Rethinking the Polis: Implications of Heidegger's questioning the political

Heidegger's thought has, in recent years, been relentlessly examined for glimpses of the political. This paper approaches that debate by looking at one of themes of Heidegger's lectures during the Nazi years: one which explicitly questions the notion of the political itself. This questioning, through a rethinking of the Greek word πóλις [polis], is a result of Heidegger's retreat from his own political involvement. Heidegger's active political career was theoretically underpinned by his interpretation of Plato's call for philosopher-kings: his rethinking is important in understanding his turn away from Nazism. In his rethinking Heidegger suggests that looking at the polis with our modern, political, eyes does not give us fundamental insights into the meaning of this word. Heidegger looks to the choral ode in Sophocles' Antigone, and focuses on a line which begins “hypsipolis apolis”. Through a detailed reading, Heidegger suggests that polis should be understood not as “city” or “state” but as “site”, the historical site of being. We cannot use our modern understanding of politics to understand the polis, but we can use our understanding of polis to rethink the notion of the political. The political, means relating to the site of abode of human history, and is therefore primarily spatial, or better, platial. Such an understanding allows us to understand Heidegger's work on technology from a better position; to distance ourselves from the modern, Schmittian notion of the political; and to rethink the principle concepts of politics with due attendance to the role of space, or place.     

Women's Social Networks and Female Friendship in the Ancient Greek City

This paper explores how women used their social networks within the ancient Greek urban environment in two spheres: first with regard to their civic engagement, and second with regard to their social relationships. By examining the types of social networks in which women were involved, how they were used and their impact on social relations, it argues that historians should broaden their conception of women's contribution to the Greek civic environment. Such an approach shows how women negotiated social and economic status within the polis community, how they used their social capital as a resource for social and civic engagement and sheds light on their personal relationships. These relationships not only enhanced women's well‐being and allowed them to determine their own roles in community life, but also formed the basis of their engagement with the polis. Considering the social networks to which women belonged, and the differing types of social capital embedded in them, further enables an examination of female friendship. Recognising the contribution of women to the polis community is necessary in order to understand the wider social and civic relationships within the ancient city.     

Towards a Female Topography of the Ancient Greek City: Case Studies from Late Archaic and Early Classical Athens (c.520–400 BCE)

In this article, I seek to move beyond the traditional, polarised model of ancient Greek cities which views the civic sphere as gendered male in contrast with the domestic sphere which was gendered female. I argue that this model oversimplifies a much more complex set of relationships, leading scholars to underplay the possibilities for female agency within the built environment of the Classical city (polis) and to underestimate the scope of women's activities within Greek society more generally. Taking Athens as an example, I suggest that space was not rigidly divided between ‘public’ and ‘private’ zones. Instead, a number of factors led to flexibility which enabled a woman to enter civic space in order to carry out a variety of activities on her own behalf, on behalf of her household and also as a representative of her household in the context of the wider community. The civic context was thus an inverse parallel for the domestic sphere which, although constructed as female, was clearly also an important arena for male activity.     

Political History and Political Philosophy: Making Sense of the West

Abstract

The old Western synthesis, the coming together of self-government, the Christian proposition, modern equality, and the commitment to relieving man's estate, appears to be unraveling. In the European context, it is being replaced by a “pure democracy” that cannot do justice to the continuity of Western civilization. Rejecting the twin temptations of Progress and Decline, Pierre Manent recovers the perspective of the human agent. While the polis or classical city is no longer available to us, the self-government of free human beings remains at the heart of the Western enterprise. Manent shows that the Christian notion of conscience preserved the classical analogy between the soul and the political association and is at the hear of Western liberty. The West as a whole rests on the synthetic and mediating notion of conscience.     

Recovering Classical Philosophy in the Modern Context: The Work of Francis Slade

Francis Slade's spoken words and his writings are concrete and realistic: in their arresting formulations, their close reading and juxtaposition of texts, their use of literature and art, their insights into classical political philosophy, and their understanding of Christian faith. This article illustrates these features by examining three contrasts he develops in his work. First, the distinction between ends and purposes helps recover the classical significance of telos, which was done away with in modernity and has been lost to contemporary thought and culture. Second, Slade contrasts the premodern city, where political life naturally emerges in several kinds of communities in accord with the ends of human nature, with the modern state, which has been constructed by thought from “deracinated individuals” organized into a “depoliticized society” and governed by “decontextualized rule.” Third, Slade shows how Augustine's reevaluation of human experience and Greek thought in the light of Christian revelation differs from Machiavelli's rejection of classical and Christian thought in favor of effective rationalism.     

From Domus to Polis: Hybrid Identities in Southey’s Letters from England (1807) and Blanco White’s Letters from Spain (1822)

ABSTRACT

Robert Southey’s fictive travelogue, Letters from England, by Don Manuel Alvarez Espriella (1807), inspired several imitators, most importantly José María Blanco White with his Letters from Spain (1822). These works rejuvenate a fictional device popularised by Montesquieu’s Persian Letters—the “familiar stranger”—at a crucial juncture when British involvement in the affairs of Europe provoked a reassessment of pre-Revolutionary cosmopolitanism. The stranger as home-interpreter calls attention to an emerging emphasis in European Romantic thought on the contingency of freedom with hybrid, mobile identities, prefiguring the psycho-social-historical terrain in which Jean-François Lyotard and Dean MacCannell link modernity with travel and tourism. This essay argues that the Romantic figure of the foreign traveller expresses a condition of travel, reflecting Lyotard’s critique of human contingency in his essay “Domus and the Megalopolis.” Southey’s sympathetic stranger modulates a conversation with Wordsworth about the nature of modern subjectivity, historically contingent yet paradoxically liberated from historical particulars. Blanco White’s Letters from Spain demonstrates how displacement, emigration, and expatriation become refigured as conditions of the modern psyche, especially visible in moments of political crisis, when the cosmopolitan polis is immobilised by the myth of the domus.     

Détente as a Strategy: Greece and the Communist World, 1974–9

The transition to democracy in 1974 was a turning point in modern Greek history. The two Turkish invasions of Cyprus and the emergence of the dispute over the Aegean seabed complicated Greek security dilemmas. Apart from cold-war challenges, including the traditional ‘menace from the North’, the country had to face a new threat that was coming from within NATO. The implementation of a détente policy was motivated by political as well as security considerations. In terms of national security, the ‘opening’ to the Communist bloc aimed to balance the perceived Turkish hegemonism and ameliorate Greek defence problems. Moreover, following the humliating military dictatorship of 1967–74, a multidimensional foreign policy was also demanded by the vast majority of the Greek public. Last but not least, an active regional policy could also aid Greece's effort to secure accession to the European Communities. The article will analyse and interpret the political and security dilemmas that were posed by the international developments of the period and the ways these interacted with Greek perceptions to shape Athens’ new détente policy.     

After thought. Devotion,Teresa de Jesús,and Miguel de Cervantes

ABSTRACT

This article explores the complex landscape of devotion in sixteenth- and seventeenth-century Spain, comparing the legislated Christian-only history of Counter-Reformation with the various alternative strands of belief, faith, and devotion present in a variety of areas of cultural production. The article first examines representations of devotion—and methodologies of reading such representations—in areas of production such as architecture, dictionaries, literature, and the arts; at the end of this first section, it coins the concept of “After Thought” as a reading tool to better comprehend and possibly experience devotion in ways particular to early modern Spain, not merely en cristiano but in multiconfessional forms. “After Thought,” both the tool and the article, follow intellectual engagements with Andalusi (not merely Andalusian) past, present, and future environments in early modern Spain. They also engage alternative somatic dimensions of a different “entendimiento” of Christianity, as described by Teresa de Jesús and practiced by both her and Cervantes. Finally, in reviewing the six ducal chapters of the second part of Don Quijote as a rewriting of Castillo interior, the apocryphal condition of this segment of the novel mobilizes yet another wheel in the Trojan horse of fiction, one that exposes the way in which Cervantes refigures Teresa de Jesús, thus yielding two interactive models of “After Thought” in early modern Spain's arts, religion, and spirituality.     

文艺复兴时期人文主义者的两种城邦人口思想

古希腊城邦崇尚独特的有限人口论,这种以少为美的人口思想,与同样植根于城邦语境的理想国学说融合为一种思想范式,对后世影响深远。文艺复兴时期,本质上身为人文主义者的乌托邦社会主义者,多沿用该范式,构筑小国寡民的城邦蓝图。但与此同时,佛罗伦萨人文主义者却背离了该范式,歌颂本邦人口的增长。究其因,乌托邦社会主义者缺乏城邦公民的政治实践,其对小国寡民的坚守,出自学术传承和高尚空想;而佛罗伦萨人文主义者多参与城邦政治,目睹了列国纷争、大国入侵的危局,理解人口有限是制约城邦国力的现实因素。故而,继承有限人口论,体现了一类人文主义者对古希腊城邦人口思想的固守;挑战有限人口论,亦反映出另一类人文主义者为应对时势而做出的思想拓新:二者对于重新认识文艺复兴时期的城邦观念,均具有深刻意义。     

Lucrecia Martel’s Nueva Argirópolis: Rivers,Rumours and Resistance

This article analyses Lucrecia Martel’s 2010 short film Nueva Argirópolis, which was commissioned by the Argentine Ministry of Culture as part of the Bicentennial celebrations. It explains how the film both inhabits yet contests the discourses of the modern nation state underpinning those celebrations, in particular through its representation of conflict between the state and indigenous groups. Its representation draws on images proposed by an earlier work, Sarmiento’s utopian tract of 1850, Argirópolis, images including the river and the island which in Martel’s film undergo a resignification, which overturns Sarmiento’s understanding of relationships between geography, capital, nation and ethnicity. Political and cultural debates of particular relevance to indigenous communities, such as access to land, as well as the way the indigenous are represented in state discourses, surface obliquely in this short film, which both represents diegetically the circulation and relay of rumours of indigenous resistance, as well as suggesting these formally through a soundtrack suffused with murmurs and barely audible sounds. The unsubtitled words of indigenous actors, as well as the authorities’ attempts at investigation of indigenous political activity through staging encounters of (failed) interpretation, and the subversive mimicry by indigenous activists of hegemonic ideas of national foundation are themselves muted, rumoured suggestions of a resistance which always lies just outside this short film’s visual grasp.     

The Istanbul Modern Art Museum: An Urban Regeneration Project?

Abstract

In the 2000s, contemporary art institutions have flourished in Istanbul. New museums (mostly private) and art galleries have been created; biennials and fairs of contemporary art have attracted a growing number of visitors. To what extent could this fostering of culture be linked with the “Bilbao effect”? To what extent are the promoters of these cultural investments betting on economic development and urban regeneration through these projects? Focusing on the Istanbul Modern Art Museum (IM), this article analyses the process of its creation and its potential impact on its environment. It argues that the development of culture investments in modern arts in Turkey is mainly due to the private initiatives of large industrial groups and the wealthiest families, most of the time with political support. More than the expected economic impact of cultural investments, the main reason for these public–private collaborations is the symbolic dimension that contemporary art provides to a country which strives to be perceived as modern, developed and European. From the IM to Istanbul European Capital of Culture 2010, cultural investments are a means of strengthening an international image in the context of the “membership” negotiations between “Turkey and the European Union”.     

Oliver O'Donovan's Critique of Autonomy

Abstract

More than any other contemporary theologian, Oliver O'Donovan has revived political theology as a field of enquiry. Yet O'Donovan has been consistent in his critique of the modern idea of autonomy, judging it to be at odds with the more communitarian idea of covenanted community found in the Hebrew Bible/Old Testament. He contrasts this modern idea, and its political implications, with the older biblical idea, also adding some basic points from Aristotle's idea of the polis. But unlike many contemporary communitarians, O'Donovan is also able to incorporate the idea of human rights into his political theology. He sees this supposedly modern idea having fuller precedence in the biblical idea of mishpat ("justice"), which he takes to be God's primordial claim on His covenanted community, a claim that sufficiently grounds both individual rights and communal rights and which enables them to function together. However, O'Donovan draws the line when it comes to the modern social contract theory, arguing that it is at odds with biblical teaching that the primary responsibility of rulers is to divine law. While agreeing with O'Donovan's rejection of autonomy and his acceptance of human rights, this paper argues against O'Donovan's theological rejection of social contract theory. Instead, it argues that a social contract is consistent with the doctrine of the covenant; indeed that the very possibility of the social contract is best explained by the doctrine of the covenant, and that this acceptance of the social contract serves the best political interests of covenanted communities (like the Jewish People and the Christian Church) in an otherwise secular world.     

According to What: Art and the Philosophy of the "End of Art"

In 1964, when Danto first encountered Warhol's Brillo Box, Jasper Johns made a painting titled According to What. Danto's new book After the End of Art also provokes this question because in his restatement of Hegel's verdict on art's historical role he drops an essential part of the implied definition of art: the issue of adequacy between content and presentation. Why dispense with this crucial point of quality judgment? My critique falls into three parts. The first part shows how the whole historical argument rests upon a shift of criteria. According to Hegel art reached its highest point of achievement in classical antiquity when adequate embodiment seemed indispensable to the presence of the spirit. It subsequently lost this exclusive rank—first through Christianity, then through modern philosophy—when a new spiritual self-awareness emerged which no longer seemed to need external manifestation. Although Danto disputes the concept of absolute self-possession as the metaphysical vanishing point of Hegel's construction, he nevertheless subscribes to its apparent evidence in late twentieth-century art and culture. In the second part I discuss the characteristic distortions of Hegelian-type historicism and confront them with both the obvious misrepresentation of the works of art themselves and the different code of conduct in practical art history. This leads to a rather disenchanting conclusion: according to an old, deeply ingrained philosophical prejudice there is no problem about quality in art, because the true yardstick and fulfillment of art is philosophy itself. The final part tries to unpick this tangle by showing that there was in fact, contemporaneous with Hegel, a remarkably different interpretation of the self-same auspices of modern art which comes much closer to its actual achievements, and this without denying the basic philosophical predicament of which Danto has reminded us.     

Wissenschaft — Mathematik — Technik: Ihre Wechselwirkung in der Antike

The question whether there exists an interaction between ‘science’ (foreign text ignored) and ‘technology’ (foreign text ignored, esp. foreign text ignored) in Greek and Roman antiquity is discussed controversially until today. Especially representatives of the philologies strictly deny any form of relation, whereas modern scientists tend to take for granted that the current interaction between (exact) natural sciences and technology has always existed, at least since the beginning of real natural science founded by the ancient Greeks. This paper shows that both parties are right — at least in a certain way. Following current terminology and contents of ‘science’ and ‘technology’ there had been such an interaction — particularly with mathematics as linking element in so far as in antiquity especially foreign text ignored (mechanics) was regarded as applied mathematics and not as science. The strong interaction between pure mathematics and such fields of applied mathematics (namely mechanical technology) based on the fact that technological (mechanical) artefacts were properly constructed mathematically. Some of them are mentioned in this paper (astrolabes and sundials, waterclocks, tools and machines — especially lifting gears, bucket elevators, guns, pneumatic tools —, architecture of temples); in so far the supporters of an interaction between science and technology are right. However, the post-Aristotelian Greeks and Romans did not consider mathematics to be part of ‘science (of nature)’ as the post-kantian exact scientists do. Mathematics to them was a mere ‘art’ — consequently, in the mentioned cases there had been an interaction between ‘arts’ and of course not between ‘science’ and ‘art’ (technology); and in so far those are right who deny an interaction between natural science and technology. This shows that the contrariety of the answers to the question depends on the different terminology chosen. Following the current understanding of ‘exact natural science’ the answer is: yes; following the conception of ‘science’ in the self-understanding of Greek and Roman antiquity the answer is: no — and this is right as well! The reason for this apparent contrariety are just the different meanings and contents of ‘science (of nature)’ in antiquity and modern times.     

Vico: Past and present

In 1935, the British scholar Eliza M. Butler published The Tyranny of Greece Over Germany, in which she explored the appeal of Greek art and poetry to modern German writers. She argued that Hellenism had exerted a baleful influence on German literature and culture, and that Germans were especially—even dangerously—susceptible to the power of ideas. In her view, the most dangerous Hellenic concept to German culture and society was the daimon, which had reached Germany via the work of Winckelmann. Butler's thesis and methods may be problematic, as some reviewers of Tyranny pointed out, but her work is noteworthy as the product of a scholar who had lived in Germany and was a witness to history, familiar with German language, literature, and culture, writing on Germany during difficult times. As a British scholar who began studying German just before World War I and ended her career after World War II, Butler had an ambivalent relationship with Germany and Germans. But in addition to political factors, she was also influenced by her family, her educational and research experiences in Germany, and her preference for 18th- and 19th-century over 20th-century Germans. Moreover, her perception of Germans and Germanness was consistently posed against her perception of England and Englishness, and she defined the two cultural identities in terms of their relation to each other. Writing Tyranny as the National Socialists came to power in Germany, Butler judged Germans and their relationship to the daimon harshly. In 1956, Butler reconsidered the daimonic in a study of Byron and Goethe, and in this work it received a more sympathetic and nuanced analysis. A comparison of these two works is useful for understanding the evolution of Butler's thought in the 20-year interval between their publication.     

Pheidias and 'l'esprit moderne' : The Study of Human Anatomy in Nineteenth-Century English and French Art Education

This article considers the transformation of artists' education during the nineteenth century, from neo-classical idealism to classical naturalism. Through a study of manuals of anatomical education used in the Royal Academy and the École des Beaux-Arts, it shows that this change was the result of the massive importation into Western Europe of specimens of fifth-century B.C. Greek art, and, most notably, of specimens of the work of Pheidias and Polycletus. European contact with Pheidian anatomical naturalism acted as a catalyst for the introduction into art of the modern spirit of science thereby making figural art modern.     

Myths of ancestry

This article examines the national significance of fifth‐century BC Greek sculpture and especially the so‐called Elgin Marbles. It examines the significance of these archaeological remains not for the Greek nation but for the British, and specifically the English, nation during the nineteenth century. The national significance of fifth‐century BC Greek art lies in its incorporation into nineteenth‐century debates concerning the identity of the English nation. At a time when physical appearance or race was accepted as an important and, indeed, determining component of the ‘self’ and a measure of collective belonging, Greek sculpture, which was primarily figural in its subject‐matter, came to be seen as an image of the English ‘self’. The belief in the Greek identity of the English caused a Greek revival in English life and art. In life, this revival took the form of care for the body and the imitation of the athletic practices of Greek youth through the practice of sport in English school and university education. It was thus that nineteenth‐century English youth turned itself into a work of art.