The Politics of Nature at the Former Auschwitz-Birkenau Concentration Camp

ABSTRACT

This article seeks to develop a new approach in Holocaust studies, namely an environmental history of the Holocaust. A case study of the former concentration camp at Auschwitz-Birkenau demonstrates the extent of the entanglement of the politics of memory and the politics of nature, or political ecology, to use Bruno Latour’s term. I suggest that memorials should be treated as an environment, and thus explored as an assemblage of human and nonhuman (f)actors. Analysing both the official preservation strategies adopted by the Auschwitz-Birkenau Memorial and Museum as well as artistic projects (including ?ukasz Surowiec’s Berlin-Birkenau), I consider commemorative practices’ environmental impact. My investigation thus primarily focuses on the role of the figure of the tree-as-witness in preservation work and in the use of powerful herbicides (namely Roundup) in preserving traces of the camp. This study could open the way to further comparative studies of ecocide and genocide.     

The Platonic Enlightenment

Abstract

Mark Blitz has written an analysis of Plato’s political philosophy that engages with a large proportion of the Platonic corpus. His examination is orientated by Plato’s intention of expressing his views in dialogue form, and animated by Plato’s principle that political philosophy must emerge from the attentive critique of ordinary or political experience. This article raises the question whether Blitz has done justice to the “poetic” (constructed, historical, etc.) character of ordinary experience or doxa, and so of the radical nature of Plato’s political thought.     

Shelley’s “Letter to Maria Gisborne” as Workshop Poetry

ABSTRACT

Shelley’s “Letter to Maria Gisborne” is a playful improvisational verse epistle, widely praised for its urbanity and its display of the poet’s invention. The verses turn on a catalogue of the collection of odd scientific and mechanical objects that Shelley found scattered around him in the place he composed the letter, the Livorno workshop of Gisborne’s son, a young engineer who was building a new-model steamboat at the time (with Shelley’s financial and intellectual backing). In the context of that space, the poem reads as a response to competing notions of invention. For Shelley, the engineer’s workshop is an attractive alternative to the poet’s tower—which was uncomfortably close to a Grub Street garret. Verbal and visual images of poets’ and scientists’ workshops, from Hogarth and Mary Robinson, to Joseph Wright of Derby and Frankenstein, illustrate the tensions embodied in the physical location and poetic performance of Shelley’s celebrated “Letter.”     

“Genocide is Fascism in Action”: Aron Trainin and Soviet Portrayals of Genocide

ABSTRACT

This article examines the Soviet legal scholar Aron Trainin’s evolving writings on international law. Initially, Trainin formulated aspects of his concept of “crimes against peace” as a sort of Soviet alternative to Raphael Lemkin’s crimes of barbarity and vandalism. Crimes against peace both converged with the larger international movement to outlaw aggressive war, provided a Soviet alternative to proposed international crimes that they believed would threaten Soviet sovereignty, and provided a Soviet response to Lemkin’s proposals to outlaw mass killings. During World War II, Trainin articulated the Nazi extermination of the Jews as “crimes against peaceful civilians,” linking the Nazi atrocities to his concept of crimes against peace. Trainin’s concept of “crimes against peaceful civilians” encompassed the atrocities of the Holocaust while also asserting that the Soviet experience of the war – most notably Soviet sacrifice and suffering – meant that the Soviets should determine how international criminal law punished the war’s perpetrators. After World War II, when it became clear that genocide, rather than “crimes against peace” or “crimes against peaceful civilians,” was becoming the primary concept in international law to understand mass killings, Trainin portrayed the concept of genocide according to the perspective of Soviet propaganda, opposing an international criminal court for genocide, supporting the concept of cultural genocide, and portraying genocide as an inevitable outcome of capitalism. At the same time, Trainin and the Soviets never abandoned his concept of “crimes against peace,” portraying capitalism as inherently bound up with war and genocide. Trainin was the most significant genocide scholar in the Soviet Union, and his work exemplifies both the ways in which Soviet approaches to international law converged with other approaches, and the ways in which the Soviet Union diverged from non-Soviet international law.     

When Torture is a Duty: The Murder of Imam Yapa Kaseng and the Challenge of Accountability in Thailand

Abstract

On 19 March 2008, Imam Yapa Kaseng was arrested in Narathiwat in southern Thailand and detained as a suspected insurgent by Special Task Force 39 under the provisions of martial law and the Emergency Decree on Public Administration in an Emergency Situation (hereafter Emergency Decree). Two days after his arrest, he died in the custody of the army. On 25 December 2008, the Narathiwat Provincial Court ruled that “the cause of death is that the deceased was physically assaulted by state officials … while he was in the custody of soldiers who were performing their civil service duties”. This ruling is paradoxical: Thai state officials are named as responsible for a death in custody, yet torture is categorised as a “duty”. Since the ruling, Imam Yapa’s family has pursued criminal, civil and internal state methods of redress, but the case has been stalled and the responsible state officials have not been held accountable. In response, I challenge this paradox by reading the inquest decision in light of both relevant national and international legal instruments and the testimonies given during the hearings. Drawing on the testimonies given during the inquest hearings, I construct an alternative narrative of suffering and state accountability.     

Nails,tacks, and hinges: the archaeology of Camp Monticello,a World War II prisoner of war camp

ABSTRACT

“Provost Marshall General does not concur in the construction of outdoor dance floors at Monticello Internment Camp … Outdoor dance floors would be of no use at an internment camp,” the brigadier general responded to the chief of engineers in 1943. Camp Monticello, located in southeast Arkansas, was an Italian prisoner of war camp constructed according to a set of standardized building plans. Despite the brigadier general’s insistence that Camp Monticello “conform as far as possible to the standard plan,” archaeological research that combines archival research with a metal detector survey shows that the plans were influenced by local politics, access to materials, environmental conditions, and the everyday activities of the prisoners of war.     

Memorial soliloquies in post-colonial Rhodes and the ghost of Mediterranean cosmopolitanism

This paper is based on a close reading of Greek and Rodesli (Rhodian Jewish) narratives focusing on the time when Rhodes was under Italian (1912–1943) and then German (1943–1945) rule, the last period when religiously diverse communities coexisted in the island. While Greek historiography seeks to vindicate the island’s final integration into the Greek national space, Rodesli memory is meant to preserve the heritage of a community destroyed by the Nazis. Notably, these corpuses make no references to one another. This phenomenon of soliloquy, the article argues, is illustrative of a competitive memory characteristic of recollections of the past in the eastern Mediterranean and challenges nostalgic invocations of a pre-national, “cosmopolitan” Mediterranean. Broadening the discussion to other post-Ottoman settings, the article draws attention to property redistribution in the aftermath of ethnic cleansing as a major factor in the separation of memory along communal lines. Noting the omnipresence of the figure of the “ghost” in the literature on the region, the paper finally explores the heuristic potential of hauntology to conceive histories of the region that would be inclusive and yet attentive to the differences in the nature, purpose and reciprocal indifference of the sources and of the asymmetrical relations of power in which they were produced.     

The technologies of distance: new migrations in Conor O’Callaghan’s The Sun King

This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.     

Tourism and Tragedy: The Memorial at Belzec,Poland

In 1942, within in a period of 10 months, 500,000 people were systematically murdered in a specially built death camp at Belzec, Poland. When it had served its purpose the Nazis demolished it, and to hide its existence, grassed the site over, allowing the atrocities performed there to remain virtually hidden from public view for over 60 years. In 2004 an important new Holocaust memorial, covering the whole death camp area, was opened. Visually striking, this conceptual art/architectural artwork affectively elicits strong visitor responses. I explore ways in which the materiality of the reconfigured site makes the invisibility of such horror and collective loss paramount. My interpretation and visual analysis shows how ‘memory work’ can operate through viewer experience. This paper locates Belzec within its historical context and includes a related discussion about Polish–Jewish relationships up to the present. As a significant heritage site, Belzec’s new role in Polish Holocaust tourism is examined.     

历史记忆、历史-记忆或历史与记忆?——记忆史研究中的概念使用问题北大核心CSSCI

“历史记忆”“历史-记忆”“历史与记忆”以及“记忆史”等概念或议题看似相近,实则有着不同的意涵。“历史记忆”最初是莫里斯•阿布瓦赫在《集体记忆》中提到的概念,意在强调历史带有记忆的性质。随着后人对此术语的发展,“历史记忆”的含义被拓宽为“人们对过去的记忆与表述”。“历史-记忆”是皮埃尔•诺拉提出的术语,用于指称现代之前“历史与记忆”的联合体。“历史与记忆”是西方历史学家辩证地看待历史与记忆之间关系时所讨论的核心议题。面对记忆研究的挑战,西方历史学家之所以讨论历史与记忆的关系,其目的是为历史学正名。“记忆史”则是将记忆作为历史研究对象的领域,研究记忆随着社会历史发展的历时性变化。因此,在涉及这些概念的时候应认真加以区分,避免误用。特别是在翻译、引用西方学者的观点时应力求准确,以免造成误解。     

Shelley’s Jingling Food for Oblivion: Hybridizing High and Low Styles and Forms

ABSTRACT

This essay argues that there was a sense in which Shelley actively approved of “jingling verse.” His poetic energy was sustained by a substratum of popular and tuneful versifying, such as impromptus, bouts-rimés, anagrams, enigmas, ballads, Mother Goose rhymes, proverbs, hymns, and drinking songs. He hybridizes the registers and meters of these humble forms with elevated, sublime, and erudite ones. This hybridization is, arguably, connected to the characteristic coexistence of the direct and clear with the knotty and puzzling in his poetry. After a brief account of Shelley’s submerged youthful reading, noting in passing that Shelley’s lyrics proved amenable during the early twentieth century to recycling as Shelleyesque jingles, the essay illustrates its thesis from unfamiliar fragments in Shelley’s notebooks, such as the late lyric fragment “Time is flying,” and from more familiar matter such as “Dirge for the Year,” “Mont Blanc,” “The Cloud,” “On the Medusa of Leonardo da Vinci,” “The Sensitive Plant,” “Song: to the Men of England,” “Ode to the West Wind,” and Peter Bell the Third.     

Seeing Green in San Francisco: City as Resource Frontier

The early 21st century witnessed a boom in green building in San Francisco and similar cities. Major downtown property owners and investors retrofitted office towers, commissioned green certification, and critically, explored how greening might pay. Greening initiatives transcend corporate social responsibility: they represent a new attempt to enclose and speculate upon “green” value within the second nature of cities. However, this unconventional resource discovery requires a highly partial view of buildings’ socio‐natural entanglements in and beyond the city. I illuminate these efforts and their obscurities by exploring the experience of an exemplary green building in San Francisco, an office tower that has successively served as a headquarters organizing a vast resource periphery in the American West, a symbol and driver in the transformation of the city's own second nature, a financial “resource” in its own right, and most recently, an asset in an emerging global market for green property.     

Expanding (Environmental) Histories of the Holocaust

ABSTRACT

This epilogue draws out three ways that environmental histories of the Holocaust might challenge the current historiography to expand its horizons. Firstly, environmental histories of the Holocaust expand the range and nature of actors studied as we seek to understand genocide and its aftermath. Secondly, and closely linked to this, environmental histories of the Holocaust expand the range and nature of sources and methods drawn upon in genocide research. Thirdly, environmental – and ecological – histories of the Holocaust expand the chronological boundaries of study when conceptualizing histories of genocide. Taken together, the nascent literature on environmental and ecological histories of the Holocaust offer an important extension of what writing “integrated” histories of the Holocaust might entail.     

Rethinking the representation of Gustavus Adolphus: the case of William Watts and The Swedish Intelligencer, 1630–33

ABSTRACT

Between 1630 and 1633, English newsbooks resounded with tales of King Gustavus Adolphus of Sweden’s victories against the “popish” armies of Emperor Ferdinand II. Such literary praise has been widely associated with Calvinist disapprobation of Charles I’s pacific foreign policy. This article throws new light on the alternative, non-Calvinist sources of enthusiasm for Gustavus Adolphus in the newsbook, The Swedish Intelligencer, which portrayed the Swedish king as the figurehead of a broad, confessionally flexible, pan-Protestant cause. This has important implications for our understanding of the relationship between English and European Protestant nations in the context of the Thirty Years’ Wars. News from the military camp of the Lutheran King of Sweden offered a subtle way of promoting and normalising non-Calvinist forms of worship in England, and thus provides evidence that a range of Protestants were utilising the London news presses to advance their religious agenda in the early 1630s.     

Unearthing global natures: Outer space and scalar politics

During the 1960s, the United Nations Committee on the Peaceful Uses of Outer Space (COPUOS) worked to develop laws that would regulate activity in outer space. In the treaty that followed, outer space, a resource that encompassed Earth, was to remain outside of existing political borders, free from sovereign claims, and open to use by all states. Because of these stipulations, many have labeled outer space a “global commons” or “global resource.” In most academic analyses of global commons, these laws rejecting sovereign claims are treated as the de facto way that a resource that materially spanned all states would be governed. As debates in and outside of COPUOS indicate, however, the status of outer space as beyond states’ sovereign territorial jurisdiction was not given. Rather, as I demonstrate in this paper, the status of outer space and orbits as beyond sovereign territories is a result of political contestation over the understanding of physical properties of outer space and Earth. I trace the debate in the late 1960s and 1970s over the border between sovereign air space and “global” outer space. This was a debate over how outer space would be incorporated into political–economic relations. By using a production of nature approach that recognizes the importance of physical materialities and scalar politics, I demonstrate the constructedness of outer space as a “global” resource and how its construction as such furthered uneven political–economic processes. Such analysis illuminates how such socionatures beyond and across borders are produced to achieve particular political–economic outcomes.     

From the logic of ideas to active-matter materialism: Priestley’s Lockean problem and early neurophilosophy

ABSTRACT

Empiricism is a claim about the contents of the mind: its classic slogan is nihil est in intellectu quod non fuerit in sensu, “there is nothing in the mind (intellect, understanding) which is not first in the senses.” As such, it is not a claim about the fundamental nature of the world as material. I focus here on in an instance of what one might term the materialist appropriation of empiricism. One major component in the transition from a purely epistemological claim about the mind and its contents to an ontological claim about the nature of the world is the new focus on brain–mind relations in the eighteenth century. Here I examine a Lockean trajectory as exemplified in Joseph Priestley’s 1777 Disquisitions Relating to Matter and Spirit. However, Locke explicitly ruled out that his inquiry into the logic of ideas amounted to a “physical consideration of the mind.” What does it mean, then, for Priestley to present himself as continuing a Lockean tradition, while presenting mental processes as tightly identified with “an organical structure such as that of the brain” (although he was not making a strict identity claim as we might understand it, post-Smart and Armstrong)? One issue here is that of Priestley’s source of “empirical data” regarding the correlation and indeed identification of mental and cerebral processes. David Hartley’s theory in his 1749 Observations on Man was, as is well known, republished in abridged form by Priestley, but he discards Hartley’s “vibratory neurophysiology” while retaining the associationist framework, although not because he disagreed with the former. Yet Hartley was, at the very least, strongly agnostic about metaphysical issues (and it is difficult to study these authors while bracketing off religious considerations). One could see Locke and Hartley as articulating programs for the study of the mind which were more or less naturalistic (more strongly so in Hartley’s case) while avoiding “materialism” per se; in contrast, Priestley bit the (materialist) bullet. In this paper I examine Priestley’s appropriation and reconstruction of this “micro-tradition,” while emphasizing its problems.     

Location of Memory versus Space of Communication: Presses,Languages, and Education among Czernovitz Jews, 1918-1941

Abstract

The history of Czernovitz, chief city and former capital of Bukovina, has long been veiled in a mythology based largely on romanticized accounts. In order to understand the background to this city’s rich literary production better, we have evaluated the German-language press which flourished in Czernovitz during the interwar period, when the city remained an enclave of German-language culture, highly intellectual, and predominantly Jewish, long after Bukovina itself came under Romanian rule in 1918. In this article, we challenge the romantic mythology of Czernovitz, stressing the city’s function as a modern space of communication rather than a location of memory. Our research is based on press articles, contextualizing archival material and testimonies of contemporaries born between 1908 and 1936. Its underlying conceptual framework is Pierre Bourdieu’s theory of the field of cultural production.     

Surviving the Holocaust: Emil Utitz’s ‘As-If Technique’

ABSTRACT

The aim of this article is to present the work of Emil Utitz, the Czech-German Jewish philosopher and psychologist, who was also a survivor of Theresienstadt. The power of the imagination and its intensification by the daily reality of the concentration camp was central to Utitz’s conception of life, which reveals the influence of the then popular ideas of Hans Vaihinger, and especially his theory of the importance of the human ability to act as though something was true. More specifically, the article reconstructs and contextualizes Utitz’s thought along two axes: the Kantian philosophical tradition, and Viktor Frankl’s and Hans Günther Adler’s conceptions of the Holocaust experience.     

Scottish Common Sense,association of ideas and free will

ABSTRACT

The philosophical debates that unfolded in Enlightenment Britain left a deep mark on the mindset of future generations of thinkers. A clear echo of eighteenth-century disputes over the meaning of human liberty is heard in the subsequent confrontation between materialists and idealists. In more recent times, a number of arguments developed by compatibilist and incompatibilist philosophers still resemble more old-fashioned positions. However, the aim of this paper is to evaluate the differences between Joseph Priestley’s defence of “necessitarianism” and Thomas Reid’s elaboration of counterarguments to support “metaphysical liberty” – as the two doctrines were known in the late eighteenth century – on the background of their methodological assumptions and the different styles of their reasoning. I contend that a different adoption of the Newtonian scientific method, which they brought to bear on the study of the human mind, is key to understanding the way they endeavoured to defend necessity and liberty, respectively. I also argue that their interpretation of the nature of causality importantly shaped the arguments they put forth in attacking each other’s position.     

This Is Not an Improvisation: Letitia Landon and the Slipperiness of Taxonomy

ABSTRACT

Writing in 2007, in The Wordsworth Circle, Jeffrey Robinson remarked on the “ephemerality” of improvisational poetry, its fundamental resistance to being “preserved.” Printed poetry is typically regarded as “fixed” and static: what any poem represents as improvisation is, at best, only a record, executed in a fixed medium, of a performance whose infinite variability is inherent in the nature of improvisation itself. Partly an homage to Rene Magritte’s This is Not a Pipe (1928–29) and to Michel Foucault’s 1973 essay on that painting, and using as a test case The Improvisatrice (1825), the long poem by Letitia Elizabeth Landon, herself a devotee of interdisciplinary and multimedia performance, this essay considers the physical, structural, and methodological challenges and limitations posed to printed “word art” by works that purport to be, or aspire to the condition of, “improvisations.” The improvisatrice who is the poem’s narrator claims to be both a painter and a songstress, but her “speech,” captured and rendered in printed words by Landon (who ventriloquizes that speech), can neither “be” nor even “represent” a work produced (“performed”) in visual art or vocal song. In her long poem Landon effectively creates a literary trompe l’oeil, an illusion that depends for its “completion” upon the reader’s implied participation in that performative act of completion. In the process, Landon’s poem reveals the fundamental incompatibility of improvisational literary production with the performative nature of improvisation.