‘Ugly but . . . important’: the Albanian Hoard and the making of the archaeological treasure in the early twentieth century

This paper deploys the Metropolitan Museum's Albanian (or Avar) Treasure as a case study to explore the role and value assigned to the named treasure during the early twentieth century, a moment when Americans – most notably J.P. Morgan – were among the wealthiest and most avid collectors of Byzantine and medieval art. Outlining the market conditions for such treasures, the archaeological practices that authenticated them, and the art historical categories that gave them meaning, the paper demonstrates the extent to which the archaeological treasure was a social creation built by various players: finders, dealers, scholars, museums and collectors.