“Back in the heartland”: Seamus Heaney's “Route 110” sequence in Human Chain

This essay foregrounds the increasingly significant role translation has played in Seamus Heaney's compositional and creative practices since the 1970s, and how it functions as a means of displacement and route into imagined homecomings. It offers a detailed analysis of the sequence which occupies a central position within Human Chain, in which Heaney HeaneySeamusStations. Belfast: Ulsterman Publications, 1975. [Google Scholar] attends to and seeks to reconcile once more the different “voices of my education”, that of originary familial/parish culture of Mossbawn and Bellaghy, and that acquired at St Columb's College and Queen's University that furnished him with rich linguistic and cultural assets, but sentenced him also to a “migrant solitude” (“The Wanderer”, Stations). “Route 110” illustrates the enduring effects of both bequests, as Heaney takes scenes and motifs from Virgil's Aeneid, Book VI, which details Aeneas' experiences on his descent into the seventieth year, Heaney takes readers with him on a road back to pre-Troubles Northern Ireland in the mid-twentieth century, stopping off initially at Smithfield Market, Belfast, in order to pick up a “used copy” of the Virgil that will become his guide. What he subsequently assembles is an album of snapshots of his youth, part of his legacy to his newly-born granddaughter.     

‘Please Tell Me Who I Am’: Resisting Media Representation of Arab Masculinity and Violence in Wajdi Mouawad's Incendies

In Wajdi Mouawad's play Incendies (2003), a photojournalist stands offstage, photographing a sniper who, it can later be deduced, is half-Lebanese and half-Palestinian by birth. The sniper sings along to Supertramp's ‘The logical song’ Supertramp. 1979. “The Logical Song.” Breakfast in America, CD. A&M. [Google Scholar], using his rifle as a guitar. But he refuses to allow the photojournalist to capture his silent image. The sniper shoots him, drags him onstage and verbally tortures him before he kills him. The sniper then uses the photojournalist's arm as a microphone and interviews himself in a rock star fantasy to reveal his biography. This scene is examined in detail to tease out the themes of listening and tracing origins and identities in war, exile and diaspora, and leads to questions about the role the media plays in the construction of Arab masculinity as both menacing and marginal. The article argues in conclusions that, as one of the leading voices in Francophone theatre today, Mouawad offers a new variation on engaged theatre, one that frames origins as a process rather than a matter of fact.     

Dark Nightmare: The Shooting of William Alexander as Canon Scott Saw it

Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.     

Zu monumentum ancyranum

Like many of his contemporaries, Montaigne quotes abundantly from classical sources. But unlike most sixteenth-century writers, he does not use his quotations primarily as a source of authority or as rhetorical ornament. He deploys them in such a way as to make his readers take note not only of the quotation itself but also of its original context. He thus engages in a much deeper and more complex dialogue with his sources, one which may be regarded as a form of cross-cultural communication. As such, his quotation practice illustrates a fundamental (but often overlooked) feature of human communication: a great part of the information transmitted through an utterance or a text is communicated implicitly.1 This article is based upon a paper given at the workshop “Virgil's Eclogues and Georgics, and their reception”, organized by Dr Juan Christian Pellicer and Professor Monika Asztalos at the University of Oslo in November 2007. 2 I wish to express my gratitude to Terence Cave and Kyrre Vatsend, who read with great care earlier drafts of this article and gave valuable advice on crucial aspects of it.      

Marginalia to a New Aeneis recensa

The text of G.B. Conte's Teubner edition (2009) contains more than 70 divergences from Mynors' edition (1969), apart from a number of orthographica. About 40% of these differing readings can also be found in Geymonat's text (1973/2008 Geymonat, M. 1973/2008. Opera Torino/ Roma [Google Scholar]). Among the rest this reviewer has noted a handful of choices of particular interest and fit to make the new edition a welcome contribution to the long-standing quest for an optimal text of Vergil. Another, more controversial, handful of Conte's preferences is discussed below together with his accompanying information in the app. crit.: 1. 380; 2. 433; 598; 738-739 (with a new conjecture); 3. 685-686; 4. 176; 5. 505; 851; 6. 746; 7. 129; 9. 130; 214; 402; 463; 10. 366 (with a new conjecture); 12. 470.     

Unfinished Business from Potsdam: Britain,West Germany,and the Oder-Neisse Line, 1945–1962

Abstract

William Waldegrave Palmer, second earl of Selborne, took up his appointment as first lord of the admiralty in the marquess of Salisbury's third administration on 1 November 1900. This was Salisbury's recently acquired son-in-law's first experience of high office. Initially, as will be seen, Selborne regarded France and Russia as constituting the sole threat to British naval supremacy. Indeed, for reasons entirely to do with ‘economy’s, he was prepared to envisage the making of an alliance with Germany. He maintained this stance throughout 1901. At some point in the course of 1902, however, he displayed a dramatic change in outlook, which it is the purpose of this article to describe and, by pinning down the date with more precision than did Selborne himself in correspondence with Arthur J. Marder in 1938, to explain.1 A.J. Marder, TheAnatomy of British Sea Power: A Histo~ of B~tish Naval Policy in the Pre-Dreadnought Era, 1880–1905 (London, 1940), p. 464.      

Neuroanatomy in Art: Leonardo da Vinci's Senso Comune

Crossed brainstem syndromes consist of ipsilateral impairment of cranial nerves III–XII and contralateral impairment of the pyramidal and sensory tracts. Gasperini's syndrome, described in 1912 Goetz, CG. 2002. Jean-Martin Charcot and the aging brain. Archives of Neurology, 59: 1821–1824.  [Google Scholar] by the Italian internist Ubaldo Gasperini, is one of them. It results from a lesion of the caudal pontine tegmentum and is most frequently defined as ipsilateral impairment of cranial nerves V, VI, VII, and VIII and contralateral sensory loss. Since no autopsy was performed to confirm Gasperini's clinical observations, we analyzed all elements of his syndrome from a current perspective as well as in the light of the anatomical knowledge available to him. This resulted in a historical survey of the development of neuroanatomy over the last 300 years.     

Breaking Ranks: C. P. Snow and the Crisis of Mid-Century Liberalism, 1930–1980

C. P. Snow's identification of ‘two cultures’, as the literary critic F. R. Leavis pointed out in 1962, represents not an insight but a cliché, one that invites the repetition of further clichés about the origins of a divided culture, the need to bridge cultures, the emergence of a third culture, or the reality of one culture. Yet this recurrent feature of ‘two cultures’ talk does not nullify the concept's value as an object of study, if these discussions are treated as revealing points of entry into foreign historical contexts. This article adopts this approach, unearthing the liberal position that Snow developed as a novelist and critic from the 1930s, that he advanced in the form of a disciplinary lament in The Two Cultures (Snow, C.P. 1959 Snow, C.P. 1959. The two cultures and the scientific revolution. Cambridge: Cambridge University Press. [Google Scholar]. The two cultures and the scientific revolution. Cambridge: Cambridge University Press.), and that — to his distress — increasingly came under radical critique from the mid-1960s. Ultimately, the technocratic liberalism that Snow associated with science at mid-century came to be closer to American neo-conservatism by 1980. By tracking the fortunes of the ideological position that structured The Two Cultures, rather than lifting that text out of its moment in an attempt to engage its arguments today, this article testifies to the abiding value of contextual analysis at a moment when intellectual historians are increasingly inclined to question and even displace it.     

Sister-in-Law Marriage in the Empire: Religious Politics and Legislative Reform in the Australian Colonies 1850–1900

In 1835, a statute was passed in the parliament of the United Kingdom making it illegal for a widowed man to marry his sister-in-law. 1 Lord Lyndhurst's Act (1835) 5 & 6 Will VI c. 54. Marriage to a sister-in-law after a wife's death was common practice in nineteenth-century England and colonial Australia and aunts often took on the responsibility of raising children after a sibling's death. In the 1840s, a protracted parliamentary and social debate began over whether a widowed man's marriage to his sister-in-law should be made legal and this debate lasted over seven decades. In the Australian colonies, where English law had been inherited, 2 Those Australian colonies settled prior to the passing of Lord Lyndhurst's Act inherited the English position regarding deceased wife's sister marriage at the time, that such unions were voidable in the ecclesiastical courts during the lifetime of the parties, and in those colonies established afterwards, the 1835 statute applied and deceased wife's sister unions were illegal. In both cases colonial parliaments attempted to pass legislation to clarify the law. a similar debate occurred in the 1870s. The marriage was legalised in most of Australia in the 1870s while it remained illegal in England until the turn of the century. The parallel debates in each country provide a window into the comparative effect of religious culture on the development of marriage law. One of the primary reasons for the protracted nature of the struggle for marriage reform in England was its significance for the relationship between church and state. This article explores the implications of the relationship between church and state in Britain and the colonies for marriage legislation.     

OCCUPATION AND ETHNICITY IN FIVE NINETEENTH-CENTURY CITIES: A COLLABORATIVE INQUIRY

Abstract

Literary critics and historians often interpret authors and authors' works as more or less significant, but are reluctant to quantify those works. The interdisciplinary field of creativity studies, however, poses methods of quantifying the eminence of an author's works. This study uses four measures from that field (anthology entries, scholarly citations, entries in books of quotations, and auction sale records) and one measure from the fields of computational linguistics and data mining (ngrams using millions of books digitized by Google) to assess the eminence of John Milton's thirty-one prose works1. For the purpose of this study, Milton's short “A Letter to a Friend Concerning the Ruptures of the Commonwealth” (1659) was not included in the quantitative analysis out of concern with possible conflations and confusions with letters in Milton's Familiar Letters. and their relation to his greater achievement in epic poetry. These measures indicate the singular eminence of Areopagitica, Milton's 1644 tract on the liberty of unlicensed printing.     

Roman noir et drapeau noir: Didier Daeninckx and the libertarian legacy

Abstract

The crime novelist Didier Daeninckx originally established himself as an author of historical crime fiction. His 1984 Daeninckx, D. (1984) 2011a. Meurtres pour mémoire. Paris: Folio Policier. [Google Scholar] novel, Meurtres pour mémoire, in particular challenged occluded and intertwined memories of the Occupation and the Algerian War of Independence. Since then, and through his subsequent writings and political activities, Daeninckx has been recognised as giving voice to a range of marginalised communities and memories. Much academic study has therefore concentrated on the recovery of the past in Daeninckx’s fiction, approaching his work from the perspective of cultural history and memory studies, considering it a form of memory activism. This article offers a new perspective on Daeninckx’s political engagement. It will examine Daeninckx’s three contributions to Éditions Baleine’s collaboratively authored detective series Le Poulpe: Nazis dans le métro (1996), Éthique en toc (2000) and La Route du Rom (2003). It will argue that they are informed by a memory of France’s broad libertarian tradition which constitutes a hidden referent essential to understanding the formulation of the ethico-political counter-communities to which many of his characters (and his ideal, implied reader) belong. More particularly, it will argue that these communities form the basis of a new model of political engagement beyond party, state and class, suggesting not only the persistence but also the adaptability of libertarian thinking in Daeninckx’s work and the French roman noir.     

Woman Traveller/Colonial Tourist

I promised to show you a map but you say this is a mural

Then yes let it be these are small distinctions

Where do we see it from is the question1 ?1. Adrienne Rich, cited in Kaplan Kaplan, Karen. 2000. Questions of Travel: Postmodern Discourses of Displacement, London: Duke University Press.  [Google Scholar], Questions of Travel, 8. View all notes     

Constructing gender and local morality: exchange practices in a Javanese village

The concept of exchange has been on the anthropological agenda since Marcel Mauss published his book Essai sur le Don in 1925. The nature of gift-giving and exchange practices has since in different ways been developed and criticised (e.g. Bloch and Perry 1989 Bloch M Parry J 1989 Introduction: money and the morality of exchange In M. Bloch and J. Parry (eds), Money and the morality of exchange Cambridge Cambridge University Press pp. 1–33  [Google Scholar]; Bourdieu 1977 Bourdieu P 1977 Outline of a theory of practice Cambridge Cambridge University Press [Crossref] [Google Scholar]; Derrida 1992 Derrida J 1992 Given time: 1. Counterfeit money Chicago and London University of Chicago Press  [Google Scholar]; Dumont 1986 Dumont L 1986 Marcel Mauss: A science in process of becoming In L. Dumont, Essays on individualism. Modern ideology in anthropological perspective Chicago and London University of Chicago Press pp. 183–201  [Google Scholar]; Levi-Strauss 1950 Levi-Strauss C 1987 Introduction to the work of Marcel Mauss Translated by Felicity Baker London Routledge and Kegan Paul  [Google Scholar]; Sahlins 1974 Sahlins M 1974 Stone age economy London Tavistock Publications  [Google Scholar]). However, exchanges are social practices that continue to puzzle and arouse curiosity within anthropology and related fields. The present article focuses on the vivid exchange practices that form part of social life in Sarijati village in Central Java.2 Sarijati is a pseudonym. this article is based on a research project sponsored by the danish research council for the humanities. fieldwork was carried out in central java in 1996–97 and in 1998. View all notes I will argue that exchanges here make up a social domain that articulates gender ideology and the reasoning of local morality.     

Ordinary Writing and Scribal Culture in Nineteenth-Century Spain: Memory Books

This article is a study of the survival of scribal culture in nineteenth-century Spain in the form of the so-called ‘memory books’ (libros de memorias). I analyse their relationship with the educational developments of the period, as well as the material characteristics and the content of these texts, in order to define their typical features. These texts were the products of hybrid writing practices, in the sense that several elements were frequently superimposed on one another: economic news, personal, family and social events and even historical details. Hence the similarity between the memory books and other genres such as account books (libros de cuentas) and family books (libros de familia). Lastly, I will examine some nineteenth-century examples as epigones of a writing genre which had its origins in the later Middle Ages and Early Modern period.

“One morning, while tidying up the bedroom, Rosa opened the drawer in the trunk where Cholo kept his papers. There she found the papers about the property and, in a corner, together with the Family Book and the social security booklet, the papers from the bank […]. And she was about to put it away when it occurred to her to take off the elastic band around the big folder which Cholo had kept from his time in Switzerland. There were things, names and so on that she didn’t understand, but in the middle there were also some of the cards she had sent from Aran.”1 1.?Manuel Rivas, En salvaje compañía (1994) (Madrid: Alfaguara, 1998), 100–101. View all notes     

The Periphery's Terms of Trade in the Nineteenth Century: A Methodological Problem Revisited

Abstract.

There is a major downward bias in the trend of most existing estimates of the periphery's nineteenth-century terms of trade. By using prices from the North Atlantic core as proxies for prices in the peripheral countries themselves, historians ignore the dramatic price convergence that took place during the nineteenth century. Measured correctly, the periphery's nineteenth-century terms-of-trade boom would appear considerably longer, greater, and more widespread than Jeffrey Williamson (2008 Williamson, J. G. 2008. Globalization and the great divergence: Terms of trade booms, volatility and the poor periphery, 1782–1913. European Review of Economic History 12:355–91. http://dx.doi.org/10.1017/S136149160800230X.[Crossref], [Web of Science ®] , [Google Scholar], 2011 ———. 2011. Trade and poverty: When the Third World fell behind. Cambridge, MA: MIT Press. [Google Scholar]) supposes, greatly reinforcing his grand narrative about the relation between globalization and the “great divergence.” Many of the details of his narrative, however, must be revised. This is illustrated by the case of India.     

From enlightenment to experience: cultural centres in Helsinki neighbourhoods

The article explores how key cultural policy objectives have been negotiated and realised in the urban cultural centres of three neighbourhoods in the city of Helsinki, Finland. We analyse how the ideological basis and the meaning of the centres for their users are related to the overall rationales of urban cultural policy: Enlightenment, Empowerment, Economic impact and Entertainment (Skot‐Hansen 2005 Skot‐Hansen, D. 2005. “Why urban cultural policies?”. In EUROCULT21 Integrated Report, Edited by: Robinson, J. 31–39. Helsinki: EUROCULT21.  [Google Scholar]). Based on our data, consisting of documents on the centres, interviews with decision makers, producers and other professionals, as well as a survey (N = 814) of the visitors to these centres, we argue that even though the roots of the centres date back to 1970s concepts about the democratisation of culture and cultural democracy, the centres are not old‐fashioned fortresses of outdated cultural forms. On the contrary, as providers of experiences, the cultural centres reflect the latest developments of society.     

Barcelona as urban palimpsest: Architectonic memory and structural violence in José Luis Guerin's En construcción (2001)

This article presents an analysis of the Spanish director José Luis Guerin's “documental ficticio” titled En construcción (2001) En construcción. Dir. José Luis Guerin.Ovídeo TV S.A., 2001. Film. [Google Scholar]. In particular, I will examine the filmic representation of urban and architectonic spaces within post-industrial Barcelona, as well as the relationship of space and place to the construction of historical (post)memory in post-Francoist Spain, as “lieux de memoire.” While contemporary Spanish film has tended toward the engagement of Franco's lingering specters, I contend that Guerin's filmic discourse rather focuses on the new totalitarian state imposed by the emergence of social democracy and free-market capitalism in post-Francoist Spain, as inscribed via the urban architecture within Barcelona's public spaces.     

Revision of the Early Devonian tabulate coral Pleurodictyum bifidum from New South Wales

Plusquellec, Y. &; Wright, A.J., October 2017. Revision of the Early Devonian tabulate coral Pleurodictyum bifidum from New South Wales. Alcheringa 41, xxx–xxx. ISSN 0311-5518.

The tabulate coral Pleurodictyum bifidum Jones, 1944 Jones, O.A., 1944. Tabulata and Heliolitida from the Wellington district, N.S.W. Journal and Proceedings of the Royal Society of New South Wales 77, 33–39. [Google Scholar], from the Early Devonian (Pragian or lower Emsian) Garra Formation of central New South Wales, Australia is revised on the basis of the holotype and three other specimens. It is selected as the type species of the new monotypic genus Bifidomeria (Family Roemeriidae), which differs from Roemeria in its strictly cerioid corallum, its bifid septal spines and aspects of its microstructure. Study of the detailed microstructure of two other tabulate corals from the Devonian of New South Wales has led to the following revised generic assignments: Michelinia progenitor Chapman, 1921 Chapman, F., 1921. New or little known fossils in the National Museum. Part XXV—some Silurian tabulate corals. Proceedings of the Royal Society of Victoria 33, 212–225. [Google Scholar], previously assigned to Roemeripora, is assigned to Roemeria, and Holacanthopora clarkei Wright &; Flory, 1980 Wright, A.J. &; Flory, R.A., 1980. A new Early Devonian tabulate coral from the Mount Frome Limestone, near Mudgee, New South Wales. Proceedings of the Linnean Society of New South Wales 104, 211–219. [Google Scholar] is assigned to Michelinia.

Yves Plusquellec [yves.plusquellec@univ-brest.fr], Université de Bretagne Occidentale, CNRS-UMR 6538 ‘Domaines océaniques’, Laboratoire de Paléontologie, UFR Sciences et Techniques, 6 avenue Le Gorgeu, CS 98837, F-29283 Brest, France; Anthony Wright [tony.wright@optusnet.com.au], GeoQuEST Research Centre, School of Earth &; Environmental Sciences, University of Wollongong, Wollongong NSW 2522, Australia.