Conversation with Ernestina Mamaní

This paper records a conversation that took place on Thursday 23rd November 2006 at the Museo del Hombre de Antofagasta de la Sierra (Museum of Man of Antofagasta de la Sierra), Catamarca, Argentina. The conversation involved different research groups co-investigating, each formed by a student of archaeology and a member of the personnel of the museum and/or other areas of the culture of the municipality of Antofagasta de la Sierra. Each presented the state of his/her enquiry into a particular object in the museum collection. The task was to tie stories to objects: stories by the elders of the town, the people who had discovered the item, the personnel of the museum and the texts written by archaeologists. This paper focuses on the conversation with Ernestina Mamaní, about a stone slab by Antofagasta elder, Don Anacleto Cháves, which she and Laura Roda had chosen to research.

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Résumé Cet article rapporte une conversation qui a eu lieu le jeudi 23 novembre 2006 au Museo del Hombre de Antofagasta de la Sierra (Musée de l'homme d'Antofagasta de la Sierra), Catamarca, Argentine. La conversation mettait en scène différents groupes de recherche travaillant conjointement, chacun constitué d’un étudiant en archéologie, d’un membre du personnel du musée et/ou d'autres secteurs du service de la Culture de la municipalité d'Antofagasta de la Sierra. Chacun a présenté l'état de ses recherches autour d’un objet particulier des collections de musée. Il s’agissait d’accoler des récits aux objets: histoires rapportées par les anciens du village, les personnes ayant découvert l'objet, le personnel du musée et les rapports écrits par les archéologues. Cet article relate particulièrement la conversation avec Ernestina Mamaní, au sujet d'une dalle de pierre faite par un ancien d'Antofagasta, Don Anacleto Cháves, qu’elle même et Laura Roda avaient choisie pour leur recherche.

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Resumen Esta ponencia registra una conversación que sucedió el jueves 23 de noviembre de 2006 en el Museo del Hombre de Antofagasta de la Sierra, Catamarca, Argentina. La conversación involucraba diferentes grupos de co-investigación, integrado por una estudiante de arqueología y un miembro del personal del museo y/o otras areas de cultura de la municipalidad de Antofagasta de la Sierra. Cada una presentaba el estado de su indagación acerca de un objeto particular de la colección del museo. La consigna era anudar historias a cada objeto, historias ofrecidas por los ancianos del pueblo, los descubridores de la pieza, el personal del museo y los textos escritos por arqueólogos. Esta ponencia se focaliza en la conversación con Ernestina Mamaní, sobre una laja encontrada por un vecino de Antofagasta, Don Anacleto Cháves, que ella y Laura Roda habían elegido para investigar.

     

Cartografía emocional entre la China y la Gloria: Agustín de Foxá, Víctor Ruiz Iriarte y la Modernidad

Both Agustín de Foxá and Víctor Ruiz Iriarte premiered their first plays very near the end of the Spanish Civil War in 1939. The two playwrights appear to belong to the same imaginative and poetical vein, but in fact Foxá yearns for an impossible return to an idealized past, in a pessimistic lamentation against Modernity—that is, precisely, his exotic drama Cui-Ping-Sing. The poetical theatre Ruiz Iriarte endorses in Un día en la Gloria, and thinks apt to Modern times, is based in a radical optimism—the idea that fantasy can always transform and improve a disappointing reality.     

Mitología e ingenio en el Poema heroico de San Ignacio de Domínguez Camargo

This article examines the mythological motifs in the Poema heroico de San Ignacio, by the Colombian poet Hernando Domínguez Camargo, not only as material extracted from a prestigious culture (i.e., classical culture), but as a starting point for the elaborations of wit, which is the main objective in the aesthetics of the wit.     

Negotiating Human Rights in Icíar Bollaín’s También la lluvia

This essay examines the interpretations of 16th-century and present-day human rights found within Icíar Bollaín’s 2010 film También la lluvia. I argue, firstly, that central to the film is the question as to whether human rights can foster justice and contest the cruelty of (neo)colonialism or if, conversely, they are designed and/or doomed to reinforce colonizing relationships and, secondly, that an interpretation of the film’s ambiguous response might contribute to recent criticism regarding the imperializing tendencies and emancipatory potential of human rights culture. By exploring the film’s self-reflexive and critical considerations of the violence human rights have caused as well as its treatment of spaces in which these rights bring about adaptations, inversions, and transformations of colonizing relationships, I propose that the film can be understood to reimagine human rights culture. In order to interpret the film’s representation of human rights, my article identifies and analyzes the processes of negotiation by which the relationship between rights and colonialism is revealed to be an unstable and malleable one, continually subject to change and in need of criticism that takes its adaptive character into account.     

María Rosa Lida,Borges y una cita inexistente de Lucrecio: filología y auctoritas

In 1952, María Rosa Lida de Malkiel published a work in Sur magazine about the literary sources of Jorge Luis Borges. In the second paragraph of that work she relates a passage from one of the Argentine's stories with a verse from the Aeneid and, later on, two verses of the poem “Las calles” with some others from Lucretius' work De rerum natura. In both cases, she cites the number of the book and verse of the Latin poets. The one referring to Virgil is correct; however, Lucretius' verses are apocryphal. In this work, I analyze the reasons the eminent philologist could have had to carry out tremendous artifice and, at the same time, the objective and personal qualms that, during the revision, produced the auctoritas of her figure.     

Algunas reflexiones en torno al término latín en la documentación alfonsí

This study examines the development of linguistic consciousness in thirteenth-century Hispano-Romance by analyzing the relationship between the terms latín and romance in works sponsored by Alfonso X. In the article, the author demonstrates that numerous lexical items (e.g., injuria, negligencia, suspensión, inquisición) were already a part of Romance vocabulary despite their labeling as latín in the Alfonsine texts ("iniuria en latin tanto quiere dezir en romançe commo desonrra que es fecha o dicha aotro a tuerto o a despreçiamiento del," Siete Partidas). Framed within the (later stages of the) "complex monolingualism" approach proposed by Roger Wright, the author also argues that, as Hispano-Romance speakers in Castile expanded their cultural knowledge, the term latín became associated with the areas from which vocabulary was taken to supply new scientific or pseudo-scientific expressions. The designation latín, in the contexts under scrutiny, was perceived not as a language but as a lexical register marker in the higher sociolects of the vernacular.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

A Response to Tomás Halík

Abstract

The Churches were significant players in the debate surrounding what has been called Britain's "lost opportunity" in the 1940s and 50s to play a leading role in building a united Europe. This article focuses on Christian theological and historical assumptions about humanity as a universal community, the nation and the Church. It examines Christian discourse about the political dimension of these communities and the part that Christianity as a belief system should ideally play between them. It then outlines the "Christendom" narrative, which represented medieval Europe as a model for the future of Europe, as a partial realization of the ideal alignment of power and culture, which in its decay was the cause of international crisis. Finally, some of the points of tension between Christendom, British national identity, and a united Europe among Christians are discussed.     

Structural Assessment of Companhia Aurífícia,a 19th Century Industrial Building Located in Northern Portugal

Companhia Aurifícia is located in Porto, Portugal, and was founded in 1864. It was a pioneer factory in the industrial production, casting, rolling, and stamping of metallic objects and laboured for about 150 years, in areas as jewelry, manufacture of parts in silver and gold or the production, and casting of various metals. In 1866, it began laboring in Rua dos Bragas, its present location, and in 2003 ceased all activities.Companhia Aurifícia is an industrial complex including several buildings, all located in the same block. It is a precious example of the industrial architecture in Porto, where the still existent retaining walls, structures, machinery, and decorative elements make it one of the last examples of 19^th century industrial life of the city.This article aims to evaluate the safety condition of one of the buildings included in this industrial complex, in order to propose the necessary strengthening interventions.     

The reader of confession in María Zambrano

ABSTRACT

The purpose of this article is an attempt to understand the concept of ‘confession’ as a literary genre in the works of Spanish philosopher María Zambrano. Firstly, we will try to understand confession within Zambrano's most relevant philosophical concepts, in particular her study La confesión: género literario y método [Confession. Literary Genre and Method]. Secondly, we will offer reinterpretation to confession in dialogue with theories of Reception by Wolfgang Iser and Hans Robert Jauss, and other authors like St. Agustin, Rosa Chacel, Mikhail Bakhtin, Miguel de Unamuno and Michel Foucault. Finally we will highlight the performative aspect of confession as something that is truly relevant to Zambrano’s theory. Zambrano understands confession as a method that can bring people's experiences closer to knowledge, and therefore a method that can change life. In this context, we propose that the reader of confession plays a fundamental role in understanding Zambrano’s conception.