Reading the Cuban revolution from Bogotá, 1957–62

This article traces the evolution of Colombian responses to the early Cuban revolution. For the governing Liberal Party in particular, developments in Cuba only gradually came to be read in terms of the Cold War. Instead, Colombians primarily interpreted the revolution through the lens of their own recent post-authoritarian transition, as well as a commitment to inter-American diplomacy. Using Colombian, US, and UK government as well as press sources, the article challenges recent historiography on the Cold War in Latin America, to demonstrate how the Cold War was but one reading of Latin American politics in the era of the Cuban revolution.     

A ‘Half-hearted Response’?: Canada and the Cuban Missile Crisis, 1962

Whereas previous studies of Canada's actions during the Cuban Missile Crisis have argued that Ottawa was a half-hearted ally of the United States, recently released documents provide far different conclusions. Seeking to complement previous works, which are focused largely on military events, this study shows how Canadian diplomats responded to the crisis and sought to support their vital ally in the events of October and November 1962.     

Cuba's Cinematic Élan Vital: Cubanidad and Cubanía as Citizenship and Sentiment

This article focuses on the current shifts in expressions of Cuban national identity by considering the articulations of cubanidad and cubanía in recent documentary films from Cuba's Muestra joven. Rather than suggesting a disappearance or deterioration of national identity, these three examples of contemporary Cuban cinema evidence a more fluid, sentiment-based articulation of Cubanness that can be considered the island's élan vital. This analysis of representations of the ongoing transformation of Cuba deploys theories and terms conceptualised by Georg Sorenson in The Transformation of the State: Beyond the Myth of Retreat (2004) in order to posit how cubanidad is aligned with the modes of citizenship (the official), which is a sense of Cubanness defined by a rationality that may be imposed, while cubanía is affined with a sentiment fuelled by intuition (the personal). Thus we propose that just as the Muestra joven embodies the current vacillation and movement of Cuban cinema between citizenship and sentiment, so deMoler (Muestra 2004), Model Town (Muestra 2007) and La Época, el Encanto y Fin de Siglo (Muestra 2000) indicate a process of reinterpretation and rupture in a context of flux instead of rigidity.     

Straight Pins,Gauze, and Linotypes: The Cuban Post-Soviet Artists’ Book

Matanzas’s Ediciones Vigía and Holguin’s Ediciones Cuadernos Papiro construct an arc from the revolutionary 1960s and its investment in collective and communal goods, to the increasingly privatized 1990s and 2000s through their materials and procedures, as well as through their engagement with the figure of the archive. I contend that the books printed by Ediciones Vigía and Ediciones Cuadernos Papiro are both artists’ books – that is, books that are art unto themselves – and books as ‘archives’. Here, I understand the ‘book’ as ‘archive’ in a similar fashion as art historian Hal Foster interprets ‘archival art’: that is, art, in this case book art, that ‘draws on informal archives but produces them as well’ in an effort ‘to make historical information, often lost or displaced, physically present’. The hand-made books of Ediciones Vigía and Ediciones Cuadernos Papiro project a new figure of the reader and occupy social spaces that are radically different from their predecessors. Where Cuban institutional archives have left incomplete territories of the Revolutionary-era and pre-Revolutionary book, the 1990s and 2000s ‘archival book’ incarnated in Ediciones Vigía and Cuadernos Papiro has come to occupy these voids in a compensatory fashion as an ‘archival’ product.     

‘Ending the hegemonic presumption’? Recent writings on US–Cuban relations*

For over fifty years relations between the United States and Cuba have been antagonistic, with each side blaming the other for the continuing impasse. This Caribbean Cold War has seen an unsuccessful armed invasion of Cuba (popularly known as the Bay of Pigs invasion), the threat of nuclear war between the US and the USSR (the ‘Cuban missile crisis’), and an intensifying series of measures by the US government to reverse the Cuban social and political revolution of the 1960s. Since the early nineteenth century Washington has sought to control Cuba; and the US conditions for relaxing its pressure on present‐day Cuba continue this tradition, itself part of a broader ideology (often short‐handed as the Monroe Doctrine) which sees the western hemisphere as America's legitimate and exclusive ‘sphere of interest’. This article examines a number of recent works dealing both with the US–Cuban relationship, placing this relationship in historical and geopolitical contexts, and with the impact on Cuban society of the economic crisis of the 1990s caused by the collapse of the Soviet Union.