Tibetan Musician Menam Dorje

e are all products of our times. Everyone＇s life story is a history of his Wtimes and every Tibetan has a life story worth telling. The 20th century was probably the most eventful century in the history of our blue planet. Many historic events came thick and fast. For Tibet, 1951 was amassive year.     

魏源《诗古微》论《诗经》二《南》

魏源所著<诗古微>是清代<诗经>学史上阐发三家诗微言大义的一部力作.魏源重新诠释了二<南>"被文王之化"的观点,从而否定毛、郑以"后妃"、"夫人"解二<南>的迂腐之见.关于世次,魏源否定二<南>皆西周盛世乐章的说法.<诗古微>说解二<南>诗旨新颖独特,体现了二<南>的国风特色,但作为经学家固有的经学意识,魏源说诗也存在论述武断的问题.     

满族摇车及民谣

满族的摇车具有与其他民族不同特点,形成于原始渔猎经济时期,在满族定居进行农业生产以后,成为每一个家庭必不可少的日常育儿工具。随之,产生了大量以摇车为题材的满族民谣。本采集数首以飨读。     

Qingke Wine and Toast Songs

ＱｉｎｇｋｅＷｉｎｅａｎｄＴｏａｓｔＳｏｎｇｓＬａｍａｉｓｍｂａｎｓｄｒｉｎｋｉｎｇ．ＡｎｄＴｉｂｅｔａｎｔｓａｍｐｏｋｉｎｇｓｈａｄａｔｅｍｐｔｅｄｔｏｐｒｏｈｉｂｉｔｔｈｅｉｒｐｅｏｐｌｅｆｒｏｍｄｒｉｎｋｉｎｇ．Ｈｏｗｅｖｅｒ,ｄｒｉｎｋｉｎ...     

土族婚礼歌《西亚然》

“西亚然”是贯穿土族婚礼全过程的一种赞歌和问答歌。它紧紧围绕婚礼仪式的步骤和内容进行演唱,是婚礼中的主要歌曲之一。这里搜集、整理了在土族地区普遍演唱的九首。     

妙趣横生的土族儿歌

自古以来,歌谣作为民间文学的体裁之一,记载着各民族丰富多彩的生活。在《诗经》中,就有“心之忧关,我歌且谣”的说法。生活在青藏高原的土族是甘青地区特有的少数民族,流传于土族群众中充满着浓郁民族风格和乡土气息的儿童歌谣就是土族文化宝库中的一颗明珠,散发着独特的魅力。本文以流传于青海大通,     

沁园春·土乡六十年（外二首）

六十年来,土乡兴盛,指日富强。看古城旧堡,莺歌燕舞;高楼新居,柳绿花香。山欢水笑,物阜民强,人世果然胜天堂。心舒畅,靠科学牲,共建小康。     

Songs of the Fields: The Forgotten Songs of the Valencian Community

Agricultural work in many cultures has been accompanied by a series of songs used to break the monotony of work and to give rhythm to the activity. Furthermore, certain facets of life in each society are reflected in their words. The objective of this study is to look at the role of songs relating to farm labour in the social and cultural context of the Valencian Community, through analysis of the accounts of participants and of the significance they attribute to these songs as part of their cultural heritage and community identity.     

Wine Songs And Culture

ＷｉｎｅＳｏｎｇｓＡｎｄＣｕｌｔｕｒｅ￥ＫＡＮＧＣＯＴｉｂｅｔａｎｓｒｅｓｏｒｔｔｏｄｒｉｎｋｔｏｋｅｅｐｗａｒｍｉｎｔｈｅｂｉｔｔｅｒｃｏｌｄＴｉｂｅｔａｎｗｉｎｔｅｒｓ．Ｑｉｎｇｋｅ（ｈｉｇｈｌａｎｄｂａｒｌｅｙ）ｗｉｎｅ,ｂｒｅｗｅｄｗｉｔｈｈ...     

Fritz Lewy and His Bodies

Attention is drawn to the neuronal inclusion bodies in Parkinsonism and the dementia described by F. Lewy in 1910, resulting in his eponym, as well as to his academic career and participation in two world wars on opposite sides.     

布衣坎坷 笔砚情深——记白炳章其人其书

我之所以写白炳章其人其书,是因为他在书法艺术方面的造诣和其布衣一生的人格魅力。 我之知其人其书也是近几年的事。 2003年末,由三川发展促进会举办三川首届巴依儿艺术节在民和官亭举行,我有幸应邀参加,在其书法绘画展厅里,看到一幅中堂行书作品,其书很有古意,典型的二王书风,特别是其沉稳的结体,流畅的用笔非常抢眼,有许多前人风范的沉淀。