Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

Conservatism under Napoleon: The political writings of Joseph Fiévée

Antonio Genovesi (1713–1769) is known as the thinker who raised a whole generation of Southern Italian intellectuals, among them Francesco Pagano and Gaetano Filangieri. One of the most influential of his works was the notoriously difficult Diceosina, o sia della filosofia del giusto e dell’onesto (1766), a textbook destined for use in the universities. The Diceosina was a powerful, if controversial, attempt to mediate between the history of moral philosophy on the one hand, and the specific problems encountered by eighteenth-century commercial society on the other. In fact, it contained the greater part of Genovesi's political, philosophical, and economic thought; a synthetic guidebook for Neapolitan economic and social development. This essay explores the work's context, rich intellectual origins, and ultimate significance through its long and complicated reception. The cultural and political connotations of Genovesi's Diceosina become particularly evident through an engagement with the works of Ermenegildo Personè, one of the book's most arduous critics.     

Leviathans Old and New: What Collingwood Saw in Hobbes

Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.     

Thinking with Excerpts: John Locke (1632–1704) and his Notebooks

In his “Méthode nouvelle,” an anonymous article in the Bibliothèque universelle of 1686, John Locke described his way of collecting excerpts in notebooks and retrieving relevant entries. The well-known practice of entering textual passages in commonplace books sits uneasily with Locke's criticism of received opinion and authority. Is it possible that he used any of these notes to think with? I suggest that the conditions for this were provided by Locke's interactions with some of his notes, including those which recorded observations, testimonies and experiments. As well as labelling excerpts and other notes with topical Titles, Locke sometimes added precise bibliographical citations, transferred material across notebooks, interpolated his own signed reflections and queries, and (eventually) dated entries.     

Armitage on Locke on International Theory: The Two Treatises of Government and the Right of Intervention

Summary

The paper examines David Armitage's claim that Locke makes an important contribution to international theory by exploring the place of international relations within the Two Treatises of Government. Armitage's suggestion is that the place of international theory in Locke's canonical works is under-explored. In particular, the paper examines the implication of Locke's account of the executive power of the law of nature which allows third parties to punish breaches of the law of nature wherever they occur. The corollary is a general right of intervention under the law of nature. Such a right could create a chaotic individualistic cosmopolitanism and has led scholars such as John Rawls to claim that Locke has no international theory. In response to this problem the paper explores the way in which Locke's discussion of conquest, revolution and the right of peoples to determine the conditions of good government in chapters xvi to xix of the second Treatise contributes to a view of international relations that embodies a law of peoples.     

Stewart,Kant, and the Reworking of Common Sense

Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.     

Spiritedness,Reason, and the Founding of Law and Order: John Ford's The Man Who Shot Liberty Valance

Abstract

John Ford's 1962 classic Western, The Man Who Shot Liberty Valance, analyzes the difficulties inherent in founding a new political order based on the rule of law. Some critics have concluded that the film mordantly portrays the closing of the frontier, the tragic loss of the rugged individualism it promoted (represented by Tom Doniphon), and the ascendance in its place of a fraudulent political class (represented by Ransom Stoddard), while exposing that even free societies are founded on crime. Yet, as others have argued, Doniphon also represents the spirited part of the Platonic tripartite soul, revealing spiritedness's ambiguous relation to justice: he refuses to fight unless personally threatened; perpetuates servitude, if not slavery; and shows no interest in promoting equality of women. Doniphon stands in opposition to the principles of the Declaration of Independence, pointedly recited at the film's chronological center, and his eclipse by Stoddard is not a tragic mistake. In addition, John Locke's state of nature teaching unlocks why Valance's death is not a crime that sullies the foundations of the society. Finally, the legend told as fact at the film's conclusion combines both men into a single entity, “the man who shot Liberty Valance,” thereby propagating a salutary lesson for future citizens: reason must combine with and rule over spiritedness if law and order are to prevail.     

Retrospective Speculative Philosophy: Looking for Traces of Zizek's Communist Collective in Emerging Christian Praxis

Abstract

In the closing chapter of Living in the End Times, Slavoj Zizek endeavours to "look for traces of the new communist collective in already existing social or even artistic movements." This article explores what Zizek might see if he were to turn his cultural-critical gaze towards emerging Christianity, which is presented as an artistic and social, as well as religious (or irreligious), "movement." His work is increasingly used by emerging church practitioner Peter Rollins to retrospectively explain his own thought and practice. This article examines some of the ways in which Zizek's atheological speculative philosophy and John D. Caputo's theology of the event are impacting contemporary Christian praxis.     

The Locke Essay: Achievement and Promise

Abstract

Strauss's essay on Locke is devoted to Locke's early lectures on the law of nature, a text unpublished when he initially wrote on Locke in Natural Right and History. One purpose of his essay was to show that the Locke text did not contradict the position on the law of nature that Strauss had earlier attributed to him. Strauss also used the essay as an opportunity to further his own reflections on traditional natural law doctrine.     

The Poison and the Spider's Web: Diderot and Eighteenth-Century French Epicureanism

This article argues that the term ‘Epicurean’ had multiple meanings in the moral and political thought of the eighteenth century. Concentrating on the reception of Epicureanism in France, it shows that some critics focused on Epicurus’ hedonistic moral psychology and labelled Epicurean those thinkers who denied natural sociability; for others, who instead focused on Epicurus’ materialist natural philosophy, to label a thinker an Epicurean was to label them an atheist. This polyvalence is presented as a salutary caution against essentialising claims about the content of eighteenth-century Epicureanism per se. Despite this sceptical stance, however, the article goes on to argue that it is nevertheless fruitful to investigate the engagement with Epicureanism by particular thinkers or in particular texts. Indeed, a comparative reading of Denis Diderot's Encyclopédie entry on ‘Epicuréisme’ and his source material in Johan Jakob Bruker and Pierre Bayle demonstrates that Diderot used his discussion of Epicureanism to intervene directly in contemporary theological controversies over the immortal soul and a providential god.     

Prophetic Perfectionism: The Afterlives of Nat Turner and John Brown

ABSTRACT

Recent fiction, film, art, and scholarship on nineteenth-century American abolitionists Nat Turner and John Brown shed light on the politics of their prophetic religion. Both men led violent rebellions against slavery for which they were executed. Prophetic perfectionism drove Turner and Brown but tended to fade in works about them. Exceptions to this pattern of reception include Jacob Lawrence's John Brown series (1941), Nate Parker's film The Birth of a Nation (2016), and Ted Smith's book Weird John Brown: Divine Violence and the Limits of Ethics (2014). This essay situates Turner's and Brown's prophetic perfectionism and their reception in the context of contemporary political theologies and aesthetics of religion and race.     

Myth and history in the contemporary Spanish Novel

Locke has often been hailed as the father of an empiricism that provided a philosophical basis to natural science in the Age of Enlightenment. In this article his empiricism is compared with that of the little known Dutch Aristotelian professor Gerardus de Vries. There are striking parallels between Locke's brand of mechanist empiricism and the pragmatic and flexible Aristotelianism of De Vries. These parallels put strictures on both the archaic character of the Aristotelianism embraced by De Vries and on the modern and forward-looking character of Locke's philosophy of science.     

Hobbes on the supernatural from The Elements of Law to Leviathan

Hobbes's unusual religious views in his classical work, Leviathan, are often seen as a product of his attempt to reconcile Christianity with his philosophical materialism. Yet given Hobbes's materialistic view in his earlier works too, this explanatory framework alone is not sufficient for grasping distinctive features of Leviathan. This article remedies this lacuna by paying close attention to an understudied aspect of the development of Hobbes's religious theory from The Elements of Law to Leviathan: his treatment of the supernatural and, particularly, of matters of faith known by supernatural revelation as opposed to natural reason. I argue that over time Hobbes developed an epistemological analysis of supernatural revelation and refined his argument about the sense in which matters of faith are supernatural and about the extent to which they are found in the Bible. It was not materialism per se but the more sophisticated analysis of the supernatural in Leviathan that enabled Hobbes to admit the sphere of the supernatural to a much smaller extent than in De Cive and to discuss in detail what he sees as a matter of faith and beyond the scope of philosophy in De Cive.     

Monnaie et richesse chez John Locke une politique de l'économie

Locke's works on money are not the clumsy outline of the liberal economic theories that developed later on but they are part and parcel of his philosophy. This study will then show that Locke's works on money are at the crossroads of three distinct lines of research. Firstly, inspired by the mercantilist analysis of wealth and its circulation, Locke endeavours to define the categories proper to monetary analysis. Secondly, metallic money being defined both as commodity and symbol, the problem then stands on the ground of a philosophical analysis of the notion of representation which brings into play the distinction, established in theEssay concerning human understanding, between substance, mixed mode and relation. Lastly, money provides the link between private activity and the whole of social life; so Locke examines its role from the point of view of property, labour and the collective aims both must fulfil. On the whole, money does appear to be a crucial issue in the thought of Locke, not a subsidiary theme due to circumstances.     

Catharine Macaulay on the Will

Catharine Macaulay's discussion of freedom of the will in her Treatise on the Immutability of Moral Truth has received little attention, and what discussion there is attributes a number of different, incompatible views to her. In this paper the account of the nature of freedom of the will that she develops is related to her political aspirations, and the metaphysical position that she adopts is compared to those of John Locke, Samuel Clarke, Joseph Priestley, William Godwin, and others. It is argued that although Macaulay's position is ultimately ambiguous, she is most plausibly interpreted as following Locke's discussion of free will in his Essay Concerning Human Understanding and of inheriting, from him, the ambiguity that we find in her account.     

HUME,HISTORY, AND THE USES OF SYMPATHY

This article focuses on the role of sympathy and antipathy in David Hume's History of England (1754–1762) in relation to the broader place of sympathy in Hume's moral philosophy. Hume, in his earlier philosophical work, argues that sympathy is a naturally occurring responsiveness to others’ feelings, similar to the resonance between musical strings. In his History, however, he carefully curates his readers’ emotional responses, inviting sympathy with figures of suffering—such as King Charles I and Mary Queen of Scots—while also, often almost simultaneously, stirring intense antipathy for those whose religious extremism he regards as socially dangerous and beyond comprehension. After first situating the emergence of Hume's theory of sympathy in its early eighteenth-century context, this article explores in detail the techniques of sentimental management that appear across the six volumes of the History of England. The elaborate deployment of emotions in Hume's historiography is shown to be in tension both with some aspects of his philosophy of natural human sympathy and with his brief reflections on the writing of history. Hume channeled his readers’ sympathies toward particular targets and against others. A careful analysis of this usefully sheds light on the management of sympathy in modern historiography, on which Hume has had an enduring influence.     

Anatomy of the Superman: Gabriele D’Annunzio’s Response to Nietzsche

This essay explores D’Annunzio’s reception of Nietzsche—particularly his sociopolitical theory and idea of the Übermensch—as dramatized in his novel Le Vergini delle rocce (The Maidens of the Rocks). D’Annunzio’s attitude towards Nietzsche was complicated and contradictory, varying from fascination and rivalry to rejection and negation: rather than a philosopher or master, he saw Nietzsche as a poet and soulmate. Like many writers and artists of fin-de-siècle Europe, D’Annunzio too was attracted by Nietzsche’s elitist social theory and Übermensch, of which he presents his own version especially in Maidens of the Rocks. In the novel, the young aristocrat Claudio Cantelmo aspires to overcome himself. However, the fact that Cantelmo fails to achieve his dream of fathering a New King of Rome, reveals D’Annunzio’s deep skepticism about contemporary Italy as well as his own “decadent” soul.     

Interest,Trade and ‘Character and Circumstances': John Campbell's (1708–1775) Earlier Work

John Campbell's (1708-1775) commercial theory in his early work demonstrates that he held more sophisticated views on British colonialism than previously thought. Campbell draws upon complex influences, which include Charles Davenant's notion of free trade and his ‘Old Whig’ arguments against corruption; Daniel Defoe's ‘new Whig’ arguments for progress and John Locke's arguments on industry and property; and Bolingbroke's Tory arguments for emphasizing common interest. By blending these ideas, Campbell offers a distinctive commercial theory that prioritizes the recognition of the interest and circumstances of all nations and peoples within an unconstrained and reciprocal exchange of commodities in order for the home nation simultaneously to resist corruption and flourish.     

OCCUPATION AND ETHNICITY IN FIVE NINETEENTH-CENTURY CITIES: A COLLABORATIVE INQUIRY

Abstract

Literary critics and historians often interpret authors and authors' works as more or less significant, but are reluctant to quantify those works. The interdisciplinary field of creativity studies, however, poses methods of quantifying the eminence of an author's works. This study uses four measures from that field (anthology entries, scholarly citations, entries in books of quotations, and auction sale records) and one measure from the fields of computational linguistics and data mining (ngrams using millions of books digitized by Google) to assess the eminence of John Milton's thirty-one prose works1. For the purpose of this study, Milton's short “A Letter to a Friend Concerning the Ruptures of the Commonwealth” (1659) was not included in the quantitative analysis out of concern with possible conflations and confusions with letters in Milton's Familiar Letters. and their relation to his greater achievement in epic poetry. These measures indicate the singular eminence of Areopagitica, Milton's 1644 tract on the liberty of unlicensed printing.     

Antonio Genovesi's Diceosina: Source of the Neapolitan enlightenment

Antonio Genovesi (1713–1769) is known as the thinker who raised a whole generation of Southern Italian intellectuals, among them Francesco Pagano and Gaetano Filangieri. One of the most influential of his works was the notoriously difficult Diceosina, o sia della filosofia del giusto e dell’onesto (1766), a textbook destined for use in the universities. The Diceosina was a powerful, if controversial, attempt to mediate between the history of moral philosophy on the one hand, and the specific problems encountered by eighteenth-century commercial society on the other. In fact, it contained the greater part of Genovesi's political, philosophical, and economic thought; a synthetic guidebook for Neapolitan economic and social development. This essay explores the work's context, rich intellectual origins, and ultimate significance through its long and complicated reception. The cultural and political connotations of Genovesi's Diceosina become particularly evident through an engagement with the works of Ermenegildo Personè, one of the book's most arduous critics.