‘Being in Being’: Contesting the Ontopolitics of Indigeneity

This article critiques the shift towards valorizing indigeneity in western thought and contemporary practice. This shift in approach to indigenous ways of knowing and being, historically derided under conditions of colonialism, is a reflection of the “ontological turn” in anthropology. Rather than seeing indigenous peoples as having an inferior or different understanding of the world to a modernist one, the ontological turn suggests that their importance lies in the fact that they constitute different worlds and “world” in a performatively different way. The radical promise this view holds is that a different world already exists in potentia, the access to which is a question of ontology—of being differently: ‘being in being’ rather than thinking, acting and world-making as if we were transcendent or “possessive” modern subjects. We argue that the ontopolitical arguments for the superiority of indigenous ways of being should not be seen as radical or emancipatory resistances to modernist or colonial epistemological and ontological legacies but rather as a new form of neoliberal governmentality, cynically manipulating critical, postcolonial and ecological sensibilities for its own ends. Thus, rather than “provincializing” dominant western hegemonic practices, such discourses of indigeneity extend them, instituting new forms of governing through calls for adaptation and resilience.     

Towards ‘Embedded Non-creative Work’? Administration,digitisation and the recorded music industry

Abstract

For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a foil to define and value creativity against. This paper develops existing categories to augment the task-focused notion of ‘embedded creativity’ with a more situated view of work’s cultural and institutional embedding. It first interrogates this ‘embeddedness’, taking a ‘cultural economy’ approach to intermediation and administrative support. Drawing on observations from an in-depth qualitative study of employees in major record labels, the second part articulates the heightened importance of ‘admin’ to recorded music industries, after ‘digital disruption’. Routine bureaucratic labour presents an atypical example, revealing much about the hidden relational and identity work that goes into constructing ‘creative industries’ as such. The intention is not to show that ‘embedded non-creative workers’ are in fact ‘creative’ but, on the contrary, to articulate the distinct contributions and value of support work in this context, questioning a persistent reliance on creative/non-creative dualisms. Policy research would benefit from enriched understanding of culture's assembly in marketable objects, reorienting understandings of ‘cultural’ labour markets and careers, and reimagining the role of traditional cultural ‘administration’ in the contemporary ‘creative economy’.     

Topologies of tourism enclaves

Abstract

Research on tourism enclaves has relied mainly on topographical understandings of the phenomenon. The focus has been on the ontic, that which is or exists instead of the relational qualities or properties of tourism enclaves. Topographical conceptions thus tend to simplify enclavic processes and attributes that are much more complex than meets the eye. In this article, we make the case for topological understandings of tourism enclaves, based on a relational ontology, as a complement. We thereby strive to offer more nuanced conceptions of tourism enclaves. We depart from Agamben’s political ontology to illustrate our claim. Seen topologically, tourism enclaves are not simply spaces marked-off from the norm, but rather constituents of the norm. Tourism enclaves need to be theorized as ‘prototypes’ or ‘laboratories’ of new subjectivities (ways of being, relating, and experiencing the world). The tourist thus emerges as a model figure of biopolitics in the contemporary, the norm rather than the exception. The tourist is not that which is abandoned by the sovereign in the manner of Agamben, but rather a free exilant, a subject that self-willingly chooses abandonment. We deploy topological concepts, like Agamben’s the ban, the camp, and state of exception. Such a conception, we argue, widens the ontological register or horizon of tourism theory.     

Intangible cultural heritage and the better angels of folklore’s nature

Abstract

Folklore research in the United States typically is completed either through academic departments or in organisations designed to create public presentations of traditional expressive culture. These two approaches are termed ‘academic folklore’ and ‘public folklore’. The intellectual history of both approaches has recently been critiqued. One result of this deconstruction is an ambivalence over the historical legacy of key concepts in the study of folklore. Assessing elements of the critical study of folklore’s history – in both academe and the public sector – suggests opportunities for reconstituting the study of traditional culture to establish a more socially responsive approach that is relevant to ways that heritage professionals assess folklore as intangible culture heritage.     

Indigeneity and the refusal of whiteness

Drawing on international literature examining mismatch between racial appearance and racial identity, this paper analyses the subgroup of Indigenous Australians who have been identified, and self-identify, as ‘light-’, ‘fair-’, ‘pale-’ or ‘white-skinned’. We utilise the term ‘race discordance’ to describe the experience of regularly being attributed an identity that is different from how one personally identifies. In contrast to existing terms such as elective race, ethnic fraud and transracialism, race discordance does not seek to explain or judge the validity of identity claims that do not match perceived appearance. When unnoticed or unchallenged, ‘race discordance’ corresponds to ‘passing’. We propose the term ‘race refusal’ to describe instances when a person rejects the race they are ascribed to. In the case of white-skinned Indigenous Australians who are frequently assumed to identify as white, race refusal entails the refusal of whiteness. When light-skinned Indigenous people refuse whiteness, what are they refusing? In conversation with Audra Simpson’s notion of refusal of state recognition as an assertion of continued Indigenous sovereignty, we find that these particular micro-politics of race refusal demand rather than negate state recognition. We argue that identity refusal by pale-skinned Aboriginal people acts to disrupt histories of assimilation, white sociality and everyday racialisation while simultaneously reinforcing Australian recognition regimes.     

‘Living’ in Nage,or the Meaning of ‘Life’ in an Eastern Indonesian Society

Originating in 19th century cultural evolutionary theory, a revised concept of ‘animism’ has in recent years found new life in anthropology in the writings of ontological relativists. Continuity is found in the reputed attribution of life by members of small‐scale non‐western societies to inanimate objects as well as to organisms. This new animism is typically contrasted with western or modern scientific thought, either exclusively or primarily. Concerning the Nage of the Indonesian island of Flores, this paper analyzes results of research into what things people regard as being alive (muzi). While the majority of Nage deem only animals, plants, and humans to be living, differences appear among informants distinguished by age and gender. As well as the overall finding, this variation and cultural usages contextually depicting certain inanimate objects as being alive raise questions about animism as a unitary way of knowing the world characteristic of single societies.     

The non‐identical Chinese twins: Traditional China and Chinese Yankees at the centennial exposition of 1876

Six years before the Chinese Exclusion Act of 1882, Americans gazed at China through an elaborate exhibit brought to the Centennial Exposition. ‘Orientalists’ praised the exotic beauty of the objects and the sophistication of the Chinese attendants, but they were enamored only with Chinese high culture. In contrast, ‘Progressives’ saw the exhibit as proof of China's stubborn refusal to enter the modern world. When 113 Chinese boys studying in New England schools toured the exposition, Orientalist and Progressive opinions converged. Both groups agreed that these boys demonstrated the requisite intellectual ability and cultural refinement to undergo the Americanization process successfully. By revealing this critical link between citizenship and class (comprising education, status, and professional achievement), reactions to the Chinese presence at the exposition shed light on the widespread movement to curtail Chinese immigration.     

Untangling creativity and art for policy purposes: ethnographic insights on Manchester International Festival and Manchester Day Parade

This paper draws on anthropological fieldwork of a civic parade in Manchester from 2010 to 2012 to argue for engaging with creativity as a process rather than an attribute of a particular sector or individual. It shows how the focus on funding and supporting ‘creative industries’ defined as ‘cinema, television, music, literature, performing arts, heritage and related areas’ actually excludes and diminishes the potential for others to engage with ideas and creative processes. Two major events in Manchester’s cultural calendar – Procession by artist Jeremy Deller, produced by Manchester International Festival and Manchester Day Parade, a council-led civic celebration – both combined community groups with artist input to put large-scale structures and people on the city’s streets. In this ethnographic analysis, I argue that the ‘creativity’ sought from these artists is their adaptive and productive approach to making ideas tangible. By focusing on creativity as a process rather than a character trait, there is even greater potential for stimulating a ‘creative’ city.     

‘It’s good but it’s not enough’: the relational geographies of social policy and youth mentoring interventions

Developing a critical analysis of the relational and situated practices of social policy, this paper draws on an evaluation of an early intervention project in Scotland (UK) where volunteer adult mentors supported young people ‘at risk’ of offending or antisocial behaviour. Contributing to ‘enlivened’ accounts of social practice, we explore how practices of mentoring developed through the co-presence of mentor and young person in the often transitory spaces of care which characterized the ‘diversionary activities’ approach in the project. We expand the notion of the relational in social practice beyond the care-recipient dyad to include wider networks of care (families, programme workers, social institutions). The paper explores how such social interventions might both be ‘good’ for the young people involved, and yet recognize critiques that more individualized models of intervention inevitably have limitations which make them ‘not enough’ to deal with structural inequalities and disadvantages. Acknowledging the impacts of neoliberalism, we argue critical attention to diverse situated relational practices points to the excessive nature of engagement in social policy and provides scope for transformative practice where young people’s geographies can be ‘upscaled’ to connect to the realms of social policy and practice.     

Tuvalu and Climate Change: Constructions of Environmental Displacement in The Sydney Morning Herald

Tuvalu, a place whose image in the ‘West’ is as a small island state, insignificant and remote on the world stage, is becoming remarkably prominent in connection with the contemporary issue of climate change‐related sea‐level rise. My aim in this paper is to advance understanding of the linkages between climate change and island places, by exploring the discursive negotiation of the identity of geographically distant islands and island peoples in the Australian news media. Specifically, I use discourse analytic methods to critically explore how, and to what effects, various representations of the Tuvaluan islands and people in an Australian broadsheet, the Sydney Morning Herald, emphasize difference between Australia and Tuvalu. My hypothesis is that implicating climate change in the identity of people and place can constitute Tuvaluans as .tragic victims. of environmental displacement, marginalizing discourses of adaptation for Tuvaluans and other inhabitants of low‐lying islands, and silencing alternative constructions of Tuvaluan identity that could emphasize resilience and resourcefulness. By drawing attention to the problematic ways that island identities are constituted in climate change discourse in the news media, I advocate a more critical approach to the production and consumption of representations of climate change.     

Exploring the intellectual structure of creative economy research and local economic development: a co-citation analysis

The aim of the present research is to investigate the intellectual structure of creative economy research (CER) with a bibliometric analysis based on co-citation. Firstly, we try to reconstruct the evolution of academic research on creative economy with particular attention to the themes of regional and local economic development. Secondly, we investigate the community of contributions/actors that contributed to its generation throughout social network analysis. We analyse publications collected from ISI Web of Science, which includes all academic works starting from the seminal contribution of Department of Culture Media and Sport in 1998. Through the analysis of 941 publications produced over 16 years, we investigate the evolution of CER. Then we apply a relational analysis exploring co-citations of ‘disseminators’ and founders’ work’ of CER. Results underline that creative economy may be considered as a successful multidisciplinary paradigm born and developed in English-speaking countries, developed even on a global level, and still in a developmental phase. The internal structure of research appears fragmented in many sub-communities concentrated around some key concepts. Whereas creative class and creative city contribute to the foundation of the field, cultural and creative industries are the most important and recent topic.     

Environmental Relations and Biophysical Transition: The Case of Trinket Island

ABSTRACT To what extent is an island economy cut off from the rest of the world? Defined as a mass of land bounded by water, island societies connect and exchange with their surroundings rather intensely. Based on empirical research, this paper explores the role of a ‘remote’ island society on Trinket in generating or sheltering itself from the process of globalisation in which con‐textually given borders are transgressed and displaced. To this end, we apply the concepts of societal metabolism and colonising natural processes operationalised by Material and Energy Flow Analysis (MEFA), and Human Appropriation of Net Primary Production (HANPP) respectively. Using these biophysical indicators, we describe the transition from a metabolism based upon the natural environment to metabolism based on exchange with other societies. Data presented in this paper further reveal a process of industrialisation and integration into the global market of a so‐called ‘closed’ and ‘inaccessible’ island society.     

Fixing value: history,ethnography, and material ontologies of deservingness in a Philadelphia repair shop

This article draws on labor history and science and technology studies to propose a method, and to provide an example, of historical analysis that is responsive to the conceptual categories that arise out of ethnographic accounts of individuals’ lived experiences. Using an ‘ontological tool-box’, this article follows various enactments of consumer appliances and, along with them, ideas of what it is to be a productive worker in a small appliance repair shop and across the practices of certain institutions of disciplinary power. Through an ethnographic and ontological analysis of repair in the Philadelphia neighborhood of Kensington, this article reveals that, rather than being inevitable or essential, all the categories used to organize our world, whether referent to identities or objects, are both constituted by and constitutive of a complex set of social relations and ideological priorities, which even historians are implicated in reproducing.     

The promises of creative industry higher education: an analysis of university prospectuses in Malaysia

In the context of economic growth policies that stress the importance of a ‘creative economy’, and the expansion of private universities, there has been an enormous growth in the number of creative industry degrees offered by Malaysian HEIs. This paper provides a critical discourse analysis of the promotional materials used by two private institutions, Multimedia University and Limkokwing University, to persuade students that these degrees will offer them a desirable future as employable ‘industry savvy and tech savvy’ creative graduates. We explore the structures of feeling that promotional material seeks to engender in potential students as it promises them future success in a globalised, high-tech world.     

Materialist hermeneutics,textuality and the history of geography: print spaces in British geography,c.1500–1900

This essay canvasses a range of recent work in literary studies and the history of science advocating a ‘materialist hermeneutic’, an approach to the study of texts which takes seriously their printed format as a bearer of expressive meaning. The essay goes on to show the role of such a hermeneutic in revising our narratives of the history of geographical thought by looking at the print format of British geography books in the era 1500–1900. It is argued that the age of discovery created a ‘problem situation’ for geographical knowledge which was solved by the geographical grammar, this solution only collapsing with the closing of the world in the late-nineteenth century. It is further shown that the so-called ‘new’ geography of the late-nineteenth century developed a radically different print space for geography. The print spaces of early modern and new geography are shown to have been key determinants of the social and intellectual positioning of geography as a scholarly enterprise.     

Nationalism,populism or peopleism? Clarifying the distinction through a two-dimensional lens

Prompted by recent scholarly debates on the distinction between populism and nationalism, we elaborate on the Laclaudian understanding of populism as an antagonistic form of us-building/community-making that relies on the extension of equivalential chains between demands. From this heuristic perspective, populism can be understood as an empty form to be filled with different contents, such as nationalism. Our radically anti-essentialist stance combines Laclau's formalist conceptualisation of populism and Brubaker's work on nationalism. We highlight the ontological dimension of populism, as a form of us-building, and the ontic dimension, as an array of discursive repertoires that fill the form, such as ‘the people’ for peopleism. We explore the ontological–ontic distinction through the case of Narodism in Serbia. Conceptualising populism two-dimensionally contributes both to debates on the ‘core’ of populism and to cases where articulations of ‘the people’ coincide with expressions of nationhood, civilisationalism and culturalism, rather than being entirely the same.     

Securing disunion: Young people's nationalism,identities and (in)securities in the campaign for an independent Scotland

This paper explores ethnic and religious minority youth perspectives of security and nationalism in Scotland during the independence campaign in 2014. We discuss how young people co-construct narratives of Scottish nationalism alongside minority ethnic and faith identities in order to feel secure. By critically combining literature from feminist geopolitics, international relations (IR) and children's emotional geographies, we employ the concept of ‘ontological security’. The paper departs from state-centric approaches to security to explore the relational entanglements between geopolitical discourses and the ontological security of young people living through a moment of political change. We examine how everyday encounters with difference can reflect broader geopolitical narratives of security and insecurity, which subsequently trouble notions of ‘multicultural nationalism’ in Scotland and demonstrate ways that youth ‘securitize the self’ (Kinnvall, 2004). The paper responds to calls for empirical analyses of youth perspectives on nationalism and security (Benwell, 2016) and on the nexus between security and emotional subjectivity in critical geopolitics (Pain, 2009, Shaw et al., 2014). Funded by the Arts and Humanities Research Council (AHRC), this paper draws on focus group and interview data from 382 ethnic and religious minority young people in Scotland collected over the 12-month period of the campaign.     

Dies-non: refusal of work in the 21st century

Abstract

My comments aim to cast light on a specific political proposal that can arise from a discussion of the topic of the ‘refusal of work’ and its implications for a social radical change. Autonomist, anarchist and feminist activism, have been and are the main sources of a long-term conceptual and empirical work on the refusal of work. Refusal of work is a very complex concept that has traversed history and is reduced for uncritical dominant common sense to unemployment, laziness, idleness, indolence but it is in reality one of the basic foundational qualification to think any radical change. Among many important intuitions, the added value of Silvia Federici’s work is to have offered a different perspective on the refusal of work discussion and how it can be expressed to develop different forms of communing. Her work provides the backbone for this brief excursion on the issue of the refusal of work. Emerging and consolidated social movements, for example in Southern Europe, have, consciously or not, taken position, often contradictorily, regarding what refusal of work means. In the context of current neoliberal capitalism, an increasing structural unemployment and precarious jobs are one of the trademarks of austerity policies to ‘revive’ economies. Drawing on Federici’s insights on the women exclusion as a useful way of thinking about the spatial dimension of these issues in feminist theory, this article looks at examples of prefigurative politics that define their strategies of refusal of work building significant spatial patterns.     

Being Mesolithic in Life and Death

Fifty years ago, approaches to Mesolithic identity were limited to ideas of ‘Man the Hunter’ and ‘Woman the Gatherer’, while evidence of non-normative practice was ascribed to ‘shamans’ and to ‘ritual’, and that was that. As post-processual critiques have touched Mesolithic studies, however, this has changed. In the first decade of the 21st century a strong body of work on Mesolithic identity in life, as well as death, has enabled us to think beyond modern Western categories to interpret identity in the Mesolithic. These studies have addressed the nature of personhood and relational identities, the body, and the relationship between human and other-than-human persons. Our paper reviews these changing approaches, offering a series of case studies from a range of different sites that illustrate how identity is formed and transformed through engagements with landscapes, materials, and both living and dead persons. These are then developed to advocate an assemblage approach to identity in the Mesolithic.     

Teaching creative geovisualization: Imagining the creative in/of GIS

Creative geovisualization is situated at the intersection of geography, arts, and digital humanities with a particular emphasis on visualization and mapping that preserves, represents, and generates more authentic, contextual, and nuanced meanings of space and people with an artistic and humanistic perspective and approach. This is a creative expansion in critical GIS practices and a new alternative to traditionally science-rooted approaches to GIS and mapping. Reflecting the experience of teaching a “creative geovisualization” course in an interdisciplinary curriculum, I demonstrate how critical and creative scholarship with mapping and geovisualization is introduced in the classroom and is illuminated in the students' creative practices. The class encompasses key epistemological and methodological groundings of creative geovisualization—including non-representational theories; critical cartography and GIS; the convergence of geography, arts, and humanities; psychogeography; and qualitative and affective geovisualization. Empirical examples of students' works illustrate the blending of different modes of creative engagements with GIS and geovisualization and specific ways to work with various forms of embodied, relational, interpretive, and expressive geographies. GIS and mapping become creative as they continue evolving in process, and it is time that we deeply (re-)imagine “the creative” in/of GIS in critical GIS pedagogies.