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In a secularized age, the study of past religion encounters problems both of empathy and categorization, and the student who derives his understanding from current belief and practice may be in a worse position than the detached observer. Yet historians have never before taken religion so seriously, while wider interest in the history of Christianity is growing. "Religious History" is sometimes said to have taken the place of "Ecclesiastical History." But both disciplines flourish, and the difference between them has been overstated. Historians can learn from social scientists questions about religion which, confined within the safe boundaries of period, they have not always had to face. The social functions of religion have been threefold, religion acting as a precipitant, a bond, and a source of legitimation. It has been said (by an anthropologist) that the study of religion has recently lived off the conceptual capital of its ancestors. The understandings of the social meaning of religion advanced by three of these "ancestors," Marx, Durkheim, and Weber, are examined. Only Max Weber is found to provide helpful guidance to the social historian of religion, particularly with his key concept of "elective affinity."  相似文献   

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Book reviewed in this article:
Gabrielle M. Spiegel, The past as Text: The Theory and Practice of Medieval Historiography  相似文献   

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Pigments appearing on ninth–twelfth-century AD-carved stucco, wall painting, and terracotta friezes excavated at Nishapur in north-eastern Iran were investigated by optical reflectance spectroscopy, micro X-ray fluorescence spectrometry (μ-XRF), X-ray diffractometry (XRD), micro-Raman spectroscopy (μ-Raman), and scanning electron microscopy (SEM). Many of the pigments identified including vermilion, red lead, hematite, limonite, carbon black, atacamite, calcite, and gypsum have been identified in previous studies of pigments used in later Islamic periods. However, a series of unusual pigments such as wulfenite, pyromorphite, phoenicochroite, and jarosite were also found in the present study. The association of kaolinite and alunite with limonite and other Fe-bearing yellow pigments points to a local provenance for these pigments. In addition, the presence of orpiment in the vermilion may be indicative that the vermilion was artificially manufactured. These findings suggest that pigment use and manufacturing during the ninth to eleventh centuries in Nishapur was still in a trial-and-error stage and the palette known from the twelfth century onwards had not yet been systematized.  相似文献   

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闻知  周斌  苑捷 《旅游纵览》2012,(7):74-76
<正>坐在海天一色的落地窗前,只闻一闻扑面的海风,心就已经醉了。到了秦皇岛,你不得不去的一个地方,就是"海天一色"。那里有四季不同的海,那里有四季如一的浪漫。春有一滩鸥鹭;冬见银装素裹;  相似文献   

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