Population-change determinants in an early transitional society: the western Sierra Leone example

The author examines the role of geographical and historical processes in village population changes in western Sierra Leone as an example, with particular emphasis on the impact of migration. Both official census and unpublished data are used. Changes in population settlement over the period 1911 to 1963 are reviewed     

Cluster analysis of mixed-level data: Pottery provenience as an example

Provenience or “sourcing” studies of archaeological objects most commonly employ quantitative measurements of amounts of chemical constituents in the artifacts and source materials. These are then used in statistical grouping procedures known as cluster analyses. Many additional attributes of artifacts and sources, yielding lower-level qualitative data, are also of potential importance in determinations of artifact origins. These attributes are usually neglected because of the longstanding difficulty in treating “mixed-level” data, that is, combining both qualitative observations and quantitative information in a single powerful statistical procedure. A series of cluster analyses were run on two data sets consisting of archaeological pottery, using mixed-level characterization data in the CLUSTAN program with Gower's coefficient of similarity. The clustering solutions are interpretable in terms of provenience and production strategies.     

明清边疆社会的习俗互化——以海南女性生活为例

From the Qin and Han periods to the Qing Dynasty, there was a constant flow of people from China’s mainland to Hainan Island. These immigrants and indigenous people developed Hainan together. Particularly in the Ming and Qing dynasties, they adopted customs from each other. By tracing the changes of women’s lives in Hainan during this period, this paper studies how different ethnic customs influenced each other.     

Reconstructing “total” paleo-landscapes for archaeological investigation: an example from the central Netherlands

It is common procedure today to use geographic datasets to supplement archaeological investigation; however, static and modern-day data are often used rather than more accurate paleo-data. This article underscores the importance of employing such dynamic paleo-landscapes, and describes a new approach for developing richly-furnished and detailed spatial surfaces, referred to as “total” landscapes. GIS and computer simulation programs are critical to the generation of such surfaces, along with geospatial data of sufficient quality and quantity. The approach is articulated vis-à-vis a case study from the central Netherlands.     

Size prediction in archaeomalacology: the Common Mussel,Mytilus edulis L., as an example

There are numerous size prediction formulae in archaeomalacology but (like almost all zooarchaeological formulae) only a few account for allometric growth (shape change with size change, which is almost universal in complex animals) and employ the standard methods developed by statisticians to ensure reliable predictions. A general technique for generating formulae that predict organism size from dimensions of their archaeological remains is presented, using an organism that is badly preserved archaeologically (the Common Mussel Mytilus edulis). Allometric growth is fully accommodated, and standard statistical methods and software are used. Several dimensions can be used for prediction, and poor predictors are identified and discarded. Predictions can be tested for consistency between heterogeneous conditions, for statistical soundness, and whether prediction errors are within tolerable limits.     

The woman of Pritschoena: an example of the German neolithic neurosurgery in Saxony-Anhalt

We present an outstanding example of successful prehistoric double trephination dating between 2700 and 2200 BC, most likely to the Corded Ware culture, at the end of the Neolithic Age. The particularity of this case is the presence of a double trephination, one frontal over the sinus sagittal superior and one parietal right. There is evidence that the patient survived months to years after the operations. The purpose of the procedure is not known. The case confirms the astonishing degree of technical skills reached in Saxony-Anhalt over 4500 years ago without anesthetic, antiseptic, or technologic aids.     

武汉国民政府对"麻城惨案"的善后处理

1927年4月3日发生的"麻城惨案",是武汉国民政府辖区农民运动发展到高潮时爆发的一起典型的反动势力破坏革命的群体性事件.惨案发生后,武汉国民政府起先想通过武装征剿红枪会的军事斗争打击反动势力,从而保障农民运动积极开展,由于受各种主客观因素的影响,武装征剿遭到失败.随后,政府将善后事宜交由地方处理,各组织团体达成妥协,...     

The Case for Francesco Rosselli as the Engraver of Berlinghieri's Geographia

The Florentine Francesco Berlinghieri (1440–1501) published his Geographia, a version of Ptolemy's Cosmographia in Italian terza rima, comprising 123 folios of text and 31 engraved maps, in 1482. As early as 1938 Arthur M. Hind, Keeper of Prints and Drawings at the British Museum, hinted that the engravings might have been made by Francesco Rosselli (1448–before 1527), the principal engraver in Florence in the 1480s and 1490s. Subsequently, this possibility was rejected by Roberto Almagià, R. A. Skelton and Tony Campbell. In the author's view, however, both stylistic and circumstantial evidence argues that Francesco was indeed the engraver, and that this first major commission launched the career that eventually made him known to his contemporaries as ‘Franciscus rosellus florentinus Cosmographus’.

Le Florentin Francesco Berlinghieri (1440–1501) publia en 1482 sa Geographia, une version de la Cosmographia de Ptolémée en terza rima italienne, comprenant 123 feuillets de texte et 31 cartes gravées. Dès 1938, Arthur M. Hind, conservateur des estampes et dessins au British Museum, suggéra que les gravures pouvaient être l'?uvre de Francesco Rosselli (1448–avant 1527), le principal graveur florentin dans les années 1480 et 1490. Ultérieurement, cette éventualité fut rejetée par Roberto Almagià, R. A. Skelton, et Tony Campbell. De l'avis de l'auteur, cependant, des preuves stylistiques et circonstancielles démontrent clairement que Francesco Rosselli était en effet le graveur, et que cette première commande importante lança la carrière qui allait finalement le faire connaître par ses contemporains comme ‘Franciscus rosellus florentinus Cosmographus’.

1482 veröffentlichte der Florentiner Francesco Berlinghieri (1440–1501) seine Geographia, eine Version der Cosmographia des Ptolemäus, in italienischen terza rima. Sie umfasst 123 Folioseiten Text und 31 gestochene Karten. Schon 1938 deutete Arthur M. Hind, Direktor der Grafikabteilung am British Museum, an, dass der Stich von Francesco Rosselli (1448–vor 1527) besorgt worden sein könnte. Während den Jahren 1480s und 1490s, war Rosselli der hauptsächliche Florentinische Stecher. Diese Möglichkeit wurde in weiterer Folge jedoch von Roberto Almagià, R. A. Skelton und Tony Campbell verworfen. Nach der Meinung der Autorin sprechen aber sowohl der stilistische Befund als auch die näheren Entstehungszusammenhänge sehr für Francesco Rosselli als Stecher und auch dafür, dass dieser erste größere Auftrag ihm eine Karriere eröffnete, die ihn letztendlich bei seinen Zeitgenossen als ‘Franciscus rosellus florentinus Cosmographus’ bekannt machte.

El florentino Francesco Berlinghieri (1440–1501) publicó en 1482 su Geographia, una version de la Cosmographia de Ptolomeo en terza rima italiana, que comprendía 123 folios de texto y 31 mapas grabados. En 1938 Arthur M. Hind, conservador de Impresos y Grabados del British Museum sugirió que los grabados podían haber sido hechos por Francesco Rosselli (1448–antes de 1527), el principal grabador de Florencia en los años de 1480 a 1490. Posteriormente esta posibilidad fue rechazada por Roberto Almagià, R. A. Skelton y Tony Campbell. Sin embargo, en opinión de la autora del artículo, las evidencias estilísticas y cincunstanciales indican con seguridad que Francesco Rosselli fue en efecto el grabador, y que este importante encargo dio comienzo a una carrera que finalmente le hizo ser conocido por sus contemporáneos como “Franciscus rosellus florentinus Cosmographus”.     

具身认知理论:深化博物馆展览阐释的新探索——以美国9·11国家纪念博物馆为例

认知科学的具身认知理论,被运用至博物馆展览阐释,是博物馆展览强调观众体验的全新探索,也是构建展览基础理论的初步尝试。在厘清具身认知理论及其与博物馆展览关系的基础上,从观众身体的感知觉及其与环境的强耦合两方面,探究美国9·11国家纪念博物馆如何运用具身认知理论来深化展览阐释,并从中寻绎突出认知逻辑中的形象思维、重视观众的物理身体、强调观众的环境体验以及构建阐释系统,模糊认知边界作为运用该理论进行展览阐释的四点原则,以促成观众在观展时获得强烈的穿越感和逼真的沉浸体验,推动符合现代阐释要义的展览理论和实践发展。