日本古代楼阁式木塔的类型学研究

日本现存8～12世纪所建造的楼阁式木塔11座,目前为止,针对这些遗构的实测和基础考察已基本完成,相应的文献研究、木结构技术研究也已经有一定的成果。不过,仍有5座塔的建造年代尚未明确,并且这些楼阁式木塔在形态上是怎样演进的——有关这方面的研究还有待深入。此文对这11座木塔的木构架进行类型学研究,在精确上述5座塔的建造年代的同时,也梳理了日本楼阁式木塔在这5个世纪里的形态演变和各个年代的形态特征。     

两宋木质雕母钱的发现和研究—兼论宋钱的铸造工艺

《中国钱币》2002年第1期发表王仕国先生的文章《四川广元发现木质宋年号钱》,报道1999年作者在嘉陵江河道采沙人处得到的木质北宋年号钱六枚。今年4月14日又收到王仕国先生的来稿《广元与两宋铁钱》(见本期),介绍广元嘉陵江河床近年出土两宋铁钱的情况。文章说:“北宋铁钱从景德元宝到靖康通宝,几乎都有发现,南宋铁钱自绍兴以下,亦发现有十余个     

THE TIME OF THE SELF AND THE TIME OF THE OTHER

What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.     

尼罗河畔文明物语

<正>尼罗河是埃及的母亲河,准确说更是生命线,一条郁郁葱葱的绿色生命线,置于茫茫的沙漠之中。埃及90%的人口,生活在这全国1/30国土的尼罗河畔。这条河见证了埃及古老文明的形成和兴旺,主导了两岸生灵的繁荣与衰落。跟随这条河,人们在历史的时空穿梭,跨过河上河下,遍看古代现代,游走神庙田舍,拥抱沙漠绿洲。我们在阿斯旺下火车,行李直接就送到斯蒂芬妮游轮了,我们要在尼罗河上航行三日,这是期盼许久的心念。有多久呢?算起来有40年了。自从1978年电影《尼罗河上的惨案》     

THE BOXER ON THE ROOF OF THE WORLD

正Though the Tibet boxing team might be rarely heard of,Sonam Norbu,a national master sportsman from the first Tibet boxing team with a weight of 52 kilograms,has won a gold medal for the 2011 National Youth Fight,a bronze medal for the 2012 National Championship,and another bronze medal for the 2013 National Championship.The Tibet boxing team is still young today.Asked why he chose to be a boxer,     

燕山—长城南北地区史前文化的适应变迁

目次一生态交错带适应的一般模式二史前文化适应方式的转换三环境格局的变化与适应变迁四结语燕山-长城南北地区是考古学研究上有特殊意义的地区。其地处蒙古高原到华北平原、东北平原的过渡地带,海河流域北部、滦河下游为其南区域,滦河上游、大小凌河、辽河上游地区为其北区域。我国400毫米降水分界线即位于此,也是北方干旱区与半干旱-半湿润区的过渡地带。     

太平洋上的璀璨宝石 瑙鲁

<正>瑙鲁(Nauru)是位于南太平洋密克罗尼西亚群岛的一个岛国,国土面积21.3平方公里,是世界上最小的岛国,也是世界上第三小的国家,人口约9200人,瑙鲁人在这个岛上生活的历史已经有千年之久了。瑙鲁的旅游景点不多,安尼巴惹湾和布阿达湖最为著名。安尼巴惹湾位于瑙鲁岛东部的安尼巴惹区,是瑙鲁的一个大海湾,这里的海滩有瑙鲁最好的沙滩,日平均     

太平洋上的璀璨宝石 瑙鲁

正瑙鲁(Nauru)是位于南太平洋密克罗尼西亚群岛的一个岛国,国土面积21.3平方公里,是世界上最小的岛国,也是世界上第三小的国家,人口约9200人,瑙鲁人在这个岛上生活的历史已经有千年之久了。瑙鲁的旅游景点不多,安尼巴惹湾和布阿达湖最为著名。安尼巴惹湾位于瑙鲁岛东部的安尼巴惹区,是瑙鲁的一个大海湾,这里的海滩有瑙鲁最好的沙滩,日平均     

THE DALAI AND THE WEST

ＴＨＥＤＡＬＡＩＡＮＤＴＨＥＷＥＳＴ￥／／ＡｕｔｈｏｒｉｔａｔｉｖｅｄｏｃｕｍｅｎｔｓｒｅｖｅａｌｔｈａｔｔｈｅＤａｌａｉｆｌｅｄＣｈｉｎｅｓｅｔｅｒｒｉｔｏｒｙｉｎ１９５９ｗｉｔｈｔｈｅａｓｓｉｓｔａｎｃｅｏｆｔｈｅＣＩＡ．ＴｈｅＣＩＡｈａｓｔｒａ...     

THE ANTHROPOCENE AND THE PLANET

Dipesh Chakrabarty's The Climate of History in a Planetary Age is, in three respects, far more than a synthesis of over a decade of pioneering conceptual work aimed at making sense of the Anthropocene/planetary predicament and its implications for historical understanding. First, the book makes visible an intellectual trajectory in which Chakrabarty's conceptual struggles with the Anthropocene gradually move from the centrality of the notion of the Anthropocene toward the centrality of the notion of the planet. Second, it highlights the relational complexities with which one needs to grapple when trying to make sense of the current predicament. Third, and finally, the book showcases a series of often overlapping conceptual distinctions that Chakrabarty has developed while navigating these complexities. Through a discussion of the above key aspects, this review essay highlights the achievements of The Climate of History in a Planetary Age and critically engages with its central themes. In dialogue with the book, it pays special attention to exploring the respective benefits and drawbacks of the notions of the Anthropocene and the planet, and to the character and role of human agency in the Anthropocene/planetary predicament. Finally, the essay concludes with a few thoughts concerning the question of what kind of a reinvention of historical understanding might be triggered, respectively, by the notions of the Anthropocene and the planet.     

要让照相机物尽其用体现价值

由于照相机拥有者的兴趣和爱好不同,它们的用途和价值的体现亦不尽相同,有的把它当玩具,有的把它工具,还有的把它当成收藏品。如果您也拥有照相机,不管把它当成什么,我建议您一定要让它物尽其用,体现价值!