Transcendent myths,mundane objects: setting the material scene in rock,soul, and country museums

The many varied myths of origins, aesthetic transcendence, and greatness that surround popular music continue to proliferate in a variety of forms. One comparatively recent type of institution producing such forms of mythology is the popular music museum. This article uses the familiar idea of the ‘experience economy’’ to examine how three popular music museums produce experiences through objects that, while they are deliberately cast as mundane and everyday, work to support widely-shared narratives of the musical traditions of which they are a part. I argue that they do so in the service of larger myths of popular music. In each case I examine, I show that the myths on display are specific to the music that forms that content of the exhibitions. I argue that the specific kinds of spectator experiences these museums seek to produce are designed to enhance the value of these museums and their collections through claims made on specific types of musical patrimony made material through carefully contextualized objects of display. As such, traditionalist myths of musical greatness and aesthetic transcendence are well-served by the forms of exhibition and display produced by these institutions.     

The Courtesan Tale: Female Musicians and Dancers in Mughal Historical Chronicles,c.1556–1748

There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patrons and cast according to long‐standing rhetorical and cultural conventions concerning the fateful roles of music and love in historical events. In this article I examine how Mughal historical chronicles transform named female performers into stereotyped agents of the downfall of noblemen. Using the stories of several historical courtesans, I demonstrate how stock topoi of desire, enslavement, longing, rebellion, danger, fate and above all musical and erotic power, were used to shape all stories of courtesans into tragic cautionary tales. I aim to show that the ‘fictive’ elements of Mughal courtesan tales furthermore reveal important cultural truths about the role and meanings of music in Mughal male society.     

Cultural icons and urban development in Asia: Economic imperative,national identity,and global city status

Global cities are characterized by the multiplicity of flows that they are implicated in – flows of people, goods, services, ideas, and images. Yet, global cities do not derive their status only on the basis that they are networked nodes. They also require particular forms of cultural capital. Cities with global aspirations have thus increasingly recognized the need to accumulate cultural capital, for which one means is to create new urban spaces, in particular, new cultural urban spaces (e.g. grand theatres, museums, libraries). These often monumental structures are intended to support a vibrant cultural life, in order to attract and sustain global human and economic flows. In this paper, I examine the efforts by Shanghai's, Singapore's and Hong Kong's governments to develop cultural icons as part of the strategy to help their cities gain global city status, and in the process, constructing shared national and city identities. I illustrate how such efforts are not universally interpreted in the manner intended, with city populations sometimes protesting, sometimes simply oblivious. At the same time, I argue that such strategies to achieve global city status are sometimes at odds with projects of nationhood.     

Fearsome people and places,narratives of street and hideout children in Freetown,Sierra Leone

This article is based on a GOAL Global field study of street children in Freetown, Sierra Leone. It draws on narrative accounts given by street children who have migrated to Freetown from rural Sierra Leone. The study used the participatory ranking method to generate data about children’s street and hideout (a room, shack or part of a building where children live in groups) lives post-migration. These data contained much about children’s fears, and the article explores their experience of fearsome people and places, showing that fear is a dominant aspect of these children’s lives. Fear shapes their day-to-day choices and decisions: their agency. It also suggests that agency should be seen as complex, contingent and sometimes paradoxical. The article concludes by identifying implications for social policy and practice, suggesting that these necessarily entail risky engagement with fearsome people in the liminal spaces of children’s street and hideout lives.     

Breaking silence: exploring motherhood and social transformation in a participatory action research with Alteñan mothers

In November 2012, a researcher, two social workers and five mothers embarked on a participatory action research (PAR) journey with the aim to develop new ideas for interventions for children and young people in street situations of the city of El Alto in Bolivia. In this article, we attend to the topic of personal and social transformation in PAR. We explore how the mothers of young people in street situations perform and negotiate their subjectivities as mothers in their everyday life; how they create (new) subjectivities in exchange and in interaction with each other during the mother project; and how the performance of their (new) subjectivities can bring social change. The mothers in our group shared stories of being silenced by social services in their everyday lives, as their motherhood is declared not good enough or as they are perceived too guilty to claim for help. It was the first time the mothers shared their stories with other mothers of their lives with their children in street situations. By noticing that they all experienced or heard of similar events that their children were subjected to in the streets, the mothers grew confident enough to talk back. Mothers talked back by denouncing injustice and by transforming doubts into questions, providing them with more knowledge. Finally, as the mothers reached out to social services, mothers’ presence, questions and stories confronted aid workers with their own flaws, and their comfortable discourse of blaming families, creating new paths towards social transformation.     

Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.     

Negotiating social identities: The influence of gender,age and ethnicity on young people's ‘street careers’ in Tanzania

This paper explores the diverse ways that children and young people negotiate their social identities and construct their life course trajectories on the street, based on ethnographic research with street children in Tanzania. Drawing on the concept of a ‘street career’, I show how differences of age, gender and ethnicity intersect with the time spent on the street, to influence young people's livelihood strategies, use of public space, access to services, and adherence to cultural rites of passage. Using the notion of ‘gender performativity’, I analyse how young people actively reconfigure gender norms and the concept of ‘the family’ on the street.     

4. “KEEP THAT WOMAN OUT!” NOTIONS OF SPACE IN TWENTIETH‐CENTURY FLEMISH WITCHCRAFT DISCOURSE

This article considers the importance of a spatial dimension for witchcraft research, which has so far been largely neglected. In twentieth‐century Europe people in certain regions still considered their world in terms of witchcraft; they attributed misfortune to bewitchments and usually blamed their neighbors. Here a part of Flemish‐speaking Belgium is investigated with the help of legend texts collected in the 1960s. The witchcraft discourse that informed these texts did not just contain formulations of space; sometimes it also determined how people negotiated space. In this part of Flanders, witchcraft was embedded in Roman Catholicism; monasteries were the favored destinations of all those who considered themselves or their family members bewitched. In order to find cures for bewitchments people undertook hazardous journeys of considerable distance and found their efforts hindered by the witch they sought to counteract. The measures against evil influences that they were given were meant to consolidate the boundaries between their own (private) space and the (outside) space where witches roamed. Bewitchments were generally blamed on women. In the contemporary patriarchal social order, both public and domestic spaces were nearly always under men's control. This is why bewitchment was caused less by transgressions of male‐defined boundaries than by infringements of bodily spaces such as by eying or touching somebody else's children. This suggests a different approach to female space based on notions of proximity.     

Brazilian boys riding Indonesian waves: orientalism and fratriarchy in a recent Brazilian surf movie

In this article, I discuss the 2016 Brazilian surf movie Um Filme de Surfe by Bruno Zanin and Leandro Dora, featuring surfers Yago Dora, Yuri Gonçalves and Lucas Silveira. This small group of Brazilian surfers and their camera crew travel on a chartered boat to an island in the Indian Ocean to catch an incoming swell, where they pretend to find an unknown surf paradise. While doing so, they orientalise the local Indonesian culture as an exotic, pre-modern ‘other’ who they, the ‘translocal’ modern surfers, encounter and teach about modernity. I will also examine how they perform a ‘bro’ masculinity that forms a ‘fratriarchy’ based on hijinks and pranks. In Um Filme de Surfe, the Brazilian surfers neglect to establish a dialogue with the local Indonesian islanders. They do not represent themselves as postcolonial subjects visiting a fellow culture from the global South; they are the cosmopolitan translocal surfers and the locals are mistaken for Polynesian islanders. I will then discuss how this film broadly reflects the challenge of representing non-white, non-Western surfers in the genre of surf films.     

‘A separate people’? Some directions for comparative research on medieval women

Research to date has often positioned women of minority cultures as a separate group. They were, in many cases, twice removed — both from the men in their communities and from the majority communities within which they lived. This essay discusses the benefits of including these women, both as separate groups and as part of cross cultural comparison and points to the possible contribution of such studies. In the three parts of this article I propose different strategies for studying minority and majority women using examples from the sources on Jews in medieval Europe. In the first section, the article explores how to learn from similarities and differences between majority and minority practices, focusing on wet-nursing practices and medical care. The second part of the article proposes examining how ordinary people themselves perceived the ‘religiousness’ of certain everyday practices and set their own boundaries to what they were and were not willing to do. In this case, I suggest that more attention be paid to the way medieval women (and men) turned daily actions into religious proclamations and how in some cases they involved members of other religions in what seem to be internal affairs. This, in turn, leads to a final, larger comparative question taken up in the final part of the article: how do the larger trajectories of transformations in women's roles and rights compare across different religious cultural traditions.     

‘A separate people’? Some directions for comparative research on medieval women

Research to date has often positioned women of minority cultures as a separate group. They were, in many cases, twice removed — both from the men in their communities and from the majority communities within which they lived. This essay discusses the benefits of including these women, both as separate groups and as part of cross cultural comparison and points to the possible contribution of such studies. In the three parts of this article I propose different strategies for studying minority and majority women using examples from the sources on Jews in medieval Europe. In the first section, the article explores how to learn from similarities and differences between majority and minority practices, focusing on wet-nursing practices and medical care. The second part of the article proposes examining how ordinary people themselves perceived the ‘religiousness’ of certain everyday practices and set their own boundaries to what they were and were not willing to do. In this case, I suggest that more attention be paid to the way medieval women (and men) turned daily actions into religious proclamations and how in some cases they involved members of other religions in what seem to be internal affairs. This, in turn, leads to a final, larger comparative question taken up in the final part of the article: how do the larger trajectories of transformations in women's roles and rights compare across different religious cultural traditions.     

Upending Infrastructure: Tamarod,Resistance, and Agency after the January 25th Revolution in Egypt

In this paper, I review recent contributions to theories of resistance and agency in the context of anthropology of Egypt. Drawing on ethnography conducted in Egypt after the January 25th Revolution and then after the election of Mohamed Morsi as President, I analyse the mass mobilization movement in Egypt called Tamarod. Tamarod led the effort to have twenty-two million Egyptians sign a call for President Mohamed Morsi of the Muslim Brotherhood to step down, and mobilized an estimated twelve million to come on the street for a mass demonstration on 30 June, after which Morsi was removed from power. Rather than critique the notion of Tamarod as resistance, as a dupe of the Military, or as the legitimate voice of the Egyptian people and their agency, I argue that Tamarod made visible, and rendered available for political goals, a social infrastructure of communicative channels in Egypt. More generally, the paper shows concretely, and as concomitant processes, how agency is embedded in infrastructure and how infrastructure is upended in uprisings.     

Play for Protest,Protest for Play: Artisan and Vendors' Resistance to Displacement in Mexico City

Play, laughter and theatrical forms of activism have been recently documented by scholars interested in the politics and spatiality of resistance. This article focuses on the playful techniques of resistance deployed by street vendors and artisans in Mexico City as a result of the displacement generated by a recently implemented policy popularly called Plazas Limpias (clean plazas). Through a case study Coyoacan, a tourist‐oriented neighbourhood known for its historical richness and aesthetic qualities, I show how street vendors and artisans who were removed from plazas in the area engaged in a number of playful resistance strategies which drew on the symbolic and material importance of place. I argue the street vendors and artisans deployed playful techniques of resistance for two reasons. First, play helped develop emotions that were crucial for the sustainability of the movement. Second, playful strategies of resistance were practiced because of the symbolic importance of Coyoacan as a place of creativity, play, performance, and art.     

‘The Official Feast’: cultural tensions in U.K. carnival

Abstract

This paper reveals how U.K. street carnival is located within policy discourses that facilitate notions of creative economy, inter-place competition and the representation of institutionally-preferred versions of local, regional and national place-identity. The paper draws on ethnographic research within two community town carnivals and the professional Battle for the Winds carnival performances that launched the 2012 Olympic sailing at Weymouth. It considers the evolution of policy-driven carnival vocabularies that were designed to articulate preferred ‘Jurassic Coast’ and Olympic place identities for the south-west U.K. during 2012, and their effect on two vernacular, community street carnivals in East Devon and Dorset. The paper exposes the cultural tension between these vernacular events and the ‘official feast’ of Jurassic Coast and Olympic carnival, in terms of their performance of contradictory place-identities and contested notions of artistic community. It describes the popular challenge to aesthetic hegemony that these community carnivals presented during 2012. Finally, the author argues for a reassessment of the artistic value of vernacular carnivals, and affirms their status as a culture of resistance that creates alternative, sometimes inconvenient, symbolic constructions of community and place to those preferred by institutional actors operating within a neo-liberal discourse of inter-place competition.     

Street children's lives and actor-networks

This article investigates the street-children phenomenon and their view of street life as actor-networks in Pelotas, Brazil. Street children manipulate actor-networks to reach their life goals. They physically approach certain actors and withdraw from others. To explore this phenomenon, I acquired qualitative data about the lives of 19 street children over 7 years. Manifold methods were utilised: observation, interviews, poems, walkabouts and drawings. The most important actors from the children's perspective affecting street life, such as other street children, police, violence, trees offering safety, street knowledge, sunglasses, drugs and states of mind, were discovered. I analysed children's lives by combining actor-network theory and time-geography, which clarified why same actors may hold varying meanings depending on the other actors in the networks. Furthermore, the capacity of actors is influenced by the intensity of the connection between actors and the reasons why certain actors are enrolled in the networks.     

Logging,Women and Submarines: Some Changes in Kamula Men's Access to Transformative Power

In this paper I describe how, for the Kamula, the productive elicitation of both familiar and modern things often requires access to the transformative capacities of ‘bush spirits’. The Kamula narratives I deal with outline how elements of modernity (such as money, logging, guns) are relocated into the domain of these spirits. By the mediation of these spirits, sometimes disturbing, even dangerous, aspects of modernity are transformed and then productively transferred to Kamula men such that they can apparently more effectively negotiate the new forces that now structure their lives. Through these narrative and magical definitions of agency, Kamula men become complicit in a modernity that is increasingly both the source and negation of their power.     

Anthropology in the news? (Respond to this article at http://www.therai.org.uk/at/debate)

It is part of our informal culture of anthropology to complain about the way the media portray us, and yet there has been little systematic analysis of media representations of anthropology. I look at stories about anthropologists, stories that quote anthropologists and opinion pieces by anthropologists over a six‐month period in The New York Times. I conclude that biological anthropology and archaeology are over‐represented in these stories, and that the media portrays anthropologists primarily as authorities on exotic others abroad, or ritual behaviour at home. Anthropologists who write about neoliberalism and militarism have had difficulty getting into the high‐end mainstream media, where it is economists rather than anthropologists who are seen as experts on general human nature.     

Homeboys: uses of home by gay Australian men

In this article, I explore connections between space, the body and the nation by analyzing state-introduced leisure activities in a village in Indonesia. While leisure activities are voluntary and are more enjoyable than more formal nation-building activities, I investigate how they are politicized and intimately tied to the state's nation-building agenda. Focusing on national programs of volleyball, takro (an indigenous game played with a rattan ball), and Gerak Jalan (marching competitions), I examine how the state's national ideology has been translated into recreational programs that attempt to ‘improve’ the bodies of citizens and to inculcate national ideology in the citizenry. Through the creation of various recreational landscapes and programs, citizens are encouraged to spend their free time in particular pursuits that serve national goals. Finally, I discuss how the leisure activities introduced by the state are, despite hegemonic intentions, unevenly practiced and examine how citizens resist, ignore and renegotiate the intended meaning of the activities.