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1.
Narrativism as a theory of historical depiction intuitively opens the question: what is left of reality when it is poured through the filter of language structures? And, extended a little bit further, questions arise: What is responsible for the final shape of a historical depiction? Is it experience or language? What is affecting what? Narrativism typically accuses language units of transforming experience in a specific way. However, even in asking these questions, the problem of the separation of experience from language and language from experience remains. In this article, I address this issue using Gadamer's hermeneutical frame. Wherever philosophical tradition insists on the separation of certain positions, Gadamer tries to show their ontological connections. For Gadamer, understanding is a basic ontological structure, within which both sides of a dialogue affect and constitute each other. In Gadamerian hermeneutical ontology, there is no “starting point” or first responsible position. In the understanding, dialogue has the permanently moving character of a play, where separate positions are erased. This Gadamerian view can also be applied to the question of language and experience and their mutual connection in depicting any experience via language. In Gadamer's example of the work of art, the original subject matter (Urbild) is articulated through its depiction. The subject matter dictates possible ways of depicting, which in turn dictate the final shape of depiction. In this article, I discuss Gadamer's term “articulation of the world,” by which he means a function of language. Articulation is simply a transformation of shapeless matter into a shape, and in our case it is a transformation of an experience into a language depiction. I show that the Gadamerian approach to language and experience can offer an interesting perspective on the issues discussed in reaction to narrativist philosophy of history.  相似文献   

2.
What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.  相似文献   

3.
This essay outlines a theoretical framework for investigating the links between the production of urban space (Lefebvre) and the production of ideology (Althusser) and hegemony (Gramsci) by proposing the concept of “the urban sensorium”. With a view to the aesthetics of urban experience and everyday life, this concept aligns Fredric Jameson's “postmodern” adaptation of city planner Kevin Lynch's research on “cognitive mapping” with Walter Benjamin's insights on “aestheticizing politics” in order to ask: how does urban space mediate ideology and produce hegemony while aestheticizing politics? In so doing, the spotlight falls on a conceptual constellation including four key theoretical terms: “ideology”, “aesthetics”, “mediation” and “totality”. While working through them, the essay argues that Jameson's outstanding contribution to a spatialized understanding of “postmodernism” lies above all in his Marxist (Lukácsian, Althusserian and Sartrean) theorization of mediation and totality; whereas radical students of the city can find the richest dialectical elaboration of these two concepts with special attention to space and urbanism in the oeuvre of Henri Lefebvre, especially in the recently translated The Urban Revolution.  相似文献   

4.
This essay argues that to understand Foucault's attraction to neoliberalism, we must understand the elective theoretical affinities that he perceived between this current in economic thought and one of the central elements of his own philosophical project: the critique of humanism or “anthropologism” (that is, the tendency in modern thought to sift all knowledge through human knowledge). Specifically, the essay examines moments in Foucault's 1978 and 1979 lectures when Foucault clearly refers to the arguments of his earlier work, The Order of Things, the locus classicus of his philosophical antihumanism. In particular, Foucault claimed that economists of the Chicago School developed a theory of labor that escaped the limitations of the “anthropological” theory of labor associated with Adam Smith, David Ricardo, and Karl Marx. He also interpreted the notion of homo oeconomicus and Smith's idea of the market's “invisible hand” as critiques of the characteristically modern attempt to make transcendental claims on the basis of human nature. The essay concludes by asking if Foucault's philosophical antihumanism provides an adequate vantage point from which to critique contemporary capitalism.  相似文献   

5.
Recognizing the contingent entanglement between historiography's social and political roles and the conception of the discipline as purely factual, this essay provides a detailed analysis of “revision” and its connection to “revisionism.” This analysis uses a philosophical approach that begins with the commonplaces of our understanding as expressed in dictionaries, which are compared and contrasted to display relevant confusions. The essay then turns to examining the questions posed by History and Theory's Call for Papers announcing its Theme Issue on Revision in History, and, where philosophically relevant, answers them. The issue of paradigm change proved to be quite significant and required particular attention. A “paradigm” is analyzed in terms of Quine's “web of belief,” and that web is itself explained as an ongoing process of revision, in analogy with Rawls's concept of pure procedural justice. Adopting this approach helps clarify the entanglement between politics and historiographical revision.  相似文献   

6.
Abstract

Richard III centers on the rise and fall of a man who claims that he will “set the murderous Machiavel to school” and proceeds to seize the crown of England, only to lose his grip on that coveted prize in his own sudden personal and political unraveling. Insofar as we see Richard as a genuine but failed Machiavellian, it remains difficult to determine the extent to which Shakespeare's critique of Richard is a critique of Machiavelli. Yet Shakespeare's account of Richard's hopes, successes, and failures, examined in light of relevant classical texts, points to fatal flaws in Machiavelli's account of reason, conscience, and the end of human actions, demonstrating that the concept of the objective good is an essential component of any meaningful and coherent account of human action. Thus, Richard's ultimate descent into madness is a sign of the fate that even the “best” Machiavellian statesman or society is destined to share.  相似文献   

7.
In Images of History, Richard Eldridge deploys the metaphor of “bootstrapping” to describe the possibility of a mutually constitutive interaction of historical understanding and reflection on political ideals outside of and beyond the notion of a completed theory or teleological development. Although “bootstrapping” does considerable work in the book, it remains relatively unthematized in itself. This article explores the concept of bootstrapping in both Eldridge's book and in a number of disciplines. In doing so, it aims to make three critical observations. First, while Eldridge rightly seeks to energize our sense of historical openness, the argument is usefully enriched by the adjacent field of political theory, where “boot‐strapping” is often paired with “self‐binding” to describe how self‐creating processes might be arrested and stabilized. Second, Eldridge's use focuses on individual dispositions, but the concept of “bootstrapping” points to the need to pursue understanding of collective processes of self‐institution. Third, when extended to the natural world, “bootstrapping” calls for scrutiny of the relationship between human self‐creation and nature as a site of emergence and self‐organizing phenomena.  相似文献   

8.
It should be hardly surprising to discover that eighteenth-century European perspectives of other cultures were shaped to a large extent by concerns internal to European political life. Objective or unprejudiced accounts of non-European cultures are rarely found among travellers, missionaries, and philosophers of the time. While the insights of Enlightenment political thinkers on the non-European world may shed little light on the cultures being commented upon, they are useful for assessing the nature of the Enlightenment's engagement with cultural traditions external to Europe. In particular, Enlightenment conceptions of China were extremely varied and reflective of the debates between Enlightenment thinkers, especially on the proper relation between religion and politics. I shall argue that Montesquieu's account of Confucianism in The Spirit of the Laws (De l’esprit des lois, first published in 1748) was in part influenced by his critique of Bayle's position on the role of religion in society as expounded in his Various Thoughts on the Comet (Pensées diverses sur la comète, published in 1682). While Montesquieu's account and assessment of Chinese thought and culture are “Eurocentric,” his evaluation of Confucianism nevertheless arises from a considered philosophical position on religion and politics.  相似文献   

9.
This essay reflects critically on Martin Heidegger's remarks about authenticity and death with the aid of Christophe Bouton's Temps et liberté (2002), translated by Christopher Macann as Time and Freedom (2014). It first raises general questions concerning the possible thematic relationship between human endeavoring (action) and the experiences of finitude and freedom. Heidegger's Being and Time is particularly useful for exploring this relationship, but certain problems emerge when using this text for accessing the essay's themes. To wit: there are good reasons for mistrusting readings of Being and Time as a “practical” guide for grounding action. Against the practical reading, the essay wishes to reclaim the ontological‐existential significance of Heidegger's text. Although Bouton's treatment of Being and Time excludes its ontological dimensions and is entirely practical, even to the point of disregarding certain theoretical risks inherent in this approach, Bouton's study is indispensable for situating Being and Time in a historical‐intellectual context, whereby the experiences of freedom and time are understood within certain metaphysical presuppositions rendering them difficult to establish together on reliable grounds. Following Bouton's lead, the essay shows that the hermeneutic differences between practical and ontological readings of Being and Time can be explored through reflections on what Heidegger might have meant by the term “Möglichkeit” (“possibility”), from which Bouton infers “freedom.” It is alleged that Bouton does not fully consider all of Heidegger's assertions regarding Möglichkeit, most problematically the claim that the human being's most essential “possibility” is its “impossibility,” that is to say, its death.  相似文献   

10.
This essay is primarily a study of Derek Walcott's Tiepolo's Hound as an affirmation of Caribbean, tropical, blinding light through an engagement with the life and work of Camille Pissarro. Conceived as such, the poem, I argue, proposes an “adamic” vision and imagination attuned with “Time” rather than “History” (the concepts are Walcott's), as well as an intensification of sensory-perception beyond vision. In order to better appreciate the historical and contextual relevance of Tiepolo's Hound, the essay provides first a general introduction to: (1) a nuanced understanding of light and its “otherness” emerging from modern physics; (2) some of the ways in which western capitalism and Cartesian perspectivism, as a hegemonic aesthetic and philosophical tradition in the West, have attempted to capture and control light and its “otherness;” and (3) the blinding quality of light in the tropical context, which repositions light as a force against any and all exploitative capitalist desires.  相似文献   

11.
In his essay “Peter’s Denial,” René Girard draws a parallel between mimesis and Martin Heidegger’s concept of being-with (Mitsein). In this essay I explore this parallel through a third, intermediate term—addiction—on the assumption that living in a world governed by mimesis, according to Girard, and living in the modus of Mitsein, according to Heidegger, can both be characterized as a kind of addiction. The clarification of the parallel between mimesis and Mitsein through this intermediate term may contribute to a better understanding of a central concept of Heidegger’s philosophy and, at the same time, bring into view the philosophical dimension of Girard’s mimetic theory. In my conclusion I propose Levinas’s ethical approach as a possible cure to the addiction to mimesis and being-with.  相似文献   

12.
In his recent book, Amir Eshel focuses on over thirty recent German‐, Hebrew‐, and English‐language novels to develop a reading method—the “hermeneutics of futurity”—that would replace moralizing approaches to past traumas, including German guilt over the Holocaust and Israeli denial of Palestinian suffering. Futurity demonstrates how various narratives imagine a future liberated from denial, guilt, and thus traumatic repetition. In so doing Eshel emphasizes human agency to counter the “hermeneutics of suspicion” that has long dominated a great deal of literary theory, and focuses on how novelists construct human choices and their consequences. He covers two generations of German‐language novels spanning the Adenauer era to the present, and two generations of Israeli writers reflecting on 1948 and later, 1967. In order to develop fully the concept of futurity he also writes on recent American and English novels, often with implicitly political themes. The book succeeds in demonstrating the value of how various novelists read the past otherwise in order to reconstruct the present and future. At the same time, Eshel conceives human agency and “choice” so capaciously that the book often neglects the institutional constraints on agency that afflict victims of traumas in particular. His treatment of Martin Walser's controversial fictionalized memoir is exemplary of this problem in an otherwise stimulating work.  相似文献   

13.
14.
This essay examines how hermeneutic philosophy, particularly Gadamer's, recovers rhetoric, less as the art of speaking well than as a statement of a truth of the sensus communis, that which communicates veracious content through argumentation. This is the sense in which Gadamer acknowledges the ubiquity of rhetoric and hermeneutics as components of linguisticity (Sprachlichkeit). Conceived in the context of non-methodical wisdom and phronesis, Gadamer's rehabilitated rhetoric is concerned with pragmatics and ethics. Rhetoric is no longer viewed as a technique of verbal manipulation and becomes relevant for dialogic communication. Gadamer thus joins the Habermasian criticism of formalized reason that is detached from values. Both of them reject instrumental reason, because it has colonized communicational reason. However, since Gadamer's view of rhetoric has also been criticized by Habermas and Ricoeur their objections cannot be overlooked in a discussion of his hermeneutics. The essay concludes with a brief consideration of the implications of the debate on rhetoric, hermeneutics, and communication for the twenty-first century.  相似文献   

15.
“Thing” has undergone reification, and it has done so together with its linguistic “conjoined twin” – “landscape”. Whereas thing once was the name for meetings where people assembled to treat common things that matter, things, in the modern sense, have become physical objects (things as matter). Likewise, landscape's meaning has been reified from being a polity constituted by common thing meetings treating substantive things that matter, to becoming a spatial assemblage of physical things as matter. To fully grasp the contemporary meaning of both things and landscape it is necessary to understand the way in which those meanings are the intertwined outcome of a process of revolutionary inversion, or turning inside–out, by which the meaning of things has been spatialized, enclosed, individualized, privatized, scaled and reified as a constituent of the mental and social landscape of modernity. The potentiality of the concept of thing lies, it will be argued, in its continued containment of older, subaltern meanings that can work to empower an alternative “non‐modern” understanding of things along the lines of, but distinct from, Bruno Latour's notion of Dingpolitik, which will be termed “thing politics” here. This argument is analysed in relation to Martin Heidegger's concept of the “thing”, and exemplified by the mandate of the European Landscape Convention, and the modern planning usage of Landscape Character Assessment and Ecosystem Services, as applied to England's Lake District.  相似文献   

16.
In 1929 Ernst Cassirer and Martin Heidegger participated in a momentous debate in Davos, Switzerland, which is widely held to have marked an important division in twentieth‐century European thought. Peter E. Gordon's recent book, Continental Divide: Heidegger, Cassirer, Davos, centers on this debate between these two philosophical adversaries. In his book Gordon examines the background of the debate, the issues that distinguished the respective positions of Cassirer and Heidegger, and the legacy of the debate for later decades. Throughout the work, Gordon concisely portrays the source of disagreement between the two adversaries in terms of a difference between Cassirer's philosophy of spontaneity and Heidegger's philosophy of receptivity, or of “thrownness” (Geworfenheit), into a situation that finite human beings can never hope to master. Although it recognizes that this work provides an important contribution to our understanding of the Davos debate and to twentieth‐century European thought, this review essay subjects Gordon's manner of interpreting the distinction between Cassirer and Heidegger to critical scrutiny. Its purpose is to examine the possibility that important aspects of the debate, which do not conform to the grid imposed by Gordon's interpretation, might have been set aside in the context of his analysis.  相似文献   

17.
Pairing Thus Spoke Zarathustra with On the Genealogy of Morality foregrounds tensions between artistic creation and critical interpretation in Nietzsche's work. From The Birth of Tragedy to his genesis of the concept, Will to Power, Nietzsche describes the real, or “what is,” in terms of a creative, form-giving force. We might therefore read Zarathustra—a linguistically experimental, richly allegorical, self-reflexive, modernist prose poem—as the pre-eminent, artistic mode of philosophical expression, at least for Nietzsche. But Zarathustra is followed by a sober Abhandlung (treatise), which professes a scientific goal of “getting to the bottom of things” by uncovering the contingency, origin, and fabricated nature of supposedly eternal, “given” values. These instantiations of Nietzsche-the-artist and Nietzsche-the-critic suggest art's “double” or contradictory nature—a nature that accents its kinship with philosophy. Zarathustra and the Genealogy, read together, hint that the destruction of idols—or de-constructive, critical interpretation more generally—is not just supplemental to, but a necessary moment within the aesthetic itself.  相似文献   

18.
This article argues that Groethuysen's creation of a new historiographical genre—the anonymous history of the formation of worldviews—was a response to the “problem of historicism” conceived of as a task of working out a concept of historicity beyond the relativism–objectivism dilemma. In scrutinizing Groethuysen's implementation of phenomenology to study how basic historical phenomena have been experienced, the article draws a parallel with Heidegger's response to historical relativism. In the main argument, Groethuysen's combination of a new approach to the history of ideas and a historicized philosophical anthropology reveals the possibility of avoiding the depressing dilemma between metahistorical objectivism and historicist relativism by means of a double hermeneutics. In this regard, special attention is paid to Groethuysen's phenomenological conception of narrative time.  相似文献   

19.
Abstract

It is widely acknowledged that Leo Strauss was an extraordinary scholar and teacher who strove to open up forgotten vistas of philosophical inquiry. Gigantic controversy rages, however, about the sorts of political and social changes, if any, that he hoped to promote. The fire has been fueled by the alleged contributions of Straussians to the Iraq War—and by the publication of Strauss's 1933 letter that commended “fascist, authoritarian, and imperial” principles. This article reviews and then updates the assessments proffered in my 2009 book (Straussophobia) about the state of the “Strauss Wars.” Critics such as Shadia Drury continue to embarrass themselves in prestigious venues, but newer voices are using innovative strategies to argue that Strauss was attempting to undermine the principles of American democracy. Whereas William Altman relies on “esoteric interpretations” of Strauss's writings, Alan Gilbert illuminates Strauss's behind-the-scenes efforts regarding policy disputes. Although I maintain that Gilbert and especially Altman have made invaluable contributions, I argue that they both overreach.  相似文献   

20.
ABSTRACT

This article examines John Toland’s Reasons for Naturalizing the Jews (1714) by placing it alongside other elements of his engagement with Jewish history, Mosaic principles and wider “Hebraica” – specifically, an appendix to his Nazarenus (1718) and his Origines Judaicae (1709). Although Toland’s case for Jewish naturalization shows the strong influence of Locke’s case for political and religious toleration, and also of a general “mercantilism”, it is argued that one of its main characteristics is a philosophical naturalism, shown in its treatment of the human species as a whole. Furthermore, it is also argued that this same naturalism is evident throughout Toland’s engagement with Jewish history and Mosaic thought. Accordingly, when we “fold” these works into each other, we find each enhancing our understanding of the others – not just as examples of Toland’s treatment of “Jewish affairs”, but also as illustrations of a consistent conceptual materialism. To emphasize this, the article concludes by suggesting that the figure of Rabbi Simone Luzzatto, author of a 1638 plea for tolerance, provides an important clue in understanding the links between Toland’s political injunctions and the philosophical foundation on which they are built.  相似文献   

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