Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

In Search of the Absolute: the Nouvelle Revue française,and Uses and Meanings of the Orient (1920–1930)

In the intellectual history of the interwar period, the Nouvelle Revue française (NRF) occupies centre-stage. Valéry's essay La crise de l'esprit (1919), published in the review following the Great War, announced a crisis of faith in Western values and traditions. As elsewhere, intellectuals in France looked to the East for new inspirations. This article traces the interest and attraction of the East for certain key NRF writers, including André Malraux, and the teacher and philosopher, Jean Grenier, whose essay Sur l'Inde was published in the review in 1930. The article is informed partly by the correspondence of Jean Paulhan, the editor of the NRF.     

Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

Engaging geographies of public art: indwellers,the ‘Butt Plug Gnome’ and their locale

This paper focuses on particularities of indwellers' perceptions of public art and its locale by drawing on the epistemology of ‘situated knowledges’ (Haraway 1991, Simians, Cyborgs, and Women: The Reinvention of Women. New York: Routledge) and the notion of ‘geographies of engagement’ (Zebracki, Van Der Vaart and Van Aalst 2010, Geoforum 41(5): 786–795). We employ the case of Paul McCarthy's internationally acclaimed public artwork Santa Claus in Rotterdam to illustrate the sundry outlooks on its spatialities, aesthetics and moralities, and its functionalities in relation to place. Santa Claus's alleged sexual nature is highly disputed among local politicians and the local population. This dispute is narratively covered by media sources and inscribed by its popular renaming as the ‘Butt Plug Gnome’. We empirically situate documented media views within the way indwellers perceive Santa Claus and its experienced locale in interrelation with themselves. We try to open up differential vistas on public-art narration in relation to people, time and space, whereby we elaborate on the reflexive idea of ‘social relationality’ (Massey and Rose 2003, Personal Views: Public Art Research Project. Milton Keynes: The Open University) by revealing how socio-spatial differences in public-art narration are negotiated. As such, we examine how public art is geographically reconstituted through the publics, namely those for whom public art is essentially intended yet who have been neglected actors of analysis in public-art research.     

Oswald Spengler,Technology, and Human Nature

Oswald Spengler (1880–1936) is a neglected figure in the history of European philosophical thought. This article examines the philosophical anthropology developed in his later work, particularly his Man and Technics: A Contribution to a Philosophy of Life (1931). My purpose is twofold: the first is to argue that Spengler's later thought is a response to criticisms of the “pessimism” of his earlier work, The Decline of the West (1919). Man and Technics overcomes this charge by providing a novel philosophical anthropology which identifies technology as the highest expression of human cognitive and creative capacities. The second is to suggest that in his later period Spengler presents an affirmatory account of modern technology as the final stage of human cultural evolution. I conclude that by providing a philosophical anthropology that reconciles technology with human nature, Man and Technics represents an important development of Spengler's theory of human culture.     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

Identity and geopolitics in Hergé's Adventures of Tintin

This is a study of identity and geopolitics in Hergé's Adventures of Tintin, a series of adventure comics created from 1929 to 1976. The Tintin comics became increasingly popular throughout the mid-twentieth century, and their creator, Hergé, is still a subject of intrigue in the press and popular publications. Recent work in popular geopolitics has pioneered the use of comics as a new type of source material in critical geography. Hergé's approach to the comics format combines an iconic protagonist with detailed and textured environments that draw upon some of the geopolitical discourses of the twentieth century. Three forms of geopolitical meaning are identified within the Tintin comics: discourses of colonialism, European pre-eminence and anti-Americanism. These overlapping trends amount to different facets of one single discourse, which places European ideologies at the centre of its world-view. This is highlighted by focusing on three geographical spaces of the Tintin series, and by contextualising the life and selected works of Hergé.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.     

Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

Introduction

Alberto Moravia was an ambiguous figure for the Fascists. His first novel, Gli Indifferenti, was an international success, and was praised by Bottai. His second novel, Le ambizioni sbagliate, ran into difficulties with Fascist censorship. His maternal uncle was a member of Mussolini's government. His paternal first cousins were Carlo and Nello Rosselli. This essay explores Moravia's relations with the regime in the light of archival evidence, contemporary ‘revisions’ of his reputation and recent controversy over his letters to Ciano and Mussolini.     

Pigments from the Zuiddorp (Zuytdorp) ship sculpture: red,white and blue?

SUMMARY: The Dutch East India Company ship Zuiddorp (also known as Zuytdorp) met its demise in 1712 at the base of steep cliffs along the Western Australian coast. Material from the shipwreck includes an extraordinary example of a caryatid herm from the ship’s stern counter. A recent study of this sculpture and the pigments found on its surface demonstrates Zuiddorp’s archaic stern construction and adornment, which is more of a late 17th-century, than an early 18th-century, Dutch Indiaman. This paper discusses the results of this study and emphasizes how the smallest pieces of evidence can broaden our understanding of contemporaneous regional Dutch East India Company shipbuilding practices.     

Say What You Like: Dress,Identity and Heritage in Zanzibar

The paper considers the significance of dress to identity and power among women living on the island of Zanzibar. Drawing on her own preliminary fieldwork in Zanzibar (June 2004) and on the work of Laura Fair (2001 Fair, L. 2001. Pastimes & Politics: Culture, Community, and Identity in Post‐abolition Urban Zanzibar, 1890–1945, Oxford: James Currey.  [Google Scholar]), the author discusses the ways in which dress (in general), and the wearing of kanga fabrics in particular, offers women a means of communication in an image conscious and historically stratified society. It is argued that kangas are still an integral part of ritual and social activities in Zanzibar and that they shed light on the complex history of the Swahili coast. Placing the ethnography in a broader and contemporary context, the author states that kangas contribute to the intangible heritage of Zanzibar in their encapsulation of the island's oral history, art, social commentary and concepts of beauty. The author concludes by outlining some of the challenges that heritage regimes face in the Indian Ocean region and potential strategies for preserving or managing its mixed cultural resources.     

Native American Women in a Contemporary World

Most scholarly literature of Native American peoples and cultures focuses on the ill effects that colonialism has had on their societies and cultures. However, recent scholarship explores the creative adaptations that Native Americans have made to modern life. There is also more research on the lives of women. Finally, current research is often conducted as a collaborative venture, with the scholars/editors giving up some of their power and authority to their Native American collaborators. This review discusses two recent books, Grandmother's Grandchild and Blood and Voice, that reflect this new scholarship.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Intellectuels belges en quête d'un nouveau socialisme: l'aventure des Cahiers socialistes (1944–1953)

Summary ?The publication of the first issue of Cahiers socialistes at the very end of the war in 1944 and its nine-year run have to be considered in the framework of the new socialist politic, which combined realism and reformism. It is in answer to the ‘formal, parliamentarian and conformist’ socialism that the collaborators of Cahiers socialistes, mostly trained at the Université Libre de Bruxelles, formulated an alternative left-wing proposition focused on socioeconomic reforms grounded in moral ideals such as freedom and human dignity. Cahiers socialistes were thus the product of an intellectual elite which then had a career in academe or in the civil service. This small group did not have a great impact in the shaping of public opinion but it has left a considerable conceptual legacy for socialist intellectuals.

La parution du premier numéro des Cahiers socialistes dans les derniers jours de guerre en 1944, et la poursuite fructueuse de la publication au cours des neuf années qui suivirent, doivent être vues dans le contexte socio-économique de l'époque et de la ‘nouvelle’ politique socialiste belge, réaliste et réformiste, avec ses points de vue en matière de politique sociale, de politique étrangère et d'intégration européenne. C'est en majeure partie en réaction au socialisme ‘parlementaire, formel et conformiste’ que les collaborateurs des Cahiers socialistes, pour la plupart issus de l'Université Libre de Bruxelles, proposèrent une gauche alternative centrée sur des réformes socio-économiques, situées dans une optique volontariste, même personnaliste, et liées à une série d'idéaux moraux comme la liberté et la diginité humaine. Les Cahiers socialistes étaient le produit d'une élite intellectuelle. Tant le contenu des publications que le profil sociologique de ses collaborateurs—la plupart d'entre eux firent carrière dans l'enseignement, la recherche scientifique ou dans l'administration—en témoignent. Il s'agissait d'un petit groupe d'intellectuels dont l'engagement, s'il était considérable, ne trouva pas vraiment grand écho dans l'opinion publique. Cela n'a toutefois pas empêché la constitution d'un héritage spirituel à long terme destiné aux générations futures d'intellectuels socialistes.     

‘Against the tide’: placing visual art in the Highlands and Islands,Scotland

Within a political context where Gaelic arts are recognised as integral to the configuration of a new Scotland, this paper focuses on the art and artistic practice of a community arts centre in North Uist, Outer Hebrides, and the art of internationally acclaimed Scots artist, Will Maclean, who has worked with this centre, with initiatives to commemorate the land struggle on the Isle of Lewis, and with Gaelic arts. Drawing, at the conceptual level, on ‘the idea of place as a political project’ (Gibson-Graham 2003 Gibson-Graham, J.K. 2003. An Ethics of the Local. Rethinking Marxism, 15(1): 53–78.  [Google Scholar]: 35) and a narrative of resistance that suggests a differential rather than oppositional optic (Braun 2002 Braun, B. 2002. The Intemperate Rainforest. Nature, Culture, and Power on Canada's West Coast, Minneapolis and London: University of Minnesota Press.  [Google Scholar]), I examine how art and artistic practice contribute to an aesthetics that works ‘against the tide’ and how, as part of this process, place is re-constituted.     

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

Generational differences in women's attitudes towards paid employment in a British city: the role of habitus

Most studies of women's work orientations are based on the attitudes and experiences of women with dependent children and conceptualise women's decision-making in terms of moral positions on the combination of paid work and motherhood. Thus, work orientations are understood within a ‘gender model’ (Dex 1988 Dex, S. 1998. Women's attitudes towards work, New York: St. Martin's Press.  [Google Scholar]), which assumes that women's family situation drives their attitudes towards paid work. This article draws on qualitative interview data collected from interviews with women in two age groups living in Oxford, UK, to explore generational differences in women's work orientations and labour market behaviour. Drawing on a Bourdieusian framework, it considers specifically how changing social, economic and moral geographies, incorporating expectations about women's economic and caring roles, have influenced the habitus of older and younger women. The results of the study suggest that whilst caring responsibilities clearly influence women's attitudes and employment patterns, paid work is more important to younger women's sense of themselves and ‘gender models’ of work orientations do not adequately describe their attitudes.     

The Aims of Knowledge: Emile Durkheim's Critique of American Pragmatism

The lectures on American pragmatism given by the French sociologist Emile Durkheim in 1913 in Paris were first published in French in 1955 and finally translated into English and published in 1983 as Pragmatism and Sociology. For obvious reasons they have attracted considerable attention from philosophers and sociologists, especially the latter, in both continental Europe and the English speaking world. Durkheim's motives in giving the lectures have been scrutinized, his interpretations of the pragmatists widely discussed and his criticisms of William James, John Dewey, and F. S. C. Schiller have met with mixed receptions. However, after years of scholarly discourse on his motives, interpretations and criticisms, there is no common agreement on the significance and meaning of Pragmatism and Sociology. We briefly address the disagreement over Durkheim's motives in the introductory section before turning to our interpretation in the body of the article. There we focus on his criticisms of the pragmatists’ views on the aims and nature of knowledge, which is a classic confrontation between French rationalism à la Durkheim and American pragmatism of the James/Dewey variant.     

Engaging with place: artists,site-specificity and the Hebden Bridge Sculpture Trail

This paper traces the creative processes employed by artists participating in the 2004 Hebden Bridge Sculpture Trail and examines relationships between place, art and site-specificity. The Trail is a popular, temporary annual local arts event that invites international artists, students and community art groups to create and exhibit site-sensitive sculpture within Hardcastle Crags in Yorkshire, England. We consider some of the multiple ways in which artists mediate relationships between ‘site’ and artwork. We connect geographical concepts of place that highlight location, locale and sense of place, with mobile understandings of site as porous and flowing. The paper positions geographical research of art, opening out art and site in a non-urban environment through comparative discussion of concepts of ‘place’ and three ‘paradigms’ in site-specific art (phenomenological, social/institutional and discursive, Kwon 2002 Kwon, M. 2002. One Place After Another: Site-specific Art and Locational Identity, Cambridge MA: MIT Press. [Crossref] , [Google Scholar]). Three elements of site-specificity – histories, natures, interactions – are then explored through fourteen artists' creative practices and our documentation of the installation of their artwork in the Trail. We highlight the juxtaposition of ‘sites’ within the Trail, the over-lapping of ‘paradigms’ within individual artworks, and transitory aspects of ‘site’ to suggest that ‘time’ holds great significance in understanding site-specificity, place and art outdoors.