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《Interdisciplinary science reviews : ISR》2013,38(4):365-379
AbstractThe limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator. 相似文献
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Rohan McWilliam 《Journal of Victorian Culture》2013,18(4):550-553
Charting recent ‘turns’ in history, towards empathy and ethics, this paper proposes reading Mayhew as a writer. The entry point proposed is Mayhew's What to Teach and How to Teach It: So that the Child may become a Wise and Good Man (1842), a book that charts Mayhew's theories of literacy and language, and of voice and writing. 相似文献
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Supriya Chaudhuri 《Postcolonial Studies》2019,22(1):44-58
This article focuses on the 2014 Hokkolorob (‘Let there be noise’) movement at Jadavpur University, Kolkata, in the state of West Bengal, a student agitation that ultimately led to the forced resignation of a vice-chancellor after intervention by the Chief Minister of the state. This movement has passed into campus folklore, with a Wikipedia entry devoted to it signposting its distinctive cultural features, including public art and hashtag activism. However, in many ways Hokkolorob did not entirely fit the pattern of student protests at other Indian universities, not only because it achieved short-term success, drawing the wider public into openly expressed sympathy with the agitating students, but also because it eschewed party politics and opened the way for new expressions of dissent. Moreover, it drew attention to the problem of providing safe spaces on campuses to students across genders and orientations. Unique among the many upheavals in the Indian higher education landscape over the past few years, Hokkolorob needs to be understood in the context of a crisis that affects both the public university and the Indian polity. 相似文献