New Data on Egyptian Construction Methods in the Khufu I Vessel (c.2566 BC) from the Paul Lipke Collection

A review of the Lipke collection raises new questions concerning Egyptian boatbuilding methods for the Khufu I vessel, including the shaping of planking, the purpose, fitting, and spacing of cross‐grain mortise‐and‐tenon joints and the crafting and securing of hook‐scarfs in girders. New data supports the author's contention that the construction of this vessel was abruptly terminated, but contradicts his suggestion that the central girder had no hook‐scarf—it does, but it is unique. Furthermore, detailed plans show how the hood‐ends, sleeves, and papyriform decorations were crafted and joined. A planking‐plan with scale does not always agree with published data. © 2010 The Author     

A Different Configuration for the Quarter‐Rudders on the Khufu I Vessel (c.2566 BC), and Egyptian Methods of Mounting Quarter‐Rudders and Oars in the 4th and 5th Dynasties

A review of the Khufu I vessel (c.2566 BC) and contemporary Egyptian iconography (c.2613–2345 BC) suggest this vessel was originally fitted with six pairs of quarter‐rudders, instead of one pair. Furthermore, quarter‐rudders may have been mounted on knob‐shaped thole‐pins, instead of crossbeams. The iconography also suggests that each quarter‐rudder was fitted with a loom‐line and specialized grommet, and rowers may have used a similar system to mount their oars. Finally, a recently published depiction of Sahure sailing a boat may show an anchor secured on the stern deck. © 2011 The Author     

A Royal Boat Burial and Watercraft Tableau of Egypt's 12th Dynasty (c.1850 BCE) at South Abydos

Excavations at Abydos, Egypt, during 2014–2016 have revealed the remains of a boat burial dating to the reign of Senwosret III (c.1850 BCE). The boat burial occurred inside a specially prepared, subterranean vaulted building. Surviving elements of planking appear to derive from a nearly 20 m‐long boat that was buried intact but later dismantled for reuse of the wood. The vessel may belong to a group of royal funerary boats associated with the nearby tomb of Senwosret III. Incised on to the interior walls of the boat building is an extensive tableau including 120 surviving drawings of pharaonic watercraft. A unique deposit of pottery vessels was found associated with the ceremonial burial of this royal boat.     

The Roman quarries at Antinoopolis (Egypt): development and techniques

The aim of this research was the survey and the study of the many quarries located in the first spurs of the Gebel el-’Adila, close to Antinoopolis (Middle Egypt). These quarries are an excellent opportunity for observation and research concerning the “landscape archives” and preserve traces of man’s activity, representing a real cultural heritage. The paper gives a short geological setting of the area and reports our recent study (2006 onward) on traces, typologies, methods and development of the quarrying activity in the area, focussing on the Roman period. The working traces allowed us to define the working tools used for quarrying, the organisation of the works and of the quarry exploitation, as in the area many remains of the quarry organisation network are extant or recognisable, such as: service posts, sledge-ways, docks.     

Graphical Reconstruction and Comparison of Royal Boat Iconography from the Causeway of the Egyptian King Sahure (c.2487–2475 BC)

Recently published reliefs from the causeway of Sahure and a review of contemporary iconography and archaeological data shed new light on a variety of features of Old Kingdom royal sailing boats and equipment, such as quarter rudders, rigging, signalling devices, decorations and crew. Furthermore, another relief depicts men paddling in a sequential or what appears to be a wave pattern. Only one other such relief exists. A comparison of both reveals that they are different boat types. One is a specialized racing boat and the other appears to be a larger boat possibly designed to be rowed.     

The Tagus Middle Basin (Iberian Peninsula) from the Neolithic to the Iron Age (V-I Millennium Cal. BC): The Long Way to Social Complexity

This study is the result of surveys and excavations carried out in a selected area of the middle basin of the Tagus river (Southern Meseta, Iberian Peninsula). The analysis of palaeoecological data, material assemblages, settlement patterns, domestic structures, funerary evidence and socio-economic context in the regional archaeological record from the Neolithic (5000 BC) to the beginning of the Iron Age (500 BC) allows us to identify several long-term historic processes; particularly, two habitational, demographic and socio-economic cycles, which contradict the traditional idea that the prehistory of inner Iberia presents almost no apparent change during these four millennia.     

The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features

This work presents the results of an investigation of the painting technique used in the Etruscan tomb “Tomba della Quadriga Infernale”. This tomb was discovered in Sarteano (Siena, Italy) in October 2003 and dated back to the second half of the 4th century BC. Red, dark red, pink, yellow, white, black, and grey colours were used in the tomb in order to create paintings, which now represent a very precious record of the Etruscan art of wall painting in a hypogeal environment. The technical features of the painting were revealed by stratigraphy using optical and electronic microscopy. The components and preparatory layers of the painted areas were characterized using Fourier transform infrared spectroscopy (FTIR), energy dispersive X-ray microanalysis (SEM-EDS), X-ray diffraction (XRD), and gas chromatography/mass spectrometry (GC/MS). XRD, SEM-EDS, and optical microscopic techniques were also used for mineralogical analysis of the rock substrate. The SEM-EDS and FTIR analyses showed that red and yellow ochre, calcite, and vegetable charcoal were used to paint the walls of the tomb: the pigments, either alone or mixed together, were utilized to produce pure colours (red, yellow, white, and black) and intermediate tonalities (pink, dark red, and grey). SEM-EDS, FTIR, and XRD highlighted that the painting was made on a preparatory layer of calcite, applied onto a levelling material made up of calcite, clay minerals, quartz, and iron oxides. GC/MS analyses revealed that egg was used as an organic binder to disperse the pigments.     

Trephination as a possible treatment for scurvy in a middle bronze age (ca. 2200 BC) skeleton

Although trephination of sub-adults in antiquity is rare, scurvy both infantile and adult, is even more rare in the archaeological record. Pathological changes appearing in the maxilla, mandible and orbits of a child of 8–9 years of age are highly suggestive of infantile scurvy. Advanced forms of this metabolic disturbance lead to severe subperiosteal haemorrhaging, at times turning the skin of the face and skull black. This condition may have led to the trephination along the sagittal suture as a form of blood letting in hopes of draining the subperiosteal haemorrhage in the cranium. Although cause and effect are often confusing in antiquity, the surgical intervention presented here led to the ultimate death of the child.     

The decline of Magan and the rise of Dilmun: Umm an-Nar ceramics from the burial mounds of Bahrain, c.2250–2000 BC

This article outlines some general aspects of the Magan and Dilmun trade and goes on to examine the Umm an-Nar pottery discovered in the tombs of the Early Dilmun burial mounds of Bahrain. These ceramics are of particular interest because they indirectly testify to Dilmun's contact with Magan in the late third millennium. In this article, thirty vessels of seven morphological types are singled out. By comparison with the material published from the Oman peninsula the Bahrain collection is tentatively dated to c. 2250–2000 BC. The location of the Umm an-Nar pottery within the distribution of burial mounds reveals that its import was strongly associated with the scattered mounds of Early Type. It is demonstrated that the frequency of Umm an-Nar pottery declined just as the ten compact cemeteries emerged c. 2050 BC. The observed patterns are seen as a response to the decline of Magan and the rise of Dilmun.     

The decline of Magan and the rise of Dilmun: Umm an-Nar ceramics from the burial mounds of Bahrain, c.2250–2000 BC

This article outlines some general aspects of the Magan and Dilmun trade and goes on to examine the Umm an-Nar pottery discovered in the tombs of the Early Dilmun burial mounds of Bahrain. These ceramics are of particular interest because they indirectly testify to Dilmun's contact with Magan in the late third millennium. In this article, thirty vessels of seven morphological types are singled out. By comparison with the material published from the Oman peninsula the Bahrain collection is tentatively dated to c. 2250–2000 BC. The location of the Umm an-Nar pottery within the distribution of burial mounds reveals that its import was strongly associated with the scattered mounds of Early Type. It is demonstrated that the frequency of Umm an-Nar pottery declined just as the ten compact cemeteries emerged c. 2050 BC. The observed patterns are seen as a response to the decline of Magan and the rise of Dilmun.     

‘I Saw a Nightmare . . .’: Violence and the Construction of Memory (Soweto,June 16, 1976)

The protests on June 16, 1976 of black schoolchildren in Soweto against the imposition of Afrikaans as a medium of instruction in their schools precipitated one of the most pro‐found challenges to the South African apartheid state. These events were experienced in a context of violent social and political conflict. They were almost immediately drawn into a discourse that discredited and silenced them, manipulating meaning for ideological and political reasons with little regard for how language and its absence—silences—further violated those who had experienced the events. Violence, in its physical and discursive shape, forged individual memories that remain torn with pain, anger, distrust, and open questions; collective memories that left few spaces for ambiguity; and official or public histories tarnished by their political agendas or the very structures—and sources—that produced them. Based on oral histories and historical documents, this article discusses the collusion of violence and silence and its consequences. It argues that—while the collusion between violence and silence might appear to disrupt or, worse, destroy the ability of individuals to think historically—the individual historical actor can and does have the will to contest and engage with collective memory and official history.     

Cultural Origins of the Egyptian Neolithic and Predynastic: An Evaluation of the Evidence from the Dakhleh Oasis (South Central Egypt)

The debate surrounding the origins of the Egyptian Neolithic and Predynastic has, over the past few decades, come to rest on the neighboring Saharan region as the most likely source of influence. Although there is some evidence for the appearance of domesticates in the Western Desert before food-producing communities emerged in Upper and Lower Egypt, there is a strong case for the introduction of Saharan artifacts and technologies to the Nile Valley communities. This paper examines this argument in relation to the Western Desert region of the Dakhleh Oasis (South Central Egypt). The intent of the paper is to recognize the role Dakhleh played in the cultural development of the Egyptian Neolithic and Predynastic and whether this can clearly be seen through artifact parallels. Les parties débattant des origines de l'Egypte néolithique et pré-dynastique ont fini, au cours des dernières décennies, par conclure que la région voisine du Sahara était leur source d'influence la plus vraisemblable. Bien que certaines preuves existent de l'apparition de plantes et d'animaux domestiques dans le Désert occidental avant l'émergence de communautés produisant des aliments en Basse et Haute Egypte, de solides arguments émergent en faveur de l'introduction d'objets fabriqués et de technologies dans les communautés de la Vallée du Nil. L'exposé en question examine cet argument par rapport à la région du Désert occidental de l'Oasis de Dakhla (centre-sud de l'Egypte). Le but de cet exposé est de reconnaître le rôle de Dakhla dans le développement culturel de l'Egypte néolithique et pré-dynastique et de déterminer si oui ou non celui-ci peut clairement être identifié, de façon parallèle, au travers d'objets fabriqués.     

The agricultural basis of Umm an-Nar society in the northern Oman peninsula (2500–2000 BC)

This paper argues that the agricultural aspect of the Umm an-Nar economy has been largely ignored by researchers, due to an overemphasis on copper production and trade. This is true at the level of the smallest rural settlements, villages and settlements whose primary focus was agricultural production.
The key social developments of this period have often been explained by linking them to the exploitation of copper ore and its trade with surrounding regions such as Mesopotamia and the Indus. However, this paper will argue — based on quantified pottery analysis — that it is during this time that we see the development, for the first time in the Oman peninsula, of widespread sedentary occupation that was based on small agricultural villages where there is no evidence of copper ore exploitation, thus suggesting that the economic basis of Umm an-Nar society was essentially agricultural.
Furthermore, it will be argued that, through the use of a new survey methodology, it is possible to locate such settlements, even where they have left no traces of monuments, such as tombs or round towers. The methodology allows preliminary comparisons to be made between the intensity of occupation in different periods. The paper also argues that the Umm an-Nar period was one of the most intensive periods of occupation in pre-Islamic history.     

The agricultural basis of Umm an-Nar society in the northern Oman peninsula (2500–2000 BC)

This paper argues that the agricultural aspect of the Umm an-Nar economy has been largely ignored by researchers, due to an overemphasis on copper production and trade. This is true at the level of the smallest rural settlements, villages and settlements whose primary focus was agricultural production.
The key social developments of this period have often been explained by linking them to the exploitation of copper ore and its trade with surrounding regions such as Mesopotamia and the Indus. However, this paper will argue — based on quantified pottery analysis — that it is during this time that we see the development, for the first time in the Oman peninsula, of widespread sedentary occupation that was based on small agricultural villages where there is no evidence of copper ore exploitation, thus suggesting that the economic basis of Umm an-Nar society was essentially agricultural.
Furthermore, it will be argued that, through the use of a new survey methodology, it is possible to locate such settlements, even where they have left no traces of monuments, such as tombs or round towers. The methodology allows preliminary comparisons to be made between the intensity of occupation in different periods. The paper also argues that the Umm an-Nar period was one of the most intensive periods of occupation in pre-Islamic history.