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1.
In contrast to the criticism that his work represents a Euro-centric view of China, we argue that Joseph Levenson’s understanding of China involves a third dimension – Judaism – at the level of his historical perspective and methodology. Built on in-depth analysis of Levenson’s work, in particular his Confucian China and Its Modern Fate, as well as his unfinished yet profound writings on Judaism and Jewish history, we find that his understanding of Jewish tradition plays a crucial role in his analysis of the history of modern China. We argue that what Levenson practiced was a historical methodology that we name “dialogic history.” We believe that dialogic history provides us a potential answer to the question of how we can understand another culture without being imperialists, essentialists, or Orientalists. Dialogic history is also history in action because when this kind of dialogue is conducted, a new space can be created in which history is no longer a one-sided monologue.  相似文献   

2.
ABSTRACT

When political theorists talk about “religious diversity,” they usually intend the multiplicity of “religions” in a given society. Yet we now know that the secular, liberal framing of the problematic presupposes a controversial definition of “religion.” My primary goal, in this paper, is to reorient scholarly discussion around what we might call “the critical religion conception of diversity” – not the multiplicity of “religions,” but the myriad ways that the sacred intersects with national and political identity, some of which resist assimilation to the “religious” paradigm. Toward this end, I relate a story about Spinoza’s Hebrew reception in the interwar period. For Zionist intellectuals, Spinoza symbolized the deformations that “religion” imposed on Judaism’s self-understanding and the constraints that it placed on Jewish intellectual horizons. Studying the Zionist critique of “religion” exposes the limitations of received theoretical frameworks, which cannot address the kinds of diversity that were politically consequential for twentieth-century Jews.  相似文献   

3.
In the context of the well-established importance of Nietzsche’s engagement with Stoic thought for his work as a whole, this article seeks to make two claims. First, that the Mausoleum reference in Lecture 4 of “On the Future of Our Educational Institutions” constitutes a substantial engagement with the Stoic doctrine of recentes opiniones as presented in Cicero’s Tusculan Disputations; and second, that this reference taken in its textual and intertextual context, constitutes a critique of the Stoic views of time and of the relationship of nature and culture. In so doing, the article seeks to contribute to the wider issues of Nietzsche’s views on naturalism, fatalism, desirability, and culture.  相似文献   

4.
This article analyzes how Freud takes issue with the prioritization of the present over and above the historical past. Significantly, Freud's understanding of history is closely related to his interest in Christianity's historical dependence on Jewish antiquity. He emphasizes the common sources of both religions: both are shaped by the experience of guilt. Christianity, however, relegates the historical past to the realm of the “old Adam.” According to Freud, Jewish culture, by contrast, revolves around the commemoration of a “savage” (i.e. pre‐modern) past. This article thus focuses on how Freud combines his analysis of onto‐genesis (in his psychoanalytical case studies) with a discussion of phylogeny. The manifestation of psychic illness gives body to the unconscious remembrance of phylogenetic history. Thanks to religious and literary documents an irrational past has been put down in writing. According to Freud, this characterizes their historical truth value.  相似文献   

5.
Lee Benson was one of the first American political historians to suggest a “systematic” revision of traditional political history with its emphasis on narrow economic class analysis, narrative arguments, and over‐reliance on qualitative research methodologies. This essay presents Benson's contributions to the “new political history”—an attempt to apply social‐science methods, concepts, and theories to American political history—as a social, cultural, and political narrative of Cold War‐era American history. Benson belonged to a generation of ex‐Communist American historians and political scientists whose scholarship and intellectual projects flowed—in part—out of Marxist social and political debates, agendas, and paradigmatic frameworks, even as they rejected and revised them. The main focus of the essay is the genesis of Benson's pioneering study of nineteenth‐century New York state political culture, The Concept of Jacksonian Democracy, with its emphasis on intra‐class versus inter‐class conflict, sensitivity to ethnocultural determinants of political and social behavior, and reliance on explicit social‐science theory and methodology. In what follows, I argue that The Concept of Jacksonian Democracy has its roots in Benson's Popular Front Marxist beliefs, and his decade‐long engagement and subsequent disenchantment with American left‐wing politics. Benson's growing alienation from Progressive historical paradigms and traditional Marxist analysis, and his attempts to formulate a neo‐Marxism attentive to unique American class and political realities, are linked to his involvement with 1940s radical factional politics and his disturbing encounter with internal Communist party racial and ideological tensions in the late 1940s at Cornell University in Ithaca, New York.  相似文献   

6.
ABSTRACT

The aim of this article is to argue that the principle of “publicity” constitutes a fundamental idea in Kant’s political thought. Publicity provides a central insight that binds together various strands of Kant’s political writings (on issues as diverse as the question of Enlightenment, the right of revolution, historical teleology, reflective judgment, cosmopolitan citizenship, democratic peace, and republican government), and moreover, it offers a much-needed cornerstone for a systematic exposition of his nonexistent political philosophy. Apart from some eminent examples, publicity has been a rather neglected topic in the ever-expanding literature on Kant’s political ideas. Revisiting this notion will make us more attentive to his evocation of the “spirit of republicanism” over and above the letter of the law, and might prompt us to reconsider Kant’s reputation as a classical representative of liberal political thought. Indeed, it should inspire us to situate Kant’s appeal for the “public use of reason” in the vicinity of the republican ideal of political liberty.  相似文献   

7.
Abstract

This article investigates artist and activist Ai Weiwei’s media politics. In 1997 Ai Weiwei imagined a modernist movement that would practise a “non-compromising vigilance on society and power” and since 2005 he has embraced blogging and micro-blogging to enact such intent. We argue that his “communication activism” is part of a broader artistic and political program that long predates his online presence. The study examines how the artist has experimented with blogging and micro-blogging to spread his message of “awakening” in defiance of censorship and surveillance. It shows how Ai Weiwei’s communication strategy combines an international celebrity status, criticism, irony and a round-the-clock interaction with his netizen audience and the media. It also critiques the effectiveness and coherence of this mode of activism from two perspectives – namely, Jean Baudrillard’s analysis of “private telematics” and Jodi Dean’s “blog theory” – and finally assesses its impact. The study aims to enhance our understanding of the web-based communication strategies of Chinese activists, shedding light on cultural production and consumption in Chinese cyberspace as a socio-political barometer.  相似文献   

8.
ABSTRACT

Situating Samuel Taylor Coleridge’s thought on historically actualized ideas with reference to a range of classical thinkers, this article examines his intriguing philosophical theory about how ideas become progressively actualized in history. This cultural growth can be understood as contemplation-in-action, although it occurs through mainly fumbling – or else overenthusiastic – human agents. I distinguish Coleridgean first-order, transcendent ideas (such as God, infinity, the good, the soul) from second-order, historical ones (such as church, state, the constitution). It has been argued that Coleridge’s theory of ideas develops from Bacon’s inductive method for discovering laws of nature through experiment and natural law through common law. I further claim that Coleridge upholds the reality of “Forms” in science, and of rights in ethics and politics; that his later political thought is inherently more progressive than is generally admitted; and that his account differs from Schelling’s and Hegel’s respective theories by maintaining the transcendence of ideas above the immanence of their evolving historical actualizations. Coleridge’s philosophy is therefore, whether political or metaphysical, ultimately an ontological defence of the transcendence of ideas above the immanence of their progressive but imperfect actualization.  相似文献   

9.
10.
ABSTRACT

This paper analyzes a short essay by Kang Youwei (1858–1927) – one of the intellectual and political protagonists of late imperial and early Republican China. In it, he interpreted the historical experience of Russian modernization under Peter the Great (1672–1725) and used it as a “success story” for the renewal of Chinese monarchical institutions. It was written in 1898 and presented to the Manchu throne under the title “Account of the Reforms of Peter the Great”, and for our purposes will be the departing point for a “global intellectual circuit” through which the following questions will be addressed: Why was seventeenth and eighteenth century Russia considered as a model for China by the author? How did he manage to adapt the historical experience of Russia into a social and political conceptual framework for China? What was Kang’s historiographical method, and what kind of philosophy of history framed his reflections? What does this short essay tell us about Kang’s view on “Westernization”, on the concept of “modernity” itself, and on its use for historiographical purposes?  相似文献   

11.
Summary

This paper explores the role of the Ciceronian tradition in the radical religious discourse of John Toland (1670–1722). Toland produced numerous works seeking to challenge the authority of the clergy, condemning their ‘priestcraft’ as a significant threat to the integrity of the Commonwealth. Throughout these anticlerical writings, Toland repeatedly invoked Cicero as an enemy to superstition and as a religious sceptic, particularly citing the theological dialogues De Natura Deorum and De Divinatione. This paper argues that Toland adapted the Ciceronian tradition so that it could function as an active influence on the construction of his radical discourse. First, it shows that Toland championed a particular interpretation of Cicero's works which legitimised his use of Cicero in this rational context. Then, it shows the practical manifestations of this interpretation, examining the ramifications for how Toland formed three important facets of his campaign against priestcraft: his identification of priestcraft as a superstition; his argument for a rational religion in which priestcraft could play no role; and his portrayal of anticlericalism as a service to the Commonwealth.  相似文献   

12.
ABSTRACT

This study examines the leading early nineteenth-century Scottish moral philosopher Dugald Stewart’s discussion of the origin and development of religion. Stewart developed his account in his final work, The Philosophy of the Active and Moral Powers of Man (1828), in an effort to show that the fact that polytheism was the first religion of humankind does not undermine the truth of monotheism. He wrote in response to similar discussions presented in David Hume’s “Natural History of Religion” (1757), which argued for the primacy of polytheism, and Stewart’s old moral philosophy tutor Adam Ferguson’s Principles of Moral and Political Science (1792), which argued for the primacy of monotheism. Stewart accepted the conclusions of the Scots’ enlightened study of religion, which argued for truth of Hume’s account, but aimed to reassert many of the natural theological arguments about the naturalness of religion that the “Natural History” had challenged. Stewart’s discussion acts as a useful way by which we can assess the achievement of the literati’s study of religion.  相似文献   

13.
14.
Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.  相似文献   

15.
In his 1969 Trevelyan Lectures, Franco Venturi argued that Kant's response to the question “What is Enlightenment?” has tended to promote a “philosophical interpretation” of the Enlightenment that leads scholars away from the political questions that were central to its concerns. But while Kant's response is well known, it has been often misunderstood by scholars who see it as offering a definition of an historical period, rather than an attempt at characterizing a process that had a significant implications. This article seeks (1) to clarify, briefly, the particular question that Kant was answering, (2) to examine – using Jürgen Habermas’ work as a case in point – the tension between readings that use Kant's answer as a way of discussing the Enlightenment as a discrete historical period and those readings that see it as offering a broad outline of an “Enlightenment Project” that continues into the present, and (3) to explore how Michel Foucault, in a series of discussions of Kant's response, sketched an approach to Kant's text that offers a way of reframing Venturi's distinction between “philosophical” and “political” interpretations of the Enlightenment.  相似文献   

16.
ABSTRACT

The radical apocalypticism of the sixteenth century mystic and revolutionary Thomas Müntzer has served as an enduring resource for the political left, from early investigations by Engels and Bloch to the recent works of Alberto Toscano and Wu Ming. In one of his lesser-studied works – the 1947 dissertation Occidental Eschatology – Jewish philosopher Jacob Taubes places Müntzer at a key juncture in the history of eschatology, first by situating him at the end of the Reformation period, and then by connecting his revolutionary apocalypticism to the critiques of Hegel leveled by Marx and Kierkegaard. This study aims to give a new perspective on Taubes as a philosopher of history, first by showing potentially surprising connections between Taubes’ Occidental Eschatology and the historiography of Anabaptism, and second by making suggestions about how Taubes’ distinctively emancipatory philosophy of history might contribute to thinking about time and history within contemporary political theology.  相似文献   

17.
ABSTRACT. This article analyses the ethnic and civic components of the early Zionist movement. The debate over whether Zionism was an Eastern‐ethnic nationalist movement or a Western‐civic movement began with the birth of Zionism. The article also investigates the conflict that broke out in 1902 surrounding the publication of Herzl's utopian vision, Altneuland. Ahad Ha'am, a leader of Hibbat Zion and ‘Eastern’ cultural Zionism, sharply attacked Herzl's ‘Western’ political Zionism, which he considered to be disconnected from the cultural foundations of historical Judaism. Instead, Ahad Ha'am supported the Eastern Zionist utopia of Elchanan Leib Lewinsky. Hans Kohn, a leading researcher of nationalism, distinguished between ‘Eastern’ and ‘Western’ nationalist movements. He argued that Herzl's political heritage led the Zionist movement to become an Eastern‐ethnic nationalist movement. The debate over the character of Jewish nationalism – ethnic or civic – continues to engage researchers and remains a topic of public debate in Israel even today. As this article demonstrates, the debate between ‘Eastern’ and ‘Western’ Zionism has its foundations in the origins of the Zionist movement. A close look at the vision held by both groups challenges Kohn's dichotomy as well as his understanding of the Zionist movement.  相似文献   

18.
This study explores how and why Moshe Dayan became the symbol of the modern Israeli hero in American culture. Through an examination of variegated evidence it is possible to discern patterns that illustrate the ways Dayan’s image crystallized, first, in the American Jewish arena, and then more broadly, in wider American public consciousness. With his trademark eye patch and irreverent personal style, Dayan, who more than any Israeli military-political figure captured the imagination of American Jewry, became not only the most recognizable sabra on the American scene but also a chief exemplar of the “new Jew.” Beginning with the War of Independence (1947–49) until roughly the Six-Day War (1967), Dayan symbolized Israel’s youthful, virile, and savvy hero struggling to build a home against all odds. From the Yom Kippur War (1973) to the Camp David Accords (1978) and his death, he came to exemplify a generation of Israelis who wrestled with the Jewish state’s existential geopolitical challenges. Investigating Dayan’s public persona enhances our understanding of his impact on the American arena – the man and the myth – and the ideational linkages so critical to the developing bond between the United States and Israel in the second half of the twentieth century.  相似文献   

19.
The article examines the role of Tacitus in the Latin history of Denmark (1630–38) by Johannes Meursius. It is argued that “Ta‐citism”; ‐ a contemporary movement influenced by Tacitus both as a stylist and as a political writer ‐ is reflected in Meursius’ work in various ways. The first part deals with Meursius’ introduction and his use of Tacitus’ famous avowal of writing sine ira et studio. Next, Meursius’ Latin prose style, with its brevity, antitheses, and paradoxes, is seen in the context of the contemporary “Attic”; movement, which advocated primarily Seneca and Tacitus as prose models. Thirdly, Meursius’ portrait of the Danish king Nicolaus is shown to be inspired by the Tacitean archtyrant Tiberius. Fourthly, it is argued that Meursius also drew extensively on one of the seminal works of Tacitism in Northern Europe, Justus Lipsius’ Política (1589). Finally, the apparently incongruous union of Tacitean cynicism and Meursius’ generally Christian and moralistic outlook is taken up.  相似文献   

20.
Although memory is not explicitly named in “Hades”, it nonetheless features centrally. Intertextuality is an example of memory, and in “Hades” Shakespeare’s Hamlet is remembered – specifically the Ghost’s relation to Hamlet, whom he bids to “Remember” and “revenge”. Derrida calls this relation “hauntological”: it is characterised by an uncertain gaze, the father telling his son what to do, and the son mourning for his father. In Bloom’s mourning for his father, Virag, hauntology might be expected. However, it is Bloom’s late son, Rudy, who hauntologises Bloom, thereby revitalising the latter; this adjusts Shakespeare’s original hauntology. While considering repeatable ways of maintaining this hauntology, Bloom jocularly reverts to new technology: the phonograph and photograph. His plan reveals his relish for liminality and poiesis: being and non-being at the same time. Bloom is thus remembered into the future, all the while Ulysses is haunted by Hamlet.  相似文献   

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