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Micha Roi 《SJOT: Scandinavian Journal of the Old Testament》2013,27(2):285-295
ABSTRACTMany biblical stories exhibit an intentional association between “subjective facts” deriving from the narrative and “objective facts” belonging to external historical reality. This article examines stories belonging to the “departure on a journey” pattern which contain references to objective facts which follow a virtually fixed formula and occur at a standard location in the narrative. Both the frequency with which these facts are adduced and their formulaic nature make it difficult to adopt external criteria such as those proposed by either of the two conventional models (aetiological and communication), suggesting rather an inner—literary—link between the two sets of facts. 相似文献
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Hayden Lorimer 《Transactions (Institute of British Geographers : 1965)》2003,28(2):197-217
This article examines how the practice of learning geography, and the arenas in which knowledge-making takes place, can be usefully positioned within changing histories of the discipline. It contends that networks of action – understood through the intersection of social sites, subjects and sources – present a conceptual framework and narrative focus for the re-consideration of specific episodes from geography's past. The interventions made here are informed and illustrated by a 'small story' about the doing of geography. Based on different personal accounts, the story revives a series of events, encounters, dialogues and images dating back to the winter of 1951 at Glenmore Lodge, Scotland. This educational institution in the Cairngorm mountains offered children from urban areas the opportunity to learn field studies and the skills of 'outdoor citizenship'. Initially, the focus falls on Margaret Jack, a 14-year-old field-course participant. Her learning experiences are traced through personal letters, a diary and a field journal dating from that time, and her recent recollections of this event. Margaret's account dovetails with the story of her field studies instructor, Robin Murray. Robin's role is traced through his learning experiences as a geography undergraduate at Aberdeen University, and the recent recollections of Catriona Murray, his wife. 相似文献
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Work initiated purely as a dating project in support of a craniometric and morphological investigation of domestic dogs from early Peru has proved to have much wider implications. The stable carbon isotoperatios (13C/12C) of hair samples from ten dogs show that maize formed a significant part of their diet. Radiocarbon dates for these remains have confirmed that they belong to the period well after the cultivation of maize was first established. Stable carbon isotope measurements can thus be used to test for the presence of maize as a dietary constituent at earlier sites even where there is otherwise only indirect evidence for its cultivation. Collagen from animal or human bone is a suitable alternative to hair for this purpose and the method has been successfully applied to collagen dating to c. 3000 BC from the Valdivia culture site of Real Alto, Ecuador, as well as to a series of early Peruvian dogs. 相似文献
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Anna Furse 《Interdisciplinary science reviews : ISR》2014,39(3):238-257
AbstractThis paper is informed by Furse’s practice as a theatre maker in two fields of output that are connected by two factors: first, the presence of the woman patient — hysteric/subfertile respectively — within the clinical gaze; second, the significance of the womb to each pathology. In the treatment of each (explored in Furse’s theatre), lens based technologies play their part, whilst the cultural and medical can be seen to have overlapped to produce specific meaning with regard to Her body and its spectacularity. The article presents an overview of some of the key issues in precisely how the woman’s body becomes spectacular within this prosthetic medical gaze and how the medical — and theatrically designed spaces to represent these — become meaningful and potent proxemics that in turn inform medical/ theatrical spectatorship. Overarching nineteenth-century protocols at the Salpêtrière Hospital in Paris (where Furse’s Augustine (Big Hysteria) is set) to contemporary imaging technologies used in the treatment of subfertility with Assisted Reproduction Technologies (the topic of her Art of A.R.T. projects), it examines the way in which photography develops through cinema to X-Ray, ultrasound and then 3D/4D ultrasound to ‘capture’ the woman’s body in ways by which she becomes muted and exposed. These occular technologies that extend the gaze, first to an exterior subject and then, eventually, traversing the flesh without knife, lend specific performativity to the ‘patient’ women, within the context of hysterias and reproductive impairments respectively. Finally, issues of suspension of disbelief are addressed. The spectator’s faith in the screen-based image of Her spectacular body is interrupted in Furse’s work, which is also keenly interested in the effect of such imagery on the woman’s sense of Self. The historical and cultural leaps in this article argue that there is indeed a trajectory through the history of medical imaging since the first application of photography to anatomy to the more advanced scoping technologies of medical imaging today, and that in each era, the production of these images remain fraught with cultural implications. 相似文献
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Hutan Ashrafian 《Journal of the history of the neurosciences》2013,22(2):138-142
Alexander the Great died in 323 B.C. from an unknown cause. Physical depictions of this historical figure reveal the likelihood of a cervical scoliotic deformity. This is substantiated with the medical history and is correlated with his untimely death. For the first time, it is concluded that Alexander’s death may have ensued from the sequelae of a congenital scoliotic syndrome. 相似文献
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Gerhard Herrgott 《Berichte zur Wissenschaftsgeschichte》2008,31(2):144-159
The Art of Touch. Elisabeth Caland and the Physio‐Aesthetics of Piano Playing The issue of how it is possible to play the piano without striking it was raised by Chopin: one must ‘caresser’ and not ‘frapper’ the piano. In her teachings on the art of piano playing, Elisabeth Caland (1862–1929) attempts to articulate a scientifically grounded solution to this complex (kin‐)aesthetic problem. The solution turns on her intuitively discovered ‘lowering of the shoulderblades’ which was documented in 1904, through X‐rays, by the Berlin physiologist René du Bois‐Reymond, and recorded as a way of coordinating movement which had been unknown to physiology up to that time. Caland's physio‐aesthetic of piano playing, which she worked out on the basis of du Bois‐Reymond's observations, turns on the ideal of ‘floating sound’ put forward by her teacher Ludwig Deppe, and on Ferruccio Busoni's technique of piano playing. Her method makes essential use of what Feldenkrais would later call the ‘sixth sense’ (i.e. proprioceptive perception); in fact, it represents the first modern kinaesthetically based conception of piano playing. Caland's doctrine of touch was ahead of its time and it virtually disappeared from discussions of piano technique after 1930. But it has become accessible again through reprints of her most important writings: Deppe's doctrine of piano playing (1897), Sources of power in piano playing (1904), and Artistic piano playing (1910). 相似文献
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《Eurasian Geography and Economics》2013,54(3):255-284
A noted British economic analyst and observer of current developments in Russia compares that country's emerging economy with those of China, India, eight other populous emerging states, and the United States. The focus of the comparison is on the extent to which these countries exhibit potential for functioning as "knowledge-based" economies. The four pillars of such economies are identified as: (1) an educated and skilled population; (2) a network of R&D institutions; (3) a dynamic information infrastructure; and (4) a regime promoting the development of knowledge. Journal of Economic Literature, Classification Numbers: L86, O30, O57. 1 figure, 19 tables, 91 references. 相似文献
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Hutan Ashrafian 《Journal of the history of the neurosciences》2013,22(2):166-167
Alexander the Great died in 323 B.C. from an unknown cause. By elucidating the nature of his death, we can better interpret various aspects of Alexandrian history. Alexander’s death may have ensued from the sequelae of a congenital scoliotic syndrome. It would therefore be of significance to note that one of the greatest leaders in history who conquered much of the then known world may have been suffering from a physical disability. 相似文献
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Chris Keil 《Social & Cultural Geography》2013,14(4):479-494
This paper looks at a type of tourism visit which inhabits an ambiguous and relatively unmapped territory of meaning, crossing boundaries between the conceptual domains of pilgrimage, commemoration and pleasure-seeking. These visits and activities have developed in response to traumatic histories, and also reflect the growth of secular forms of spiritual experience, in which the pursuit of revelation is personal rather than hierophantic. Sites of Holocaust memorialization raise questions of memory and forgetting, guilt and redemption, meaning and ownership, with particularly acute force. However, even these most consecrated and highly cathected sites are experienced through the mediation of mimetic forms and processes of representation which significantly re-order testimony and evidence. Furthermore, the grounding of collective memory in sacralized locations and structures tends towards the distancing, externalizing and disarming of traumatic memory. Under these conditions, visitor motivations and experiences are polysemic: fractured, ambivalent, unstable, and resistant to paradigms of either the sacred or the profane. 相似文献
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Myles W. Jackson 《Berichte zur Wissenschaftsgeschichte》2008,31(2):94-112
This essay investigates the triangular exchange among physicists, musicians, and instrument makers in nineteenth‐century Germany by proffering a material, cultural, and interdisciplinary history. It does so by analyzing four concrete examples of such exchanges: the relationship between musical automata and virtuosi, the reed pipe as an object of music and scientific measurement, the history of standardizing performance pitch, and the attempts to measure musical virtuosity. The goal of the essay is to suggest ways in which interdisciplinary cultural histories, which take the scientific content seriously, can be an improvement upon purely disciplinary histories. 相似文献
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D.R.C. Kempe 《Journal of archaeological science》1982,9(1):25-28
No definite source localities have been identified for the stones used by the Gandharan sculptors, but it is considered that the predominant rock was an alumina-rich chloritoid-paragonite-muscovite-quartz schist, probably from Swat. A chemical analysis of this rock is presented. 相似文献
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While many analyses of archaeological bronzes have been reported in the literature, in practice it is very difficult to compare them. To assess the present status of the chemical analysis of bronze two ancient objects—a flat axe (arsenic bronze) and a sickle (tin bronze)—were cut into pieces weighing about 2 g each and were distributed to 11 laboratories. The participants used the following methods for analysis: INAA, ED–XRF, PIXE, TRXRF, FAAS, ICP–AES, ICP–MS, SEM–EDS, LA–ICP–MS and PGAA. The samples were analysed in at least quadruplicate. Dixon's and Iglewicz and Hoaglin's tests were used to detect outliers. The majority of methods provided comparable results, especially for macroelements, independent of the technique and standards used. The number of determined elements depended on the method and, naturally, on the concentration level. Therefore an important recommendation that can be made is to supply, with each archaeometric investigation, data from the analysis of appropriate Certified Reference Materials (CRMs) used in the study. 相似文献
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Lead isotope analyses have been undertaken on a group of Islamic lead‐glazed pottery artefacts from Fustat, Egypt, spanning the period from the eighth to the 14th century ad , that had previously been the subject of a comprehensive typological, chronological, petrographic and technological study. Comparison of the lead isotope ratios for the glazes with those for lead ores from Egypt, Iran, Tunisia, Anatolia, Greece, Sardinia and Spain provided information on the possible sources of the lead used in the production of the glazes. The results show that the lead used in glaze production by the Islamic potters at Fustat was most probably obtained from distant ore sources in Iran or Tunisia, Sardinia, Spain and the Taurus Mountains. Different ore sources were favoured in different periods and, to a limited extent, for different types of pottery, but at no time did the Fustat potters use the potentially more accessible Egyptian ore sources. 相似文献
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Rolf Schmidt 《Alcheringa: An Australasian Journal of Paleontology》2013,37(1):67-84
Schmidt, R., March 2007. Australian Cenozoic Bryozoa, 2: Free-living Cheilostomata of the Eocene St. Vincent Basin, S.A., including Bonellina gen. nov. Alcheringa 31, 67-84. ISSN 0311-5518. Free-living bryozoans are diverse in the Eocene sediments of the St. Vincent Basin, South Australia. They include Bonellina pentagonalis gen. et sp. nov., Otionellina sp. cf. O. exigua (Tenison Woods), Otionellina sp. cf. O. cupola (Tenison Woods), Tubiporella magna (Tenison Woods), Celleporaria nummularia (Tenison Woods), and an indeterminate species only found as moulds. This diversity and abundance is highest in the sediments representing the initial transgressive marine facies, where they occur in ‘sand fauna’ bryozoan assemblages (e.g. with Melicerita and Siphonicytara). Free-living bryozoans decrease up-section and are absent from latest Eocene sediments, indicating a significant environmental shift. Rolf Schmidt [rschmid@museum.vic.gov.au], Museum Victoria, Melbourne, Vic 3001, Australia; received 18.3.2005, revised 14.12.2005. 相似文献