Stages of War,Stages of Man: Quincy Wright and the Liberal Internationalist Study of War

American legal scholar Quincy Wright's 1942 A Study of War was a milestone in the study of warfare, and a monumental text in the history of liberal internationalism and the social sciences. Yet, it was quickly forgotten, and neglected ever since. This paper seeks to recover Study by elucidating its historical significance, and placing it within the intellectual and institutional contexts of its time. Study, I argue, encapsulated both an interwar liberal internationalist conceptualisation of warfare as well as a pre-Realist social scientific approach to war in international relations. Through the 1,500 page Study Wright attempted to take the emergent discipline of international relations in new directions by developing a multidisciplinary and multidimensional historical, theoretical and empirical approach to warfare. He incorporated sociological and anthropological approaches and developed themes found more broadly in existing Anglo-American studies of war. Study's multidimensional approach was framed by liberal internationalist concerns and concepts, and yet also reflected the development of the social sciences in the interwar period. Study points to the more realist direction liberal internationalism may have turned to if it had not succumbed to the power-political realist conceptualisations international relations which would ascend in the 1940s.     

Spiritedness,Reason, and the Founding of Law and Order: John Ford's The Man Who Shot Liberty Valance

Abstract

John Ford's 1962 classic Western, The Man Who Shot Liberty Valance, analyzes the difficulties inherent in founding a new political order based on the rule of law. Some critics have concluded that the film mordantly portrays the closing of the frontier, the tragic loss of the rugged individualism it promoted (represented by Tom Doniphon), and the ascendance in its place of a fraudulent political class (represented by Ransom Stoddard), while exposing that even free societies are founded on crime. Yet, as others have argued, Doniphon also represents the spirited part of the Platonic tripartite soul, revealing spiritedness's ambiguous relation to justice: he refuses to fight unless personally threatened; perpetuates servitude, if not slavery; and shows no interest in promoting equality of women. Doniphon stands in opposition to the principles of the Declaration of Independence, pointedly recited at the film's chronological center, and his eclipse by Stoddard is not a tragic mistake. In addition, John Locke's state of nature teaching unlocks why Valance's death is not a crime that sullies the foundations of the society. Finally, the legend told as fact at the film's conclusion combines both men into a single entity, “the man who shot Liberty Valance,” thereby propagating a salutary lesson for future citizens: reason must combine with and rule over spiritedness if law and order are to prevail.     

The Incomplete Alliance: America and Japan after World War II

Kyoko Inoue. MacArthur's Japanese Constitution: A Linguistic and Cultural Study of its Making . Chicago: University of Chicago Press.
Richard B. Finn. Winners in Peace: MacArthur, Yoshida, and Postwar Japan . Berkeley
Roger Buckley. US-Japan Alliance Diplomacy, 1945–1990 .