德格印经院——西藏高原上的万里墨香

<正>青藏高原,一个可以洗涤灵魂的地方,朝圣的人们不断地涌向拉萨,可你知道吗,在这块土地上有那么一个院落,始终用最古老的工艺,印刷着藏传佛教的典籍,记录着西藏的文化。它就是德格印经院,位于四川甘孜藏族自治州的德格县。印经院构造独特,红墙高耸,绿树婆娑,幽静壮观。靠大门侧为1楼1底,正房则为2楼、3楼,参差有致,是典型的藏式风格建筑。     

穿花衣的木屋

<正>提到瑞士,很多人都会想起雪山、草场和木屋。你知道么,其实瑞士各地的传统木屋有着不同的外形和结构,伯尔尼高地上的蒂姆蒂格谷,就以拥有风格独特的传统木屋而著称。     

文化主体的文化自觉研究——以黟县居民为例

从文化自觉的视角,探讨文化自觉的生成机制以及文化主体的文化自觉意识与文化生态保护之间的互动关系,并以黟县为研究案例地,采用问卷调查的方式,分析当地居民对徽州文化生态的文化自沉意识。研究结果表明:总体上,黟县居民对徽州文化生态具有一定的文化自觉意识,但对具体的徽州文化生态认知及喜爱程度不高:居民的年龄、文化程度及是否具有旅游工作经验对居民的文化自觉意识存在显著性影响。最后提出应从内外两个方面着手提高居民的文化自觉意识。     

邦达森厦——邦达仓的建筑

邦达仓“森厦”（森厦,贵族城市府邸）位于八廓街东南角,与大多数拉萨老城里的贵族府邸一样,在外侧用一道毫无特征的厚重石墙将自己封闭起来——仅通过一座辉煌的房门与外界取得联系,让外来人很难从外观上一探究竟。在外部,或许是出于宗教道德或社会传统观念的考量,贵族的“森厦”如居住其中的贵族们一样,表现出一种“不事张扬”和“谨小慎微”的拉萨旧贵族品质。邦达仓自然也不例外。     

“买”下悉尼歌剧院

风靡全球的桌游“大富翁”现在又有了悉尼版。只需要400元,你就能在游戏中购买悉尼歌剧院和海港大桥这样的“高端物业”。大富翁（Monopoly）这款多人策略图版游戏,是上世纪经济大萧条时期由美国宾州的一名下岗工人发明,初衷是嘲讽“自由放任的”资本主义经济政策,谁料推出后广受各国玩家欢迎。     

LONGBRIDGE DEVERILL COW DOWN, WILTSHIRE, HOUSE 3: A MAJOR ROUND HOUSE OF THE EARLY IRON AGE

Summary. The settlement complex on Longbridge Deverill Cow Down in west Wiltshire comprises two major farmsteads, with their associated trackways and field systems, which were in use from the 8th to the 2nd century BC. The excavations, between 1956 and 1960, could only sample Enclosures II and III, whose ditches turned out to be relatively late features belonging to the larger and longer lived of the two farms. However, by good fortune, the interior areas excavated contained the very well-preserved post-holes of no less than four successive great round houses, the largest up to 60 feet (18.30 m.) in diameter, with masses of surviving structural evidence, pottery and other finds. This article describes and discusses the latest and best preserved of the great houses, House 3 of the end of the 6th century, and it attempts to throw new light not just on the construction and internal lay-out of these huge structures, but also the manner in which they may have been used, domestically and ceremonially, by their inhabitants at the end of the Late Bronze and beginning of the Iron Age in Wessex.     

COUNTRY HOUSE POEMS: THE POLITICS OF A GENRE

Abstract

The St. Louis Art Museum’s statue of Reclining Pan proved inspirational to many artists of the seventeenth century, none more so than Giovanni Benedetto Castiglione. The artist reproduced the statue in many of his works, making it a symbol of his invenzione. Previously, the few reproductions known of the statue have given the impression that Baroque audiences considered it antiquwct 2 e, and of less interest than other antiquities. This article corrects that assumption by examining Castiglione’s, as well as Peter Paul Rubens’, Joachim von Sandrart’s, Nicolas Poussin’s, and Salvator Rosa’s uses of the statue. The artists used the Pan as both figural exemplar and symbol for pastoral themes. These artistic responses are here set alongside new information concerning the Pan’s seventeenth-century provenance, display, and attribution to Bernini, to reveal the Reclining Pan as a primary catalyst for the period’s extensive Arcadian and bacchanalian imagery while simultaneously representing lessons of the classical style.     

THE TREASURE OF GUARRAZAR: TRACING THE GOLD SUPPLIES IN THE VISIGOTHIC IBERIAN PENINSULA*

The treasure of Guarrazar, found in the 19th century in Spain, is the most important illustration of the high level of Visigothic jewellery in the Iberian Peninsula. The votive crowns and crosses of this treasure are an arrangement of pierced gold in a Byzantine–Germanic style, decorated with emeralds, garnets, sapphires and other materials. In order to establish the provenance of the gold, we analysed a group of 46 minute samples from the most important pieces kept in Spain for major and trace elements. The combination of PIXE and PIGE with an external 3 MeV proton µ‐beam was used to analyse the samples. Considering the gold sources cited by Pliny the Elder and the composition of contemporary Visigothic coins, we suggest the exploitation of south Iberian mines. Using the same set‐up, we complemented these results with the analysis of 11 emeralds inlaid in items from the Guarrazar jewellery that is kept in France. We suggest the use of European sources unknown to the Romans for these gemstones.     

关注遗产保护的新动向:文化景观

文化景观这一概念在景观生态学、文化地理学、人类生态学等学科中历史悠久,并被广泛应用。作为世界遗产体系中的文化景观,是人与自然相互作用的杰作,在二十世纪九十年代刚刚出现,但它已经成为遗产保护和利用领域中的热点。文化景观概念可以更好地理解遗产保护中的真实性和完整性原则,其重点在于保护人与自然互动的过程和产物,涉及到空间过程与土地利用、地形、水文、植被、交通、细部结构与装饰、健康与环境等方面。在中国倡导文化景观这一概念对于整个遗产的保护、生态的维系、文化的延续、旅游的开发、经济的发展都具有十分重要的作用。     

历史文化街区表征与非表征之间的关联——以北京历史文化街区文化意义变化分析为例

历史文化街区存在建筑实体要素保护好,蕴含文化意义传承差的现象.本文从新文化地理学的角度,将街区作为景观,分析建筑使用形式和使用者变化后,景观意义的传承情况.本文以北京西四历史文化街区为景观对象,采用表征、非表征理论,调查当地居民对建筑实体体现意义的理解,及其具身的、实践的文化意义.研究结果显示:第一,该区表征文化主要是...     

CREATIVE CITIES: THE CULTURAL INDUSTRIES AND THE CREATIVE CLASS

The aim of this article is to critically examine the notion that the creative class may or may not play as a causal mechanism of urban regeneration. I begin with a review of Florida's argument focusing on the conceptual and theoretical underpinnings. The second section develops a critique of the relationship between the creative class and growth. This is followed by an attempt to clarify the relationship between the concepts of creativity, culture and the creative industries. Finally, I suggest that policy-makers may achieve more successful regeneration outcomes if they attend to the cultural industries as an object that links production and consumption, manufacturing and service. Such a notion is more useful in interpreting and understanding the significant role of cultural production in contemporary cities, and what relation it has to growth.     

TRAFFIC EXTERNALITIES AND SINGLE-FAMILY HOUSE PRICES*

ABSTRACT. This study is the first to lend empirical support to the common belief that traffic intensity affects property values. Using a standard hedonic pricing model, this paper investigates the price effects on housing of traffic within a neighborhood. Results using data on single-family housing transactions for two different locations in a medium-sized city show a substantial negative price effect of traffic externalities. The magnitude of the effect is shown to be location specific.     

公正价值理念下中国文化地理学的使命——文化地理学的价值“阶乘”观

本文系统地提出了后工业化阶段文化地理学应转向探讨文化区社会价值水平及其文明建构使命的观点。其理念可以称为文化地理学的价值“阶乘”观。首先，以社会科学的社会发展阶段与社会价值演进关系的立论出发，指出了空间社会价值耦合取向与构建社会空间文明的学科方向；第二，以哲学质性研究的推理出发，首次论述了哲学价值观下的文化地理学质性研究理念使命；第三，从哲学方法论与知识观角度，系统论证了文化地理学对文化空间文明的质性探讨。最后，以讨论的形式，提出文化地理学的哲学质性研究的学理与理论指向。