The invention of the basset hound: breed,blood and the late Victorian dog fancy, 1865–1900

In this article the authors explore the practices and conceptualisations of British dog breeding and the showing of pedigree dogs by the ‘the dog fancy’, focusing specifically on the story of a single breed: the basset hound. This was not simply a story of British dog fanciers appropriating a French dog breed; indeed, this was impossible because the very notion of a dog ‘breed’, defined by conformation and legitimated by pedigree, was in the process of invention. They show how the British dog-show fancy chose one, from many and varied types of French hound, to be the basset hound, and how this choice was legitimated by reference to an imagined history, where the British dog fancy rescued a noble animal from French indifference to breed and blood. The chosen physical form was standardised to arbitrary ideal, but was by means no static. In the spirit of the times, it was ‘improved’, first by the empirical methods of animal breeders, using pedigrees to secure good and pure ‘blood’, and then by the application of science, particularly artificial insemination and hereditarian theories.     

A Transnational Feminist Critique of Queer Tourism

This article frames queer tourism through two lenses. First, I explore how queer tourism and queer spatiality occlude questions of gender and efface the varied modalities of travel, tourism, mobility, and space/place–making activities of women, especially with respect to queer women and lesbians. Second, I point out the neocolonial impulses of all queer travel by highlighting the colonial history of travel and tourism and the production of mobility through modernity, and vice versa. Following M Jacqui Alexander’s (1997) claim that white gay capital follows the path of white heterosexual capital, how are queer women, queers of color, and postcolonial lesbian and gays also implicated in this process? Through these questions I propose to think about queer tourism and space through theories of intersectionality. In other words, how do we acknowledge and theorize “difference” in queer spaces? How do multiple identities, intersectionality, and social differences make the construction of queer space impossible?     

KOSELLECK ON MODERNITY,HISTORIK, AND LAYERS OF TIME

In the scholarly reception of his work, Reinhart Koselleck's notion of modernity and his theory of multiple times have been cast as essentially at odds with each other. This article argues that although these positions are valid, Koselleck's writings can also accommodate an interpretation according to which the theory of multiple temporalities, or “layers of time,” provides theoretical ground for the modern understanding of time and history. Elaborating on this insight, the article shows the linkages sustaining the unity between Koselleck's formal theory of multiple times and his interpretation of modernity. To that end, I outline the main premises of the temporalization thesis that lies at the heart of Koselleck's theory of modernity, scrutinize his notion of Historik within which the framework “layers of time” belongs, and explore Niklas Olsen's and Helge Jordheim's interpretive accounts on how to conceive of the relationship between the two strands in Koselleck's thought. Ultimately, I argue that “layers of time” entails the formal conditions for historical acceleration, which is crucial for explaining the emergence of a specifically modern temporality wherein experience and expectation increasingly grow apart.     

Dress-code: gender performance and misbehavior in the manor

This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored ‘on the one hand’ as a representation of social norms and ‘on the other hand’ as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called ‘the most famous manor in Sweden and of Swedish manors the most famous in the world’ (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858–1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy – a national monument. Lagerlöf continuously worked on the main building. In 1919–1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal ‘power suit’, which enabled a lifestyle that deviated from the norms of society.     

The stage: a space for queer subjectification in contemporary Turkey

This article focuses on the role of the stage in complex modes of gender performativity in the work of three Turkish performers: Zeki Müren (1931–1996), Bülent Ersoy (b. 1952), and Seyfi Dursuno?lu (b. 1932) a.k.a. Huysuz Virjin [Cranky Virgin]. These three, I suggest, are the pioneers of contemporary Turkish queer performance. Their performances – both on- and off-stage – are validated through a reiterative absence of queerness in their everyday lives and stand in the midst of various negotiations between queers and the secular Islamic nation-state in Turkey. In the works of Müren, Ersoy, and Huysuz, the stage is suggestive of a space where queerness can be managed. It is a contested space that does at least allow for the communication of queer ideas to a wider audience. I discuss the works of these three performers as three variations of queerness in Turkey in relation to different eras and different political climates that are directly related to the nation-state's desire to perform modernity. While explicating complicated modes of gender performativity, I consider the stage as the primary space for a queer body to exist. Through this discussion, I aim to activate debates both within and against the context of secular Islam, on gendered political space, and on those overlooked sexualized spaces in which the nation-state produces powerful yet unstable values to manage queer subjectivity in contemporary Turkey.     

A Multi-Isotope Investigation of Human and Dog Mobility and Diet in the Pre-Colonial Antilles

ABSTRACT

The complex relationships between humans and dogs (Canis lupus familiaris) have a very deep and unique history. Dogs have accompanied humans as they colonised much of the world, and were introduced via human agency into the insular Caribbean where they became widespread throughout the Ceramic Age. It is likely that the dynamic interactions between humans, dogs, and their environments in the Caribbean were spatially, chronologically, and socially variable. However, almost no research has specifically addressed the nature, or potential variability, of human/dog interactions in this region. This study presents isotopic (strontium and carbon) evidence bearing on human and dog paleomobility and paleodietary patterns in the pre-colonial Caribbean. The isotope results illustrate a generally high degree of correspondence between human and dog dietary practices at all analysed sites but also slight differences in the relative importance of different dietary inputs. Striking parallels are also observed between the human and dog mobility patterns and shed light on broader networks of social interaction and exchange. Lastly, the paper addresses the possible utility and relevance of canine isotope data as proxies for inferring past human behaviours.     

The Construction of Gender in Modern Chinese Law: Discrepant Gender Meanings in the Republican Civil Code

This article examines the intersection of law, gender, and modernity during the transitional Republican era (1912–49). It approaches the topic through a critical reading of the Republican Civil Code of 1929–30, and related commentary on the code by Chinese legal experts. By analyzing the gender assumptions embodied in several newly emergent categories of legal regulation, including legal personhood, minimum marriage age, consent, domicile, surnames, marital property, and child custody, the article’s line of questioning reveals how gender meanings helped to shape modern concepts like universality, equality, and freedom. The findings illustrate the ways in which Republican civil law broke with late imperial legal and gender norms tied to Confucian patrilineal ideology and in addition established new legal and gender meanings that helped to consolidate Chinese politics on a republican basis and to reconfigure modern gender difference on a conjugal basis.     

From Evangelizing to Modernizing Iranians: The American Presbyterian Mission and its Iranian Students1

This article examines the American Presbyterian education project in Iran from the early nineteenth century to 1940. While most literature on the subject concerns Iranian state-missionary relations and Presbyterian boys' schools in Iran, this article seeks to address the interactions between American Presbyterians, the Iranian state, and students and families of Iranian girls' schools. A study of the Presbyterians' flagship girls' school in Iran Bethel/Nurbakhsh and its sixty-six-year history reveals missionary intentions, tactics, and accomplishments, as well as the adaptations and accommodations pressed upon them by the Iranians they served. Despite the school's promotion of modern American norms and Christian teachings, the young graduates of Iran Bethel/Nurbakhsh developed a strong sense of loyalty to both Iran and Islam, thus turning an evangelist mission into an important feature of the construction of Iranian nationalism and modernity.     

The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory

This article offers a new perspective on Victorian freakery and prehistory by reading the career of Krao Farini, the ‘Missing Link’, through lenses of queer theory and archival studies. Born in Laos with hypertrichosis, a condition that produces an abundance of body hair, Krao transformed into living proof of the ‘Missing Link’ upon migrating to London in the 1880s. I contextualize Krao’s exhibition by situating her show within contemporaneous visual, textual, and performed examples of the ‘Missing Link’. Reading Krao alongside these other ‘Missing Links’ illuminates inconsistencies in their representations of gender and sexuality that nullify firm distinctions between ‘pre’ and ‘history’. I argue that the freak show’s ‘Missing Link’ materializes rhetorical and epistemological connections between Victorian prehistory and contemporary queer historiography to provide a valuable framework for accessing queer archives otherwise buried in the historical record. Though the correlations between prehistory and queer history are not necessarily explicit, locating their similarities reveals how persistent notions of Victorian time inform contemporary queer scholarship. Presaging recent queer archival interventions, Krao’s remaining archive demonstrates how prehistory breeds alternative models of evidence that disorder the archive’s relation to time: evidence of the ‘Missing Link’ unravels the language of stability, family, and presence on which archives typically rest. Resisting the implicitly heteronormative logic of the archival document, prehistory makes possible new ways of narrating Victorian histories of freakery, imperialism, and gender and sexuality.     

ANTIQUARIANISM AS GENEALOGY: ARNALDO MOMIGLIANO'S METHOD

This essay uses Arnaldo Momigliano's genealogy of antiquarianism and historiography to propose a new method for engaging the past. Momigliano traced antiquarianism from its advent in ancient Greece and later growth in Rome to its early modern efflorescence, its usurpation by history, and its transformation into anthropology and sociology in late modernity. Antiquarianism performed for Momigliano the work of excavating past archives while infusing historiographical inquiry with a much‐needed dose of contingency. This essay aims to advance our understanding of the mutual imbrications of antiquarian methods with modern conceptions of history, while also suggesting how antiquarianism can generate alternatives to historical inquiry.     

Critical Periods in Science and the Science of Critical Periods: Canine Behavior in America

This article offers a canine history of the “critical period” concept, situating its emergence within a growing, interdisciplinary network of canine behavior studies that connected eugenically minded American veterinarians, behavioral geneticists, and dog lovers with large institutional benefactors. These studies established both logistical and conceptual foundations for large-scale science with dogs while establishing a lingering interdependence between American dog science and eugenics. The article emphasizes the importance of dogs as subjects of ethological study, particularly in the United States, where some of the earliest organized efforts to analyze canine behavior began. Further, the article argues that the “critical period” is important not only for its lasting prominence in multiple fields of scientific inquiry, but also as a historiographical tool, one that invites reflection on the tendency of historians to emphasize a particular narrative structure of scientific advancement.     

Overcoming ‘Simply Being’: Straight Sex,Masculinity and Physical Culture in Modern Egypt

This article considers the specific deployment of gender and sexuality in interwar Egypt against the general backdrop of a universalising colonial modernity, which since around the middle of the nineteenth century aimed at producing a repeatable subject everywhere. It examines the magazine Physical Culture as an artefact of that colonial modernity and as a watermark of an ineffable style of performing gender and sexuality – a culmination of nearly five decades of historicising Egypt and of exercising Egyptians. That the cultivation of healthy and desirable bodies was constrained by Egypt's asymmetrical location in a global economic and political order constituted by colonialism was a well‐established fact of social life by the end of the 1920s; consequently, the problem of the modern subject in Egypt was posed in terms that were not exclusively nationalist and examined in terms that were keenly attuned to circulations of global cultural forms and discursive practices. In the resulting process of subject formation, a gendered and sexualised other was also produced, as a de‐formation, wherein the terms of its prior being would no longer be intelligible.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

‘Dark cognition’: W.B. Yeats,J.G. Herder and the imperfection of tradition

In this article I connect Revivalist politics in nineteenth-century Ireland to Enlightenment epistemology by exploring how the ideal of the Irish – or Celtic – folk tradition is embroiled in the problematic of theoretical modernity. I dispute Seamus Deane's ideological characterisation of the Irish tradition, emerging from his encounters with the work of Edmund Burke and Matthew Arnold, and propose an alternative characterisation using Johann Gottfried Herder's theories of the Volk and the origin of language. I show how, at a crucial point in European history, the folk tradition modelled a view of cognition and modernity, which stood apart from analytic rationalism and based itself upon a positive evaluation of the obscurity of sensation. Finally, I read this literary-aesthetic model of what Herder called ‘dark’ cognition into Yeats's early folkloric works of the 1890s, especially The Celtic Twilight; and I make the argument that this often-neglected text does not represent a degeneration of folkloric integrity into Celtic mysticism but a comedic trait of folk modernity.     

The Great Dog Massacre in Late Qing China: Debates,Perceptions, and Phobia in the Shanghai International Settlement

Modern assessments of a well-known sign in a Shanghai park that stated “Dogs and Chinese Not Admitted” have established that the dog aspect of it was not true, but the sign remains highly visible in the Chinese historiography of Western imperialism. Such reassessments do not seem to recognize that the sign might have meant something considerably different to Chinese and foreigners in late Qing Shanghai than it would have in later periods of modern Chinese history. Dog–human relations had changed through a mix of two processes: dog-keeping as a social practice and the challenges of rabies in the management of urban space. Under the rule of the Shanghai Municipal Council, animals, health, and imperialism converged in the Shanghai International Settlement to destabilize the traditional roles of dogs and introduce modernity through the disciplining of both animal and human bodies and the demarcation and management of new urban spaces.     

Wuming: an underground art group during the Cultural Revolution

The Wuming painting group opened its first public exhibition in Beijing in 1979. The hundreds of small paintings exhibited were accumulated through years of clandestine art practice stretching back to the beginning of the Cultural Revolution. This article traces the history of the Wuming group and its art – describing the social identities of the artists, exploring the historical context of the group's formation, reconstructing the underground art and cultural activities, and contextualizing the group's artistic innovations. The history of this underground art group addresses larger debates over Chinese modernity, and over the interpretation of the history of the Cultural Revolution in today's global context.     

A MOST MODERN SUBJECT: THE DISCIPLINE OF HISTORY AND THE FASHIONING OF NATIONALIST AND OTHER MODERN SUBJECTIVITIES

This book takes an ethnographic approach to its topic by endeavoring to observe how social and disciplinary subjects shaped by modernity go on to constitute modern worlds. Specifically, it attempts to “explore modernity as a contradictory and checkered historical-cultural entity and category as well as a contingent and contended process and condition” (1). Most of the subjects considered are intellectuals and academic disciplines (specifically history and anthropology), although the argument occasionally focuses on artists as well. The book particularly recognizes and analyzes the ambiguities, ambivalences, and contradictions generated within modernity not as mistakes or gaps like so many potholes to be fixed over time, but as constitutive of the modern landscape itself. This accepting acknowledgment, in turn, stands central to the book's endeavor to resist the teleological paradigms inherent in many modern metaphors regarding roads that must be traveled to move from what is backward to what is forward, from a superseded past to a promising future. Central to the volume—and its most original contribution—are various deliberations on the productions of time and space by various subjects. To be clear, by “time” the book means history and temporality whereas “space” suggests tradition and culture. It resists the naturalization of modern constructs such as secularized time and cultural traditions, and forces them under an analytic lens. Critical to these investigations is Saurabh Dube's appropriately insistent claim that these temporal and spatial regimes can exist in tandem and coevally, even when they are seemingly in contradiction. Among other outcomes, the volume prompts further reflection on the manner in which historiography plays a role in the formation of nationalist and modern subjectivities among nonhistorians. This essay seeks to think through the history of history as a discipline emerging during the coalescence of a hegemonic European episteme and the emergence of a popularly embraced scientism. Despite its roots in Europe long preceding modernity and its parallels in South Asia preceding British rule, history underwent a transformation when inflected through European modernity, especially the influence of empirical science paradigms. Although its emergence as a discipline promoted and employed by both the empire and the nation-state created professional historians, an expanding public sphere has meant that research into its role in fashioning modern subjectivities (including nationalist ones) must consider its reshaping and redeployment by those resisting European-originated modernity and promoting alternative modernities.     

Stepping into the Public World： Cases of Guixiu Philanthropic Activities in Late Qing China

This article explores the of certain elite women during late little-known public philanthropic activities Qing China. By examining contemporary newspapers, it traces the new development of women＇s philanthropic engagement and further analyzes two cases, one on disaster relief and the other on women＇s education, to illustrate the issues, controversies and achievements that went along with women＇s philanthropy. It demonstrates how philanthropy, a traditionally-sanctioned field for women＇s activism, legitimatized women to move out of domestic seclusion and reposition themselves in the public sphere in a crucial transitional era when for ＂good women＂ to appear in public was something hotly debated, and how through philanthropic opportunities some were able to engage with political affairs. The broad social impact of their initiatives suggests the continued importance of traditional elite women during China＇s transition to the modern era; it challenges some of our previous notions, which often unthinkingly accepted the verdict of ＂New Women＂ that those who did not embrace their path to modernity were parasitic, unproductive, and backward. By looking carefully at philanthropy, the article reveals fascinating issues and rich details of women＇s public activities that previous historical narratives have often overlooked. It helps to understand how reconfigured traditions became essential components of modernity in the development of modern Chinese gender roles. It also adds a gender perspective to the burgeoning historiography on Chinese philanthropy.     

The production of borders in nineteenth-century Europe: between institutional boundaries and transnational practices of space

The article proposes a synthesis of the major historical works on nineteenth-century European borders. Founded on an original methodological approach, the article advances a rethinking of the concept of ‘territoriality’ traditionally attributed to the rise of modern nation-states. The innovative method adopted is based on combining the focus on spatiality in recent historiography – especially in global history – with the categories and the ethnographic method developed within the border-studies field. The analysis is conducted in two directions. The first focuses on ‘borders’, specifically on some border-creation processes developing throughout the European continent. The second is more centred on European ‘borderlands’, conceived as trans-state and trans-national regions, mainly linked to the space's well-established social practices, familial and economic networks and religious experience. On the one hand, the article highlights how nineteenth-century borders were not simply the product of an institutional decision performed by emerging nation-states, but also the result of an interactive dialectic between state institutions and social actors inhabiting the borderlands. On the other, it shows how the borderlands as cross-border territorial entities continued to exist alongside the new territorial state limits, helping shape a more complex European spatiality than traditionally stated.