Jacob Talmon between Zionism and Cold War Liberalism

The paper focuses on the problematic relationship between Talmon's liberalism and Zionism. My argument is that Talmon's nationalism (Zionism included)—historicist, romantic, visionary—lived in permanent tension with his liberalism—empiricist, pluralist, pragmatic. His critique of totalitarian democracy, reflecting his British experience, emerged independently from his Zionism, grounded in Central European nationalism. The two represented different worlds. Talmon lived in both, serving as an ambassador in-between them, without ever bringing them together.

The essay's first section describes the political education of the young Jacob Talmon (née Flajszer) and the making of The Origins of Totalitarian Democracy. It demonstrates the independence of Talmon's Cold War liberal project from his Zionism. The second section places Talmon in the context of Cold War liberal discourse, showing how integral his critique of revolutionary politics was to contemporary liberalism. The third illustrates the tensions between Talmon's view of Jewish history and his liberalism, between his Zionism and his critique of revolutionary politics. Focusing on Talmon's analyses of nationalism, it highlights the ambiguity of his Zionism.     

‘Unfurling the banner of reform’: public opinion,nationalism, and Facts and Figures from Italy

This article reconsiders the neglected Italian correspondence of the Cork-born wit, essayist, and journalist, Francis Sylvester Mahony (‘Father Prout’). Re-assessing his traditional reputation as a Tory polemicist, it explores his movement away from the conservative, pro-Union politics of his contributions to Fraser's Magazine in the 1830s, and examines how, despite his continuing rejection of popular O'Connellite nationalism, he came to offer a broadly sympathetic portrait of Young Ireland in the articles he contributed to the London Daily News in the 1840s. It also traces the development of his political thinking at the beginning of the Famine era, focusing, in particular, on the influence of the resurgent nationalist movement in Italy on his reassessment of the Irish question.     

John Marshall,McCulloch v. Maryland,and the Concept of Constitutional Sovereignty

Scholars have long debated John Marshall's intent in his famous opinion in the case of McCulloch v. Maryland (1819). Despite long-standing disagreement concerning the character of Marshall's nationalism and federalism, interpretations of the opinion typically rely on an incomplete picture of the case. This analysis revisits McCulloch to illustrate his support for national and state sovereignty as defined in the Constitution. It then moves beyond the opinion itself to examine Marshall's defense of McCulloch in a series of newspaper essays he authored in the aftermath of the case. Situated alongside the McCulloch opinion, these essays show that Marshall was as much concerned with defending the sovereignty of the Constitution as he was with adjudicating political authority between national and state governments.     

Public intellectuals as policy makers: the democratization of culture and Sean O’Faoláin’s Arts Council, 1956–1959

ABSTRACT

This article examines the brief tenure of the writer Sean O’Faoláin as Director of the Arts Council of Ireland. The article notes the generational similarities and shared outlook between O’Faoláin and André Malraux, the Minister of Culture for France from 1959 to 1969. However, O’Faoláin’s tenure in office was shorter, less successful, and marked by a bitter dispute with the administration and artists of the Royal Hibernian Academy. This dispute serves as a useful case study for examining competing conceptions of national culture, the purpose of cultural policy, and the role of the cultural elite as arbiters of taste.     

Civitatis Ghaniensis Conditor: Kwame Nkrumah,symbolic nationalism and the iconography of Ghanaian money 1957 – the Golden Jubilee

ABSTRACT. During his tenure as premier from independence in 1957 until he was ousted by a military and police coup in 1966, Kwame Nkrumah was the living personification of the Ghanaian nation‐state. As the self‐proclaimed Civitatis Ghaniensis Conditor– Founder of the State of Ghana – his image was minted on the new national money and printed on postage stamps. He erected a monument of himself in Accra, changed the national anthem to make references to himself, customised the national flag to match the colors of his CPP party, made his birthday a national day of celebration (National Founder's Day), named streets and universities after himself, and amended the constitution whereby he became Life President. Since the coup, many of the symbols of nationhood that Nkrumah constructed have been debated, demolished, reconsidered and reengineered by successive governments to rewrite the Ghanaian historical narrative. This article analyses the contentions of one of Nkrumah's first expressions of symbolic nationalism – that of the national coinage.     

‘The Party Hack,and Tool of the British Government’: T.P. O'Connor,America and Irish Party Resilience at the February 1918 South Armagh By‐Election

The common view of Irish electoral politics for the 1916 to 1918 period is one of major decline for the traditional nationalist representatives, the Irish Parliamentary Party (IPP), and the meteoric rise of the newly reconstituted Sinn Féin party; culminating in the latter's overwhelming victory at the December 1918 general election. By examining the February 1918 South Armagh by‐election campaign, this article argues that the Irish Parliamentary Party, which won the contest, was much more resilient than is often acknowledged. Through detailed analysis of election pamphlets, newspaper articles, private correspondence and committee minutes, it considers the significance of the grass‐roots strength of both in the form of their local organisations, the role of the Roman catholic church, and the election strategies of the two parties; in particular Sinn Féin's vilification of the IPP member, T.P. O'Connor, who was in America at the time of the contest.     

Re-writing Protestant history in the novels of Glenn Patterson

This article considers the representation of the history of Belfast in Glenn Patterson's 2012 novel The Mill for Grinding Old People Young. It situates this novel within the context of Patterson's previous work and the history of the Northern Irish novel, as well as with the representation of maritime Belfast in the Titanic centenary year. This novel will be read as a recovery and rehabilitation of a Protestant history which could be problematic for Patterson, an avowedly liberal writer, but instead this context allows for an exploration of the uses of history in contemporary Northern Irish cultural and political discourse.     

AMERICAN HISTORY IN A GLOBAL AGE1

Historians around the world have sought to move beyond national history. In doing so, they often conflate ethical and methodological arguments against national history. This essay, first, draws a clear line between the ethical and the methodological arguments concerning national history. It then offers a rationale for the continued writing of national history in general, and American history in particular, in today's global age. The essay makes two main points. First, it argues that nationalism, and thus the national histories that sustain national identities, are vital to liberal democratic societies because they ensure the social bonds necessary to enable democratic citizens to sacrifice their immediate interests for the common good. The essay then argues that new methodological and historical work on the history of nations and nationalism has proven that nations are as real as any other historical group. Rejecting national history on critics' terms would require rejecting the history of all groups. Instead, new methods of studying nations and nationalism have reinforced rather than undermined the legitimacy of national history within the discipline.     

The pens of the defeated: John Hewitt,Sam Thompson and the Northern Ireland Labour Party

Telescoping the political lives and work of Sam Thompson and John Hewitt, this article demonstrates the importance of the Labour movement on both Belfast-born Protestant writers and how this inculcated a socialist conviction quite separate and antagonistic to Ulster unionism. Referencing Thompson's unpublished, largely unknown plays as well as newspapers and his trio of performed works, the article illuminates his public impact as well as the significance of the play Over the Bridge (1960). Hewitt's early political activities and regionalist outlook are explored, as is the controversy surrounding his 1957 move to Coventry. The underestimated importance of a class perspective within Northern Protestantism is addressed, the article arguing that questions of national identity are secondary to the writers' class and internationalist politics. With continuing resonance, literature and writing itself are shown as intrinsic to the Northern Ireland Labour Party, with which both were associated, fuelling resistance to both unionism and Irish nationalism.     

From aisling to chora: female allegories of the nation in contemporary Irish women's poetry

Contemporary Irish women poets use female tropes of Irish nationalism as a potent site for revising traditional conceptions of femininity, maternity, and cultural identity. Arguably, female tropes of aisling poetry inhabit the same cultural location that anchors the societal role of motherhood as theorised by Julia Kristeva. Kristeva's work highlights mothers' important function in regulating the drives and preparing children for entrance into the symbolic order of society, in relation to which mothers remain structurally liminal. The Platonic chora, an amorphous receptacle from which forms emerge, symbolises this position at the threshold. This essay shows that Irish women poets revise female allegories of the nation either by aligning them with women's lived experience, as Eavan Boland has done, or by re-evaluating them from within their liminality, through stylistic experimentation or irony, which the analysis of poems by Eiléan Ní Chuilleanáin, Medbh McGuckian, Nuala Ní Dhomhnaill and Rita Ann Higgins demonstrates.     

Hans Kohn: the idea of secularized nationalism

More than seventy years after its publication, Hans Kohn's 1944 The Idea of Nationalism is still regarded as a ground‐breaking contribution to the study of nationalism. This essay is aimed to highlight a significant theme in this work which has largely gone unnoticed, namely, the pivotal role of religion and secularism in Kohn's account of nationalism, and especially, in his persistent struggle for a ‘perfect’ nationalism. Kohn's conception – and personal experience – of the relationship of nationalism and religion will be examined through several stages of his turbulent life. First, as a young Zionist in Prague, when he parlayed Martin Buber's Zionist creed into an ethnic concept of nationalism. Then, in Kohn's journalistic writing in the 1920s and in his first theoretical works on nationalism in the years 1929–1942. Finally, Kohn's more mature and crystallized account of nationalism in his 1944 book will be revisited from the perspective of the nationalism–religion relationship.     

Claiming the nation for the people: the dynamics of representation in German public discourse about immigrant integration

Against the backdrop of the current trend to criticise elite‐centred approaches to the study of nationalism, this article sheds light on ways in which elite and popular notions of nationhood are mediated. Thus, public discourse on national identity is explored as a discourse that ordinary people can influence and in which elites make claims to represent the people. To illustrate the dynamics of representative claim‐making and reception, the article uses a case study from German public discourse; the debate about Thilo Sarrazin's 2010 book Germany Does Away With Itself. It finds that, although Sarrazin clearly breaches well‐established rules in national identity discourse, his ideas gain traction from the moment he becomes accepted as representing ordinary Germans. The findings are discussed against the backdrop of the history of German national identity discourse and anti‐essentialist approaches treating nationhood as a political claim.     

Silas Marner,Catalepsy, and Mid-Victorian Medicine: George Eliot's Ethics of Care

‘Silas Marner, Catalepsy, and Mid-Victorian Medicine’ reads Eliot's novel Silas Marner through the history of medicine, and particularly in the context of Marner's strange cataleptic trances which embody his alienation and suffering. Eliot, I argue, employs catalepsy in order to investigate ideas of illness and care, especially as that relates to professional medicine and to ideas of community. Focusing on cataleptic case histories and on Eliot's personal health concerns I show how issues of care become philosophical questions about ethical responsibility. It is through Silas Marner and his catalepsy, I conclude, that Victorian scholars can come to understand more about what that means within Eliot's canon and, more widely, in the mid-Victorian period. Overall, the article provides a unique reading of Silas Marner, drawing on significant new archival research on catalepsy and in Eliot's writing of illness narratives.     

Writing the History of Irish Women

Joanna Bourke, Husbandry to Housewifery: Women, Economic Change, and Housework in Ireland 1890-1914 Margaret Ward (ed.) In Their Own Voice: Women and Irish Nationalism Mary O'Dowd and Sabine Wichert (eds) Chattel, Servant or Citizen: Women's Status in Church, State and Society Joan Hoff and Moureen Coulter (eds) Irish Women's Voices Past and Present     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Challenging the Quimera (Sirena) Negra: Unamuno Reads Pardo Bazán

This article examines the literary relationship of Emilia Pardo Bazán and Miguel de Unamuno by analyzing Unamuno's 1905 review of La Quimera, as well as his tribute to Pardo Bazán on the occasion of her death in 1921. These two critical pieces, together with Unamuno's Dos madres and La tía Tula, reveal that while Unamuno dismisses Pardo Bazán's realism in his discussion of her works, he develops in his own fiction alter egos who struggle with dominant female figures, just as he competes with Pardo Bazán's model of authorship.     

Gellner redux?

The work of Ernest Gellner continues to be an influential part of nationalism studies. A recent appraisal has raised questions about the argument that Gellner offered in his central text on nationalism, Nations and Nationalism. This article takes up other issues in Gellner's work on nationalism. The article examines Gellner's influential definition of nationalism and the interpretation that he placed on that definition, as well as his treatment of ‘political cohabitation’. It also pays more attention to Gellner's later work, namely, Gellner's discussion of ‘the time zones of nationalism’. The paper draws on secondary literature but its primary purpose is to assess the coherence of Gellner's arguments.     

John Breuilly: ‘Eric Hobsbawm: nationalism and revolution’

This article considers how Eric Hobsbawm (1917–2012) connected the concepts of revolution and nationalism, analysing this in relation to his biography, his politics and his work as a professional historian. It traces major changes in Hobsbawm's understanding of revolution and nationalism as he, the political world and the ways of writing history all changed over the course of his long life.     

C.S. Lewis: an Irish writer

This article examines the effect of C.S. Lewis's Irish background on his work. It attempts to contradict the assumption that this Belfast-born writer should be included in the English and not the Irish canon. It emphasises that Lewis saw himself as Irish, was seen by others as Irish, and that his Irish background, contrary to what some have written, was important to him throughout his lifetime. It goes on to demonstrate the ways in which his work was influenced by his youth in Ireland and by the Irish mythology that he loved. Furthermore, this article maintains that, as a child of pre-partition Ireland with roots throughout the island, Lewis was influenced by the country as a whole, not just his native Ulster. Finally, it attempts to understand why Lewis, a proud Irishman, did not do more to promote himself as an Irish writer.     

Personal lives: narrative accounts of Irish women in the diaspora

The burst of writing about Irish women in the diaspora after the 1980s, led by Mary Lennon, Marie McAdam and Joanne O'Brien's Across the Water: Irish Women's Lives in Britain, coincided with the ‘narrative turn’ in the social sciences and literary representation. This paper uses Carol Smart's concepts of Personal Life (2007) – memory, biography, embeddedness, relationality and the imaginary – to examine a range of ways in which personal narratives have become central to our understandings of Irish women and their descendants in both written and visual representations. It interweaves disciplines, bringing together a wide range of sources including academic and public accounts in which Irish women appear both as main characters and in walk-on parts. It explores constructions of these ‘fictions’ and their connections with the biographies of authors.