GEZA‘

Abstract

Through a material and exegetical analysis of the texts in question (Isa 11, 1; 40, 24; Job 14, 8) the thesis demonstrates that from a horticulotural point of view, gz‘ displays the characteristics of a cutting (contextually perhaps a root sucker): gz‘ is a shoot taken from a tree (though its being cut off is not explicitly stated), planted in the soil where it takes root, it grows up, and in the religious imagery it is watered by the gardener who decides its fate.     

‘DOING FAMILY’

Drawing on a case study of married female migrants from two rural villages of Hung Yen province to Hanoi City, Vietnam, this paper investigates the implications of female migration on gender roles and relations within families. The paper shows that wives' migration changes gender roles and relations within the family. Being on the move, migrant wives become the main breadwinners while their husbands left behind take on the role of carers. The migrant wives acquire a stronger voice in family matters and a strong sense of pride, worthiness and earned respect, whereas their husbands experience a loss of power. However, these changing gender roles and relations rarely result in family fragmentations; instead, families are still being sustained as migrant wives ‘do family’. By ‘doing family’, they can exploit their increasing power in an acceptable manner, so that patriarchal family ideals are not openly confronted. This paper provides a more nuanced understanding of the implications of female migration on families, i.e. the simultaneity of the reproduction of and the change in gender roles and relations within families.     

‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?

Bollywood’s transnational mechanisms offer a unique space to study gendered subjectivity. My article studies a specific Bollywood movie, English Vinglish (2012) to draw out the profile of the ‘new woman.’ Persistently, I question the ‘new-ness’ to the construction of women when the ‘new’ reiterates the values of tradition, nation, and family. The ‘new’ seems to exist as a particular and unique transaction between local traditions and the global spread of populations that make limiting conceptions of woman, nation, or family, anomalies in a world propelled by expanding market needs and demands. The ‘new’ while offering possibilities for women, concomitantly carries different exclusions based on class, religion, language, and other identities. Understanding the formation of gender under contemporary conditions of transnationalism requires attentiveness to an insidious partnership of possibilities and exclusions that makes it simplistic to think in terms of progress or regress.     

DAVID AS A BIBLICAL ‘GOOD-FELLA’ AND ‘THE GODFATHER’

Abstract

Scholars search for analogies with which to better understand biblical texts. David has been compared to the “outlaw”, “refugee”, “vassal”, “renegade”, “guerrilla”, “bandit chief”, “fugitive” and “fugitive hero”. This article suggest that there are better cultural-social analogies, i.e., David as a “goodfellan”while in exile from Saul and in the land of the Philistines, and upon accession to the throne, “The Godfather”.

This article also has, as a part of its purpose, the intent to unmask some of the behavior of David and of monarchy for what they are: essentially organized crime maintained in large part by the use of indiscriminate violence-supported by nonsensical myths and obvious hypocrisy.

Cross-cultural comparisons are made throughout between the David stories, gangster movies and systems of monarchy—especially the ad hoc feudal type. Historical questions aside: The David stories can be “cross-culturally” compared with gangster films as “art”.     

“‘进’‘■’”字款越瓷考证

本文披露了20世纪80年代中期在古临安城(杭州市)发现的一件刻有“‘进’‘■’”字款的越瓷残片,论证其为南宋皇宫坤宁殿的用瓷,产于南宋初年古银锭湖寺龙口窑。     

Reinforcing Diversity: From the ‘inside’ and the ‘outside’

This paper focuses on Jan Monk's contribution to reinforcing diversity and collaboration in the field of human geography. It illustrates how gendered diversity and feminism is promoted in her academic work both inside the Anglo-American academic world and outside, by exposing the feminist voices from around the world and mainstreaming them in her collaborative work. Fostering and reinforcing diversity has become a body of knowledge in her extensive publications in which she assesses the varying extent and nature of feminist geography in the Anglophone world and across countries, attempting to interpret differences in terms of geographical and cultural contexts and disciplinary trends. The paper emphasizes how fostering diversity and collaboration in Jan's academic work is not only about writing articles, editing books and producing a film, but also engages the formulation of organizational structures such as the Routledge book series and the initiation and establishment of the Commission of Gender and Geography of the International Geographical Union which have contributed to the production of collaborative feminist geographical knowledge across spaces and places.     

介绍‘文物参考资料’

‘文物參考資料’是以圖書館、博物館及其他文物工作者為主要對象,以有關圖書館、博物館、文物保護工作的法令、報導、經驗、技術和理論為內容,特別着重於學習蘇聯先進經驗的參考性資料性的刊物。創刊於一九五○年一月,原為中央文化部社會文化事業管理局的內部刊物,第七期後改為