Days of those made like me: retrospective pleasure,sexual knowledge,and C. P. Cavafy's homobiographics

Abstract

This article begins with a comparison between the anonymous Roman d'un inverti (1894/5) and Cavafy's poem ‘Να με?νει’, and then proceeds to read Cavafy's private notes and key erotic poems in the context of late nineteenth- and twentieth-century discourses about non-normative sexuality. During that period, and in a discursive domain dominated by sexological case studies, the deviant sexual life story was published in order to titillate, check, control and medicalize. In Cavafy's texts we see, instead, a network of homosexual life stories proposed as a platform for the conceptualization of novel sexual, aesthetic and social technologies, as well as a new ethics of contact.     

Rape on the Railway: Women,Safety, and Moral Panic in Victorian Newspapers

In the Victorian press, the railway carriage was painted as a site of particular danger for women travelling alone. As a hybrid public and private space, the carriage placed strangers together in an intimate, quasi-domestic setting for which there were few established norms of behaviour. When male and female solo travellers found themselves confined together, it set the scene both for sexual assault and for false charges of assault, which the newspapers played upon; solo female travellers were depicted as either potential victims or potential Potiphar's wives. These representations were prominent in two moral panics that attempted to regulate women's movement. In this article, I examine accounts of sexual assault from the Lancet, The Times, the English Leader, and the People's Advocate from the 1860s and 1870s and consider newspaper reports as a source of erotic stimulation in a late-century pornographic novel, Raped on the Railway. I argue that the newspapers' fascination with sexual violence on trains, while connected to the weakened division between public and private spaces and an association of railway engines with virility, was primarily a response to fears about women's increasing freedom.     

Cavafy's Sensual City: A Question

Abstract

In his perceptive book, Cavafy's Alexandria (Cambridge, Mass., 1976), Edmund Keeley describes how Cavafy's major poetic preoccupation during the years 1911 to 1921 was the delineation of a mythical city called Alexandria and of the Greek, or Hellenic, way oflife it represents. An essential element in this way of life is its erotic style, which is explicitly homosexual; and it is through his poems on erotic themes that Cavafy slowly and deliberately builds his image of Alexandria as the Sensual City. His method of doing this is particular. In depicting other features of his mythical city Cavafy locates his poems in that ancient Hellenistic world of which Alexandria was the centre. Most of his erotic poetry, on the other hand, speaks of episodes and relationships in contemporary Alexandria, the city in which Cavafy actually lived. Indeed, all the poetry which Cavafy wrote that is located in contemporary Alexandria deals with erotic themes to the exclusion of all others. And it is with the help of this poetry that Cavafy builds up his image.     

Feeling sexual transgression: subjectivity,bodily experience,and non-normative hetero-erotic practices in women's cross-border sex in Costa Rica

Participating in sexual tourism and cross-border sex, heterosexual Euro-North American women are a targeted social group whereby accusations, such as ‘fucking gringa’, label them as sexual transgressors for violating multiple boundaries of heteronormativity. The complex power dynamics of women's cross-border sex are due to negotiations of race, gender, and class that are played out in specific locales and political economies of desire. Within these dynamics, women are agentive social actors and exert considerable sexual agency in their desires for local men who are positioned unevenly vis-à-vis tourist women's mobilities within erotic markets. Yet women's hetero-erotic sexual practices, which are experienced at the level of the body, cannot be assumed; looking at the lived experiences of women as sexual trangressors in these spaces promises to complicate non-normative heterosexuality and the gendered dynamics of (straight) transnational sex. Using critical ethnography and a performance approach to writing that places subjectivity at the center of the ethnographic record and analysis, this article conveys an ‘insider’ or emic account of women's transnational sex taking place in a Caribbean region of Costa Rica renown for women's sexual and romance tourism. In taking this approach, I aim to show how heterosexuality, hetero-erotic practices, and cross-border sex are not always what they seem and a glimpse into ‘the subjects’ worlds in their words' (Madison, Soyini. 2005. Critical Ethnography: Method, Ethics, and Performance. London: Sage, 174) has implications for theory concerned with the body and performance as fundamental to the social production of sexual transgression.     

Originality and Eroticism: Constantine Cavafy and the Alexandrian Epigram

Abstract

Although it has become generally accepted by critics that Constantine Cavafy (1863–1933) was influenced greatly by the Hellenistic epigram ‘in attitude, subject matter, and technique’, a close comparison of that poetic tradition and Cavafy's poems reveals interesting differences as well as similarities. We know that Cavafy was familiar with Hellenistic literature and that he had a copy of J. W. Mackail's Select Epigrams from the Greek Anthology in his personal library. His reading, however, ‘was much more extensive than his library’. More significant than this is the evidence to be found in his poems, which range from an actual mention of ancient epigrams to obvious imitations of them. Cavafy's poems for the most part, however, are quite original in their tone and erotic stance when compared directly to the Alexandrian epigrams.     

Erotics,love and violence: European women's travels in the northeast of Brazil

In this article I analyze the cross-border sexual and affective relationships women from diverse European countries form with local men in two coastal touristic villages of the state of Ceará, in the northeast of Brazil. Drawing on ethnographic research I consider how, in the frame of ambiguous sexual, economic, and affective exchanges, violence intertwines with erotics and with notions of love. I take the women's narratives as the central reference. My main argument is that the delight provoked by the transformation of their erotic subjectivities and the idea of rehearsing new forms of heterosexual relatedness, which involve what they consider unusual forms of love, feed the ambiguities pervading their relationships with local men, making these women unaware of the economic aspects involved in their relationships and of occasional hostility and subalternization to which they are subjected. Only in the frame of the acute increase in the tensions provoked by the change in these women's status from tourists to foreign residents, they label their partner's economic demands as exploitative and their actions as violence.     

Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

1. PRÉCIS IMAGES OF HISTORY: KANT,BENJAMIN, FREEDOM,AND THE HUMAN SUBJECT

My fundamental motivation in writing Images of History was to avoid some forms of hubris and despair that trouble contemporary philosophy and to develop instead a picture of human life in historical time. According to this picture, we live amid institutional and practical inheritances we can address but can never fully stabilize and perfect. In different ways, Kant and Benjamin each accept this thought, and they each develop a picture of philosophy as historically situated, open criticism of existing practices and institutions. Each emphasizes the priority of the practical over any fixed metaphysical‐theoretical stance. I survey each of their general theories of critical historical understanding, and I pay special attention to the texts in which they each provide detailed, specific accounts of Western social‐historical development or circumstances: Kant's Religion within the Boundaries of Mere Reason and Benjamin's One‐Way Street. Where Kant's philosophical criticism is reformist, liberal, and casually dismissive of non‐Christian religion, Benjamin's is modernist, erotic, and improvisatory. Their respective images of history according to which we achieve orientation are both complementary and fundamentally opposed—not readily combinable into a consistent whole. Drawing on the work of Jonathan Lear, I end with a picture of maturity and practical self‐unity as centrally a matter of developing the skill of modulated alternation between these two orientation‐affording images.     

Fragments of the Modern City: Material Culture and the Rhythms of Everyday Life in Victorian London

This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works.     

Imagining Heloise as Abbess of the Paraclete

This article argues that traditional presentations of Heloise focus on her image as a heroine of love rather than giving sufficient attention to her status as abbess of the Paraclete. In particular, there has been unjustified neglect of the final dossier in her exchange, known as the Institutiones nostre, written in response to Peter Abelard's Institutio, or Rule for the Paraclete. These observances were formulated to establish uniform practices at both the Paraclete and its first daughter-house at Trainel, dedicated to Mary Magdalen. This neglect of Heloise's role as an abbess encouraged a tendency in the late seventeenth and eighteenth centuries to focus on themes of erotic rather than religious longing, as well as a subsequent tendency to question the authenticity of the letters of Heloise, without full appreciation of her role as abbess of the Paraclete. A translation of the Institutiones nostre is included as an appendix.     

HISTORICAL AND LITERARY APPROACHES TO THE “FINAL SOLUTION”: SAUL FRIEDLÄNDER AND JONATHAN LITTELL

This article discusses together two recent prize‐winning works of epic proportions that have received much attention: Saul Friedländer's two‐volume historical study Nazi Germany and the Jews and Jonathan Littell's novel Les Bienveillantes (The Kindly Ones), the former of which focuses on victims and the latter on perpetrators of the “Final Solution.” I provide a critical analysis of Littell's novel, especially with respect to its seemingly fatalistic mingling of erotic and genocidal motifs and its disavowal or underestimation of the difficulty and necessity of understanding victims of the Nazi genocide. My analysis raises the question of the extent to which the notoriety of the novel may be due to the way it instantiates influential approaches to both literature and the Holocaust in terms of an aesthetic of the sublime, excess, radical ambiguity (resolvable at best into irony and paradox), and fatalistic entry into an incomprehensible “heart of darkness.” Crucial here is the notion that an object (paradigmatically, the Holocaust) both demands representation or explanation and ultimately is beyond comprehension, narrative, or even words. I also reevaluate the bases for the justified praise accorded Friedländer's masterwork and question certain claims made on its behalf by commentators, especially with respect to literary and historiographical innovation. In so doing, I explore and defend the role of critical theory in relation to historical narrative.     

Tourist,local, or other?: Greek Canadian women and the heritage fling in Greece

This article examines the romantic and sexual encounters between Greek men and Greek Canadian women vacationing in Greece and addresses how constructions of Greek Canadian female sexuality are related to foreign and local Greek conceptions of femininity during these ‘holiday flings’. Because of their Greek ancestry, Mediterranean ‘looks’, and familiarity with language and culture, Greek Canadian women exhibit ambiguous identities that uphold and cross boundaries between outsiders and insiders. Drawing on long-term fieldwork, I explore the conceptualizations of ancestral and national identity underpinning Greek women's erotic desires for Greek man who embody ethnic authenticity to them. Yet, Greek men thwart these desires when they subvert Canadian women's economic power through challenging their cultural literacy (such as a lack in language skills, etiquette, or sexual knowledge). This article addresses the question of how diasporic women's heterosexuality subjectivities – bound up with hybrid ethnic and national affiliations – take on different meanings across locales and times where transnational sex and romance are everyday occurrences.     

Beauty,Bath and Beyond: Framing Bathsheba as a Royal Fantasy in 2 Sam 11,1-5

This paper investigates the function of beauty in David and Bathsheba’s encounter in 2 Sam 11,1-5. It argues that the female bather’s pleasant appearance, rather than simply kindling king David’s desire, focalizes the woman as sexually available (and vulnerable) and wraps the whole episode in a royal fantasy of shared intimacy. The focus on Bathsheba’s beautiful body—her wash, her motion towards the king, her self-sanctification and her pregnancy—frames the episode in a very erotic way, suggesting adultery. It conceals the sexual violence committed by the king who sends, takes and sleeps with the woman. David’s violent entitlement to Bathsheba reveals the beauty politics at play in his royal House.     

Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture

This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity.     

Kant on Hobbes,peace, and obedience

Kant's essay ‘On the common saying: “This may be true in theory, but it does not apply in practice”’ contains a chapter ‘On the relationship of theory to practice in political right’ to which he added, in brackets, ‘(Against Hobbes)’. The problem is that Kant leaves his Hobbes-criticism implicit. The main point seems to be the Hobbes's citizens are without any rights. We explore the differences and similarities between Kant's and Hobbes's political views and evaluate the effectiveness of Kant's criticism. We pay attention to Nominalism and Platonism, the idea of happiness in social life, the use and role of the Golden Rule (Categorical Imperative) in political thought, the quest for freedom, and the principle of political non-resistance. Especially freedom of speech is important for Kant as an Enlightenment thinker. This is the only right Kant's citizens may have, independently of the sovereign's will. Our conclusion is that both Kant and Hobbes emphasize peace and order under sovereign power although they do not agree on how such an ideal can be achieved.     

The Conte-en-vers: Expanding Stith Thompson's X-File of Obscene Motifs

The conte-en-vers is a narrative dealing with bawdy subjects presented in verse form and with a certain elegance of expression that contrasts markedly with its licentious content. La Fontaine's Contes, provide material through which to explore bawdy stories that were circulating during the seventeenth century. Furthermore, La Fontaine's followers in the eighteenth and nineteenth centuries afford a rich source from which to glean information about erotic folktales current in France during that period. The conte-en-vers genre is of special significance to folklorists because the authors incorporated current folklore motifs into their tales, making of them an important, though neglected, repository of folklore during three centuries. The conte-en-vers provides a corpus which facilitates the task of filling in Stith Thompson's blank category of obscene motifs, X700-749 “Humor Concerning Sex.”     

Ardent Service: Female Eroticism and New Life Ethics in Gertrude Dix's The Image Breakers (1900)

Gertrude Dix's socialist-feminist novel, The Image Breakers (1895) has perplexed twentieth-century critics by its brief, short-circuited representation of homoerotic affection between the two female protagonists. In answer, this essay roots the women's relationship in the wider social, historical context of New Life politics and ethics in the 1890s. Members of the Fellowship of the New Life heralded not merely a variety of alternative lifestyles including vegetarianism and co-education, but also extensive discussion about sexual mindfulness and generosity. The charismatic seer and inspiration for the FNL, James Hinton, preached that utopia could be achieved by practicing an erotically-charged altruism. If, as Sharon Marcus has claimed, such female mutual devotion was common and perceived as normative, it was particularly affirmed by ethical-socialist culture. In the novel, Leslie Ardent's loving service to Rosalind is fuelled by her political mission and desire for self-realization. Through this female intimacy, Dix evokes the initial phase of New Life socialism as Hinton and his followers had espoused it. By contrast, the women's heterosexual relationships are more troubling, as male comrades pressure them respectively into heterosexual marriage and free love. In order to discredit heterosexual free love, Dix paints its proponent as a disturbed anarchist, rather than admit that historically some in ethical-socialist circles had advocated polyamoury. Nor does she acknowledge the philosophical convergences between collective anarchism and ethical socialism at the fin de siècle, though she herself was engaged in radical communities. Through her indictment of free love, Dix punctures the utopian vision of a pure, selfless, erotic affection flowing between individuals; figuratively, the novel re-enacts the collapse of Hinton's own reputation from seer to seducer. Echoing scenarios by other female ethical-socialist writers, the early intimacy between Rosalind and Leslie then serves the function of nostalgia, symbolizing a now-lost stage of New Life optimism and association.     

‘Tomorrow She Will Reign’: Intimate Power and the Making of a Queen Mother in Rwanda,c.1800–1863

This article explores the relationship between erotic and institutional power through the political biography of the Queen‐Mother (Umugabekazi) Nyiramongi (r. 1845–1863) in Rwanda. Using historical narratives, genealogies, epic poetry and the translated text of royal rituals, this article argues that Nyiramongi used her status as first an object of desire and then as an erotic partner to her husband to manoeuver herself and her family into positions of institutional power. In contrast to previous literature, this article frames women like Nyiramongi as political actors who consciously cultivated their intimate assets to participate in the construction of systems of power, using their status as daughters, wives, lovers, mothers and sisters to exercise indirect power, often leading to positions of institutional and direct power.     

Reconstructing an urban and regional political economy: on the state,politics, scale,and explanation

This paper begins from the premise that a number of now fashionable institutionally focused accounts of urban and regional political economy often begin at a point that is analytically flawed (or at least partial) in that the institutional ensembles themselves—whether analyzed as an urban `regime', regional `thickness' or a local `regulatory mode'—are automatically assumed to be a pre-given part of the explanation. However, the authors contend that for a deeper analysis of urban and regional political economy to be advanced, these institutions themselves need to be explained. In order to proceed with such an explanation three key factors require more serious consideration. These are: (1) the need to outline one's chosen research object of enquiry, and all that this entails in terms of research methodology, theory selection, and an uncovering of the `constitutive properties' of causation; (2) a greater readiness to analytically interrogate the relational interplay between economic development, political governance and scale; and (3) an obligation to pay due respect to the politics of representation and active processes of state restructuring and political strategizing through and around which economic development is itself constituted. In order to explore these themes, the authors draw, variously, on a methodological (re-) reading of the regulation approach, recent theoretical innovations on the `politics of scale', Jessop's state-theoretical writings and his recently developed neo-Gramscian methodology for analyzing urban economic governance, alongside Jenson's political sociological approach towards the `politics of representation'. Where appropriate, they explore, briefly, ways in which these theoretical themes may be deployed in empirical research, by considering certain restructurings in and of the political economy of Britain during recent decades.     

Erotic Modesty: (Ad)dressing Female Sexuality and Propriety in Open and Closed Drawers,USA, 1800–1930

When middle–class women began to wear drawers in the early 1800s, they were feminised by fabric, ornamentation and an open crotch. Incorporating open drawers into respectable women’s dress within a framework of ‘passionlessness’ constructed female sexuality as both erotic and modest. Crotch construction figured in the twentieth–century struggle to establish modern boundaries of women’s sexual propriety. The accepted sexual and moral meanings generated by open– and closed–crotch undergarments reversed as women increasingly chose to wear closed drawers during a period of women’s greater public presence and feminist activism. The transition from open to closed drawers reveals not only the power of clothing as a medium of significance, but how women’s struggles for autonomy interact with resistant social forces to reconfigure gender distinctions.