中国书画艺术的乐舞精神

通过综合各家学说、考据典、辨析要义,在深入剖析中国“书画”所寓含的深刻人内涵基础上,提出了“乐舞精神”作为其主脉这一独具特色的看法,在一定意义上解决了学术界在此问题上的困惑与长期徘徊的局面。     

The Mysterious Lives of Words,Sounds, and Images: Now I Only Know This Far,Too…

Discerning art in verbal messages, a primary concern of ethnopoetics, is contested and complex. Skeptical linguists argue that linguistic richness is epiphenomenal and should be reduced to underlying principles. Even sympathetic anthropologists and linguists often dismiss the aesthetic uses of language in favor of semantics or social structure. Dell Hymes and Saskia Kersenboom suggest that such attitudes cause us to miss much, and show that the means of narration, editing, and transmission of verbal art are key to both its local appreciation and wider dissemination. I argue that a preoccupation with universals versus particulars is not very beneficial.     

中国古代戏曲音乐的历史流变

戏曲音乐的主体是声腔艺术,而戏曲声腔艺术,则萌芽于金、元时期的北曲与南戏。北曲的形成与发展,确立并开创了我国初具规模的戏曲音乐。曲牌联套体制的组织结构较为严密完整,调性色彩对比较为鲜明,形成了北曲在戏剧音乐发展史上的特殊地位。南戏的音乐成熟虽较之北曲晚,但它繁衍迅速,吸取民间创作的传统特点,特别是采用了北曲的套曲,形成了“南北合套”,同时也解决了复杂的音乐技术问题,成为戏曲声腔艺术繁荣、发展的基础。     

Accommodating ‘design’: introducing the Western concept into Soviet art theory in the 1950s–60s

This article investigates the background of Soviet industrial design in Soviet art theory. Instead of considering design's interconnection with technology and science, or with consumption and everyday life, the author traces its conceptualisation as a new artistic phenomenon. Using archival records of professional discussions, polemical articles in the art press and design projects, the author looks at how industrial design was incorporated into the Soviet order of things. She concludes that accommodation of the Western model was the way to reform the system of socialism from inside, typical for the Soviet intelligentsia of the 1960s.     

日本古代随笔的语言风格议

以往对随笔的研究,多见于内容和题材方面,本文着眼于随笔文学的语言特点,以三大随笔《枕草子》、《方丈记》、《徒然草》为例,从文体和修辞入手,分析随笔呈现出的不同语言风格及其成因,探讨文体的演进与随笔文学发展之间的相互促进关系,通过分析随笔的基本修辞风格,研究随笔区别于其它文学形式的基本特征。     

浅析古建筑中以空间处理为中心的陈列艺术

在古建筑中布置现代陈列,目前尚无成熟的模式可以遵循。结合实例研究可知,这类陈列在实际操作中会表现出以空间艺术处理为中心的通常格局,原建筑的室内面积与展线不仅需要经过不同常规的弹性划分,还需适当地借鉴古建筑的造型元素及相关文物器物元素,以求营造出情景交融的现代陈列新意境。而场景创设则时常能够成为盘活陈列和显示设计个性的最灵活、最适宜的选择。     

我的课堂因你而精彩——浅谈信息技术在文言文教学中的作用

多媒体的运用,为文言文教学开辟了广阔的天地。形象生动的画面,悦耳动听的音乐,充分调动学生参与学习活动的热情,充分有效地发挥教师的主导作用、学生的主体作用和多媒体的桥梁纽带作用,吸引学生参与到课堂学习活动中,使语文课更有魅力,让语文课堂教学更精彩。     

试谈当前高校中的中国古典舞身韵教学

本文从古典舞身韵教学的基本要点、课程特点、如何教学以及作为高校教师所应注意的要点四个方面来详细阐述和分析当前高校中的中国古典舞身韵教学。作为一个学科的建设,中国古典舞已经走向成熟,而身韵教学是这一学科建设在舞蹈本体观、舞蹈方法论方面成熟的标志。     

试论中国传统音乐的美学特征

中国传统音乐审美活动以及音乐美学思想具有三方面的基本特征。一是乐感文化与伦理道德的合一,强调音乐的美与伦理道德的善相统一;二是传统性与开放性的统一,既吸收不同的音乐文化,又统一为一个相对稳定的音乐文化整体;三是以"和"为美的审美意识,遍及儒、道各家,在不同的哲学流派中被赋予不同的意义。     

Leo Strauss's “On Classical Political Philosophy”

Abstract

Leo Strauss's “On Classical Political Philosophy” contrasts classical political philosophy with modern political philosophy and present-day political science. Strauss stresses two seemingly contrary features of classical political philosophy: its direct relation to political life and its transcendence of political life. Its direct relation to political life prevented it from taking for granted the necessity and possibility of political philosophy. The classical political philosopher appears as good citizen, umpire among the parties, or ultimately teacher of lawgivers. He was compelled to transcend political life when he realized its ultimate aim can be reached only by the philosophic life. Philosophy must concern itself with political life, yet political philosophy's highest subject must be the philosophic life.     

Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula

Rock art has been regarded as a second class archaeological data source. In this paper we use Levantine rock art as a case study, to show how this situation can be reversed. This rock art, found along the Mediterranean region of the Iberian Peninsula, has been considered to be typically Mesolithic due to its distinctive hunting scenes. A review of certain archaeological indicators provides new arguments about its chronology, its socio-cultural attribution, and its significance. We first deal with the chronological issue, presenting the evidence that led to the recent consideration of the Levantine style as Early Neolithic, in synchrony with two other rock art styles (Schematic and Macroschematic). We will further propose that rock art itself is a central and independent source of information to explore the historical context of the Neolithisation of Mediterranean Iberia. Its wide geographical distribution allows us to study different and complementary territories as a single entity. This contrasts with the limitations posed by the study of settlements, whose differences, at a regional scale, are usually interpreted in terms of cultural variability. If we consider rock art as a key aspect in the constitution of social landscapes, it must not be treated just as an ideological by-product of the Neolithisation, but as a key factor in understanding this historical process.     

Style in New Ireland Art and Culture: Grasping the Native's Point of View

A review of definitions of style and studies of particular people suggest that while many studies of art discuss iconography, social relationships, structure, identity, form, function, and so on, few discuss style; and fewer discuss style as world view, ethos, values, or gestalt. In this paper, I report some findings of field work in the arts and cultures of New Ireland and New Hanover in support of research in cultural anthropology on style in this larger sense. I will provide some documentation for ‘the Native's point of view’ on this subject, which affirms its importance in any study of culture.     

鸦片战争时期的战俘问题

战俘问题一直是人类文明史上一个值得关注的问题:不同文明冲突过程中,如何对待和处理战俘,体现着冲突双方的观念、相互认知和交往方式.鸦片战争史研究中,战俘问题一直是被忽略的战争组成部分.鸦片战争时期战俘的获取、处置、交涉,以及其中反映出的观念,是我们了解这场战争的一个侧面,也是由此观察清王朝的一个视角.     

现代艺术运动发展演变的地理学研究

现代艺术是目前唯一在国际上占统治地位的艺术现象。本文从地理学角度出发研究现代艺术的发展演变。首先回顾了现代艺术的发展过程,重点分析了现代艺术的地域性特征,指出国际现代艺术体系有\"中心-边缘\"性的分布格局,从流派数量和艺术主题的变化方面总结了其发展演变特点,并且总结了历史上三次重要的艺术扩散过程。其次分析了我国现代艺术发展的时空分布和地理格局,指出我国现代艺术的中心位于东部沿海大城市,具有分布不均、在国际体系中地位不高的特征。最后指出我国城市积极参与国际现代艺术体系、提升文化艺术地位的重要性和途径。     

The role of classical music in the construction of nationalism: an analysis of Danish consensus nationalism and the reception of Carl Nielsen

ABSTRACT. Very little research has been conducted into the relationship between classical music and nationalism. This is a shame as music has played a significant role in the construction and consolidation of nationalism in many European countries. This article illustrates this by analysing the role of classical music and, in particular, contemporary serious music in the construction of Danish consensus nationalism in the 1930s and 1940s. In so doing, it explores the repression of the modernist expression which was and still is considered a Continental European phenomenon in favour of a local and traditional expression. Furthermore, it analyses the elevation of Carl Nielsen to the position of Danish composer par excellence.     

‘I am Tower of Hamlets’: enchanted encounters and the limit to art’s connectivity

‘I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are’ (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters, the paper casts a critical eye on to the actual forms of association that they foster and the normative social logics they may perpetuate. In doing so, it suggests that while enchanted, ‘meaningful’ encounters did occur between participants and the sculpture, these occurred within a pre-existing art community, something which compounded problematic class boundaries. Thus, the paper utilises this artwork to identify how encounters can be meaningful whilst maintaining embedded social and cultural divisions. It concludes with a discussion on the relationship between art and the geographies of encounter.     

以上海为例看晚清时期社会生活方式及观念的变迁

晚清时期,上海的商业化、城市化生活环境变化,引起了人们生活方式的变动,出现了如洋货流行、从商之风、尊卑失序、女子走上社会、追求享乐等新社会风尚,导致传统伦理衰坏,同时也孕育产生了近代市场意识、近代工商观念、社会平等观念、功利主义及肯定人欲、自由的近代伦理观念。反映出生活方式的变动是引起近代生活伦理观念变迁的中介和启动力量。