陕西旬邑西头遗址出土彩绘白灰面的成分和工艺分析

对陕西旬邑县西头遗址出土的彩绘白灰面进行了成分和制作工艺分析。采用偏光显微分析、扫描电镜能谱、X射线衍射,拉曼光谱分析了该彩绘面的颜料和石灰层成分,采用气相色谱-质谱联用技术(GC-MS)分析了该彩绘面的胶料成分。结果表明,该彩绘面的颜料由铁红,铁黄和绿土构成。白灰层由碳酸钙构成,部分样品中存在双层白灰层。GC-MS分析表明,该彩绘面的胶料含动物胶,可能还含蛋类。通过比较研究发现,旬邑彩绘白灰面的制作工艺和与后期壁画制作工艺相似,对其组成和工艺的研究将有助于探索先周时期关中地区壁画的起源和发展。     

Painted plaster from Bronze Age Thebes, Boeotia (Greece): a technological study

From the rather difficult excavations that have taken place in Thebes since the beginning of the last century, many fragmentary but often well-preserved paintings on plaster have been unearthed. These belong to several contexts and periods: House of Kadmos (Late Helladic IIIA), Treasury Room (Late Helladic IIIB1) and Oikopedon Spourli (Late Helladic III). Their iconography, style and technology fit well with other paintings from the Late Bronze Age sites found in the vicinity of Thebes (e.g. Gla and Orchomenos). This paper presents a technological study of the Bronze Age painted plaster from Thebes, Greece. The paintings were investigated by means of X-ray diffraction; stereo, reflected light and scanning electron microscopy; some by laser-induced breakdown spectrometry and by micro-Raman spectroscopy, in order to identify the pigments and the composition of the plaster layers, and to determine the painting technique(s) that the artisans may have employed. The plaster layer onto which the paint layer was applied was often the only layer and consisted mainly of calcite, while a clay plaster formed the backing between the lime plaster coat and the actual wall surface. The pigments identified were: yellow ochre, haematite (red), cuprorivaite (Egyptian blue), indigo and possibly riebeckite for blue, charcoal (black), calcite (white), and a combination of black and red for purple. A detailed macroscopic study of the painted surface revealed several features, which indicated that the technique of al fresco painting was employed extensively, a technique already in use since the start of the Late Minoan I phase on Crete. A generally lower level of quality in the appearance of the later paintings (Treasury Room and Oikopedon Spourli) was also noted, but this was not reflected in the materials used or in their overall manipulation.     

X‐ray Diffraction and SEM Investigation of Wall Paintings Found in the Roman Temple Complex at Horvat Omrit,Israel

In the present study, the fragments of wall painting found in the Roman Temple Complex at Horvat Omrit were analysed for the first time using the non‐destructive techniques of X‐ray diffraction (XRD) and scanning electron microscopy (ESEM) equipped with energy‐dispersive X‐ray spectroscopy (EDS). The application of these methods enabled unambiguous identifications of the pigments and plaster components of the samples. Quantitative information on mineral composition, crystallite size and elemental composition of each studied paint layer and plaster was collected. Based on the results of the XRD and EDS analyses, the green pigment was identified as celadonite. It was revealed that the Egyptian blue pigment does not contain impurities of tin and lead, and this excludes the use of bronze scrap in its synthesis. Comparison of the mineral composition of the paint layers indicates that a wider palette of colours was obtained by mixing the available mineral pigments. The study of cross‐sections of painted specimens revealed the usage of slaked lime for plastering. The obtained results give a new insight into the wall painting technique employed by ancient artists at Horvat Omrit, in northern Israel.     

中国明代木质古建西安鼓楼彩绘的分析研究

鉴于有关中国木质古建彩绘材料及技术的研究报道较少,本工作通过光学显微镜、扫描电镜能谱(SEMEDX)、X射线衍射及气相色谱质谱(GC/MS)分析方法,对建于公元1380年的中国西安明代鼓楼木建表面彩绘样品进行了科学检测研究,分析了其中的无机材料组成及彩绘所用粘合剂,并收集了所涉及到的相关历史资料。分析结果表明,木建表面彩绘的材料组成和制作技术与历史调查获得的信息完全吻合。地仗层主要由粘土、石灰、干性油(桐油)及纤维织物组成,且地仗层保持最初的原材料。颜料分析结果显示,尽管修复时所使用的粘合剂与最初建造时的粘合剂完全相同,但目前彩绘的颜料即有原来使用的材料,也有十八世纪修复时所使用的材料。     

Characterisation of archaeological mortars and plasters from kyme (Turkey)

The present study focuses on the compositional characterisation of Roman, proto-Byzantine and Medieval mortars, sampled in the archaeological site of Kyme (Turkey), an Aeolian city, founded in the middle of the XI century BC by Greek populations. The mortars were studied through elemental (SEM-EDS, XRF), mineralogical (XRPD, De Astis calcimeter) and petrographic (polarised optical microscopy) analysis. The comparison between the samples allowed us to emphasise compositional differences within mortars of the same historical period.In particular, we detected the prevalent use of cocciopesto, which was used as a pozzolanic additive to create hydraulic mortars in the Roman and Byzantine period. The cocciopesto was used to improve the technological properties of an initially slaked lime. Furthermore, compositional similarities allowed us to attribute an unknown sample to the Roman period. Our study also pointed out the fact that the lower quality mortars belonged to the Medieval period. As a matter of fact, the most friable sample belonging to the Middle Ages turned out to be a mixture of clay, lime and volcanic sand.     

Archaeometric study of natural hydraulic mortars: the case of the Late Roman Villa dell’Oratorio (Florence,Italy)

This paper shows the results of a multidisciplinary study carried out on the mortars from the Late Roman Villa dell’Oratorio (fourth-sixth ad), an aristocratic mansion built in the lower Valdarno (Florence, Italy). Thirty-one bedding mortar and plaster samples were analysed through optical microscopy, thermogravimetric analysis, X-ray powder diffraction and scanning electron microscopy with energy-dispersive X-ray spectroscopy for determining the chemical, mineralogical and petrographic characteristics, while their main physical properties were measured by geotechnical procedures. The collected data indicates that the analysed mortars are made up of very fine to coarse river sand aggregate mixed with white to yellowish-white natural hydraulic lime binder mainly consisting of mixtures of prevailing calcite and hydraulic compounds. With regard to the origin of the raw materials, the aggregates were recognized to be selected Arno river sands, and the binders are the burning product of a local marly limestone (ex Alberese). Therefore, the mortars of the Late Roman Villa dell’Oratorio are one of the first uses of natural hydraulic lime in the lower Valdarno.     

DOMUS AUREA,THE ‘SALA DELLE MASCHERE’: CHEMICAL AND SPECTROSCOPIC INVESTIGATIONS ON THE FRESCO PAINTINGS

In this paper, data collected from the wall fresco paintings of room 114, called the ‘Sala delle maschere’, of the Domus Aurea in Rome is analysed. The chemical composition of the efflorescence is investigated by infrared spectroscopy. The colour palette is determined by means of EDXRF, Raman spectroscopy and visible reflectance spectroscopy. EDXRF has allowed an extensive mapping of the elements present in the pigments and plaster; whilst in‐situ Raman spectroscopy has been determinant for attributing the molecular composition of the pigments in a number of doubtful cases. Most pigments identified are typical of Imperial Roman fresco paintings (first to fourth centuries AD) ( Ward‐Perkins 1981 ); more interestingly, we found evidence of fragments painted with Egyptian blue, which was normally used mostly in official rooms.     

Characterization of archaeological lime mortars in a Ming dynasty tomb: A multi-analytical approach

Lime mortars have played an important role in constructing ancient Chinese masonry structures, including city walls, buildings, and tombs. A tomb built with lime mortars and stones belonging a Ming high-ranking official, Xu Jie, was discovered in Huzhou City of China. Eight different samples from Xu Jie’s tomb, representing four types of lime-mortar-based materials: joint mortar between stone bricks, bedding mortar, grouting mortar, and plaster mortars were collected for analysis and comparison. The characterization of the construction materials has therefore become of primary importance. The function of each mortar was reported and studies into the micro-textural features and mineralogical compositions of those mortars were performed via a multi-analytical approach. The joint mortars were all found to be aerial lime mortars with predominately lime. The bedding mortar was found to consist of lime, soil and sand, typical of a tabia mortar. The grouting mortar was found to consist of lime and ground contact metamorphosed limestone. Analysis of plaster sample taken from the roof of the main tomb identified the presence of calcium stearate/palmitate, indicating the usage of plant-based tung oil as an additive. The analytical results will promote our understanding of Ming architectural technology and craftsmanship, and provide critical information for the conservation of Xu Jie’s tomb.     

陕西蓝田水陆庵彩绘泥塑颜料分析研究

水陆庵位于陕西蓝田王顺山下,庵内现存三百余平方米精美绝伦的明代彩绘泥塑,是我国泥塑保存最多、最完整的明代彩绘泥塑群之一。为明确水陆庵彩绘泥塑的颜料使用情况,采用光学显微镜、X射线衍射仪、显微红外光谱仪、扫描电镜-能谱仪和显微拉曼光谱仪对颜料样品进行科学分析。结果表明,除中隔壁背面重妆区域的蓝色颜料主要成分是普鲁士蓝之外,水陆庵彩塑使用的颜料大多为矿物颜料,包括铅丹、朱砂、铁红、氯铜矿、雌黄和云母等。研究结果将为水陆庵后续保护修复提供科学依据,并为丰富关中地区明代彩绘泥塑颜料类型补充科学信息。     

Production of the Roman Cement in Italy: characterization of a raw material used in Tuscany between 19th and 20th century and its comparison with a commercialized French stone material

An experimental approach in order to investigate the possibility that some Italian limestones were used for the production of Roman Cement is proposed. Three types of Pietra Alberese, a marly limestone used since Roman times for the production of “lime” in Tuscany (Italy), were selected. By burning of these stones, specimens of binders were realized. The characteristics of these binders were compared with the binder obtained by burning a French marly limestone commercially used for the production of Roman Cement.

All samples of carbonate stones were preliminarily characterized from the chemical, mineralogical, and petrographic point of view. The colorimetric coordinates were measured on both rock samples and hardened binder samples. The analysis carried out shows that Pietra Alberese with an high content of clay minerals develops a similar microstructure with respect to that developed by the French marly limestone used for the production of Roman Cement.     

Annual Meeting of the Archaeological Institute,to be Held at Edinburgh in July, 1856

The following paper is based on work carried out between 1974 and 1984 in connection with J. T. Smith's survey for the Royal Commission on the Historical Monuments of England of the domestic buildings of Hertfordshire. It deals principally with painted decoration on plaster and timber walls and ceilings, but also takes into consideration other decorative features such as moulded plasterwork and wooden panelling.     

西安长安区韩家湾M29墓壁画现场清理及保护

西安长安区韩家湾M29墓,由斜坡墓道、壁龛、天井、过洞、甬道、砖券墓室组成。墓道口与甬道之间,绘有青龙,白虎,侍者等,壁画的内容及表现方式丰富了对唐代中晚期墓葬壁画的认识。为对其进行保护,用XRD、SEM-EDX、Micro-Raman等技术对该壁画结构和颜料成分进行分析,同时对壁画进行了现场清理及保护。结果表明该墓室壁画的制作是在墓道两壁上先抹一层草拌泥地仗,再于其上刷一层白灰后绘制,绘制壁画的颜料主要为黑色,黑色颜料的呈色物相为炭黑。     

Special Studies: Petrographic Thin Sections and the Development of Neolithic Plaster Production in Northern Israel

Abstract

Petrographic and petrological techniques have been used to examine Neolithic plaster products from several sites in northern Israel. Referring to former studies, the value of different analytical methods for the examination of ancient plasters and mortars is considered. The new data, achieved by the relatively simple method of Petrographic examination, reveal a different interpretation of Neolithic craft specialization and cultural interchange. The production methods of architectural plasters, together with plaster products (e.g., beads, figurines, “white ware” vessels, etc.), differ significantly between sites, even in the limited region of the Israeli Galilee. In most cases, burnt lime was used as a secondary raw material, together with powdered chalk, sand, and clay. In our view, lime burning was a casual, limited activity that did not require intensive labor. Therefore, fulltime specialists would not have been required and, what is more, the complexity of Neolithic society, based on considerations of plaster technology, has yet to be clearly demonstrated.     

EFFECTS OF MILLING: A POSSIBLE FACTOR INFLUENCING THE DURABILITY OF HISTORICAL MORTARS

In their literary texts, some classical Roman authors such as Gaius Plinius Secundus and Marcus Vitruvius Pollio stress the importance of milling when preparing mortars. Following these indications, this work describes the effects of milling between lime (calcium hydroxide) and clay brick powder before and after the addition of water. Starting and resulting materials were investigated by XRPD, SEM/EDS, differential scanning calorimetry and thermogravimetry (DSC/TC), colorimetry, densimetry and porosimetry. Prolonged milling changes the mineralogy of the starting materials and increases their reactivity. The final lime pastes, starting from materials milled for varying periods of time, had different mineralogical and physical characteristics. These results may help to clarify the reasons for the marked differences in durability of some historical mortars.     

Roman traces in Germania magna: New thermoluminescence and pIRIR290 data from a lime kiln at Bergisch Gladbach,Germany

The applicability of a post‐infrared infrared stimulated luminescence (pIRIR₂₉₀) protocol and two different thermoluminescence (TL) protocols—a single aliquot regeneration (SAR) and a multiple aliquot additive dose (MAAD)—was tested on six polymineral fine‐grain (4–11 μm) samples extracted from the wall remains of a Roman lime kiln and a Roman roof tile. These remains had been excavated close to Bergisch Gladbach, which was at that time part of Germania magna. For the pIRIR₂₉₀ measurements, no dependence of D_e on first‐stimulation temperature was detectable, and the standard first stimulation temperature at 50°C was adopted. Fading tests and dose‐recovery tests were made for all samples. Background subtracted glow curves were recorded up to 480°C for TL after a preheat of 220°C for 120 s. A‐values were determined for all TL and pIRIR measurements. The results for all three protocols were fairly consistent, and TL and pIRIR₂₉₀ protocols are shown to be suitable to estimate reliable equivalent doses for the fired kiln walls. The resulting ages are in agreement with the expected time range—Roman Iron Age—and with independent age control provided by radiocarbon ages of animal bones and charcoal from the firing chamber.     

Trace element fingerprinting of ceramic building material from Carpow and York Roman fortresses manufactured by the VI Legion

Trace element compositions of raw clay, fired clay and Roman ceramic building material (CBM) from Carpow Roman fortress, Newburgh, Scotland and the city of York, England have been determined through the use of inductively coupled plasma-mass spectrometry (ICPMS). It is confirmed that the firing of clay does not disturb any of the sample’s trace element composition and that trace element protolith identification is an applicable tool for fingerprinting the source of material used in CBM construction. It is also demonstrated through the particular proportions of LREE/HREE; Th/Co; La/Sc; La/Lu; Eu/Sm values on CBM from Carpow that these material were likely manufactured from clay used in the York Roman tile manufacturing industry, therefore suggesting importation. The transport of CBM from York to Carpow provides a useful addition to known examples of the long-distance shipping of CBM. It is postulated that similar analysis to that conducted here could be used to identify important trade networks within the Roman Empire.     

Characterization of lime carbonates in plasters from Teotihuacan,Mexico: preliminary results of cathodoluminescence and carbon isotope analyses

This study characterizes the degree of calcination of lime in lime plaster samples from Teotihuacan, the capital of a regional state in prehispanic Central Mexico. Lime plaster production consists of multiple steps, from the firing of raw materials to the mixing of lime and aggregate and the final application. While previous studies have focused on the compositional variability, specifically the recipe of lime plasters and mortars, the characterization of lime itself has not been sufficiently addressed. In this study, cathodoluminescence analysis coupled with petrographic and image analyses were employed to examine the degree of calcination of lime. The results of cathodoluminescence petrography were further examined through stable carbon isotope and ¹⁴C measurements. It appeared that the results of cathodoluminescence analysis are consistent with those of other analytical methods and that there are diachronic changes in the degree of calcination of lime among lime plaster samples. This implies changes in the organization of lime production, specifically the consistency in the control of firing temperature.