Remembrance of Things Passed: Memory,Body and the Politics of Feasting in New Ireland,Papua New Guinea1

This paper explores the connection between body and memory for the people of the Lelet Plateau of central New Ireland. Through an examination of the processes by which memories of mortuary feasts are created and circulated, I draw attention to the embodied nature of memory as a central facet in the politics of feasting. The approach taken here differs from other prevailing approaches to the body and memory in its exploration of the ways in which memories are created through and within the body, rather than seeing the body, or things representing the body, as signs that are utilised for remembering. In particular, I examine the forms of sorcery which target the participants' bodies, making them experience diarrhoea as a mnemonic process. It is through this that a significant memory of the feast is created, one which stands out notably from numerous other memories, and is the means by which remembrance of the event is transformed into fame for the host.     

Beyond Bodies: Aspects of the Politicisation of Exchange in the South-West Highlands of Papua New Guinea

Different exchanges offer varying potential for transactors to gain prestige in Anganen, Southern Highlands (PNG). The central argument is that this variation — what I call politicisation — is in part linked with how bodies are variously appropriated as the premise upon which exchange is undertaken. The least prestigious for individual actors are collective prestations in which wealth acts as direct substitution for persons and their bodies. At the other extreme is ceremonial pork distribution where individual prestige is directly measurable in terms of a man's own endeavours. This event is ‘beyond bodies’ and centres the transactor as the sole, focal individual. In between lie warfare compensations where bodies still create debt, but the focus shifts from the female associated body such as the bride to male associated bodies as when allies compensate slain warriors' agnates. The second most prestigious event is ‘moka’ in which the ‘body’ is metaphorised in the Anganen names of its sequence together with aspects of performance. Here wealth does not substitute for the body but rather creates debt. These varying ‘body logics’ can be seen to lie at the heart of the politicisation in their interrelations with other indices of prestige such as individual autonomy or finance for provisioning. I conclude by suggesting the way bodies are variously appropriated may be a useful comparative base for Highlands political economies more generally.     

Aspects of continuity and change in the Italian placitum, 962-72

In the preface to his liturgical calendar The reckoning of the course of the stars Bishop Gregory of Tours (538–594) — author also of Ten books of histories and Eight books of miracles as well as of a Commentary on the understanding of the Psalter (of which, however, only fragments are preserved) — declares God's “wonders” of the natural world to be superior to the seven ancient wonders of the world. The reason for this is that the latter, being works of men, are subject to decay and destruction, while the former, as miraculous works of God, are divinely sustained and renewed daily or annually, thereby becoming imperishable. An examination of the associative contexts in which two of these wonders — the sea (enlarged to include water in its various forms) and plant life — occur in the rest of Gregory's works reveals several essential themes of his thinking not only about nature, but also about God, man and society. Thought, for him, nature as a (divinely sustained) system of regularities does exist as a kind of backdrop, sudden unpredictable divine — and sometimes diabolic — action in and through phenomena occupies the center of the stage. Gregory tends to see this action in the shape of what he regards as pre-existing images or patterns of invisible spiritual truth, to which the visible, even material, structure of events must necessarily conform. He shows, too, how this action could reflect as well as meet various needs of the individual and of society as a whole. An association which recurs almost constantly in his treatment of divine action in these natural phenomena, which he sometimes describes as analogous to that in man, is precisely that with the cluster of closely related concepts of renewal, rebirth and creation ex nihilo. Together with what appears as an extreme, as it were ‘poetical’, sensitivity to sudden perceptions and intuitions, something like a longing for and surrender to what he describes as “astonished admiration” may have helped to make possible his recognition of that which he designated as divine creative power in the world of visible reality as well as in man's inner experience. His seeing this as an essential dynamic of the holy may mean that he felt it to be a fundamental need and concern not only of the individual personality but also, more obscurely, of the society in which he found himself.     

The spring,the seed and the tree: Gregory of Tours on the wonders of nature

In the preface to his liturgical calendar The reckoning of the course of the stars Bishop Gregory of Tours (538–594) — author also of Ten books of histories and Eight books of miracles as well as of a Commentary on the understanding of the Psalter (of which, however, only fragments are preserved) — declares God's “wonders” of the natural world to be superior to the seven ancient wonders of the world. The reason for this is that the latter, being works of men, are subject to decay and destruction, while the former, as miraculous works of God, are divinely sustained and renewed daily or annually, thereby becoming imperishable. An examination of the associative contexts in which two of these wonders — the sea (enlarged to include water in its various forms) and plant life — occur in the rest of Gregory's works reveals several essential themes of his thinking not only about nature, but also about God, man and society. Thought, for him, nature as a (divinely sustained) system of regularities does exist as a kind of backdrop, sudden unpredictable divine — and sometimes diabolic — action in and through phenomena occupies the center of the stage. Gregory tends to see this action in the shape of what he regards as pre-existing images or patterns of invisible spiritual truth, to which the visible, even material, structure of events must necessarily conform. He shows, too, how this action could reflect as well as meet various needs of the individual and of society as a whole. An association which recurs almost constantly in his treatment of divine action in these natural phenomena, which he sometimes describes as analogous to that in man, is precisely that with the cluster of closely related concepts of renewal, rebirth and creation ex nihilo. Together with what appears as an extreme, as it were ‘poetical’, sensitivity to sudden perceptions and intuitions, something like a longing for and surrender to what he describes as “astonished admiration” may have helped to make possible his recognition of that which he designated as divine creative power in the world of visible reality as well as in man's inner experience. His seeing this as an essential dynamic of the holy may mean that he felt it to be a fundamental need and concern not only of the individual personality but also, more obscurely, of the society in which he found himself.     

Warrior Women,the Holy Spirit and HIV/AIDS in Rural Papua New Guinea

ABSTRACT This article analyses a group of Gogodala Christian women in the Western Province of Papua New Guinea who are referred to as ‘Warrior women’ and who pray, sing and call upon the Holy Spirit to cleanse their own bodies and ‘turn their eyes’, so that they are able to see those who threaten the health and well‐being of the wider community. These women have focused primarily on bringing male practitioners of magic — iwai dala — shadowy and powerful men who operate covertly and away from the gaze of others, out into the open. Whilst this has been happening for many years, the spread of HIV and AIDS into the area, fuelled by what many in the area believe is the rise of unrestrained female and male sexuality and the waning of Christian practice and principles, has meant that those perceived to bring harm to the community through their sexual behaviour have become recent targets for Warrior women. HIV/AIDS, referred to in Gogodala as melesene bininapa gite tila gi — the ‘sickness without medicine’ — is understood as a hidden sickness, one that makes its way through the community without trace until people become visibly ill. Warrior women seek to make both AIDS and those who, through their behaviour, encourage or enable its spread more visible. In the process, however, a small number of them are overcome by the Holy Spirit, so much so that they become daeledaelenapa — mad ‐ their behaviour increasingly characterised by childishness and uncontrolled sexuality.     

Dirty dancing: the (non)fluid embodied geographies of a queer nightclub in Tel Aviv

This paper examines the (non)fluid embodied geographies of a queer nightclub in Tel Aviv, Israel. The nightclub is considered to be a space of sexual liberation and hosted the Friendly Freedom Friday party. Yet, the space of the nightclub is also divided by gender and sexuality. We draw on individual in-depth interviews and participant observations to examine the tensions that arise from, and between, gay men, transwomen and club spaces. A number of paradoxes are present in the club. We argue that the fluidity of subjectivity—espoused by queer theorists—evaporates when confronted with the materiality of actual sweating bodies. We are interested in the visceral geographies of how and where sweat, and other body fluids, becomes matter out of place or ‘dirty.’ Three points structure our discussion. First, we outline the theoretical debates about body fluids and fluid subjectivities. Second, we examine gay men's and transwomen's bodily preparations that occur prior to attending the nightclub. The spatial, gendered and sexed dimensions of participants’ subjectivities are embedded in desires to attend the club. Finally, we argue that the spaces gay, partially clothed and sweating male bodies occupy are distinct from, and in opposition to, transwomen's clothed and non-sweating bodies.     

Performing on the Beaches of the Mind: An Essay

History—the past transformed into words or paint or dance or play—is always a performance. An everyday performance as we present our selective narratives about what has happened at the kitchen table, to the courts, to the taxman, at the graveside. A quite staged performance when we present it to our examiners, to the collegiality of our disciplines, whenever we play the role of “historian.” History is theater, a place of thea (in the Greek, a place of seeing). The complexities of living are seen in story. Rigidity, patter, and “spin” will always destroy the theater in our history performances. That is because we are postmodern. The novelists, the painters, the composers, the filmmakers give us the tropes of our day, alert us to the fictions in our non‐fiction, and give us our freedoms. How do I persuade anyone that the above theory is true? By thea, by seeing its truth. By performing. I have a true story to tell about beaches and those who cross them—Paul Gauguin, Herman Melville, and I.     

Interpretive field geomorphology as cognitive,social, embodied and affective epistemic practice

This article examines the epistemic practices of interpretive field geomorphology—that is, the in-the-moment act of “seeing the landscape” geomorphologically. Drawing on the philosophical works of Wittgenstein and Merleau-Ponty, it aims to bring to light the complex, multi-dimensional, knowledge-producing process of field observation and interpretation. Methodologically the study is based on geomorphologists' accounts of their fieldwork, gathered through questionnaire and interviews. By paying attention to what geomorphologists say they are doing in the field, interpretive field geomorphology is articulated as a combined cognitive, social, embodied, and affective experience through which understanding is arrived at. The paper thus sheds light on one part of what Brierley et al. call “the dark art” of geomorphological interpretation, and draws out implications in terms of researcher positionality, researcher training, and offering an epistemic justification for field-based pedagogies.     

‘The Gospel of Health’: American Missionaries and the Transformation of Ottoman/Turkish Women's Bodies, 1890–1932

This article explores an overlooked aspect of American missionary modernisation efforts in the late Ottoman Empire: the attempted transformation of women's bodies. By the late nineteenth century, American missionary women and Ottoman government officials both viewed Ottoman women's bodies as a visible reflection of the empire's weaknesses, yet also as central to its survival and revival. The transformation of women's bodies from ‘uncontrolled’ to ‘robust’, they believed, was a prerequisite for a modern society. Through a close reading of missionary reports, correspondences and student memoirs, this study traces the development of physical education, hygiene and recreational sports at the missionary‐run American College for Girls (ACG) in Istanbul. Over time, the female teachers at the ACG partnered and collaborated with male Ottoman/Turkish government officials to implement these courses at girls’ schools across the region. While the government endorsed physical education as key to national progress and regeneration, the ACG educators framed it as a mode of international, feminist self‐empowerment. In reality, the missionaries continued to assert their own Western superiority and advance Orientalist notions through the education courses. By highlighting the shifts in women's body ideals, curricular development and nationalist rhetoric, I argue that women's bodies must be studied as a crucial site of missionary and republican reform.     

Bodies,building and bricks: Women architects and builders in eight eco-communities in Argentina,Britain, Spain,Thailand and USA

Eco-building is a male domain where men are presumed to be better builders and designers, more men than women build and women find their design ideas and contributions to eco-building are belittled. This article suggests that a focus on bodies, embodiment and the ‘doing’ of building is a potentially productive way to move beyond current gender discrimination. This article makes three key interventions using empirical material from eight case studies of eco-communities in Britain, Thailand, Spain, the USA and Argentina. First, it uses a focus on eco-communities to illustrate the enduring persistence of gender divisions in architecture and building. Second, by using multi-site examples of eco-communities from diverse countries this article finds more commonalities than differences in gender discrimination across cultures and nationalities. Third, it outlines three spaces of opportunity through which more gender-neutral approaches are being developed in eco-building: (1) in challenging the need for ‘strong’ bodies, (2) by practising more embodied ways of building and (3) by making visible women's bodies in building. The ‘doing’ and manual aspect of eco-building is unfamiliar for many (not just women) and interviewees commented on the need to (re)learn how to be practical and to understand the physical possibilities (and limitations) of their bodies.     

Prehistoric Human and Ungulate Remains from Preston Docks,Lancashire, UK: Problems of River Finds

Isolated and usually undated human crania from riverine deposits in the British Isles present something of an archaeological mystery. The large numbers sometimes involved—several hundred from the River Thames alone—together with the recovery of unassociated metal artefacts have been taken to imply some or other “ritual” activity. We offer a taphonomic investigation of human crania and ungulate remains obtained from dock excavations during the 1880s at Preston in Lancashire in northwestern England. Although apparently recovered in close spatial proximity, a series of AMS determinations on crania of humans, aurochsen (Bos primigenius) and red deer (Cervus elaphus) has established at least a Neolithic to Saxon age range for the sample. Such a chronological span for a diverse assemblage when considered against modern forensic studies of the taphonomy of bodies in water strongly implies that the human crania need represent no more than an accumulation of elements that normally separate quite naturally from the rest of the body. While the reasons for initial entry to the water may well have included “ritual” activity in one or more case there is simply no reason to infer such behaviour for the human sample as a whole in the absence of direct evidence.     

Bones,buttons and buckles: negotiating class and bodily practices in early modern Oulu

Some of the most prominent characteristics of the early modern period are increasing control over human bodies and the increasing class differences in bodily practices. The rigid class society prevailing in early modern Sweden was reflected in the way people in different classes were expected to behave, dress and eat, amongst other things. This paper discusses how bodily practices — with foodways and dress as case studies — were involved in negotiating class identities in a small town on the northern edge of Europe. It will examine how disciplinary codes of bodily behaviour were played out on the geographical margins of European society.     

Wearable cameras,in-visible breasts: intimate spatialities of feminist research with wearable camcorders in Istanbul

Abstract

Video-based wearable technology such as actioncams and optical head mount devices lead to various kinds of visualities and interrelations between camera vision, bodily visibility, immersive viewing and public visibility of the body-wearing-the-camera. These interrelations are not neutral and in order to claim wearable visual technology's potential for critical, feminist research, it is essential to problematise the contexts and frictions that precede and/or surface during and after the bodily experience of shooting with a wearable device in a research context. In this article, I problematise the common approaches to video-based wearable research technology by engaging participants' particular ethical, emotional, political positions and embodiment of camera's prosthetic vision during mobile visual research in Istanbul. This work was realised as part of the ongoing study on memories of violence and wellbeing in Istanbul and the specific questions that guide my discussion are: what wearable camcorders as mobile research tool do to bodies; how they co-constitute the norms of visibility, movement and gender of particular bodies and what practices and emotional responses emerge from these intersections. A major aim, therefore, is to situate the camera experience as in physical and social relations of moving, seeing and be seen as gendered bodies in specific (research) settings. Drawing on ‘the embodied nature of all vision’, the article provides a close-up, chest-specific analysis of the implications of doing wearable visual research and presents breast-space as an emergent research site in my Istanbul study.     

Cities,Racialized Poverty,and Infrastructures of Possibility

This essay argues that the study of urban poverty is too often characterised by the disappearance of specific people and bodily politics from our analytic frames, rendering modes of life and politics illegible to scholars. We call for attention to the embodied politics of knowledge production, as neighbourhoods surrounding universities are exploited first as laboratories for poverty scholarship—exemplified in the relationship between the Chicago School’s theory of human ecology and the racialised real estate markets—and then as devalued spaces for creative industries. Following work at the intersection of urban studies and American studies, we call for a relational reading of the archives of dominant poverty scholarship, and for scholarship attentive to the body—as a knowledge project only ever partially recorded in fieldnotes or the archives—as a key site for politics.     

‘Informed Seeing’: Reading the Seventeenth-Century Embroidered Cabinet at Milton Manor House through its Historical and Social Contexts

This object lesson examines a seventeenth-century cabinet, held at Milton Manor House in Oxfordshire, which has been embroidered with biblical scenes. Starting from the premise that knowledge informs seeing, this article provides a close reading of the cabinet’s iconography and historical context in order to highlight the knowledge — both the general ideologies and the individual interpretation — that may have informed its production. Through a detailed reading, the maker’s negotiation of the virtue of submissiveness, a major tenet of women’s education in the period, is identified as a possible theme.     

A Visceral Politics of Sound

Questions of bodies and embodiment are a critical focus for geographers. In this paper we advance discussion of the mobilisation of bodies that investigates the interconnections between the visceral and discursive, through paying attention to the affordances of sound. We draw on our ethnographic research of the Climate Camp parade held during October 2009 in Helensburgh, New South Wales, Australia. Using feminist theory and visceral understandings of socio‐political life, we explore sounds to illustrate how people's beliefs about climate change are mobilised at this parade. We argue that visceral experiences of the rhythmic affordances of sounds—flow, pulse and beat—provide us insights as to how people are mobilised into action. Our results explore bodily judgements of sounds to illustrate how a visceral approach can help to mobilise bodies in ways that can both upset, and reproduce, particular beliefs, subjects and places.     

Fluid flow in shear zones: insights from the geometry and evolution of ore bodies at Renco gold mine,Zimbabwe

The geometry of mineral deposits can give insights into fluid flow in shear zones. Lode gold ore bodies at Renco Mine, in the Limpopo Belt, Zimbabwe, occur as siliceous breccias and mylonites within amphibolite facies shear zones that dip either gently or steeply. The two sets of ore bodies formed synchronously from hydrothermal fluids. The ore bodies are oblate, but have well‐defined long axes. Larger ore bodies are more oblate. High‐grade gold ore shoots have long axes that plunge down dip; this direction is perpendicular to the long axes of the low‐grade ore bodies. The centres of the high‐grade ore bodies align within the low‐grade ore bodies along strike in both gently and steeply dipping groups. The range of sizes and shapes of the ore bodies are interpreted as a growth sequence. Geometrical models are proposed for the gently and steeply dipping ore bodies, in which individual ore bodies grow with long axes plunging down dip, and merge to form larger, more oblate ore bodies. The models show that when three or more ore bodies coalesce, the long axis of the merged ore body is perpendicular to the component ore bodies, and that ore bodies in the deposit may have a range of shapes due to both growth of individual ore bodies, and their coalescence. The long axes of the high‐grade ore bodies are parallel to the shear directions of both the gently and steeply dipping dip slip shear zones, which were the directions of greatest permeability and fluid flow. The larger, lower grade bodies, which may have formed by coalescence, are elongate perpendicular to these directions.     

The salon as clinic: problematising,treating, and caring for skin

In this paper I draw upon Foucault's concept of the clinic, as well as his later work on the ‘care of the self’, in a consideration of the problems that are diagnosed, and the treatments that take place, within the beauty salon. As biotechnology descends to the sub-molecular level, so those spaces that are linked to the laboratory through the diffusion of knowledges, practices and material products—such as the salon—are also reworked. Traditionally the locus for an array of experts in both body and mind who instruct (mostly) women on how to care for the self, salons use a series of ‘cutting edge’ treatments to pamper and groom the body, correcting as it does so various problem areas such as the skin. I argue, using interview material from salon managers and employees, for the beauty salon as a key site wherein health and medical knowledge is disseminated, and the clinical gaze is brought to bear.     

Die these von der verschwörung 1776–1945: Philosophen,freimaurer, juden,liberale und sozialisten als verschwörer gegen die sozialordnung

How do Goya's representations of the body disrupt the Enlightenment's configurations of the corporeal? If for eighteenth-century aesthetics the body is both the site of ideal beauty and the limit of what can and may be represented, then Goya's panoply of monsters provides a way of understanding other modes of reason(ing), other ways of representing the body and its functions within culture. In his work there is a recuperation of those elements that seem to lie outside the ken of the Enlightenment project: physicality, animality, hybridity, the grotesque, the popular; a recognition of the animal nature of the body and the products of bodily impulses and forces. A rethinking of the body would incorporate an understanding of its role as a physical and social phenomenon in the constitution of the subject. Following on from Paul Ilie's concept of counter-rational Reason, which he defines as the opposite of a uniform centre of rationality in representative thought, the first half of my paper will consider Goya's problematization of representation. My analysis of a selection of drawings from the collection Los Caprichos (1799) will focus not just on the representation of bodies in the painter's work but on his exploration of bodies in their material variety—configurations of modes of constructing the body. This examination of Goya's prolific pictorial negotiations and adaptations of flesh and world will draw upon contemporary approaches to theorizing the body, namely the theories of Julia Kristeva and Elizabeth Grosz.