Is It Always Good to Talk? The Paradoxes of Truth-Telling by Rwandan Youth Born of Rape Committed during the Genocide

Social scientists have extensively debated the virtues, pitfalls, and practical effects of open dialogue and truth-telling versus silence and concealment in global post-conflict endeavours for justice and reconciliation. This article addresses these debates not by endorsing practices of either talk or silence, but by investigating the practical dilemmas faced by Rwandan youth born of rape committed during the 1994 genocide as they find themselves caught in dual cultural imperatives to reveal and to conceal the circumstances of their origins. On the one hand, the post-genocide moment has seen the rise of truth-telling and self-revelation through testimonial practices in settings like post-genocide trials and reconciliation or peace-building workshops. On the other hand, silence and concealment are accepted and expected modes of dealing with hardship in Rwandan cultural practice, and youth participants struggled with the stigma of having been born of genocidal rape. We argue that the youths’ ambivalent and sometimes contradictory moral evaluations of talking about versus hiding their origins highlight the challenges and complexities of identity and belonging in post-genocide Rwanda, since their very existence draws them, their mothers, and their perpetrator-fathers into ongoing relationships. These youths’ lives and experiences speak to larger and powerful conundrums at the heart of what it means to live with legacies of violence, including what should be said or remain unsaid, and how the very opposition between revealing and concealing can be confounded by social and cultural variances in the meaning of “truth.”     

Peace without social reconciliation? Understanding the trial of Generals Ríos Montt and Rodriguez Sánchez in the wake of Guatemala’s genocide

ABSTRACT

This article argues that the legal trial against Generals Efraín Ríos Montt and José Mauricio Rodriguez Sánchez for genocide and crimes against humanity has evidenced the interplay between the complex factors shaping post-conflict reconstruction and social reconciliation in post-genocide Guatemala, and, ultimately, the disjunctive impact of the country’s peace process. The ‘genocide trial’ then is more than a legal process in that it represents a thermometer for Guatemala’s peace process and, ultimately, for testing the nature and stability of the post-genocide/post-conflict conjuncture. Interiorization of human rights frameworks and justice mechanisms by indigenous and human rights activists, including of the Genocide Convention, has consolidated a partial rights culture. However, the trial and the overturning of its verdict have simultaneously evidenced the instability, fragility and disjunctive nature of post-conflict peace and the continuing impact of the profound legacy of the genocide and of social authoritarianism. The article argues that while the trial has wielded broad impact within both state institutions and society, consolidating indigenous political actors, it has simultaneously fortified spoilers and evidenced indigenous collective memory as a fragmented and contested sphere.     

Manoeuvring men: masculinity as spatially defined readability at the grandes manoeuvres of the Belgian army, 1882–1883

This article uses the case study of the Belgian grandes manoeuvres of 1882 and 1883 to explore the ways in which self-defined ‘all male’ spaces can contribute to the study and deconstruction of historical masculinities. Using the manoeuvres of the Belgian army at the end of the nineteenth century as a theatre of (military as well as civilian) corporeal and discursive practices, the simultaneous enactment of masculinity and nation is analysed. The material spaces in which these military exercises took place are understood as contingent creators instead of passive containers of masculinity: that is, rather than as a passive background to soldiers' movements, the champ de manoeuvres appears as an active stage, aiding the construction of a gendered military identity, but also challenging dichotomous understandings of gender. Likewise, the gaze upon both landscape and soldiers by different audiences plays an active part in the story of the construction of masculinity and nation: the act of recognition, performed by male and female civilians, during and after the manoeuvres was crucial for the continuous repetition of the discourse that created and upheld notions of ‘man’ and of ‘Belgium’.     

Racialising global relations: the Rwandan genocide and the ethics of representation

At a time when the historical experience of the Rwandan genocide continues to be invoked to imagine and affirm international responsibility for the suffering of others, this article examines one way in which this event has been made to mean. Through a critical reading of Hotel Rwanda (a feature film) and Shake Hands with the Devil (a memoir), the article examines how the Rwandan genocide has been framed as an event of ‘white’ Western racism towards ‘black’ African injury. Without disputing the veracity of this explanatory framework, this article interrogates its representational politics and ethics. I problematise its continued use of inherently discriminatory racial categories, demonstrate its Eurocentric nature and call for a mode of understanding the ethical significance of the Rwandan genocide that is not limited to an already existing global relation between suffering ‘black’ bodies and potential ‘white’ saviours. In critiquing these texts and this discursive framework, my aim is to enable ways of coming to terms with the genocide that can accommodate the complex connections that do and may exist between non-Rwandans and the 1994 Rwandan genocide.     

‘This is disco-wonderland!’ Gender,sexuality and the limits of gay domesticity on The Block

Gay men have been positioned as arbiters of ‘desirable’ domestic style—a domestic imaginary epitomised through their presence as designers and participants on lifestyle television. This paper offers a post-structural critique, examining how the intersections of gender and sexuality shape the contours of, and public responses to, gay domesticity. I scrutinise one telling example: commentaries on the domestic design created by a gay couple on The Block, an Australian lifestyle-reality programme. Applying discourse analysis to the public reception of their design, I argue the acceptability of gay domesticity is proscribed by norms of sexuality and gender, and consequently gay domesticity must be understood in both normatively feminine and masculine terms. While the desirability of gay domesticity reflects a feminisation of gay men, it is also constrained by processes of masculinisation that associate gay men's domestic tastes with Playboy-style bachelor domesticity. Through bachelor domesticity, tropes of partying and seduction undermine traditional feminine homemaking and the heteronormative ideology of home championing privatised nuclear family life. Scrutinising the intersections of gender and sexuality thus reveals limits to gay domesticity, with implications for the cultural politics around mainstream acceptance of gay masculinity: gay men and their homes are welcome when they reinforce heteronormative ideals.     

Proving One's Manliness: Masculine Self‐perceptions of Austrian Deserters in the Second World War

While important work has been produced on discourses of masculinity and the normative masculine ideals in nineteenth‐ and twentieth‐century Europe we know very little about the actual experiences and self‐images of individual men. This article, largely based on oral history interviews with former deserters, analyses the gendered identities of Austrian men who were recruited to serve in the Wehrmacht and who later deserted. Deserters were brutally persecuted in the Third Reich and denounced as ‘traitors’ and ‘cowards’. The glorification of martial masculinity in Nazi Germany played a crucial role in the defamation of deserters, whose manliness was called into question. Based on Connell's theory of hegemonic masculinity, the article aims to establish the actual influence of dominant ideals of masculinity. It investigates how these deserters perceived themselves as men and how they negotiated their gendered identities in interaction with their surroundings. The analysis reveals the considerable influence of the hegemonic ideal of ‘hard’ masculinity, which was far greater than the impact of the rather short‐lived ideal of martial masculinity. But it also demonstrates the contradictory nature of gendered identities and gives valuable insights into the selective appropriation of masculine values.     

Privileging masculinity in the social construction of Basque identity

Following a framework developed by Susan Gal and Judith Irvine (1995), this article illustrates how Basque‐medium schools promulgate an androcentric vision of the Basque nation. First, male privilege is upheld in textbooks through the erasure of women's contributions to Basque language and culture, so that men appear as the quintessential Basque speakers and cultural agents. Secondly, language ideologies about Spanish and Basque recursively construct Basque ethnic identity is such a way that it centres on vernacular Basque, whose primary marker is a second person pronoun, ‘hi’, which indirectly indexes male speakers and masculinity. An iconic relationship is thereby created between authentic Basque identity, Basque culture, Basque linguistic forms and masculinity. However, I also show that women have challenged this male privilege in various domains, thereby opening up the possibility of a Basque nation that embraces its female as well as its male members.     

Memory and the everyday landscape of violence in post-genocide Cambodia

This paper addresses the politics of memory in post-genocide Cambodia. Since 1979 genocide has been selectively memorialized in the country, with two sites receiving official commemoration: the Tuol Sleng Museum of Genocide Crimes and the killing fields at Choeung Ek. However, the Cambodian genocide was not limited to these two sites. Through a case study of two unmarked sites—the Sre Lieu mass grave at Koh Sla Dam and the Kampong Chhnang Airfield—we highlight the salience, and significance, of taking seriously those sites of violence that have not received official commemoration. We argue that the history of Cambodia's genocide, as well as attempts to promote transitional justice, must remain cognizant of how memories and memorials become political resources. In particular, we contend that a focus on the unremarked sites of past violence provides critical insight into our contemporary understandings of the politics of remembering and of forgetting.     

Male Saints and Devotional Masculinity in Late Medieval England

This article considers the ways in which the lives of male monastic saints circulating in late medieval England (and the cults of male saints more widely) were underpinned by certain ideas and ideals of masculinity and the functions which these performed. It argues for the significance of male saints serving as devotional models for the lay audience of these texts (both men and women). The two main sources are William Caxton's Golden Legend (published in 1483) and his Vitas Patrum (published after his death by Wynkyn de Worde in 1495). It therefore seeks to make a contribution to our understanding of the ways in which piety was used to assess masculinity, but also the extent to which piety as a social identity (both public and private in nature) was informed by notions of manliness.     

‘A Rather Undefined Social Position and Public Recognition’: Professionalisation,Status and Masculinity in Provincial Museums,c.1870–1930

This article examines the background, careers and self-presentation of the first generation of British museum curators in local government-funded provincial museums, c.1900, to explore the issue of masculinity among the lower-middle classes. It argues that while such men were sometimes mocked for the lack of masculinity they showed in their domestic lives, a focus on their professional lives reveals a different set of problems facing them as they attempted to be manly men; curatorial roles, like others available to the lower-middle classes, involved a dependence on local elites, and required many of the skills and attributes which were being colonised by new women professionals. The study then examines the tactics used, with some success, by such men to assert a professional masculinity, focusing on their identification with their museum, their development of a professional body and their investment in manly physical activities.     

The failure of Asian American representation in All-American Girl and The Cho Show

This article examines Korean American comedian Margaret Cho's attempts to represent Asian American identity as the star of two television sitcoms, All-American Girl (1994) and The Cho Show (2008). It begins with All-American Girl, showing how its contradictions around race, ethnicity and gender demonstrate the ideological boundaries of the network sitcom genre. It then looks at how the post-network ‘celebreality’ sitcom, The Cho Show, reproduces the assimilationist identity politics promulgated in All-American Girl even as it purports to critique them. The commercial failure of these shows is traced ultimately to the broader institutionalised racism and sexism of the US entertainment industry, its perpetuation of the neoliberal ideology of the American Dream and the internationalisation of that ideology by social minorities.     

The transformation of lieux de mémoire: The Nyabarongo River in Rwanda, 1992–2009

This article takes the Nyabarongo river as a lens through which to tentatively reflect on the transformation of lieux de memoire in post-genocide Rwanda in the period 1992–2009. It is culled from a larger, multi-year project on the construction, deconstruction, and reconstruction of collective memory in Rwanda that revolves around a systematic, historical, and spatial analysis of the hundreds of genocide memorials, informal and otherwise, that have been created — and some that have disappeared — in the last fifteen years.     

Intersecting Identities: Race,Military Affiliation,and Youth Attitudes towards War

Abstract

African-Americans in the U.S. military encompass at least two distinct identity groups: a racial status associated with lower support for the wars in Afghanistan and Iraq, and a military status which tends to be more ‘hawkish’ in perspective. This study examines the intersection of these two status characteristics utilizing survey data of American military academy cadets, Reserve Officer Training Corp (ROTC) cadets, and civilian students (n = 5,051). Majorities of military cadets, regardless of race, supported both of these wars more than their civilian counterparts, but African-Americans are significantly less supportive of the wars relative to their peers within each group. African-American cadets support both wars less so than whites and cadets of other races, but African-American cadets supported both wars more than African-American civilians. It appears that racial and military affiliations combine to yield a unique perspective on war, adapting elements of both statuses. These findings support the concept of intersectionality.     

Obscenity,Moral Contagion and Masculinity: Hijras in Public Space in Colonial North India

Abstract:

In the 1850s, the British “discovered” a community of transgender eunuch performers, the hijras, and legislated for their surveillance and control under the Criminal Tribes Act (CTA) in 1871. This article examines how the British dealt with transgender colonial subjects and the implications for our understanding of colonial masculinities. In particular, I analyse colonial attempts to erase hijras as a visible socio-cultural category and gender identity in public space through the prohibition of their performances and feminine dress. This case study demonstrates, first, how masculinity intersected with a broad range of colonial projects, agendas and anxieties. Focusing on the problematic presence of cross-dressing and performing hijras in public space, I examine how colonial attempts to order public space and reinforce political borders dovetailed with discourses of masculinity, obscenity and contagion. Second, I argue that attempts to discipline masculinity and obscenity were uneven in practice, meaning the CTA had varying localised impacts upon hijras. The lack of interest of some British officials in regulating hijras, inadequate policing resources, and pragmatic compromises opened up gaps in surveillance that hijras grasped and expanded, frustrating colonial attempts to transform their bodies and behaviours.     

The Archaeology of the Military Orders: The Material Culture of Holy War

THIS PAPER reviews the current state of research into the archaeology of the military orders. It contrasts the advances made by historians and archaeologists, with the latter continuing to focus on the particularism of individual sites, with an emphasis on architectural analyses. Historians have contributed new insights by adopting a supranational approach. This paper argues that archaeologists can build on this by adopting a more problem-oriented, comparative approach. Drawing on examples from frontier and heartland territories, archaeological approaches are subdivided into material investment, material identity and cultural landscapes, to place sites of the military orders within long-term, multi-scalar contexts. This contributes to a broader social and economic understanding of the orders, who contributed significantly to urbanisation, rural development and trade, and invested in material expressions of their authority and ideology. The paper concludes that more holistic, interregional approaches will move the archaeological study of the military orders forward.     

‘Each fantasy chosen begin’: the music of The Divine Comedy

This article considers the cultural and social context for the music of the Northern Irish band The Divine Comedy. It focuses on three mid-1990s albums – Liberation (1993), Promenade (1994) and Casanova (1996) – and debates the significance of this performance of alternative Ulster masculinity during the peace process. It will detail the lyrical obsession with a very particular type of imagined Anglo-Irishness during the first two of these albums, and then consider the complicated uses of the ‘Britpop’ genre in Casanova. This music is baroque, literary and written by an Anglican bishop's son, Neil Hannon, who grew up in Enniskillen during the Troubles. It will consider how Hannon cobbles together an acceptable identity through the use of literary pretentiousness and a carefully crafted pop persona.     

Shame and Care: Masculinities in the Goroka Marketplace

For those women living in villages within accessible range of Goroka town, it is the norm to sell fresh produce in the Goroka market. Fresh produce trading, or maket in Tok Pisin, is common for women throughout the country. To see men selling food in the Goroka market is significantly less common, and those who do, usually sell foods brought from outside of Goroka. The gender divisions that exist in and around the marketplace today in Goroka are maintained through discourses of emotions and practice, specifically the notion of sem (Tok Pisin: shame, embarrassment). As part of a 12‐month ethnographic research project on gender relations in and around the Goroka market, I spoke with market vendors, amongst others living in and around Goroka, about why men do not market. I also interviewed some of the few men who do sell fresh produce in the market. Based on these men's explanations and those of others with whom I spoke, I suggest that these sellers exhibit aspects of masculinity that are caring for their families, putting shame second, and justifying this by their aspirations to transform their and their loved ones’ lives through education and business. These men demonstrate an emergent form of masculinity that both includes and contests aspects of hegemonic masculinity in the Highlands. Whilst selling fresh produce in the marketplace is deemed embarrassing and shameful for the majority of men, those who sell regardless justify doing so by pointing to the importance of providing for their families and loved ones.     

Performing masculinity in the Moroccan theatre: virility,sexuality and Spanish military culture from the African War to the Civil War

This article explores constructions of Spanish masculinity in the first decades of the twentieth century, as Spain engaged in colonialist wars in Morocco; memoirs and literary texts by travellers, soldiers and military leaders such as Francisco Franco and José Millán Astray are read alongside theoretical works. I argue that, like European Orientalism, Spanish Orientalism projects onto Moroccan men an image of fanaticism, barbaric violence and ultra‐virile yet ‘polymorphously perverse’ sexuality. However, that particular image of masculinity is just as often re‐assimilated into a Spanish national identity that can never quite manage to assert its fundamental difference from North Africa.     

Saxon military revolution, 912–973?: myth and reality

For more than a generation Karl Leyser's influential thesis, which credited Henry I with undertaking a military revolution which made possible the Saxon dynasty's rule of Francia orientalis, has dominated the scholarly literature. According to Leyser, Henry radically reformed the Saxon military by building a large force of heavily armed mounted fighting men. These men provided the means necessary to assure Saxon domination. It is argued here, by contrast, that this Saxon military revolution is a myth and that the continental Saxons, as contrasted to those in England, saw the gradual development of a heavily armed mounted fighting force following their conquest by Charlemagne in 805. The real Saxon military revolution was Henry's creation of the agrarii milites and the building of frontier fortifications.     

Competing Masculinities: Fraternities,Gender and Nationality in the German Confederation, 1815–30

Immediately after the Wars of Liberation against Napoleon (1815), university students, particularly the nationalist fraternity, the Burschenschaft, sought to connect the German nation with martial values. They practised gymnastics, duelled and commemorated veterans of the Napoleonic wars. The era after the Wars also illustrates greater mediation in the discourse of masculinity than has generally been acknowledged, however. University students never achieved consensus on what masculine identity or German identity entailed. By applying enlightened principles to notions of honour and the practice of the duel, Burschenschafter also articulated a new, more moral vision of the German man, one based more on rationality and self‐discipline than on martial values.