The semiotics of play: A bridge between nature and culture?

Thomas A. Sebeok. The Play of Musement. Bloomington: Indiana University Press, 1981. 312 pp. Illustrations and 3 Appendices. $35.00     

‘The country(side) is angry’: emotion and explanation in protest mobilization

The role of emotion in social movement mobilization and political protest has received renewed attention in the past decade. However, few, if any, studies have followed the emotional trajectories of activists through their involvement in protest activity. This paper explores the significance of emotion in rural protests in Britain since 1997. Drawing on first-hand and second-hand sources, it focuses on the emotions of participants in pro-hunting countryside marches and in farmers' demonstrations as they move through various stages of mobilization. It proposes the metaphor of a ‘ladder of emotions’ to describe the different emotions that are foregrounded as mobilization proceeds. It suggests that emotional responses to perceived threats to a landscape or place-rooted way of life to which individuals have an emotional attachment are important as motives for political mobilization. These individual emotions are subsequently translated into collective action as emotions such as anger, frustration and desperation guide pathways for action. Successful mobilization also relies on participants overcoming initial emotions of fear or trepidation at protest activity, giving way to emotions of pleasure and pride that enthuse activists and help reproduce and sustain campaigns.     

The “informer” and the political and organisational culture of the Irish republican movement: old and new interpretations

This article will analyse recent interpretations of the “informer” as a subject of political and historical significance for a balanced understanding of the trajectory of the Provisional Republican movement. It will do so in part through a discussion of some recent fiction and memoir-writing devoted to the figure of the informer. Specifically, this will involve an exploration of the recent fictional re-imagination of the real-life case of Denis Donaldson, by the French journalist Sorj Chalandon (Mon traître, 2007 and Retour à Killybegs, 2011) (These novels have been translated into English as My Traitor (2011) and Return to Killybegs (2013)). All subsequent references are to the English versions. In the first section, the article analyses the historical evolution of the phenomenon and recent revelations regarding the apparently widespread existence of informers in the movement during the Troubles. This section engages with the academic debate concerning the effects of these revelations upon the morale and internal political culture of the republican movement; it is argued here that the “Republican family” has been significantly affected by these disclosures in the “post-conflict” era, and that they have become an important element in the contestation between leadership supporters and “dissenters” within contemporary republicanism. The second section utilises old and new literary representations of “the informer”, particularly based around Liam O’Flaherty’s The Informer and Chalandon’s work, to discuss continuities and changes in the image and perception of this phenomenon. It is argued that the interweaving of fiction with real-life and factual historical detail is a particularly appropriate means of interpreting the role and effects of the informer.     

Christian colleges amid political changes: The University of Nanking’s reorganization and registration (1927-1928)

Jinling University, or the University of Nanking, was created in 1910 from the merger of three Christian missionary schools in Nanjing (Nanking). After a period of smooth development in the second decade of the twentieth century, the University of Nanking had to face huge challenges in the 1920s when nationalism and revolutionary movements gained momentum in China. After the Nanjing Incident in 1927, the university was forced to deal with all the serious challenges of running a new school. Within two years, the University of Nanking underwent comprehensive reform, which included the reorganization of the school administration, the establishment of a board of directors, the accession of the university’s first Chinese president, and the completion of a process of government-mandated registration. All this ultimately led the University of Nanking into a new era. The university reacted to the registration requirement and the internal administrative reshuffling in a process of gradual, interlocking responses. This process reflects the general nature of relations between church universities and the Chinese government during this important historical moment, though the unique characteristics of the University of Nanking’s own experience are also apparent.     

The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’

This article demonstrates that the Profumo affair, which obsessed Britain for large parts of 1963, was not simply a political scandal, but was also an important cultural event. Focussing on the production of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. Many Profumo-related cultural products found an audience, and thus formed an integral part of, and helped to shape public attitudes towards, the Profumo affair. However, these products did not go uncontested, and resistance to them, and especially to the idea that Keeler might benefit materially from her role in the scandal, speak to concerns about cultural mediations of sex, politics and humour in early-1960s Britain.     

‘Birds,bogs and forestry’ revisited: The significance of the flow country controversy

This paper evaluates the significance of the battle between forest and conservation interests in the Flow Country of northern Scotland during the late 1980s. It summarises the key arguments for and against afforestation as they were presented at the time, and reviews their validity in the light of subsequent developments. Commercial afforestation was claimed to be an economically valuable land use in a region with few alternatives, whereas conservationists presented the Flow Country as a wetland habitat of international significance. The controversy had far‐reaching consequences both for forest practice and nature conservation in Scotland and the UK. The break‐up of the Nature Conservancy Council and the remit given to Scottish Natural Heritage, the negative public perception of commercial forestry, the adoption of multiple objective forest management, Indicative Forest Strategies, and the participatory philosophy in conservation, can all be wholly or partly traced to the controversy. Ultimately, the controversy is shown to have had positive outcomes both for conservation and forest practice.     

The Israeli left between culture and politics: Tzavta and Mapam, 1956–1973

The Tzavta club in Tel Aviv (until 1956 called the Center for Progressive Culture) was founded in 1946 by Hakibbutz Ha'artzi-Hashomer Hatza'ir kibbutz movement. Cultural activity was a traditional means used by political movements to increase their influence in society. However, as part of the “cultural front” of Hashomer Hatza'ir and Mapam, Tzavta had the additional goal of strengthening “ideological collectivism” among the members of the movement and the party. This article analyzes Tzavta's activity between 1956 and 1973, arguing that it was created to combine two functions – cultural and political. Although the leadership of Mapam intended to use the club as a political tool for disseminating the party's views and controlling internal conflicts, Tzavta became increasingly culturally autonomous and eventually uncontrollable.     

Faith no more? The divergence of political trust between urban and rural Europe

Events such as Brexit and the Gilet Jaunes protests have highlighted the spatial nature of populism. In particular, there has been increasing political divergence between urban and rural areas, with rural areas apparently having lost faith in national governments. We investigate this divergence using data on over 125,000 EU citizens from the European Social Survey from 2008 to 2018. We show that people in rural areas have lower political trust than urban or peri-urban residents, with this difference clear for six different forms of political institutions, including politicians, political parties, and national parliaments. There has been divergence of political trust between urban and rural Europe since 2008, although this is primarily driven by Southern Europe. While these results can partly be explained by demographic differences between cities and the countryside, divergent economic experiences, differences in values, and perceptions that public services are less effective outside of urban areas, there is a residual ‘rural effect’ beyond this. We argue that the polarisation of urban-rural political trust has important implications for the functioning of European democracies.     

The challenges of ‘teaching by being’: the case of participatory resource management

In 1997 a new unit, Participatory Resource Management, was developed and offered in the School of Resource, Environment and Society, at the Australian National University. The challenges of the unit were multiple, ranging from introducing social science material into a science curriculum, to attempting to change practitioners' attitudes towards natural resource management. This paper is an account of this experience showing how feminist pedagogy has provided a useful framework to foster attitudinal change and encourage a paradigm shift. The paper presents the unit aims and objectives. It gives insights into the specific processes implemented and reflects on the challenges posed by the unit and the personal challenges to ‘teaching by being’.     

The Society of Antiquaries of Scotland and their Museum: Scotland’s National Collection and a National Discourse

Founded in 1780, the Society of Antiquaries of Scotland began immediately to form a museum that has survived remarkably intact within the National Museums of Scotland. Their initiative marked a significant point in the evolution of material culture studies between the “cabinet of curiosities” of the Renaissance and the large public museums of the nineteenth and twentieth centuries. An exploration of the Society’s work and ethos in its early years points to the emergence of a distinctive “Scottish History” of collections and a greater significance for the evidence of material culture than has been conventionally accorded it in conventional scholarly discourses.     

The evolving techniques of the social engineering of extraction: Introducing political (re)actions ‘from above’ in large-scale mining and energy projects

Ecological catastrophe and global inequality are pressing, yet socio-ecologically destructive natural resource extraction continues unabated. This special issue explores the strategies and tactics employed by large-scale mining and energy companies to render extraction socio-politically feasible in the face of multi-pronged opposition. Extraction, we contend, does not only need physical engineering, but requires social engineering as well. This entails shaping the behavior of people to ‘manage’ dissent and ‘manufacture’ consent. Situating the social engineering of extraction in key debates in the literature, this special issue introduction traces the evolution of its main technologies and techniques, related to colonialism, wars of decolonization, neoliberalism and the ‘green’ economy, respectively. We conclude by outlining a number of ways to advance research on the social engineering of extraction.     

The management and memory of fascist monumental art in postwar and contemporary Italy: the case of Luigi Montanarini’s Apotheosis of Fascism

In postwar Germany, the Allies and the German authorities moved quickly and systematically to destroy or physically remove all traces of Nazi art. No such process occurred in postwar Italy. This meant that hundreds of ideologically inspired statues, mosaics, murals and other artefacts survived into the republican period. This article uses Luigi Montanarini’s mural, the Apotheosis of Fascism, as a case study to examine the management, meaning and memory of fascist monumental art (and, more broadly, fascist monumental architecture) in postwar and contemporary Italy. To date, memory studies of fascism have largely overlooked the artistic and architectural legacies of the dictatorship. This article helps to address this historiographical lacuna and speaks to current debates and controversies in Italy surrounding the meaning and significance of historic fascism.     

The co-creation (of) culture? The case of Umeå, European Capital of Culture 2014

Culture is often promoted as crucial in efforts to achieve economic growth and social cohesion. In recent debates, greater attention has been directed at the importance of culture in creating democratic and just cities. Drawing on theories concerning participation, we study the processes of citizen participation in the creation of culture in relation to the European Capital of Culture in Umeå in Northern Sweden. The city has been praised for its focus on participation and the ‘co-creation’ of culture. We scrutinize the idea of co-creation, how it is filled with meaning by different actors, the way it is operationalized by city officials and cultural actors/practitioners and the possibilities for public participation and the power relationships at play in the city. We conclude that culture tends to be depoliticized and turned into an arena available for all on supposedly equal terms and ignores the very unequal terms on which different actors participate. It ignores how power relations affect and construct who gets to speak and be heard; that there are conflicting meanings of culture and co-creation and how power influences whose definition of culture is accepted.     

The Italian political system and détente (1963 - 1981)

This article examines the impact of détente on the Italian political system, linking together internal and international dynamics in both the political and the economic spheres. Relying on various new archival sources, it analyzes the conflicting effects on Italy of both the relaxing of Cold War tension and bipolarism, and the 'bipolar' strategy to reassert US hegemony: the failure of the reformist design of the center?-?left of the 1960s; the 'strategy of attention' in 1969?-?71 and its sudden halt; the building of a 'devaluation model' after the end of Bretton Woods, and the consequent shift from Kissinger's neo-centrism to 'national solidarity'. Détente favoured a crisis of the centrist pattern of Italian politics but at the same time the 'bipolar' features of both the US and the Soviet 'strategies of détente' led to a decline in US hegemony, relaunching the DC's centrality and its ability to manage external constraints. Reaganism was to recast US hegemony on a new basis.     

The Secrets of a long life: The Dutch firm of covens & mortier (1685–1866) and their copper plates

Abstract

Commercial map publishing firms between the mid‐sixteenth and mid‐nineteenth centuries needed to prolong the life of their copper plates for as long as possible. In order to avoid the costs of engraving new plates, the famous Dutch publishing house of Covens & Mortier of Amsterdam (1685–1866) amended existing plates for topographical and politico‐administrative changes, engraving errors, imprint alterations and marks resulting from general wear. Not only were the plates altered, but the printed maps themselves were sometimes also modified: a new title cartouche might be pasted on or a date or part of the text scratched away. In these ways the map publishing firm was a master of creative solutions as regards both the re‐use of old copper plates and the ‘renewal’ of old printed maps.     

Comics and the Demystification of France's Immigration ‘Problem’: Reading Christophe Dabitch's Immigrants

While universalism constitutes the foundation of French republicanism, public discourse and changes in immigration law have revealed that racial and/or ethnic discrimination and exclusion are necessary for cultural assimilation and for the protection of France's ‘universalist’ model. Studies have also shown that at least 40% of the French population is of foreign origin. So how has France justified the reconciliation of universalism and particularism (now referred to as communitarianism) in certain instances but not others? Christophe Dabitch's collaborative comic-book project, Immigrants (2010), aims to deconstruct the French republican narrative of universalism by using a popular medium that is both transcultural and transnational. An effective collage of visual styles, reproduced testimony and scholarship on immigration in France, Dabitch's album proposes writing an alternative French history of immigration and invites readers to question founding mythologies which have erected France as the country of human rights. This article has three objectives: to present Immigrants as a serious historical and artistic project on immigration; to critically examine this publication's purpose (can comics effectively demonstrate that immigration is a common but significant aspect of nation building?); and to explore how comics can positively re-imagine France as a métropole cosmopolite, as an international point of convergence.     

The split between Gall and Spurzheim (1813–1818)

An acerbic footnote in Volume 3 (1818) of the five-volume great work of Franz Joseph Gall and Johann Gaspar Spurzheim, Anatomy and Physiology of the Nervous System in General and of the Brain in Particular with Observations on the Possibility of Understanding the Many Moral and Intellectual Dispositions of Man and Animals by the Configuration of Their Heads, marked the end of the collaboration between Gall, the founder of organologie, and Spurzheim, promoter of phrenology. We discuss the background of this note and the nature of the rift that marked the end of Gall and Spurzheim’s collaboration.