Misunderstanding the Question: ‘What is Enlightenment?’: Venturi, Habermas, and Foucault

In his 1969 Trevelyan Lectures, Franco Venturi argued that Kant's response to the question “What is Enlightenment?” has tended to promote a “philosophical interpretation” of the Enlightenment that leads scholars away from the political questions that were central to its concerns. But while Kant's response is well known, it has been often misunderstood by scholars who see it as offering a definition of an historical period, rather than an attempt at characterizing a process that had a significant implications. This article seeks (1) to clarify, briefly, the particular question that Kant was answering, (2) to examine - using Jürgen Habermas’ work as a case in point - the tension between readings that use Kant's answer as a way of discussing the Enlightenment as a discrete historical period and those readings that see it as offering a broad outline of an “Enlightenment Project” that continues into the present, and (3) to explore how Michel Foucault, in a series of discussions of Kant's response, sketched an approach to Kant's text that offers a way of reframing Venturi's distinction between “philosophical” and “political” interpretations of the Enlightenment.     

The Unimaginable

Arthur Danto advocates the thesis that we cannot imagine the art or artwork of the future. This thesis is motivated primarily by his Hegelian conception of history and secondarily by his holistic conception of art, which is informed by Wittgenstein. At first glance the thesis seems to conflict with Danto's second thesis that anything (any object) can be a work of art. Danto's solution to this problem is not very convincing. A more promising approach can be found in Kant's aesthetics and especially in his concept of genius.     

Kant's orientation

Kant's ethics demand suppositions where a noumenal freedom does not contradict natural causality. A rational faith in God makes this possible, through a progressive program in nature, including history, through strife, culminating in the doctrine that the republican form of government represents man's essential ethical essence. This captures many traditional religious views but Kant asserts them as a rational exposition in response to modern and contemporary intellectual currents, especially Hume, Rousseau and Herder.     

Front contre Front

Sensations are elusive. As our conscience is unable to simultaneously sense and feel, we struggle to capture them fully as they take possession of us. Sensations are to be experienced immediately and silently as no words can faithfully express them in their intensity. This is the paradox facing writer Philippe Delerm, who ceaselessly searches for a way of translating the silent world of sensations which is at the centre of his work. This article seeks to examine the stylistic and thematic methods put in place by Delerm in order to address this issue. In particular, we will propose a critical reflection on the theme of the everyday, which permeates Delerm's works and explains the reasons that lie behind his enthusiasm for the ‘small pleasures of life’. We will see how the quotidian becomes the ideal language of translation for the elusive sensations he seeks to describe and we will examine how he transforms and plays with it to suit his writing needs. The everyday becomes an alibi for a writer whose aim is to express the inexpressible.     

Kant and the scientific study of consciousness

We argue that Kant's views about consciousness, the mind-body problem and the status of psychology as a science all differ drastically from the way in which these topics are conjoined in present debates about the prominent idea of a science of consciousness. Kant never used the concept of consciousness in the now dominant sense of phenomenal qualia; his discussions of the mind-body problem center not on the reducibility of mental properties but of substances; and his views about the possibility of psychology as a science did not employ the requirement of a mechanistic explanation, but of a quantification of phenomena. This shows strikingly how deeply philosophical problems and conceptions can change even if they look similar on the surface.     

David Hartley's psychobiological associationism and the legacy of Aristotle

The idea that there are certain "laws" of learning (similarity, contrast, contiguity) can be traced to Aristotle. He maintained that external stimuli cause small movements in the vessels to the dominant heart, the vestiges of which can be linked to one another. Aristotle's laws of learning were incorporated into the writings of Hobbes, Locke, and Berkeley, men who said nothing about the physiological correlates of mental associations. This left the door open for David Hartley to combine mental associationism with the Newtonian idea that sensations can cause minute particle vibrations in the nerves. Hartley's amalgam of psychology, philosophy, and neurology was first presented in 1746, as a "trial balloon" at the end a little-known monograph on a treatment for kidney stones. It was repeated three years later in his better-known Observations on Man. In many ways, modern psychobiological connectionism can be traced back to Hartley's Conjectures of 1746, in which Aristotle's original thoughts were modified with then current ideas about functions of the mind and the nervous system.     

青年森鸥外与庄子的"性命"论

青年时代的森鸥外主张“余等自然学者,求人类之进步与知识的开拓”。他以近代科学的发展为基点来理解《庄子》的“性命”论,并在与他人的论争中引用《庄子》的学说为自己的主张立论。鸥外以为,依照庄子的学说,今天的学者们应该以“有涯之生随无涯之知”,而非单纯地守“性命”或养“性命”。鸥外还列举了康德和叔本华的哲学概念为佐证,将其与自己对《庄子》“性命”论的理解融合为一,以此来探求“自然”与“知性”的关系。     

Phantom Penis: Historical Dimensions

Interest in sensations from removed body parts other than limbs has increased with modern surgical techniques. This applies particularly to operations (e.g., gender-changing surgeries) that have resulted in phantom genitalia. The impression given in modern accounts, especially those dealing with phantoms associated with penis amputation, is that this is a recently discovered phenomenon. Yet the historical record reveals several cases of phantom penises dating from the late-eighteenth century and the early-nineteenth century. These cases, recorded by some of the leading medical and surgical figures of the era, are of considerable historical and theoretical significance. This is partly because these phantoms were associated with pleasurable sensations, in contrast to the loss of a limb, which for centuries had been associated with painful phantoms. We here present several early reports on phantom penile sensations, with the intent of showing what had been described and why more than 200 years ago.     

Phantom penis: historical dimensions

Interest in sensations from removed body parts other than limbs has increased with modern surgical techniques. This applies particularly to operations (e.g., gender-changing surgeries) that have resulted in phantom genitalia. The impression given in modern accounts, especially those dealing with phantoms associated with penis amputation, is that this is a recently discovered phenomenon. Yet the historical record reveals several cases of phantom penises dating from the late-eighteenth century and the early-nineteenth century. These cases, recorded by some of the leading medical and surgical figures of the era, are of considerable historical and theoretical significance. This is partly because these phantoms were associated with pleasurable sensations, in contrast to the loss of a limb, which for centuries had been associated with painful phantoms. We here present several early reports on phantom penile sensations, with the intent of showing what had been described and why more than 200 years ago.     

A collective biography of joy in academic practice

Changing working conditions at many universities over the past decade have meant longer hours, intensified record-keeping, and more precarious employment. Despite these changes, many academics still insist that we enjoy our jobs. Our inquiry is oriented toward spaces and practices that bring us joy in our daily work and help us withstand the negative effects of working in academia. This article reports on our exploration of some moments of joy at work as part of our own academic practice. Through a feminist methodology known and developed as collective biography, we wrote individual memories of joy in our teaching, publishing, and collaborating, together at a writing retreat. As we analyzed these recalled moments, we came to realize that joy emerges through a turbulent process fueled by a cocktail of emotions. In fact, we came to understand joy as affect, with affect seen as a certain sort of excess, generated around and through sensations that might contribute to feelings such as celebration, happiness, or surprise as well as fear, anger, or embarrassment. We conclude that joy does things, that it can be transformative, and that cultivating joy in academia is part of a radical praxis.     

Of kimchi and coffee: globalisation,transnationalism and familiarity in culinary consumption

This paper discusses the culinary consumption choices of South Korean international students in Auckland, New Zealand as a route to re-considering the transnational production of familiarity. In particular, this study questions the extent to which culinary consumption by transnational migrants is always an intentional declaration of ‘group loyalties’ or about the re-production of local or national identities. Drawing on research with students this paper illustrates that while some aspects of the familiarity enacted in culinary consumption appear to be ‘local’, in the sense that they are encoded as ‘Korean’, other aspects appear to represent forms of ‘global’ familiarity. Hence, it is argued that culinary consumption in transnational worlds can also more subtly represent an effort to recreate familiarity through reference to characteristics of everyday life before migration that may include what appear to be both global and local products. Such familiarity is then not necessarily about group loyalties or identities but rather an example of the importance of practical know how and familiar sensations in feelings of belonging and attachment.     

Microcredit and Women's Empowerment: Through the Lens of Time‐Use Data from Rural India

This study examines the impact of microcredit on male and female time use, and draws on this analysis to explore the linkages between credit and women's empowerment. A study of time use can help understand these linkages, because if credit is intended to improve women's livelihoods, it can also be expected to influence the way women allocate their time. Its other advantages are that it does not suffer from much time lag and can be objectively measured. Using household survey data from rural India, the findings show that while microcredit has little impact on women's time use, it helps their husbands move away from wage work (associated with bad pay and low status) to self‐employment. This is because women's loans are typically used to enhance male ownership of the household's productive assets. Further, it is found that it is only women who use loans in self‐managed enterprises who are able to allocate more time to self‐employment. If credit is intended to increase the value of women's work time, it follows that it is not access to loans but use of loans that matters. Ensuring women's control over loan‐created assets must therefore be a critical policy objective.     

Théodore Flournoy on synesthetic personification

In 1893, Théodore Flournoy published a landmark book on synesthesia — Des phénomènes de synopsie [Of Synoptic Phenomena]. The book presented a pioneering chapter on synesthetic personification, including numerous striking case examples, and it is frequently cited by twenty-first-century researchers as providing some of the earliest examples of the phenomenon. Flournoy employed a broad definition of personification — the representation of stimuli as concrete and specific individuals or inanimate objects. This definition encompassed a more extensive set of phenomena than the definition used by researchers today and was illustrated by cases that would fall outside of contemporary subtypes of synesthetic personification. Yet, Flournoy’s seminal work remains unavailable in English, and the extent of the phenomenon that he described has not been discussed in the contemporary literature. We provide an unabridged translation of Flournoy’s chapter “Des personnifications” [“Of Personifications”].     

Geographies of everyday nationhood: experiencing multiculturalism in Melbourne

In this article, we explore the geographies of nationhood manifest in everyday life, arguing that our quotidian surroundings continually reproduce the nation as we engage with them. We show that nationhood is obvious and ubiquitous in the lives of people when they are asked to attune to it, and that even when not in the forefront of attention, it partly informs how we make sense of our daily experiences. This is not to claim that nationhood is fully formed or coherent, a separate substratum waiting to be tapped into or closely defined by an identifiable symbolic repertoire, if only we pay attention. Instead, we demonstrate that nationhood is emergent in everyday life, is reproduced continuously and intimately entangled with the sensations, routines, material environments, public encounters, everyday competencies, memories, aspirations and a range of other affective and embodied qualities that comprise how we understand and inhabit our worlds. This mundane experience involves shifting between reflexive and unreflexive states, and the method we deploy ‐ photo‐elicitation ‐ is devised to draw out these oscillations and heighten the attunement of participants to the usually unreflexively apprehended taken‐for‐granted national qualities of everyday space. Here, we aim to empirically foreground the neglected spatial dimensions that characterize the experience of banal nationalism.     

DURABLE GOODS

In his thoughtful discussion of what makes some historical texts durable, lasting through time, Jaume Aurell arrives at the conclusion that these works show a balance between antiquarianism and presentism, and that this balance gives them a certain longevity of repute. Because, however, durability is a characteristic of the work, it seems to me problematic. Survival, rather than durability, appears to be the rubric we are discussing. It is not a characteristic of the work, any more than of a historical individual who survives a critical event like the French Revolution or the Holocaust. We identify survivors only retrospectively. A myriad of contingencies—time and chance—will obtain for any text to survive. Historiographical competition is ferocious, and worthy of study. Like Tolstoy's unhappy families, each historical text that fails to survive will have its own history. Why Gibbon and not Volney? We can adduce reasons, of course, but they are looks backward; in the late eighteenth century, no predictions were certain. Both Hayden White and Frank Ankersmit have, each in his own way, suggested the characteristics of the best histories. I believe they are mistaken, if best is to be taken to mean: most likely to survive. This is a characteristic of the ongoing reception of the work. As in an ongoing conversation, the historical work may advance the discourse, or contradict it, or change the subject. Whether it will have influence after the speaker has departed is up to those who remain and are added to the group. This rhetorical survival in the conversation is what is in question here. As such, it is profoundly historical, and not “beyond time.”     

The Search for a Sixth Sense: The Cases for Vestibular,Muscle, and Temperature Senses

The five senses of sight, hearing, smell, taste, and touch, enumerated by Aristotle, were incremented in the early-nineteenth century by the muscle sense, multiple dimensions of touch, and a movement sense. Aristotle explicitly excluded a sixth sense, and five remains the number of senses in popular imagination. The division of touch into several sensations was entertained and rejected by Aristotle, but it was given anatomical, physiological and psychophysical support in the late-nineteenth century. A separate muscle sense was proposed in the late-eighteenth century, with experimental evidence to support it. However, before these developments, behavioral evidence of the vestibular (movement) sense was available from studies of vertigo, although it was not integrated with the anatomy and physiology of the labyrinth until the nineteenth century. The history of the search for a sixth sense is outlined, and the evidence adduced to support the divisions is assessed. Behavioral evidence generally has been accorded less weight than that from anatomy and physiology.     

Worker Co‐operatives and Spaces of Possibility: An Investigation of Subject Space at Collective Copies

Abstract: If we are to understand the organization and growth of capitalist space, should we not also seek to understand the organization and expansion of noncapitalist economic spaces? In contrast to methods employed by theorists such as Harvey, Smith and other geographers focused on capitalist space, the diverse economies framework opens up to investigation such noncapitalist spaces. In this paper, using Gibson‐Graham's “politics of possibility”, I explore the production of work space and time in a growing worker owned co‐operative copy shop in order to gain insight into the organization and growth of co‐operative space. I argue that, in this instance, co‐operative growth emerges from the transformative experience of workers having a say in their daily work lives, having equal authority to govern work space and time and to appropriate and distribute surplus.     

'ALL CHILDREN ARE DWARFS'. MEDICAL DISCOURSE AND ICONOGRAPHY OF CHILDREN'S BODIES

Summary. Ancient medical discourse conveys a mainly negative view of children's bodies. From Hippocrates to Galen, newborn children are defined as imperfect and ugly beings, associating an excessive softness and weakness with various anomalies. Aristotle links their physical disproportions with those of dwarfs and animals. These disproportions induce physiological troubles and mental incapacities. Hot‐tempered and moist, children are dominated by their emotions and sensations. Often authors group them with other beings regarded as inferior, such as women, the old, the sick, the insane, the drunk. How are mythical and human children rendered in iconography? Do their characteristics correspond to the medical discourse? The image of children's bodies changes with the passing of time; the miniature adult of archaic Greece gradually turns into the plump toddler of the Hellenistic period. How can we interpret these transformations? Does the evolution of iconography reflect the transformation of society or does it mirror the progress of medical knowledge?