failure and success in Fascist nature conservation

Nature conservation is a complex venture, with a great impact, among other things, on local and national power relationships. Nature conservation also depends on a wide set of variables to determine any one planned initiative's long-term success or failure. This article explores what made the difference between success and failure in the history of nature conservation under Mussolini's regime. Many parks were planned in those years in Italy, but only a handful were effectively instituted. This essay will address the following questions: What were the reasons behind the planning and creation of these national parks? What was the role of Fascist ideology in determining the long-term success of a park proposal? Was there anything specifically Fascist in Italian nature conservation in the 1920s and 1930s? Which other variables impacted on the involved decision-making processes?     

Violence and the politics of prestige: the fascist turn in colonial Libya

In 1922–1923, Fascist Party leaders hoped to define a sharp break from previous approaches to colonial rule and imperial expansion in Italy's Libyan territories. Mussolini's nomination of Luigi Federzoni, a leading figure of the Italian Nationalist Association, as the Minister of Colonies at the end of 1922 signalled a new era in Italian colonial administration focused on aggressive expansion and the institution of what was known as a ‘politics of prestige’. This definition of a fascist style of colonial rule appealed to the enthusiasm for violence among blackshirt militias and early fascist supporters in the Libyan territories. This definition of a fascist style of colonial rule, however, inspired immediate reaction from both colonial officials, with stakes in maintaining a measure of continuity and stability, and from those within the nascent Fascist Party who wanted to promote an alternative model of fascism in the colonies. This article examines contests to define fascism and fascist colonial rule in the Libyan territories through the employment of voluntary militias, the competing voices of Fascist Party outposts, and various programmes for the development of a colonial culture.     

Case del fascio and the Making of Modern Italy

Abstract

In recent decades, scholars of modern Italy have identified Fascism’s effort to establish a new society as a hallmark of the regime’s engagement with modernism. Fascist party headquarters (case del fascio), the primary institution through which the party aimed to alter the character, habits, and attitudes of its citizens in the making of Fascist Italy, are largely absent from this discourse, despite their extraordinary importance to the regime. Through an analysis and discussion of the regime’s building activity in the rapidly developing working-class neighborhoods on the edge of nineteenth-century Milan, the city most closely associated with modern ways of life in the interwar period (and still today), this paper provides an opportunity to explore the ways in which the amenities, design, and location of party-controlled outposts were intended to advance the party’s objectives and communicate Fascism’s central place in the making of a modern urban landscape in the regime’s final decades.     

The Continuity of Victorian Traces: A.S. Byatt's The Children's Book

Both King Solomon's Mines (1885) and Allan Quatermain (1887) pursue a quest to regenerate the authority of the English gentleman as ‘the highest rank that a man can reach upon this earth’. The present essay focuses upon Haggard's construction of this ideal of masculinity through the combination of the qualities of the gentleman with those of the barbarian. The discussion follows both Laura Chrisman and Bradley Deane in attending to the relationship between the ideological structures of metropole and colony. This article, however, situates Haggard's masculinist ideology in relation to the wider cultural poetics of late-Victorian material culture, particularly as manifested in the imperial souvenir – a complicated category of thing that comprises artefacts, hunting trophies and human relics. Attention to their thingness entails reflection upon the complexity of textual representations of objects and practical encounters with them as constituent elements of late-Victorian material culture. In addition to examining the significance of hunting and battle trophies in Haggard's fiction, close attention is also paid to the keynote spectacle of the Colonial and Indian Exhibition at the South Kensington Museum in 1886, Rowland Ward's habitat diorama, ‘The Jungle’, and to Ward's subsequent forays into ‘animal furniture’. Through reflection on such formations of objects, the thingness of the imperial souvenir illuminates the ideological formations within which hegemonic masculinity and imperialism were articulated at this key moment in the mid-1880s.     

Male Saints and Devotional Masculinity in Late Medieval England

This article considers the ways in which the lives of male monastic saints circulating in late medieval England (and the cults of male saints more widely) were underpinned by certain ideas and ideals of masculinity and the functions which these performed. It argues for the significance of male saints serving as devotional models for the lay audience of these texts (both men and women). The two main sources are William Caxton's Golden Legend (published in 1483) and his Vitas Patrum (published after his death by Wynkyn de Worde in 1495). It therefore seeks to make a contribution to our understanding of the ways in which piety was used to assess masculinity, but also the extent to which piety as a social identity (both public and private in nature) was informed by notions of manliness.