Beginnings: women and geography at Northwestern in the 1960s

This brief article attempts to paint a picture of the social and intellectual atmosphere in which Susan Hanson's postgraduate education took place and then discusses her particular experiences in the Geography Department at Northwestern University. It describes the sexist characteristics of American geographical university education in the 1960s and the competitive and male-dominated environment of Northwestern. It suggests that Susan's experiences at Northwestern were an important influence on her subsequent values, skills and interests as a feminist academic.     

An interview with Anne Buttimer: an autobiographical window on geographical thought and practice 1965–2005

Anne Buttimer's 40 years of geographical publications have been influential and international in scope. She has also played an important institutional role within the International Geographical Union, culminating in her presidency 2000–2004. The relative invisibility of women's geographical work in histories of the discipline needs to be redressed and it is hoped that this interview might contribute to that wider project. After a brief biographical sketch, the bulk of the article is devoted to an (auto)biographical interview, which addresses Buttimer's work on social geography, values in geography, the humanist and phenomenological schools, the Dialogue Project, and environmental issues, as well as her own gendered career experience and perspectives on gender issues. While Buttimer does not deem herself a theoretical feminist per se, her work has shown sensitivity to gender issues through her concern for the human perspective on geographical issues and knowledge.     

Honoring Susan Hanson's 45 years in geography

The essays in this themed section honor Susan Hanson's 45 years in geography. They are written by senior academic geographers who participated in a series of panels at the Annual meeting of the Association of the American Geographers in Boston in 2008 that celebrated Susan's scholarship and her impact on the discipline of geography.     

Time,place, and the lifeworlds of feminist geographers: the US in the 1970s

The 1970s, the decade in which Susan Hanson took up an academic appointment in American geography, was a period of marked growth in women's representation and political activism in the discipline and of the emergence of feminist research and teaching. Susan's career illustrates the changes in consciousness, resiliency in the face of setbacks, and creativity of the times. Inspired by the women's movement, and exemplifying collegiality, women geographers identified masculine biases in scholarship and professional practices, initiated research and teaching on women and gender, and worked to enter the leadership of the Association of American geographers. Their efforts were the genesis of the feminism in the profession that has since flourished in the United States. It is fitting that Susan Hanson's leadership and contributions in this arena are widely recognized and honored.     

Quotidian geographies: placing feminism

We discuss Susan Hanson's contributions to geography during the 1970s and 1980s through the lens of quotidian geographies, geographies of the everyday. Beginning from our own experiences as graduate students and new faculty members, we describe the social and theoretical context in which Susan published her initial studies of men's and women's activity patterns that examined gender differences in travel behavior and their origins in men's and women's different household responsibilities. We also review her success peopling the discipline of geography. We conclude that human geography has benefited from the incorporation of feminist theory and methods as Susan predicted.     

Confronting Contradictions: Genre Subversion and Feminist Politics in Agnès Varda's L'une chante,l'autre pas

French filmmaker Agnès Varda's career has been largely defined by contradiction. She is acknowledged as influential, yet often discussed independently from the advanced filmmaking practices and intellectual debates of her New Wave generation. Her musical, L'une chante, l'autre pas, was particularly misunderstood: film critics and feminist scholars praised the film's feminist storyline, but found that the unexpected musical numbers undercut the seriousness of the feminist message, resulting in a film that is ultimately incongruous. Through archival excavation of Varda's sources, I argue that the film's incongruity was in fact intentional, an expansion of advanced filmmaking theories and strategies, in dialogue with influential Brechtian texts and contemporary feminist debates. This essay reveals specific social and economic factors that influenced the production and reception of the film and reconsiders apparent contradictions in Varda's career.     

A Feminist Literary Cartography of the Canadian North: Women,writing and place in Aritha van Herk's Places Far From Ellesmere

This article examines the idea of North in Aritha van Herk's (1990) Places Far From Ellesmere, a feminist rereading of Anna Karenin that is also an exploration of place—Ellesmere Island—and of gender, identity and belonging. I situate my reading of Ellesmere firstly within feminist literary theory, focusing on the concept of intertextuality and on the implications of the concept, from the perspective of feminist theorists, for the acts of writing and reading. I further contextualise van Herk's work by outlining the growing sensitivity to the complexities of writing Canadian space in Canadian literary criticism. The focus then shifts to Ellesmere, beginning with an investigation of van Herk's representational practices and philosophies, which are organised around a critique of the relationship between writing, gender and power. I argue that van Herk's insistence upon the power of feminist textual rereadings, an insistence that results from her aversion to authority, critically shapes her geographical imaginary, and her understanding of North. By extending the text and thereby the practice of reading to geography, van Herk makes possible a feminist representation or rereading of the North that simultaneously contests the conventions of literature, of place and of gender. Ultimately, I argue that it is van Herk's commitment to investigate the processes of representation in which she is engaged that makes her representation of the North such a valuable text for feminist and literary geographers.     

Writing from the margins: Marina Carr's early theatre

This article analyses Marina Carr's first four plays: Low in the Dark (1989), The Deer's Surrender (1990), This Love Thing (1991) and Ullaloo (1991). It aims to show how Carr seeks to eschew the mimetic conventions of what can be seen as a dominant, patriarchal theatre establishment, marking (and possibly maintaining) her marginal position as a theatre-maker at the time. I argue that Carr, at this point in her career, was engaged in distinctly feminist theatre practices. Materialist feminist discourse provides a useful framework for understanding what the emergent dramatist was trying to achieve and the meaningful possibilities of her work. A study of this phase of Carr's career, encompassing all four works preceding The Mai, has not been offered in research on the dramatist to date. In addition to expanding the history of feminist theatre practice in Ireland, it promotes an enriched understanding of Carr's theatre as a whole.     

Feminist geography,the ‘everyday’, and local–global relations: hidden spaces of place‐making*

An interest in the taken‐for‐granted, mundane routine activities of women's lives has long been central to the production of knowledge in feminist geography. Here, I revisit the ‘everyday’ in relation to changing lines of inquiry as geographers work to capture the complexity of local–global relations in conceptualising an accelerated pace of the stretching of social relations over space. Through a primary focus on feminist work on care in the home, I explore the various ways in which the meanings and organisation of caregiving activity are intricately connected with the intertwining of globalisation, neoliberalism, social conservatism and a ‘greying’ population in the West. Foregrounding gender in my discussion, I review literature and draw on research examples to illustrate ways in which various types of ‘hidden’ caregiving contribute to contemporary place‐making, and open up our understanding of the ‘local’.     

Challenging Hegemonies through Connecting Places,People and Ideas: Jan Monk's contribution to international gender geography (with particular reference to Spain)

The main goal of the paper is to study Jan Monk's contribution to the development of international gender geography, in particular in Spain. Our aim is also to explain the experiences and numerous connections among places, people and ideas that she has been weaving to foster international scholarship and, in this way, how she has challenged hegemonic approaches in feminist geography. Jan Monk comes originally from the Southern hemisphere and therefore she is well aware of the extent to which ‘Northern’ (or Anglo-American) ways of seeing the world define concepts, theories and ideas in geography (and also in feminist geography). Being an ‘insider’ and an ‘outsider’ as well as her sensibility to the important of place has permeated Jan's contribution to international gender geography.     

Reinforcing Diversity: From the ‘inside’ and the ‘outside’

This paper focuses on Jan Monk's contribution to reinforcing diversity and collaboration in the field of human geography. It illustrates how gendered diversity and feminism is promoted in her academic work both inside the Anglo-American academic world and outside, by exposing the feminist voices from around the world and mainstreaming them in her collaborative work. Fostering and reinforcing diversity has become a body of knowledge in her extensive publications in which she assesses the varying extent and nature of feminist geography in the Anglophone world and across countries, attempting to interpret differences in terms of geographical and cultural contexts and disciplinary trends. The paper emphasizes how fostering diversity and collaboration in Jan's academic work is not only about writing articles, editing books and producing a film, but also engages the formulation of organizational structures such as the Routledge book series and the initiation and establishment of the Commission of Gender and Geography of the International Geographical Union which have contributed to the production of collaborative feminist geographical knowledge across spaces and places.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Rethinking the place of emotions in the field through social laboratories

The insights of feminist science and technology studies (STS) into the constructed and situated nature of knowledge have proved crucial to informing feminist geography. Since the rise of emotional geographies, feminist methodologies no longer simply reflect on questions of positionality, partiality, and power relations, but also on the role of emotions in the field. In this article, we argue that a feminist STS perspective has much to offer when thinking about the way emotions are engineered, controlled, and negotiated in research processes. Our engagement with what we call ‘social laboratories’ – i.e., spaces in everyday life where (experimental) research is conducted with human beings – advances debates in feminist geography, as these laboratories crystallize the emotional entanglements feminists encounter in the field. Looking at economic experiments in Ghana and fertility clinics in Mexico, we discuss the difficulties of doing feminist fieldwork in these experimental research spaces. We argue that the constant negotiation of emotions and ethics is crucial to access, assess, and do fieldwork in research settings that do not adhere to feminist ideals, but nevertheless have gendered effects on women's and men's lives. Rethinking ‘the place of emotions in research’ (Bondi 2005, in Emotional Geographies, edited by Joyce Davidson, Liz Bondi, and Mick Smith, 231–246, Aldershot: Ashgate) through social laboratories forges instructive links across feminist/emotional geographies and social studies of science.     

Emplacing Current Trends in Feminist Historical Geography

In this article, the authors assess some of the major trends within anglophonic feminist historical geography appearing in the decade since Rose & Ogborn called for the development of an explicitly feminist approach to the subfield. In examining the 'geography' of feminist historical geographies, three main categories of scholarship are evident: a 'new' historical geography of North America, portions of which are informed by feminist theories and methods; a British school of feminist historical geography with a focus on the discipline of geography, geographical knowledges and colonialism/imperialism; and feminist historical geography interventions in cultural politics of space and place. A diversity of feminist methods and epistemologies appears across the literature. In an attempt to avoid a reading of these trends as better or worse approximations of historical 'progress', the authors conceptualize them as emplaced within a number of specific social and spatial contexts. Most recent work is concerned with the production of gender differences as they are worked through economic, political, cultural and sexual differences in the creation of past geographies. The continued need simply to write women into historical narratives and geographies, however, is also evident. The work of feminist historical geography questions and challenges geography's masculinist historical record.     

Exploring subject positions and multiple temporalities through an Iranian migrant mother's family photograph albums

In this article, I draw on a research study of one Iranian migrant mother's generation of selves through her material configuration of her personal photograph albums and through our verbal reading of her photographs. The research engages in a visual-material feminist ethnographic approach, and is informed by the work of Gillian Rose and the understanding that family photographs are a means by which women negotiate subject positions. In this article, I discuss an unexpected finding of my research, the significance of multiple temporalities in a migrant mother's production of selves. The photo album practices of the participant mother of this study, ‘Parvin’, depart from the common social convention of mothers arranging their photograph albums to chart family growth following the model of milestones occurring over linear developmental time. Parvin does not limit herself to linear developmental time, but rather she mixes up photographs in her post-migration family albums to generate multiple temporalities woven together by an enveloping ‘mixed’ time. Drawing on both Julia Kristeva and Homi Bhaba's theories of temporality and the subject, I suggest that Parvin produces subject positions for self and family through a continual interweaving of a multitude of pasts into the present and through a subsuming of milestones within cyclical family time. Further, I suggest that through her generation of multiple temporalities, Parvin produces the subject position of ‘accommodating mother’. Finally, I highlight the potential afforded by considering the temporal and the spatial together in studies of migrant identity.     

Is Feminist geography relevant?

Abstract

As the whole point of feminism is to empower women and girls and to improve the circumstances of their lives, most feminist geographers would claim that indeed feminist geography is — or at least aims to be — relevant; they would then hasten to point to the contradictions and ambiguities inherent in this claim: what counts as relevant and relevant to whom are complicating questions. The work of feminist geography encompasses teaching, activism and scholarship — all potentially relevant activities. In considering what counts as relevant, I discuss the difficulties of equating relevant with applied and of knowing whether or not our teaching, research and activism will turn out to be relevant. Complicating any claim to relevance is our inability to know, and lack of control over, how others will use our work. Asking ‘relevant to whom?’ points to the difficult truth that what some women view as positive change others may see as harmful to their interests; in this senserelevance is specific to particular contexts, scales and places. At the same time, relevance can enter the intricate web of global interconnections and transcend particular contexts, scales and places. Relevance itself is therefore a geographic concept. Feminist geographers struggle to hold together these sometimes contradictory geographic dimensions of relevance. I close by arguing that the growing body of feminist geography work engages with a range of social issues around the world and certainly has the potential for relevance at a variety of scales. But the relevance question will remain a complex and ambiguous one for feminist geographers.     

Constructing gender,constructing the urban: A review of Anglo-American feminist urban geography

This essay explores the changing shape of Anglo-American feminist urban geography, through a discussion of material published in Gender, Place and Culture and elsewhere over the past decade. We contextualize this discussion in relation to the development of feminist urban studies since the 1970s, showing its enduring commitment to work across traditional analytical divides that obfuscate crucial aspects of the mutual constitution of gender and the urban. Focusing on two thematic areas--affective experiences of urban space, and the making of urban public spaces--we examine how this commitment is expressed in recent contributions to feminist urban geography. Both bodies of work successfully challenge a divide between scholarship that focuses on how cities constrain, disadvantage and oppress women, and scholarship that focuses on how cities liberate women. However, we are disturbed by a seeming bifurcation between work concerned with issues of recognition and work focusing on issues of redistribution, with the former being well represented in Gender, Place and Culture and the latter more likely to be aired in 'mainstream' journals. We conclude by reflecting on our lack of perspective on the trajectories of feminist urban geography outside of the Anglo-American context and ask whether the boundaries within which our review has been conducted are themselves gendered.     

Canadian feminist geography in the 21st century

Abstract

In this country report, I offer a resident-outsider’s perspective on the recent history and current landscape of Canadian feminist geography. I highlight the institutional framework that showcases Canadian feminist geography: the Suzanne Mackenzie Memorial Lectures, the biennial events put on at the Canadian Association of Geographers meeting with the support of the Canadian Women and Geography Study Group/Groupe d'étude sur les femmes et la géographie (CWAG). I discuss recent community-building efforts, including the Great Lakes Feminist Geography Collective, and scholarly workshops, and point to the creative outputs that have emerged from these collective workspaces. I point to a variety of Canadian feminist geographers who have laid the groundwork for the diverse field that exists today, as well as some who are re-making the field through the use of other ontological and methodological frameworks. I conclude with a commentary on the importance of community- and alliance-building, especially in the face of challenges like structural injustice, generational transition, and even physical distance.     

Féministes tant qu’il le faudra! The multiple possibilities of francophone feminist geographies au Québec/Canada

Abstract

This article offers a brief overview of the development of francophone feminist geography in Canada. We begin by situating the review geographically, in order to explain our focus on francophone feminist geography produced in Québec. We then discuss the origins of feminist francophone geography in the 1980s, highlighting the central role of the student reading group, the Collectif de lecture sur l’espace et les femmes, that was formed during that period at l’Université Laval. Tracing the research trajectories of feminist geographical research since then, we argue that feminist geography has become more diverse, but ironically less visible. We conclude by highlighting the central role that graduate and undergraduate students play in pushing forward a feminist geography agenda as they demonstrate the importance of feminist politics era through their research and activism.     

Intimacy and angst in the field

This article explores the paradoxes of angst and intimacy in ‘the field.’ One aim of feminist research is to attend to overlooked day-to-day practices through which difference and power work. Yet, this focus on intimate and submerged experience is also risky, potentially asking that people share their most intimate experiences with the researcher. How does such attention to the personal lives of others intersect with ethical demands and postcolonial critiques of representation? A desire to understand the submerged life of the geopolitical in women's day-to-day life in India's Ladakh region has driven my research on the politics of marriage and contraceptive choices. Taken by a feminist approach to the geopolitical, I sought out the ways that intimate life was inflected by territorial struggles, without adequately comprehending either the promise or the risks of making intimacy and the body a subject of research. This work was complicated and enriched by my status as a foreigner married into a local family, which provides a not-quite-outsider positionality. This article reflects on the role of intimacy in fieldwork in two senses: doing research on intimacy, and navigating intimacies in and after the field. I argue that intimate fieldwork is full of both promise and peril for feminist researchers. I call then for careful engagement with such topics, and for a rethinking of the boundaries of the field as they relate to the researcher, who carries these boundaries in his or her own body when navigating social relations in the field.