La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》     

La question de l’intériorité mentale à l’âge classique

This paper looks into the notion of mental interiority in the early-modern age and, more specifically, into the Cartesian conception of the mind as an “inner theater”. The main claim emphasizes a close connexion at work between the representative theory of the mind, associated with internalism, on the one hand, and a “neuropsychological” view on the other hand. Cartesian mentalism, in so far as it is based upon a disjunction between representation and resemblance, can therefore not be separated from the general project, already at work in the Dioptrique, of an intra-cerebral localization of the mental.     

La fabrique de la perpétuité

TheTrésor des chartes is probably one of the best preserved single collection of archives of the ancient French monarchy. Paradoxically, however, it was never part of a central record office in the modern sense. This large and confused mass of documentation slowly emerged as a records collection during the XIII^th century. Although it seemed to follow the construction of a State administration, it was already inactive by the middle of the XIV^th century. Its records and charters, prestigious and inaccessible, were kept in the Sainte-Chapelle of Paris, close to the relics of the Passion bought by Louis the Ninth. As a record of the past it played a crucial role in the social construction of a notion of «perpetuity» suitable to the domanial and dynastic ideals of the monarchy. The ambiguities of this medieval heritage became obvious in the early modern period. Although there were a large number of inventories and classifications of theTrésor des chartes, it was never able to incorporate the other State records. The Republic inherited a majestic sanctuary which can certainly be described as a piece of shared memory, but which is unable to summarize the genesis of the Nation.     

Michael Comans,Extracting the Essence of the Śruti: The Śrutisārasamuddharanam of Totakācārya

Indo-Iranian Journal -     

La Fabrique de l’infini Phénoménologie du désordre et genèse sensible de l’idée d’infini chez Diderot

Against the classical point of view, for which the idea of the infinite is the expression of God’s in the human being, Diderot proposes a concept of the infinite that considers it as an immediate production of the body. Removing the infinite from its former divine origin, Diderot’s idea of the sentient body contests the classical concepts, particularly the one of order, which bound epistemology to theology. Thus, disorder acquires a new value, even in its pathological forms, which now can be considered as modes of an immanent and fundamentally creative process.     

La Découverte de L’Amérique

This article examines the significance accorded to the discovery of America in the period between 1492 and the publication of Alexander von Humboldt’s Kosmos in 1855. It argues that, the « discovery » of America was perceived as the « uncovering » of not merely a place, but of an epistemological challenge which both transformed, Europe’s intellectual dependence on Antiquity, and shaped its evolving perception of both space and time. It argues that, after the discovery, human history came to be seen, in terms of as series of inventions all of them related to human movement, which were projected, as more and more of the globe was « discovered » into an unpredictable future.