Women,work, property and gender in early modern Europe

Natalie DAVIS & Arlette FARGE eds, A History of Women in the West, III. Renaissance and Enlightenment Paradoxes, Belknap Press of Harvard University Press, Cambridge, Mass., 1993, ISBN 0–674–40372‐X.

Merry E. WIESNER, Women and Gender in Early Modern Europe, Cambridge University Press, Cambridge, 1993, ISBN 0–521–38459–1 hardback, 0–521–38613–6 paperback.

Hilary MARLAND, ed., The Art of Midwifery. Early Modem Midwives in Europe, Routledge, London, 1993, ISBN 0–415–06425–2.

Amy Louise ERICKSON, Women and Property in Early Modem England, Routledge, London, 1993, ISBN 0–415–06267–5.     

Nation–states and ethnic boundaries: modern Turkish identity and Turkish–Kurdish conflict

Ethnic and religious conflicts are two of the most pressing issues facing Turkey today. This article offers the argument that the development of the Turkish state and identity, and Turkey’s peripheral position in the interstate system, have collectively determined the parameters and dynamics of the conflicts. It is argued that modern Turkish identity has been forged by the state through the nation–state formation process that began in the 1920s. During the transition from Ottoman Empire to Turkish Republic it was deemed necessary to redefine the state and Turkish identity. At the historical juncture, Islam was replaced with other ideals and universals such as Turkism, modernity and étatism. The sudden and large–scale shift away from religion followed by vigorous ethnic assimilation efforts created a contradictory context between the state and ethnic/religious segments of the population. The change also marked the beginning of a new era in the Turkish–Kurdish discord. Another assertion of the article is that the state’s approach to ethnic/religious issues and demands is consistent with the assumptions and predictions of the ethnic democracy model.     

Swahili women since the nineteenth century: theoretical and empirical considerations on gender and identity construction

This paper provides an analysis and update on the theoretical discussion about the link between gender and identity and uses a group of Swahili women in eastern Africa as an example of how this link works in practice. The first part of the study provides a brief overview of gender theory related to the terms "gender" and "identity." It is noted that gender is only one aspect of identity and that the concept of gender has undergone important changes such as the reconceptualization of the terms "sex" and "gender." The second part of the study synthesizes the experiences of Swahili women in the 19th century when the convergence of gender and class was very important. The status of Muslim women is reviewed, and it is noted that even influential women practiced purdah and that all Swahili women experienced discrimination, which inhibited their opportunities for socioeconomic mobility. Slavery and concubinage were widespread during this period, and the participation of Islamic women in spirit possession cults was a way for women to express themselves culturally. The separation of men and women in Swahili culture led to the development of two distinct subcultures, which excluded women from most aspects of public life. The third part of the study looks at the experiences of Swahili women since the 19th century both during and after the colonial period. It is shown that continuity exists in trends observed over a period of 200 years. For example, the mobility of Swahili women remains limited by Islam, but women do exert influence behind the scenes. It is concluded that the socioeconomic status of Swahili woman has been shaped more by complex forces such as class, ethnic, religious, and geographic area than by the oppression of Islam and colonialism. This study indicates that gender cannot be studied in isolation from other salient variables affecting identity.     

Complexity and diversity: domestic material culture and French immigrant identity in early modern London

Abstract

The French immigrants of early modern London are recorded as having been a clearly recognizable community with similarities in language, religion, occupation and material culture. However, analysis of the excavated and documentary evidence of their domestic artefacts reveals few differences when compared with their English counterparts. Although isolated artefacts may reasonably be linked to an immigrant identity, the majority of refugees do not appear to have commonly expressed their group identity through their domestic material culture in historically identifiable ways. This may indicate that the nature of French immigrant identity was more complex and varied than contemporary accounts imply.     

Mediterranean heritage: ancient marvel,modern millstone

ABSTRACT. The wealth, variety and seaborne accessibility of Mediterranean societies since late prehistory have made the region's cultural heritage the world's most widely acclaimed. But since the fall of the Roman Empire the Mediterranean has been increasingly disadvantaged, its history compromised, its legacy beleaguered. Two millennia of invasion and rapine, religious vendetta, foreign conquest, imperial dominion and colonial subjugation have left Mediterranean peoples with fewer resources and weaker infrastructures than those of transalpine and transatlantic nation‐states. The consequences for the care and control of Mediterranean heritage are parlous. That heritage is both the region's self‐defining pride and its economic mainstay, yet a crippling burden to protect and maintain, let alone to interpret and celebrate. It is everywhere beset by natural and human attrition. Weathering and erosion, illicit excavation and pillage, tomb robbery and the international antiquities market exact tolls that legal codes and police forces are all but impotent to stem. Recent social and political trends suggest potential remedies for some of these dilemmas.     

Friedrich Sunder and the boundaries of gender

The article explores the gendered imaginary in the Gnadenleben of Friedrich Sunder (1254–1328) and the formation of clerical masculinity in the context of feminine devotional life. Friedrich Sunder worked as a convent chaplain for a Dominican female community and lived within the convent's area. In his book Sunder employs language, images and devotional practices that can be considered in medieval culture to have been feminine. Almost simultaneously, however, he applied masculine roles and emphasised his own manliness. Although Sunder accepted female forms of religiosity and wrote on practices that were considered especially suitable for women, at the same time his priestly masculinity was defined by the physical boundary the cloister created between the enclosed feminine religiosity and that of a pastoral masculine priesthood. His discussion of gender within the mystical frame defined the boundaries of his own masculinity in the web of different traditions of both the proper way of life and the gendered nature of religious practices.     

Resisting popular feminisms: gender,sexuality and the lure of the modern

Abstract

This article tracks discursive and political use of gender and sexual equality in nationalist and popular accounts of feminism, focusing on the ways in which such discourses produce a particular linking of time and space in the articulation of ‘the Modern’ in both colonial and postcolonial contexts. It further explores the increasing popularity of feminism in some media and celebrity contexts that have historically been so hostile to it, asking for care in tracking how and under what conditions feminism is cited as ‘universally desirable’ in light of this history. I suggest that feminism is partly reframed in this way insofar as it is newly sutured to femininity rather than masculinity, but also to singular rather than multiple or intersectional understandings of women’s oppression. A related claim of this article is that this shift of affective association with feminism is only possible when that singular cause of gender oppression is firmly understood as sexual oppression. I will be suggesting that if feminism is understood primarily or even only a fight against sexual oppression by men then the oppositional gendered roles that allow for its tethering to nationalism remain intact yet simultaneously obscured. In conclusion the article calls for an appreciation of feminism as a minority pursuit attentive to multiple power relations and histories.     

Art,history, and gender: women and clay in West Africa

Women dominate the production of pottery in Africa, yet few scholars have considered women the likely creators of the figurative ceramic sculpture recovered archaeologically across the savanna. Indeed, the question of who made these highly celebrated ceramics is rarely raised. A close look at the art historical and archaeological literature exposes the gender biases that privilege men's high art over women's low craft, making men the presumed creators of these works. Examples of women's predominance in the production of ritually-destined figurative ceramics in Nigeria alone counters such unsubstantiated assumptions. Through such production women play important roles in the construction of social and cultural meanings. It does make a difference in our reading and writing of history to understand and reconstruct what women make as well as what men make.

---

Résumé Les femmes dominent la production d'objets en argile en Afrique, mais peu d'experts ont considéré les femmes comme créatrices probables des sculptures figuratives en céramique découvertes dans des fouilles archéologiques dans toute la savane. De fait, la question de savoir qui fabriquait ces céramiques hautement prisées est rarement soulevée. Une étude plus approfondie de la littérature ayant trait à l'histoire de l'art et à l'archéologie met en évidence les partis pris sexuels qui privilégient l'art élevé des hommes par rapport à l'artisanat vulgaire des femmes, faisant des hommes les créateurs présumés de ces oeuvres. Des exemples de la prédominance des femmes dans la production de figurines rituelles en céramique au Nigéria contredisent ces suppositions non prouvées. Par cette production, les femmes jouent un rôle important dans l'élaboration de notions sociales et culturelles. Comprendre et reconstruire ce que font les femmes, de même que ce que font les hommes, nous fait lire et écrire l'histoire différemment.