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Abstract

As the Ottoman Empire tottered towards its final collapse at the end of the First World War the fate of its various territorial components aroused the interest not only of other states, but of interest groups within those states. Britain in particular revealed a strong concern with this subject, having long been interested in the Eastern Mediterranean. The end of the Ottoman Empire saw the legendary Lawrence of Arabia grasping the Arab lands, various secret treaties with the other Great Powers disposed of much of Anatolia, and the future of Turkish rule over Constantinople, that much sought after city, now hung in the balance. The final fate of the city would be decided at the postwar Paris Peace Conference. Of all of the spoils of the Ottomans none evoked such passions as that inspired by Constantinople – Byzantium, the Second Rome. If any building could epitomise the Europeans' vision of this city it was the St Sophia, the Church of the Holy Wisdom, which since the fall of Constantinople in 1453 had been a mosque. With the end of Ottoman dominance an opportunity was seen by some of symbolically completing a crusade begun centuries before, with the expulsion of the Turks, and Islam, from Europe. Nothing could so symbolise a change of control at Constantinople than the reconversion of St Sophia into a church. This found support from those who wished to see the Turk expelled bag and baggage from Europe. The philhellenes saw its transfer to the Greek Orthodox church as indicating the resurgence of the Greek nation, and forming the backdrop to eventual Greek control of Constantinople. In Britain the focus of such views was the St Sophia Redemption Committee, which sought to restore the building to its original function. Now virtually forgotten, the agitation for the redemption of St Sophia was an emotive topic during the first months of peace. The supporters of this movement were not a group of fringe political cranks, and its members numbered two future foreign secretaries and many other prominent public figures. The popular agitation coordinated by this committee, and the opposition it encountered, illustrate some of the complexities at work in the formulation of a coherent Eastern Mediterranean policy for Britain.  相似文献   

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Much is made of the need for any second war against Iraq (following Desert Storm of 1991) to be sanctioned by a resolution of the UN Security Council, approved necessarily by all five Permanent Members. Yet only two of the five, the USA and the UK, show any enthusiasm for renewed war in the Persian Gulf; and British policy is undeniably following rather than leading American actions on the diplomatic and military fronts. What are the sources of this American policy? Some critics say oil; the latest arguments of proponents invoke humanitarian concerns; somewhere between the two are those who desire ‘regime change’ to create the economic and political conditions in which so‐called western political, economic and social values can flourish. To understand the present crisis and its likely evolution this article examines American relations with Iraq in particular, the Persian Gulf more generally and the Middle East as a region since the Second World War. A study of these international relations combined with a critical approach to the history of American actions and attitudes towards the United Nations shows that the United States continues to pursue a diplomacy blending, as occasion suits, the traditional binaries of multilateralism and unilateralism—yet in the new world‐wide ‘war on terrorism’. The question remains whether the chosen means of fighting this war will inevitably lead to a pyrrhic victory for the United States and its ad hoc allies in the looming confrontation with Iraq.  相似文献   

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Abstract

This paper argues that cultural policy analysts should turn their analytical attention towards the cultural policies of sub-national levels of government. State level cultural policy has become an increasingly important locus of interest for those who are concerned with the health and stability of the arts, culture, and humanities in American life, and the same is undoubtedly true elsewhere. This rise in the importance of cultural policy at the state level has not been accompanied by a similarly evolving understanding of the cultural policy system that has developed at this sub-national level. Cultural policy at the level of an American state has been the sum total of the more or less independent, uncoordinated activities of a variety of state agencies and allied organizations and institutions. This paper lays out a number of hypotheses concerning what we might be likely to find in such an inquiry and reports some preliminary findings from a cultural policy mapping project in the State of Washington.  相似文献   

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