DOMESTICITY BY DEFAULT. RITUAL, RITUALIZATION AND CAVE-USE IN THE NEOLITHIC AEGEAN

Summary.   Neolithic caves in the Aegean are conventionally understood in domestic terms, principally as temporary homes for farmers or pastoralists. This paper challenges the theoretical and empirical foundations of this orthodoxy and develops an alternative model grounded in an understanding of Neolithic ritual and how through ritualization the everyday is referenced and transformed. This model is explored with reference to the corpus of well-published cave-sites. Although further testing remains a priority, facilitated by the development of new ways of studying cave assemblages, ritual explanations are considered to provide a more credible explanation for Neolithic cave-use in all its aspects, from the selection of caves as locales for activity to the complexity and diversity of their material records. In this way the Aegean may be seen to fit within a broader pattern of ritual cave-use in the Mediterranean during the Neolithic and Chalcolithic.     

Counting the Children: The Role of Children in the Production of Finger Flutings in Four Upper Palaeolithic Caves

Children and young adults are believed to have represented up to 40 per cent of Upper Palaeolithic populations, yet little is known of their engagement in deep caves besides evidence of their hand and footprints. In this study we examine finger flutings, lines drawn with fingers in soft surfaces, in 12 Franco‐Cantabrian Upper Palaeolithic caves to look for forensic evidence of unique individuals. We find evidence of children as finger fluters in four caves (El Castillo, Las Chimeneas, Rouffignac and Gargas). We discuss the types, locations and frequency of their flutings, as well as the relationship between their flutings and those made by non‐children in the same caves and chambers. The small number of participants calls into question past theories of children's engagement in ritual and initiation in these particular caves.     

Mortuary patterns in burial caves on Mangaia,Cook Islands

The behavioural, cultural, and political implications of archaeological human remains in non‐mortuary, possibly culinary, contexts requires that we understand the range of mortuary practices in a particular region. Although several rockshelter sites on Mangaia, Cook Islands have yielded burned, fragmentary human bones in earth ovens that seem to support archaeological models and ethnohistoric accounts of ritual sacrifice and cannibalism, the absence of data on the range of Mangaian mortuary patterns obscures these interpretations. We describe burial patterns based on 40 above‐ground interments representing at least 92 individuals in caves of Mangaia, Cook Islands, in order to begin to develop an island‐wide perspective on mortuary patterns. Sampling both pre‐ and post‐European contact sites we found that multiple interments dominate probable pre‐contact burials (73%, 19 of 26) and single interments dominate post‐contact contexts (80%, eight of ten burials), probably reflecting the influence of Christianity on mortuary ritual. Subadults were more frequent in all post‐contact contexts suggesting alternative burial places, probably church cemeteries, for adults. Burial cave remains are broadly consistent with ethnohistoric accounts of interment in caves, however, they also illustrate additional burial practices and differences between time periods, such as primary body position and the role of multiple‐individual interments, which are not discussed ethnohistorically. The mortuary practices in Mangaian burial caves differ from burials associated with marae and seem completely unrelated to the presence of highly fragmentary and burnt human remains in pre‐contact rockshelter middens elsewhere on the island. Copyright © 2003 John Wiley & Sons, Ltd.     

Inhabiting Remote Tropical Seashores at 1500–1100 b.c.: Water,Practicalities, and Rituals in the Mariana Islands

When people first inhabited the Remote Oceanic region of the world at 1500 b.c., they generated archaeological sites attesting to their practical coastal adaptations in tandem with their ceremonial traditions, wherein water figured vitally in daily living and ritual performance. Of eight known first-settlement sites in the Mariana Islands, Ritidian in Guam uniquely incorporates one residential habitation plus two caves related to water collection, pictographs, consumption of unusual foods, and use of exceptionally decorative objects. The inter-connected findings clarify what was “special” about the special-use caves, in total articulating a fuller sense of cultural life and landscape than otherwise could be possible.     

The Chalcolithic Period of the Southern Levant: A Synthetic Review

In the southern Levant, the late fifth millennium to mid-fourth millennium BC—traditionally known as the Chalcolithic period—witnessed major cultural transformations in virtually all areas of society, most notably craft production, mortuary and ritual practices, settlement patterns, and iconographic and symbolic expression. A degree of regionalism is evident in material culture, but continuity in ceramic styles, iconographic motifs, and mortuary practices suggests a similar cultural outlook linking these sub-regions. Luxury items found in group mortuary caves provide good evidence for at least some inequality in access to exotic materials. The level of complexity in social organization, however, is still debated. Divergent interpretations of Chalcolithic socio-economic organization suggest that, with the large amount of new information now available, a reevaluation of the debate is due. In this article we synthesize the more recent evidence and weigh interpretations of processes that led to the widespread fundamental changes witnessed during the late fifth to early fourth millennium BC.     

COULD YOU TAKE A PICTURE OF MY BOAT,PLEASE? THE USE AND SIGNIFICANCE OF MEDITERRANEAN SHIP REPRESENTATIONS

Representations of ships, sailors and seafarers are common in many ancient societies. They were carved, drawn or painted on a great variety of raw materials – stone, wood, metal, textiles and pottery – and can be found in settings such as caves, tombs or royal palaces. Their presence at these sites raises the possibility that these images of maritime life have symbolic or ritual connotations. This paper presents examples of representations of Phoenician and Punic ships from the first millennium BC, in an attempt to understand the role of both their creators and their audiences. These images are subsequently analysed in more detail, focusing on their technical features and their historical contexts. This paper concludes with a consideration of the social and religious aspects of ancient Mediterranean navigation.     

Family Burial,Family Structure,and The Urbanization of Herodian Jerusalem

Abstract

Epigraphic, archaeological, and historical data indicate that most of the population in Herodian Jerusalem was buried in family caves. In several cases, however, Diaspora Jews and proselytes were buried together, replacing the family by an alternative reference group of other immigrants or proselytes. Furthermore, the Qumran sectarians, and perhaps also some early Christians and pharisaic haverim, chose to withdraw from their families and to be buried in the sphere of the sect. This distinctive burial practice results from the ideological tension between the sect and the family (of the sectarian member).

Analysis of the number of niches in 306 burial caves (presumably familial caves) in light of the skeletal remains from some of these caves leads to a tentative reconstruction of the family structure in Herodian Jerusalem. Most prevalent were the nuclear and the small extended families, whereas hamulas were distinctively rare. It seems that the average family became smaller during the Herodian period. It is suggested that this process was due to the urbanization of Jerusalem, and that the change in family structure accelerated the growth of individualism in Jerusalem society.     

开放参观对莫高窟洞窟微环境的影响

洞窟微环境相对湿度是影响壁画保存的关键因素,为了解开放参观对莫高窟洞窟相对湿度的影响,本研究选择莫高窟南区四个相似洞窟进行长达10年(2004~2013年)的定期监测,对比分析了开放洞窟和关闭洞窟其相对湿度的变化情况。结果表明:开放洞窟相对湿度在开放时段波动频率与游客参观频次正相关,发生降雨时开放洞窟相对湿度迅速上升,关闭洞窟可有效阻隔窟外相对湿度波动的影响。开放洞窟在参观量大的旅游旺季,其相对湿度月极大值、日较差月均值以及日极大值超过60%的频次均明显高于关闭洞窟。将开放洞窟关闭,关闭洞窟开放后,其相对湿度呈相反规律变化。开放参观会导致洞窟相对湿度水平显著升高,日波动幅度明显增大,从而增加壁画劣化风险。这些结论可为洞窟的预防性管理和风险评估提供科学依据。     

Petrography as a technique for investigating Iroquoian ceramic production and smoking rituals

Petrographic data and macroscopic observations are used to examine some of the social contexts and functional considerations underlying the production of pottery containers and smoking pipes at Antrex, a Middle Ontario Iroquoian village site located in southern Ontario. Results suggest that while pottery was produced by small groups of people for widespread consumption within the community, pipes were made by individuals for their own personal use. Overall, this research supports the hypothesis that by the beginning of the Late Woodland period, a shift away from communal ritual practices led by ritual specialists or shamans had occurred. Smoking might have, in some contexts, become a solitary religious experience.     

Ritual,Continuity and Change: Greek Reflections

This article examines the tangled question of continuity and change from the point of view of ritual. It brings together in dialogue recent theoretical approaches to ritual in anthropology with several examples of diachronic studies of Greek death practices. It points to the importance of focusing on questions of “form” in ritual practices—that is, “how” rituals work and are transmitted, more or less completely, from one generation to the next. It also considers the importance of historical consciousness, in particular the notion of “changing continuities”, in understanding some of the existential ways that ritual addresses common human experiences of temporality.     

Experimental Pesah or,How do you Eat a Lamb while Holding a Staff in your Hand?

The Passover festival has been the ritual expression of Jewish cultural identity ever since the Old Testament got the form it has today. This article looks at the ways cultural identity was expressed in antiquity, critiques the traditional prioritising of the story of exodus over its biblical ritual expression in understanding ancient Jewish identity and explores various Pesah sacrifice instructions in Exodus 12 as an implicit polemical ritual discourse engaged in constructing a ritual of cultural distinction. The article pays close attention to the tension between the invented and the real of the instructions, and attempts to identify the possible cultural other against whom some of the Exodus instructions were constructed.     

A Day’s Excursion among the Churches of South-East Norfolk

It will be proposed that the common utilitarian or functional explanation for the deposition of currency bars is too simple and should be amended to allow greater emphasis on the social context of the acts of production and deposition. Research indicates that currency bars—both as single finds and as hoards—occur in a limited range of archaeological contexts. It would appear that the act of deposition occurred under strict control and that the majority of currency bars were deposited as part of acts of ritual. The archaeological contexts of the three major types of currency bar are considered. All three types of currency bar—spit-shaped, sword-shaped, and plough-share—occur in similar contexts. Two major types of context are identified and in turn these define at least two distinct regions in the distribution of the bars. One zone is characterized by the deposition of the bars in varying sized hoards, but almost always in close relationship to a hill-fort rampart or a settlement boundary ditch. This may relate to rituals which defined the boundary of the settlement area of the family or community group. The analysis raises questions concerning the social and ritual significance of the boundaries which surrounded iron age hill forts and settlements. In contrast, a second zone is characterized by the deposition of currency bars in a range of natural locations (including bogs, rivers, caves, and rocky outcrops) which constitute the more standard contexts of ritual deposition for the British Bronze Age and Iron Age. These contexts may relate to rituals that defined boundaries at a range of scales; from those between social groups to tribal boundaries and even the boundaries of Britain.     

Socioreligious context and rock art in east-central California

Interpretations of rock art typically focus on the symbolic meaning of the art, treating the paintings and engravings implicitly as passive iconographic texts. Rock art, however, is the product of active ritual and ceremony. As such it played an important role in the socioreligious lives of its creators and users. Here I provide a study of the socioreligious contexts of the pictographs and petroglyphs of eastern California, North America, emphasizing the painted art of the Tubatulabal and Coso Shoshone territories and the petroglyphs of the Coso region and using only archaeological data. This requires, first, establishing the chronological placement of this art. Based on a variety of lines of evidence the pictographs and some of the petroglyphs are argued to be historic in age. An ethnography of communications model is then used to provide a conceptual basis for investigating socioreligious contexts and ritual functions of the art. Message content is studied using a factor analysis of painted motif types and an examination of the distribution of sites predominated by certain factors. Two motif complexes, or message content groups, are identified: a Tubatulabal ritual community, employing geometric designs, and a Coso Shoshone community, exhibiting a predominance of representational pictographs. Analysis of message form, channels, settings, and inferred ritual participants suggests that Tubatulabal art resulted from community rituals, in which all the inhabitants of a hamlet would have directly or indirectly participated. Knowledge of the rules for creating and interpreting the parietal art would have been common to all in the community. In contrast, pictographs of the Coso Shoshone were the result of private rituals, with limited numbers of participants and witnesses. The message communicated in the ritual and the painted art would have necessarily been arcane, and few in the community at large may have even known of the creation of this rock art. The Coso petroglyphs, also created by the Coso Shoshone but apparently by a different ritual community within the population, had a different set of rules for ritual actions and symbolic interpretation. The ceremonies creating the engravings were commonplace, yet logically were conducted in private or with few participants, suggesting that the knowledge concerning the means for undertaking and interpreting this type of ritual was widely known throughout the population.     

Arthur's refusal to eat: ritual and control in the romance feast

Arthur's refusal to begin feasting before he has seen a marvel or heard a tale of adventure is a recurring motif in medieval romance. Previous comment on this ritual has suggested that the source for such a taboo on eating may be found in earlier narratives in the Celtic languages. This paper argues that, although the ritual almost certainly originates in pre-chivalric society, romance authors adapted and developed it to reflect the courtly-chivalric preoccupations of their own world. Arthur's ritual gesture may be seen as a means of containing and controlling both interior moral threats and exterior physical peril, and is intimately connected to the courtly conception of the feast. This study draws on the evidence of religious writing and courtesy manuals and explores some highly-developed treatments of the motif in romance in order to suggest that literary engagements with Arthur's refusal to eat have much to say about contemporary ideas of ritual and reality as mediated through the symbolically-charged arena of the medieval feast.     

Arthur's refusal to eat: ritual and control in the romance feast

Arthur's refusal to begin feasting before he has seen a marvel or heard a tale of adventure is a recurring motif in medieval romance. Previous comment on this ritual has suggested that the source for such a taboo on eating may be found in earlier narratives in the Celtic languages. This paper argues that, although the ritual almost certainly originates in pre-chivalric society, romance authors adapted and developed it to reflect the courtly-chivalric preoccupations of their own world. Arthur's ritual gesture may be seen as a means of containing and controlling both interior moral threats and exterior physical peril, and is intimately connected to the courtly conception of the feast. This study draws on the evidence of religious writing and courtesy manuals and explores some highly-developed treatments of the motif in romance in order to suggest that literary engagements with Arthur's refusal to eat have much to say about contemporary ideas of ritual and reality as mediated through the symbolically-charged arena of the medieval feast.     

Artifacts that speak for themselves: Sounds underfoot in Mesoamerica

Previously overlooked in archaeological research, natural sounds emitted from the underground affect humans and culture. In this paper, it is suggested that noises generated by subterranean ground movement, water, wind, and wildlife are a reason why residents in Mesoamerica perceive caves, waterholes, limestone sinks, and mountains as sacred. Too, a mental grasp of the sounds, conceptualized as anthropomorphized voices and music, may have been employed as an ideological basis for authority in Maya society. Support is shown using examples of ethnohistory, ethnography, and archaeology. Called for is the systematic collection and study of underground sounds, as artifacts, to define the noises as possible use determinants in ritual venues and settlement sites. Their potential importance as early warning devices for destructive agents in the natural environment suggests that an understanding of the noises and their regard by residents in the region could contribute to theory-building in anthropology, particularly in issues of human-environment relations, and sociocultural development.     

麦积山石窟馆藏文物精品掇英

麦积山石窟素以大量中国早期泥塑艺术品著称于世 ,其馆藏文物也非常丰富。本文简要介绍了该馆所藏文物的数量、种类、价值和一定数量的精品。作者认为这些丰富的藏品为研究麦积山石窟的历史沿革及艺术价值提供了珍贵的实物资料     

DEATH, DECAY, AND RITUAL RECONSTRUCTION: ARCHAEOLOGICAL EVIDENCE OF CADAVERIC SPASM

Summary. Archaeologists often joke that patterning which cannot be explained in socio-economic terms is likely to be of ritual significance. This view has contributed to both reticence about and a rather impressionistic approach to potential ritual patterning in the archaeological record. The application of interpretations derived from the forensic sciences to such contexts may help to exclude natural or taphonomic processes that can mimic these patterns and elucidate aspects of ritual behaviour. In this contribution, we review some recent advances made in the application of such understanding to human remains and provide two examples of another — cadaveric spasm — a condition that has, at times, been interpreted as relating to 'live' burial. From these examples, it is clear that the relationship between well-analysed human remains and their context is the key to differentiating natural from ritual processes associated with interment.     

The Nature and Function of Astragalus Bones from Archaeological Contexts in the Levant and Eastern Mediterranean

Worked and unworked astragalus bones from a variety of different animals have been excavated throughout the eastern Mediterranean and Near East in several different contexts. This paper examines the nature and function of astragali and their modifications, and concludes that they were most often used as gamepieces, but also served a ritual function in cultic and funerary contexts. The frequent use of astragali in ritual contexts is due to the manner in which animals were skinned, and as a result of cultural diffusion. The frequent occurrence of worked astragali in cultic and funerary contexts allows them to serve as potential indicators of ritual activity in archaeological excavations.     

Preservation and Rescue: Challenges and Controversies in the Protection of Archaeological Resources

Abstract

Data from 44 pit-structures excavated as a part of the Dolores Archaeological Program are used to test two hypotheses about the relationship between the ritual use of a structure and the manner in which that structure was abandoned. The pit structures all date to 860–900 A.C. and are associated with large Pueblo villages located along the Dolores River in what is now SW Colorado. Three basic levels of ritual use have been defined for these structures based on the number and type of features associated with the structures. Those structures with evidence of the most important ritual usage are significantly associated with a mode of abandonment in which the structure was purposefully burned down. Those having ritual features that appear to be of secondary importance are significantly associated with an abandonment mode in which the roof of the pit-structure was intentionally collapsed to bury human individuals on the structure's floor. It is more difficult to characterize the abandonment mode of structures which represent the simplest level of ritual use, though it is most common to have a simple abandonment in which the roof simply deteriorated and collapsed with time. The recognition of a probable hierarchy of ritual usage in early Pueblo pit-structures and the association of special abandonment modes with each type of ritual pit-structure specifically allow a better glimpse of ritual activities in early Pueblo societies. In a more general sense these data show that it is possible to archaeologically detect patterned associations between a structure's use and its mode of abandonment.