武汉市黄陂区木兰乡大余湾明清时期古村落

大余湾位于黄陂区治前川街东北60华里的木兰山东南缘,扼木兰川口。2005年11月,被国家建设部和国家文物局联合公布为中国历史文化名村,是湖北省唯一入选者(封二、三)。在木兰山东南的岗峦丘壑间,集中分布着     

回乡创办武汉木兰花乡景区记

正2014年,我创办了木兰花乡旅游发展有限公司,直到现在我还担任着黄陂区姚家集街杜堂片区综合党委第一书记的职务,肩负着杜堂片区经济发展的重任。木兰花乡是我们深度结合民俗文化与自然文化,历时6年时间打磨、创办的独具特色的一个武汉乡村旅游景区,这里四季花香、山清水秀、村落美丽,还有美丽动人的传说故事,是武汉市民郊游的好去处。目前,木兰花乡景区已经升级为国家4A级景区,2019年接待游客70万人,旅游收入11260万元。回顾6年的奋斗历程,我心潮澎湃,感慨颇多。     

千秋木兰家国情

“木兰英名千秋传,木兰花开万古香。”去年秋天和今年春天两届中国武汉木兰文化节的举办暨国家邮政总局《木兰从军》特种邮票新千年在黄陂木兰湖的首发,使木兰这个古代形象重新焕发出卓异的光彩！的确,在中国历史上,还没有哪位女中豪杰的故事像木兰将军那样,影响深广,历久不衰。而贯穿其中的,就是一种动人心魄的“家国”情怀。近年,随着美国利用高科技手段制作的卡通片《花木兰》热映全球,这位家喻户晓、流芳千古的巾帼英雄木兰女更是广扬寰宇,已经成了一种独特的文化现象。 在两届中国武汉木兰文化节期间,还同时举办了木兰文化…     

清代木兰围场的交通

<正> 木兰围场自开辟以来,就成为清朝皇帝在塞外木兰秋狝的主要场所。从康熙二十年(1681)木兰围场正式建立,到道光六年(1826)正式宣布停止木兰秋狝,前后达140余年。在此期间,康熙、乾隆、嘉庆三代皇帝,举行木兰秋狝百次左右。只有雍正     

木兰围场

概况清代前期,在承德避暑山庄的北部有一处万灵萃集、舰模宏大的皇家名苑,这就是著名的木兰围场,又称热河木兰围场。它建于康熙二十年(1681年),是清朝藉狩猎活动训练军伍、联谊蒙古及其它少数民族的重要政治场所。从始建到同治二年(1863年)围场放垦,前后存在了一百八十多年之久。在     

三论美洲由郑和船队发现

本人曾提出论点证明木兰皮国就是纳米比亚,证据为《领外代答》关于记载木兰舟不遇便风,需要数年才能到达木兰皮国的航线,应该是指沿着西非几内亚湾,向着逆来海流的方向航行,才会有机会发生,又根据((Philips确atlas of world history))关于公元5世纪南部非洲的历史地理图。“The spreed of Bantus Speakers”所指位于纳米比亚的Mirabib,应该就是木兰皮国。     

康熙皇帝与木兰围场

清康熙皇帝玄烨是木兰围场的经始者。“木兰”是满语Muran的音译,意译为“哨鹿”;“围场”的满语是Hoihan,意译为设围狩猎之地。兹据史料,对木兰围场的设置因素、围猎规程及其社会功能,略作考述。     

木兰生态旅游区的诞生

木兰生态旅游区的发展,从无到有,由点到片,由零到整,经芜致锦,在20年间实现了跨越式发展. 2014年11月,经全国旅游景区质量等级评定委员会批准,黄陂木兰生态旅游区晋升为国家5A级旅游景区.这标志着该地区旅游正式迈入5A时代,成功跻身中国旅游第一方阵.旅游业已成为木兰生态旅游区所在的黄陂区重要的支柱产业和兴农富民的重...     

西陵最胜木兰山

从黄破县城向北行30公里,一座挺拔葱翠的高山即呈现在眼前,这就是闻名遗迹的木兰山。木兰山原名牛头山、青狮岭,又称建明山。南齐时（约公元480年）,因山上多生木兰树,故称木兰山。以后曾以“木兰”命县名。相传,古代巾帼英雄木兰代父从军的故事就发生在这里。据清同治年间《黄陂县志》记载：“木兰将军,黄郡西陵（黄陂旧称）人也,姓朱,父寿甫,母赵氏……此时状貌端凝,不雅修饰……会突厥入寇,军书叠至。寿甫苦衰赢弱,不堪远征,日夕忧戚。木兰……乃市鞍马,易戎服,为男子妆,代父北征。”“一十二载,立功异域,上赏不受,…     

传承武道创宏业 反哺木兰桑梓情

正从木兰故土走出来,习武、创业、办学,又感恩桑梓情重回故里,带着满腔为教育事业奉献一生的热忱和致力于木兰文化的传承。这就是我,将自己的青春和热血奉献给了养育我的家乡木兰故里。以武为魂投身教育 自创品牌唱响天下我出生在武汉黄陂,听家族的老人介绍,我家祖先为木兰山南大门的守门人。一代又一代扎根深山,历经岁月扭转,坚定地守护着这座大山,守护着木兰武文化的发源地。因受家庭武术氛围的熏陶,我自小酷爱武术,8岁即开始随父习武。我的父辈在     

The Identity of the Nabataean 'Painted House' Complex at Baidha,North-West Petra

Abstract

An attempt is made to shed light on the identity of the Nabataean 'Painted House' from an understanding of its plan, the content of the painting and the function of the associated features, mainly the water installations. This study reveals new mythological figures unnoticed by previous scholars. These include additional cupids and, most importantly, Isis. The water installations of the monument, its functions and meaning, the content of the painting combined with comparative studies of Mediterranean and Near Eastern evidence all suggest that this monument was an Isiac (Isis) sanctuary devoted to her as a goddess of improved quality of life, good crops, good herds, and love.     

The Monument to Victory in Bolzano: desacralisation of a fascist relic

The Monument to Victory in Bolzano, raised to remember Italian soldiers who fell in the First World War and to celebrate the victory over the Austro-Hungarian army, was contested from the moment of its installation in 1928. The German-speaking inhabitants of Bolzano were offended by its expression of Italian patriotism and the monument continued to symbolise the antagonism between the Italian- and the German-speaking population in the period following the end of Second World War. The monument’s explicit fascist propaganda attracted strong polemical reactions and some political groups even asked for it to be demolished. A recently-opened permanent exhibition in the crypt of the monument explores the twentieth-century dictatorships of Italy and their impact on Bolzano. Its historicisation offers a new interpretation of the monument – not one based on a schism between the populations of Bolzano, but rather one proposing reconciliation. This historicisation happens through the contextualisation of the monument, an efficient tool for the ‘desacrilisation’ of politically charged buildings; by exposing the detested ideology that they represent, they are stripped of their original ‘sacred’ character. This process also shows that it is possible for controversial, politically significant structures to become legitimate parts of a country’s modern heritage.     

乾隆御制碑病害的现场检测与评估

为了研究首都博物馆乾隆御制碑病害及保存状况,采用数码相机、非金属超声波检测仪、胶带结合力测试条、便携式色差计、便携式视频显微镜等多种无损或微损检测手段,对石碑风化程度、碑体表面裂隙发育情况、石碑表面污染与变色等进行了现场、无损/微损检测与评估。检测结果表明,乾隆御制碑存在的主要表层病害为污染与变色,石碑表面部分位置轻微结壳、结垢、溶蚀与裂隙发育,石碑整体风化不严重,保存状况较好。检测结果可为后续保护提供依据。     

Stability and conservation of the Maxentius Basilica in the Roman Forum

Abstract

Originally extended over 6500 square metres, the Basilica of Maxentius was one of the biggest and most outstanding buildings of Roman architecture. Only one third of the monument is still standing. In celebration of the Christian Holy Year of 2000 (the Jubilee), the Soprintendenza Archeologica di Roma (SAR) started an extended project with the purpose of restoring the terrace and of studying the structural problems of the monument. CISTeC was appointed to the structural part of the project, including the study of the foundations and the proposal for the consolidation project.

The present paper reports the conclusions of the static and dynamic studies that were carried out both on the present-day Basilica and on the model of the original basilica. The results concluded that the monument could be subjected to seismic risks. Following such conclusions, a provisional consolidation project (which is currently in progress) and three final consolidation proposals were submitted to SAR. The immediate application of the provisional consolidation will give time to SAR to decide which of the final projects is the most Suitable, while still protecting and preserving the monument. The structural studies and the projects are briefly described in this paper.     

Placing the Pillar of Eliseg: Movement,Visibility and Memory in the Early Medieval Landscape

THE LANDSCAPE CONTEXT of the early 9th-century monument known as the Pillar of Eliseg is interrogated here for the first time with GIS-based analysis and innovative spatial methodologies. Our interpretation aims to move beyond regarding the Pillar as a prominent example of early medieval monument reuse and a probable early medieval assembly site. We argue that the location and topographical context of the cross and mound facilitated the monument’s significance as an early medieval locus of power, faith and commemoration in a contested frontier zone. The specific choice of location is shown to relate to patterns of movement and visibility that may have facilitated and enhanced the ceremonial and commemorative roles of the monument. By shedding new light on the interpretation of the Pillar of Eliseg as a node of social and religious aggregation and ideological power, our study has theoretical and methodological implications for studying the landscape contexts of early medieval stone monuments.     

刘碑寺造像碑研究

刘碑寺造像碑,是河南现存最大的造像碑,清代金石著录对其多有介绍,但仅限于造像铭文,其精美的造像未有著录和专文介绍,不被世人关注。本文主要对刘碑寺造像碑的现状、造像内容进行详细介绍,并对造像题材、风格以及艺术成就进行探索研究。     

Heritage and national identity: Exploring the relationship in Romania

Abstract

Within heritage studies the relationship between national heritage and national identity is frequently taken as axiomatic. The construction of a national heritage is an important part of nation‐building, and historic buildings and monuments can be powerful symbols of a nation's aspirations and identity. Yet this relationship has received relatively little empirical investigation. This paper reports an exploratory study of the heritage/national identity relationship in Romania which focuses on just one Roman monument – Trajan's bridge. For many Romanians the monument is a powerful symbol of their identity representing Dacian and Roman origins, Latinity, and the continuity of Romanian settlement in Transylvania. The monument was also seen by some as an important symbol of Romania's attempt to construct a post‐Communist identity, and to forge closer links with western Europe. However, the meanings of the monument are not shared by all Romanians, and in particular are strongly contested by Romania's Hungarian minority.     

Chronostratigraphy of an Eroding Complex Atlantic Round House,Baile Sear,Scotland

A high-resolution chronostratigraphy has been established for an eroding Atlantic round house at Sloc Sàbhaidh (North Uist, Scotland), combining detailed OSL profiling and dating of sediments encompassing the main bracketing events associated with the monument, radiocarbon AMS dates on bone recovered from excavated features and fills within it, and TL dates on pottery and burnt clay. Concordant OSL and radiocarbon evidence place construction of the wheelhouse in the first to second centuries AD, contemporary with dates from the primary occupation. Beneath the wheelhouse, clay deposits containing burnt material, attest to cultural activity in vicinity to the monument in the preceding second to first centuries BC. At a later date, the southern wall collapsed, was rebuilt, and the interior spaces to the monument re-structured. The chronology for the later horizons identified from the sediment luminescence dates extends to the second half of the first millennium AD, which goes beyond the range of the radiocarbon dates obtained. The data from ceramics encompass both periods. The juxtaposition of the dating evidence is discussed relative to short and longer chronologies for this Iron Age monument. Corollaries of this research are the implications that based on the long chronology, some of the ecofacts (bone) appear to be residual, and that the temporal duration of Hebridean Coarse Ware may extend into the second half of the first millennium AD.     

文物劣化定量分析与评价软件系统

目前,我国文物行业病害分析通常是定性描述,从而导致病害分析对比性差、档案价值差。为了实现对文物劣化的定量分析和系统评价,对AutoCAD进行了二次开发,建立了文物劣化定量分析与评价软件系统。通过对软件系统开发思路和特点的介绍,证实了用AutoCAD软件解决实际问题中的专业化和本地化的可能性和必要性。