著名男高音歌唱家郁钧剑画赠本刊

<正>郁钧剑,全国政协委员、全国青联常委、中国音乐家协会理事、中国作家协会会员、中国美术家协会会员、中国书法家协会会员、国家一级演员、男高音歌唱家。先后毕业于中国音乐学院、北京大学艺术学院研究生班、中国画研究院花鸟研究生班。曾因工作成绩突出多次立功受奖并享受政府特殊津贴。     

著名音乐家和书法篆刻家杨仲子

<正>在近代留学欧美的中国新音乐先驱者中,有一位学贯中西、多才多艺,被西方传媒誉为"东方之奇星",中国文艺界尊为音乐界泰斗和杰出的音乐教育家;同时又是一位擅长书法,醉心     

华夏一兰杰 明文震四海——记中国书法家协会会员、著名书画家柏华明先生

"天将降大任于斯人也,必先苦其心志,劳其筋骨,饿其体肤,空乏其身,行拂乱其所为,所以动心忍性,曾益其所不能。"不经历风雨,就不能看到彩虹;不经受磨难,就不能成大事。柏华明终于见到了彩虹,成就了一番事业。他现为中国书法家协会会员、中国扇面艺术学会理事、中国紫光阁理事、江浙横店影视明星书画院安徽分院院长、安徽省农民书画研究会理事、安徽省涡阳海灯法师纪念馆——兰轩斋主。     

墨海深处的生命凸显——浅析弘一法师的书法和生死观

正佛天艺海同此风月弘一法师的一生,以出家为界,形成了两个截然不同的阶段。出家前,他是名扬四海的风流才子李叔同,书法、篆刻、绘画、音乐、戏剧、诗文皆擅长,在多个领域开中华艺术之先河:他所创作的歌曲,是当时的流行歌曲,几乎家喻户晓;他在日本发起话剧社,亲自饰演茶花女,开创了中国话剧事业;他是中国最早画西洋画和教授西洋画的人之一。出家后,他是没有自己寺院的     

中国著名曲艺家姜昆为本刊题词

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‘Aceh thanks the world’: The possibilities of the gift in a post‐disaster society (Respond to this article at http://www.therai.org.uk/at/debate)

While it has often been argued that post‐disaster aid is humiliating for its beneficiaries, based on my ethnographic research in post‐tsunami Aceh, Indonesia, I argue that such aid may also come to mean the opposite. Rather than feeling humiliated by foreign aid, people in Aceh actively glossed post‐tsunami foreign assistance as ‘gifts’ for which they often expressed their gratitude. Building on Marcel Mauss's classic argument, as well as on more recent works on the nature of the gift, I argue that they did so because they felt that the gift of post‐disaster aid brought with it both a long wished‐for recognition of Aceh and the possibility of establishing long‐term relationships between Aceh and ‘the world’. Therefore, rather than something humiliating, the post‐disaster aid became a medium for imagining what James Ferguson has called a ‘place‐in‐the‐world’ for Aceh.