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DURING the 9th century unglazed pottery decorated with red or brown slip came into production along the middle Rhine. This pottery, known as Pingsdorf ware, was exported in large quantities to the North Sea region and even to the Baltic coast.2 By the 12th century red-painted pottery, often imitating Pingsdorf ware, was made at a number of sites in the Low Countries and western France.3

It has long been known that painted pottery was manufactured throughout the medieval Islamic world, including north Africa, and isolated finds of painted ware have been published in Italy and Spain.4 Nevertheless, little attempt has been made to explore the possible connexions between painted pottery in the Mediterranean basin and western Europe,5 A serious obstacle to such an attempt is the inadequacy of most publications of Mediterranean finds. This paper offers an account of the painted wares in one area of the Mediterranean, peninsular Italy, and suggests that the pottery found there may indeed be related to the earliest painted wares north of the Alps. It must be emphasized, however, that the study of Italian medieval pottery is in its infancy and that the suggestions made here are of an entirely speculative nature.  相似文献   

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The images of royalty set up on the western face of the choir-screen or pulpitum of medieval English great churches formed an enduring iconographic tradition which was found across England and was apparently without continental parallel. Discussing in detail the remains of the choir-screen at Salisbury cathedral and the records of the screen at Durham cathedral, this article suggests their potential antecedents in 12th-century representations of lineage. It then explores their probable meanings and functions for contemporary audiences, with reference to liturgy, history and clerical identity.  相似文献   

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孟广林(以下简称孟):普里斯维奇教授,您好!欧美史学界特别是英国的史学家对中古英国宪政史可以说隋有独钟,令人瞩目。您能简略地介绍一下英国史学界在这一领域中的研究动态吗?  相似文献   

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